Límite físico, «nueva entrada» y pantalla visual desde el yacimiento que recoge accesos y áreas de aparcamiento.
Los usos se definen en volúmenes. Su fragmentación busca el encaje en el terreno. Zócalos de piedra, como transición, sobre los que se montan las cajas de cinc con caras abiertas protegidas por lienzos de tramex.
Las grietas que se generan permiten la extensión controlada al exterior.
Las diferentes piezas (acceso, vestíbulo, aulas-corazón de red, exposición temporal, exposición permanente) se van enfilando con el recorrido de acceso al yacimiento.
Centro de Interpretación de la Cultura Castrexa | Carlos Martínez – Ángeles Santos – Carmen Ruíz | Planimetria
Centro de Interpretación de la Cultura Castrexa | Carlos Martínez – Ángeles Santos – Carmen Ruíz | Planimetria
Centro de Interpretación de la Cultura Castrexa | Carlos Martínez – Ángeles Santos – Carmen Ruíz | Planimetria
Centro de Interpretación de la Cultura Castrexa | Carlos Martínez – Ángeles Santos – Carmen Ruíz | Planimetria
Centro de Interpretación de la Cultura Castrexa | Carlos Martínez – Ángeles Santos – Carmen Ruíz | Planimetria
Centro de Interpretación de la Cultura Castrexa | Carlos Martínez – Ángeles Santos – Carmen Ruíz | Planimetria
Centro de Interpretación de la Cultura Castrexa | Carlos Martínez – Ángeles Santos – Carmen Ruíz | Planimetria
Obra: Centro de Interpretación de la Cultura Castrexa (Red Gallega de Patrimonio Arqueológico)
Autores: Carlos Martínez González, Ángeles Santos Vázquez, Carmen Ruíz Alarcón
Promotor: Dirección General de Patrimonio Cultural. Consellería de Cultura e Turismo- Xunta de Galicia
Emplazamiento: San Cibrán de Las, Concello de San Amaro, Ourense, España
Constructora: DICSA
Colaboradores: Estructura,Ezequiel Fernández Guinda, Instalaciones, Isabel Francos Anllo
Dirección de ejecución: 1ª fase José Ramón Temes Caneda, Carmen Diéguez Álvarez, 2ª fase Jesús Damiá Rodríguez
Fecha de proyecto/remate: julio 2005 – marzo 2010
Superficie: 2.833 m2
Fotografías: Héctor Santos-Díez | BISimages
Surge enero de 2009 como búsqueda de satisfacer el conocimiento de la actividad arquitectónica y tangentes que se generan. La idea es crear un espacio para divulgar los diversos proyectos en busca de nueva inspiración y de intercambio.
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