Recognize | Sergio de Miguel

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Pablo Picasso. Cabeza de toro. 1942
Pablo Picasso. Bull´s head. 1942

In many processes of investigation that we carry out to find the real possibilities of action it depends on our capacity identifying and distinguishing. Of exercising this iteration, this to return to the knowledge from the attention and the intention in search of new fields of interpretation. Opening one to examine intensely, one to ascend on having been able to see with the maximum of expectations.

Often our search faces to comparing images with realities that cannot be another thing that keys to the understanding. That beside being always they mean. And his being is able to discover and significance only depends on that we are capable of admitting all that that it is and can manage to be.

Learning in this skill of returning to extract meanings and answers of the ideas and the things, even of the invisible and indescribable thing, it supposes intensifying and evolving the fields of expression and manifestation.

Recognize is always a pure action. Dynamic and sharp. Capable of differentiating, across brave approximations and choices, the insignificant thing of the characteristic thing. Beyond his supposed rationality the act of recognizing molds the experience, the emotion and the perceptive alteration. It evokes and provokes. And it demonstrates an unavoidable condition to manage the good one to do.

In agreement with his attraction to circulate as palindrome the labor of recognizing there supposes one strolling approximatly that converges on the active core of the interpretation, arranging successively the definition with the memory.

He carries therefore an attitude of efficient investigation which principal vehicle is the time. This essential and arrested time, more near the qualitative kairós that of quantitative stopwatches, which the necessary criterion provides to glimpse that one that develops in importantly. In tuning in with this goblin that provides the suitable and opportune moment.

We know that we are in the happy condition of recognizing because, from this precise moment, everything what happens turns into something difficult of forgetting. It wakes the impact up. And in his perspicacity there proliferate those emotions and sensations that move to new possible realities. It is an instantaneous knowledge, often inexplicable, but extraordinarily connected with that one that we know positively that it can manage to be.

If of recognizing it depends porqué not to get used in insisting on checking in a critical way the already learned. It is not going to be that what returns to know, here and now, is actually for what we are looking.

Sergio de Miguel, PhD architect
Madrid, october 2016
Published in educational Group and of investigation for the architecture Grupo 4! of the ETSAM.

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