{"id":9263,"date":"2016-08-22T00:30:15","date_gmt":"2016-08-21T22:30:15","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=9263"},"modified":"2024-04-02T09:33:43","modified_gmt":"2024-04-02T07:33:43","slug":"faltas-de-fragmentacion-sergio-de-miguel","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/","title":{"rendered":"[:es]Faltas de fragmentaci\u00f3n | Sergio de Miguel[:gl]Faltas de fragmentaci\u00f3n | Sergio de Miguel[:en]Faults of fragmentation | Sergio de Miguel[:]"},"content":{"rendered":"

[:es]

\"Faltas<\/a>
New Museum of Contemporary Art, New York, de Kazuyo Sejima y Ryue Nishizawa\/SANAA<\/span><\/figcaption><\/figure><\/p>\n

En la arquitectura reciente encontramos un recurso recurrente de transgresi\u00f3n figurativa. Su objetivo no es otro que poner en valor, enfatizar, los edificios que por su car\u00e1cter y finalidad han de destacar en su entorno.<\/p>\n

Es sabido que la principal virtud de la arquitectura<\/a> es controlar la fragmentaci\u00f3n<\/a>. En definitiva, las cantidades. Existen numerosas leyes que vienen a definir las pautas frente a \u00e9sta cuesti\u00f3n b\u00e1sica.<\/p>\n

Los estilos, las modas, han podido desarrollarse gracias a determinadas actitudes frente al problema de la fragmentaci\u00f3n.<\/p>\n

O la falta de ella.<\/p>\n

Y es que, como si de faltas de ortograf\u00eda se tratara, muchos edificios en los \u00faltimos tiempos han acudido a modificar intencionadamente el orden aprendido (y transmitido) de fragmentaci\u00f3n con el \u00fanico prop\u00f3sito de mostrarse diferentes. Con una presencia alterada.<\/p>\n

Para provocar el extra\u00f1amiento<\/strong><\/h6>\n

Es un procedimiento bastante eficaz pero, para tener \u00e9xito, ha de contemplar una gran dosis de pericia t\u00e9cnica.<\/p>\n

Hist\u00f3ricamente, la fragmentaci\u00f3n de la arquitectura ha venido de la mano de los sistemas t\u00e9cnicos utilizados. De los modos de construir. La fragmentaci\u00f3n de la piedra nada tiene que ver con la fragmentaci\u00f3n de la cer\u00e1mica, del hormig\u00f3n o del acero. Y, de modo m\u00e1s reciente, la inclusi\u00f3n de materiales compuestos ha dado como resultado un sin fin de nuevas alternativas.<\/p>\n

Construir un volumen extremadamente grande y continuo es complejo. No s\u00f3lo por cuestiones pr\u00e1cticas sino porque en realidad a nadie se le escapa que en realidad s\u00ed necesita una fragmentaci\u00f3n. Lo que sucede es que no se muestra. Es decir, supone conseguir un premeditado enga\u00f1o a la percepci\u00f3n.<\/p>\n

Del mismo modo, construir una pieza exageradamente fragmentada, supone un esfuerzo constructivo en resoluci\u00f3n de juntas un tanto inveros\u00edmil. Lo que hace entender, de nuevo, que no estamos ante una fragmentaci\u00f3n cierta sino ante una figurada.<\/p>\n

Por \u00e9sta raz\u00f3n en la mayor\u00eda de los casos se cruzan estas intenciones. Lo muy grande se conforma con un sumatorio incontable de piezas peque\u00f1as. Y viceversa, lo muy peque\u00f1o se consigue de manera pr\u00e1ctica con imperceptibles piezas grandes.<\/p>\n

La escala es siempre humana. Debe ser humana.<\/p>\n

Explorar los l\u00edmites es tarea de la buena arquitectura.<\/p>\n

Y la b\u00fasqueda de una \u00abnueva fragmentaci\u00f3n\u00bb es parte del juego…<\/p>\n

Sergio de Miguel, arquitecto
\nMadrid, marzo 2010[:gl]

\"\"<\/a>
New Museum of Contemporary Art, New York, de Kazuyo Sejima and Ryue Nishizawa\/SANAA<\/span><\/figcaption><\/figure><\/p>\n

Na arquitectura recente atopamos un recurso recorrente de transgresi\u00f3n figurativa. O seu obxectivo non \u00e9 outro que p\u00f3r en valor, salientar, os edificios que polo seu car\u00e1cter e finalidade han de destacar na s\u00faa contorna.<\/p>\n

\u00c9 sabido que a principal virtude da arquitectura \u00e9 controlar a fragmentaci\u00f3n. En definitiva, as cantidades. Existen numerosas leis que ve\u00f1en definir as pautas fronte a esta cuesti\u00f3n b\u00e1sica.<\/p>\n

Os estilos, as modas, puideron desenvolverse grazas a determinadas actitudes fronte ao problema da fragmentaci\u00f3n.<\/p>\n

Ou a falta dela.<\/p>\n

E \u00e9 que, coma se de faltas de ortograf\u00eda trat\u00e1sese, moitos edificios nos \u00faltimos tempos acudiron a modificar intencionadamente a orde aprendida (e transmitido) de fragmentaci\u00f3n co \u00fanico prop\u00f3sito de mostrarse diferentes. Cunha presenza alterada.<\/p>\n

Para provocar o extra\u00f1amento.<\/p>\n

\u00c9 un procedemento bastante eficaz pero, para ter \u00e9xito, ha de contemplar unha gran dose de pericia t\u00e9cnica.<\/p>\n

Hist\u00f3ricamente, a fragmentaci\u00f3n da arquitectura veu da man dos sistemas t\u00e9cnicos utilizados. Dos modos de constru\u00edr. A fragmentaci\u00f3n da pedra nada ten que ver coa fragmentaci\u00f3n da cer\u00e1mica, do hormig\u00f3n ou do aceiro. E, de modo m\u00e1is recente, a inclusi\u00f3n de materiais compostos deu como resultado un sen fin de novas alternativas.<\/p>\n

Constru\u00edr un volume extremadamente grande e continuo \u00e9 complexo. Non s\u00f3 por cuesti\u00f3ns pr\u00e1cticas sen\u00f3n porque en realidade a ningu\u00e9n se lle escapa que en realidade si necesita unha fragmentaci\u00f3n. O que sucede \u00e9 que non se mostra. \u00c9 dicir, sup\u00f3n conseguir un premeditado engano \u00e1 percepci\u00f3n.<\/p>\n

Do mesmo xeito, constru\u00edr unha peza exageradamente fragmentada, sup\u00f3n un esforzo constructivo en resoluci\u00f3n de xuntas un tanto inveros\u00edmil. O que fai entender, de novo, que non estamos ante unha fragmentaci\u00f3n certa sen\u00f3n ante unha figurada.<\/p>\n

Por esta raz\u00f3n na maior\u00eda dos casos cr\u00fazanse estas intenci\u00f3ns. O moi grande conf\u00f3rmase cun sumatorio incontable de pezas pequenas. E viceversa, o moi pequeno cons\u00e9guese de xeito pr\u00e1ctico con imperceptibles pezas grandes.<\/p>\n

A escala \u00e9 sempre humana. Debe ser humana.<\/p>\n

Explorar os l\u00edmites \u00e9 tarefa da boa arquitectura.<\/p>\n

E a procura dunha \u00abnova fragmentaci\u00f3n\u00bb \u00e9 parte do xogo…<\/p>\n

Sergio de Miguel, arquitecto
\nMadrid, marzo 2010[:en]

\"\"<\/a>
New Museum of Contemporary Art, New York, by Kazuyo Sejima and Ryue Nishizawa\/SANAA<\/span><\/figcaption><\/figure><\/p>\n

In the recent architecture we find a resource appellant of figurative transgression.\u00a0His aim is not other one that to put in value, to emphasize, the buildings that for his character and purpose have to stand out in his environment.<\/p>\n

It is known that the principal virtue of the architecture is to control the fragmentation. Definitively, the quantities. There exist numerous laws that come to define the guidelines opposite to this one basic question.<\/p>\n

The styles, the modes, they could have developed thanks to certain attitudes opposite to the problem of the fragmentation.<\/p>\n

Or the lack of her.<\/p>\n

And it is that, as if about lacks of spelling it was treating itself, many buildings in the last times have come to modify meaningfully the order learned (and transmitted) of fragmentation with the only intention of proving to be different. With an upset presence.<\/p>\n

To provoke the wonder.<\/p>\n

It is an effective enough procedure but, to be successful, has to contemplate a great dose of technical know-how.<\/p>\n

Historically, the fragmentation of the architecture has come from the hand of the technical used systems. Of the manners of constructing. The fragmentation of the stone nothing has to see with the fragmentation of the ceramics, of the concrete or of the steel. And, in a more recent way, the incorporation of compound materials has given like proved one without end of new alternatives.<\/p>\n

Constructing an extremely big and constant volume is complex. Not only for practical questions but because actually it escapes from nobody that actually yes he needs a fragmentation. What happens is that it does not appear. That is to say, it supposes obtaining a premeditated deception to the perception.<\/p>\n

In the same way, to construct an excessively fragmented piece, he supposes a constructive effort in rather improbable resolution of meetings. What makes understand, again, that we are not before a certain fragmentation but before the figurative one.<\/p>\n

For this one reason in most cases these intentions cross. The very big thing conforms to a countless sumatorio of small pieces. And vice versa, the very small thing is obtained in a practical way by imperceptible big pieces.<\/p>\n

The scale is always human. It must be human.<\/p>\n

Exploring the limits is a task of the good architecture.<\/p>\n

And the search of a \u00abnew fragmentation\u00bb is a part of the game…<\/p>\n

Sergio de Miguel, architect
\nMadrid, march 2010[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] En la arquitectura reciente encontramos un recurso recurrente de transgresi\u00f3n figurativa. Su objetivo no es otro que poner en valor, enfatizar, los edificios que por su car\u00e1cter y finalidad han de destacar en su entorno. Es sabido que la principal virtud de la arquitectura es controlar la fragmentaci\u00f3n. En definitiva, las cantidades. Existen numerosas […]<\/p>\n","protected":false},"author":24,"featured_media":53863,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[12448,143,3657,9132,12456,6361,770,12453,930,1985,2066,1865,2690,1206,5945],"class_list":["post-9263","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura","tag-arquitectura-contemporanea","tag-arquitectura-japonesa","tag-arquitectura-norteamericana","tag-equipamiento-cultural","tag-escala","tag-kazuyo-sejima","tag-museo-arquitectura-arquitectura","tag-new-york","tag-pensar","tag-proyectar","tag-reflexion","tag-ryue-nishizawa","tag-sanaa","tag-sergio-de-miguel"],"yoast_head":"\nFaltas de fragmentaci\u00f3n | Sergio de Miguel<\/title>\n<meta name=\"description\" content=\"Faltas de fragmentaci\u00f3n\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Faltas de fragmentaci\u00f3n | Sergio de Miguel\" \/>\n<meta property=\"og:description\" content=\"Faltas de fragmentaci\u00f3n\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/sdmhand\" \/>\n<meta property=\"article:published_time\" content=\"2016-08-21T22:30:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-02T07:33:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/03\/museum-contemporary-art-sanaa2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"520\" \/>\n\t<meta property=\"og:image:height\" content=\"460\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sergio de Miguel Garc\u00eda\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/sdmhand\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sergio de Miguel Garc\u00eda\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/\"},\"author\":{\"name\":\"Sergio de Miguel Garc\u00eda\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/03abd4607ec3697544ddb6c9e3f6164c\"},\"headline\":\"[:es]Faltas de fragmentaci\u00f3n | Sergio de Miguel[:gl]Faltas de fragmentaci\u00f3n | Sergio de Miguel[:en]Faults of fragmentation | Sergio de Miguel[:]\",\"datePublished\":\"2016-08-21T22:30:15+00:00\",\"dateModified\":\"2024-04-02T07:33:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/\"},\"wordCount\":1263,\"commentCount\":29,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/03\\\/museum-contemporary-art-sanaa2.jpg\",\"keywords\":[\"arquitectura\",\"arquitectura contempor\u00e1nea\",\"arquitectura japonesa\",\"arquitectura norteamericana\",\"equipamiento cultural\",\"escala\",\"Kazuyo Sejima\",\"museo\",\"New York\",\"pensar\",\"proyectar\",\"reflexi\u00f3n\",\"Ryue Nishizawa\",\"SANAA\",\"Sergio de Miguel\"],\"articleSection\":[\"art\u00edculos\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/\",\"name\":\"Faltas de fragmentaci\u00f3n | Sergio de Miguel\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/03\\\/museum-contemporary-art-sanaa2.jpg\",\"datePublished\":\"2016-08-21T22:30:15+00:00\",\"dateModified\":\"2024-04-02T07:33:43+00:00\",\"description\":\"Faltas de fragmentaci\u00f3n\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/03\\\/museum-contemporary-art-sanaa2.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/03\\\/museum-contemporary-art-sanaa2.jpg\",\"width\":\"520\",\"height\":\"460\",\"caption\":\"New Museum of Contemporary Art, New York, de Kazuyo Sejima and Ryue Nishizawa\\\/SANAA\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/faltas-de-fragmentacion-sergio-de-miguel\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Faltas de fragmentaci\u00f3n | Sergio de Miguel\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/03abd4607ec3697544ddb6c9e3f6164c\",\"name\":\"Sergio de Miguel Garc\u00eda\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/Sergio-de-Miguel-Garc\u00eda-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/Sergio-de-Miguel-Garc\u00eda-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/Sergio-de-Miguel-Garc\u00eda-96x96.jpg\",\"caption\":\"Sergio de Miguel Garc\u00eda\"},\"description\":\"Ph.D. Arquitectura, Universidad Polit\u00e9cnica de Madrid, (ETSAM) 2016. M.A. Arquitectura, Universidad Polit\u00e9cnica de Madrid, (ETSAM) 1990. Profesor en la Universidad Polit\u00e9cnica de Madrid, (ETSAM) desde 1995.\",\"sameAs\":[\"http:\\\/\\\/www.hand-architecture.com\\\/\",\"https:\\\/\\\/www.facebook.com\\\/sdmhand\",\"https:\\\/\\\/www.instagram.com\\\/sdmhand\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/sdmhandarchitecture\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/sdmhand\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/sdem\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Faltas de fragmentaci\u00f3n | Sergio de Miguel","description":"Faltas de fragmentaci\u00f3n","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/","og_locale":"es_ES","og_type":"article","og_title":"Faltas de fragmentaci\u00f3n | Sergio de Miguel","og_description":"Faltas de fragmentaci\u00f3n","og_url":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/sdmhand","article_published_time":"2016-08-21T22:30:15+00:00","article_modified_time":"2024-04-02T07:33:43+00:00","og_image":[{"width":520,"height":460,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/03\/museum-contemporary-art-sanaa2.jpg","type":"image\/jpeg"}],"author":"Sergio de Miguel Garc\u00eda","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/sdmhand","twitter_site":"@veredes","twitter_misc":{"Escrito por":"Sergio de Miguel Garc\u00eda","Tiempo de lectura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/"},"author":{"name":"Sergio de Miguel Garc\u00eda","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/03abd4607ec3697544ddb6c9e3f6164c"},"headline":"[:es]Faltas de fragmentaci\u00f3n | Sergio de Miguel[:gl]Faltas de fragmentaci\u00f3n | Sergio de Miguel[:en]Faults of fragmentation | Sergio de Miguel[:]","datePublished":"2016-08-21T22:30:15+00:00","dateModified":"2024-04-02T07:33:43+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/"},"wordCount":1263,"commentCount":29,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/03\/museum-contemporary-art-sanaa2.jpg","keywords":["arquitectura","arquitectura contempor\u00e1nea","arquitectura japonesa","arquitectura norteamericana","equipamiento cultural","escala","Kazuyo Sejima","museo","New York","pensar","proyectar","reflexi\u00f3n","Ryue Nishizawa","SANAA","Sergio de Miguel"],"articleSection":["art\u00edculos","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/","url":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/","name":"Faltas de fragmentaci\u00f3n | Sergio de Miguel","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/03\/museum-contemporary-art-sanaa2.jpg","datePublished":"2016-08-21T22:30:15+00:00","dateModified":"2024-04-02T07:33:43+00:00","description":"Faltas de fragmentaci\u00f3n","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/03\/museum-contemporary-art-sanaa2.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/03\/museum-contemporary-art-sanaa2.jpg","width":"520","height":"460","caption":"New Museum of Contemporary Art, New York, de Kazuyo Sejima and Ryue Nishizawa\/SANAA"},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/faltas-de-fragmentacion-sergio-de-miguel\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Faltas de fragmentaci\u00f3n | Sergio de Miguel"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/03abd4607ec3697544ddb6c9e3f6164c","name":"Sergio de Miguel Garc\u00eda","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Sergio-de-Miguel-Garc\u00eda-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Sergio-de-Miguel-Garc\u00eda-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Sergio-de-Miguel-Garc\u00eda-96x96.jpg","caption":"Sergio de Miguel Garc\u00eda"},"description":"Ph.D. Arquitectura, Universidad Polit\u00e9cnica de Madrid, (ETSAM) 2016. M.A. Arquitectura, Universidad Polit\u00e9cnica de Madrid, (ETSAM) 1990. Profesor en la Universidad Polit\u00e9cnica de Madrid, (ETSAM) desde 1995.","sameAs":["http:\/\/www.hand-architecture.com\/","https:\/\/www.facebook.com\/sdmhand","https:\/\/www.instagram.com\/sdmhand\/","https:\/\/www.linkedin.com\/in\/sdmhandarchitecture\/","https:\/\/x.com\/https:\/\/twitter.com\/sdmhand"],"url":"https:\/\/veredes.es\/blog\/author\/sdem\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/9263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=9263"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/9263\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/53863"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=9263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=9263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=9263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}