{"id":9235,"date":"2017-05-26T06:01:55","date_gmt":"2017-05-26T04:01:55","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=9235"},"modified":"2022-03-11T08:55:32","modified_gmt":"2022-03-11T07:55:32","slug":"la-esfera-del-mar-sergio-de-miguel","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-esfera-del-mar-sergio-de-miguel\/","title":{"rendered":"[:es]La esfera del mar | Sergio de Miguel[:gl]A esfera do mar | Sergio de Miguel[:en]The sphere of the sea | Sergio de Miguel[:]"},"content":{"rendered":"

[:es]

\"\"<\/a>
Opera de Sydney<\/span><\/figcaption><\/figure><\/p>\n

Utzon<\/a> dej\u00f3 su huella.<\/p>\n

Pero, como hicieran Gabriel Garc\u00eda M\u00e1rquez con Cien a\u00f1os de soledad<\/em> <\/a>o Rachmaninoff con su segunda sinfon\u00eda,<\/em> nos leg\u00f3 generosamente una grand\u00edsima obra maestra. Ciertamente imborrable.<\/p>\n

Una pieza en el puzle de nuestra cultura cuya duraci\u00f3n se diluye en el tiempo.<\/p>\n

Pocas obras han sido tan ic\u00f3nicas, tan representativas de su geograf\u00eda. Tan intensamente acertadas y \u00aboriginales\u00bb como la Opera de Sydney<\/a>.<\/p>\n

Y cabe preguntarse d\u00f3nde radica su acierto. D\u00f3nde confluyen exactamente la creatividad de su autor con los intereses p\u00fablicos de su emplazamiento. Porqu\u00e9 \u00abllega\u00bb tan hondo.<\/p>\n

Utzon era dan\u00e9s. Proven\u00eda de una familia <\/a>de armadores y arquitectos navales y, de hecho esa fue, por pura simbiosis, su primera atenci\u00f3n vital y profesional.<\/p>\n

La evocaci\u00f3n del mar y sus artefactos, su lenguaje y sabidur\u00eda, le acompa\u00f1aron de manera natural durante toda su vida. Su dilatada carrera como arquitecto no se entiende sin reconocer la fuerza de su sensibilidad ante la presencia hipn\u00f3tica del mar. Sus formas y duendes.<\/p>\n

Podr\u00edamos ver en ese lugar algo ciertamente animal, poderosamente salvaje. Podr\u00edamos reconocer en ese edificio las esf\u00e9ricas formas hidrodin\u00e1micas de los cascos de los barcos, o sus tensas velas hinchadas por el viento. Sus colores y texturas se aproximan a la contemplaci\u00f3n \u00e9pica de afilados acantilados invadidos por la blanca y brillante espuma de las olas verticales en tempestad.<\/p>\n

En una suerte de enajenaci\u00f3n genial el arquitecto une su memoria con su destreza, su sensibilidad con su saber, su coraz\u00f3n con su cabeza y de su alquimia resulta un prodigio.<\/p>\n

Tan inexplicable como evocador.<\/p>\n

Tijera en mano.<\/p>\n

\"\"<\/a>
Boats Hull<\/span><\/figcaption><\/figure>\n

Sergio de Miguel, arquitecto
\nMadrid, marzo 2010[:gl]

<\/a>
<\/span> Opera de Sydney<\/span><\/figcaption><\/figure><\/p>\n

Utzon<\/a> deixou a s\u00faa pegada.<\/p>\n

Pero, como fixesen Gabriel Garc\u00eda M\u00e1rquez con Cen anos de soidade<\/em><\/a> ou Rachmaninoff coa s\u00faa segunda sinfon\u00eda , legounos xenerosamente unha grand\u00edsima obra mestra. Certamente indeleble.<\/p>\n

Unha peza no quebracabezas da nosa cultura cuxa duraci\u00f3n se dil\u00fae no tempo.<\/p>\n

Poucas obras foron tan ic\u00f3nicas, tan representativas da s\u00faa xeograf\u00eda. tan int\u00e9nsamente acertadas e \u00aborixinais\u00bb como a Opera de Sydney<\/a>.<\/p>\n

E cabe preguntarse onde radica o seu acerto. Onde confl\u00faen exactamente a creatividade do seu autor cos intereses p\u00fablicos do seu emprazamento. Porqu\u00e9 \u00abchega\u00bb tan fondo.<\/p>\n

Utzon era dan\u00e9s. Provi\u00f1a dunha familia <\/a>de armadores e arquitectos navais e, de feito esa foi, por pura simbiose, a s\u00faa primeira atenci\u00f3n vital e profesional.<\/p>\n

A evocaci\u00f3n do mar e os seus artefactos, a s\u00faa linguaxe e sabedor\u00eda, acompa\u00f1\u00e1ronlle de maneira natural durante toda a s\u00faa vida. A s\u00faa dilatada carreira como arquitecto non se entende sen reco\u00f1ecer a forza da s\u00faa sensibilidade ante a presenza hipn\u00f3tica do mar. As s\u00faas formas e trasgos.<\/p>\n

Poderiamos ver nese lugar algo certamente animal, poderosamente salvaxe. Poderiamos reco\u00f1ecer nese edificio as esf\u00e9ricas formas hidrodin\u00e1micas dos cascos dos barcos, ou as s\u00faas tensas ver inchadas polo vento. As s\u00faas cores e texturas aprox\u00edmanse \u00e1 contemplaci\u00f3n \u00e9pica de afiados cantiis invadidos pola branca e brillante escuma das ondas verticais en tempestade.<\/p>\n

Nunha sorte de alleamento xenial o arquitecto une a s\u00faa memoria coa s\u00faa destreza, a s\u00faa sensibilidade coa s\u00faa saber, o seu coraz\u00f3n coa s\u00faa cabeza e da s\u00faa alquimia resulta un prodixio.<\/p>\n

Tan inexplicable como evocador.<\/p>\n

Tesoira en man.<\/p>\n

\"\"<\/a>
Boats Hull<\/span><\/figcaption><\/figure>\n

Sergio de Miguel, arquitecto
\nMadrid, marzo 2010[:en]

<\/a>
Sydney Opera House<\/span><\/figcaption><\/figure><\/p>\n

Utzon<\/a> Left his footprint.<\/p>\n

But, as they did Gabriel Garc\u00eda M\u00e1rquez with One hundred years of solitude<\/em><\/a> or Rachmaninoff with his second symphony, bequeathed us generously a grand\u00edsima master work. Certainly imborrable.<\/p>\n

A piece in the puzzle of our culture whose length dilutes\u00a0 in the time.<\/p>\n

Few works have been so iconic, so representative of his geography. So int\u00e9nsamente hit and \u00aboriginal\u00bb as Sydney Opera House.<\/a><\/p>\n

And it fits to ask where it roots his tarpaulin. Where confluyen exactly the creativity of his author with the public interests of his emplazamiento. Reason \u00abarrives\u00bb so deep.<\/p>\n

Utzon was Danish. It was coming from a family<\/a> of outfitters and naval architects and, in fact this it was, for pure symbiosis, his first vital and professional attention.<\/p>\n

The evocation of the sea and his appliances, his language and wisdom, they accompanied him in a natural way during all his life. His extensive career like architect is not understood without recognizing the force of his sensibility to the hypnotic presence of the sea. His forms and goblins.<\/p>\n

We might see in this place certainly animal something, powerfully wild. We might recognize in this building the spherical hydrodynamic forms of the hulls of the ships, or his tense candles swelled by the wind. His colors and textures come closer the epic contemplation of sharp cliffs invaded by the white and brilliant foam of the vertical waves in tempest.<\/p>\n

In a luck of brilliant alienation the architect joins his memory with his skill, his sensibility with his to know, his heart with his head and of his alchemy it turns out to be a prodigy.<\/p>\n

So inexplicable as evocative.<\/p>\n

Scissors in hand.<\/p>\n

\"\"<\/a>
Boats Hull<\/span><\/figcaption><\/figure>\n

Sergio de Miguel, architect
\nMadrid, march 2010[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Utzon dej\u00f3 su huella. Pero, como hicieran Gabriel Garc\u00eda M\u00e1rquez con Cien a\u00f1os de soledad o Rachmaninoff con su segunda sinfon\u00eda, nos leg\u00f3 generosamente una grand\u00edsima obra maestra. Ciertamente imborrable. Una pieza en el puzle de nuestra cultura cuya duraci\u00f3n se diluye en el tiempo. Pocas obras han sido tan ic\u00f3nicas, tan representativas de […]<\/p>\n","protected":false},"author":24,"featured_media":9237,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[4024,143,7203,147,3852,12470,2192,12456,668,2930,2774,815,5945],"class_list":["post-9235","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-antonio-s-rio-vazquez","tag-arquitectura-contemporanea","tag-arquitectura-danesa","tag-arquitectura-moderna","tag-borja-lopez-cotelo","tag-diseno","tag-embarcacion","tag-equipamiento-cultural","tag-historia","tag-iconografia","tag-jorn-utzon","tag-maestro","tag-sergio-de-miguel"],"yoast_head":"\nLa esfera del mar | Sergio de Miguel<\/title>\n<meta name=\"description\" content=\"La esfera del mar\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/la-esfera-del-mar-sergio-de-miguel\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La esfera del mar | Sergio de Miguel\" \/>\n<meta property=\"og:description\" content=\"La esfera del mar\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/la-esfera-del-mar-sergio-de-miguel\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/sdmhand\" \/>\n<meta property=\"article:published_time\" content=\"2017-05-26T04:01:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-03-11T07:55:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/01\/sydney_operahouse.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"300\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sergio de Miguel Garc\u00eda\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/sdmhand\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sergio de Miguel Garc\u00eda\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-esfera-del-mar-sergio-de-miguel\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-esfera-del-mar-sergio-de-miguel\\\/\"},\"author\":{\"name\":\"Sergio de Miguel Garc\u00eda\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/03abd4607ec3697544ddb6c9e3f6164c\"},\"headline\":\"[:es]La esfera del mar | Sergio de Miguel[:gl]A esfera do mar | Sergio de Miguel[:en]The sphere of the sea | Sergio de Miguel[:]\",\"datePublished\":\"2017-05-26T04:01:55+00:00\",\"dateModified\":\"2022-03-11T07:55:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-esfera-del-mar-sergio-de-miguel\\\/\"},\"wordCount\":965,\"commentCount\":20,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-esfera-del-mar-sergio-de-miguel\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/01\\\/sydney_operahouse.jpg\",\"keywords\":[\"Antonio S. 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