{"id":9194,"date":"2011-01-17T10:09:12","date_gmt":"2011-01-17T10:09:12","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=9194"},"modified":"2020-11-25T14:28:53","modified_gmt":"2020-11-25T13:28:53","slug":"exposiciones-ii-bienal-iberoamericana-de-diseno","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/exposiciones-ii-bienal-iberoamericana-de-diseno\/","title":{"rendered":"[:es]Exposiciones II Bienal Iberoamericana de Dise\u00f1o [:gl]Exposicions II Bienal Iberoamericana de Dise\u00f1o [:en]Exhibitions II Biennial Iberoamericana of Design [:]"},"content":{"rendered":"

[:es]<\/p>\n

Hace ya a\u00f1os que el arquitecto Giulio Cappellini, propietario de las productoras de muebles m\u00e1s vanguardistas del mundo y descubridor de talentos como los hermanos Bouroullec, habla de las sociedades no completamente industrializadas como el \u00faltimo reducto donde encontrar hoy un dise\u00f1o fresco e inspirado. La Segunda Bienal Iberoamericana de Dise\u00f1o demuestra que Cappellini da en el clavo. La suma de dispares que re\u00fanen las 400 obras seleccionadas por la bienal que coordina Gloria Escribano tiene como denominador com\u00fan haber aceptado la realidad como reto. Y esa condici\u00f3n iguala a los dise\u00f1adores de hoy con los pioneros del siglo XX. \u00bfQuiere eso decir que s\u00f3lo tiene cabida un dise\u00f1o sostenible, austero, propositivo y necesario? Quiere decir que todav\u00eda es posible hallar esos atributos entre los trabajos de muchos profesionales.<\/p>\n

\"\"<\/a>Dise\u00f1o para la campa\u00f1a del Fiat Uno (2010), del Estudio Lobo (Brasil)<\/span><\/p>\n

[…]<\/p>\n

AnatxuZabalabeascoa<\/p>\n

+ articulo publicado en elpais.com<\/span>[:gl]<\/p>\n

Hai xa anos que o arquitecto Giulio Cappellini, propietario das produtoras de mobles m\u00e1is vangardistas do mundo e descubridor de talentos como os irm\u00e1ns Bouroullec, fala das sociedades non completamente industrializadas como o \u00faltimo reduto onde atopar hoxe un dese\u00f1o fresco e inspirado. A Segunda Bienal Iberoamericana de Dese\u00f1o demostra que Cappellini d\u00e1 no cravo. A suma de dispares que re\u00fanen as 400 obras seleccionadas pola bienal que coordina Gloria Escribano ten como denominador com\u00fan aceptar a realidade como reto. E esa condici\u00f3n iguala aos dese\u00f1adores de hoxe cos pioneiros do s\u00e9culo XX. Quere iso dicir que s\u00f3 ten cabida un dese\u00f1o sustentable, austero, propositivo e necesario? Quere dicir que a\u00ednda \u00e9 posible achar eses atributos entre os traballos de moitos profesionais.<\/p>\n

\"\"<\/a>Dese\u00f1o para a campa\u00f1a do Fiat Uno (2010), do Estudo Lobo (Brasil)<\/span><\/p>\n

[…]<\/p>\n

AnatxuZabalabeascoa<\/p>\n

+<\/span> a<\/span>rtigo publicado en elpais.com<\/span>[:en]<\/p>\n

It does already years that the architect Giulio Cappellini, owner of the producers of pieces of furniture more vanguardistas of the world and discoverer of talents like the brothers Bouroullec, speech of the societies no entirely industrialised like the last reducto where find today a cool and inspired design. The Second Biennial Iberoamericana of Design shows that Cappellini gives in the nail. The sum of shoot that they gather the 400 works selected by the biennial that coordinates Gloria Escribano has like common denominator have accepted the reality like challenge. And this condition equalises to the designers of today with the pioneers of the 20th century. Want to this say that it only has fit a sustainable design, austero, propositivo and necessary? It wants to say that it still is possible find these attributes between the works of a lot of professionals.<\/p>\n

\"\"<\/a>Design for the campaign of the Fiat One (2010), of the Study Wolf (Brazil)<\/span><\/p>\n

[…]<\/p>\n

AnatxuZabalabeascoa<\/p>\n

+ <\/span>article is published in elpais.com<\/span>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Hace ya a\u00f1os que el arquitecto Giulio Cappellini, propietario de las productoras de muebles m\u00e1s vanguardistas del mundo y descubridor de talentos como los hermanos Bouroullec, habla de las sociedades no completamente industrializadas como el \u00faltimo reducto donde encontrar hoy un dise\u00f1o fresco e inspirado. La Segunda Bienal Iberoamericana de Dise\u00f1o demuestra que Cappellini […]<\/p>\n","protected":false},"author":2,"featured_media":9195,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[5821,210,12470,521,556,814],"class_list":["post-9194","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-arquitectura-iberoamericana","tag-bienal","tag-espana","tag-exposicion","tag-madrid"],"yoast_head":"\n[:es]Exposiciones II Bienal Iberoamericana de Dise\u00f1o [:gl]Exposicions II Bienal Iberoamericana de Dise\u00f1o [:en]Exhibitions II Biennial Iberoamericana of Design [:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Exposiciones II Bienal Iberoamericana de Dise\u00f1o [:gl]Exposicions II Bienal Iberoamericana de Dise\u00f1o [:en]Exhibitions II Biennial Iberoamericana of Design [:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/exposiciones-ii-bienal-iberoamericana-de-diseno\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Exposiciones II Bienal Iberoamericana de Dise\u00f1o [:gl]Exposicions II Bienal Iberoamericana de Dise\u00f1o [:en]Exhibitions II Biennial Iberoamericana of Design [:] - 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