{"id":89976,"date":"2022-06-30T00:01:52","date_gmt":"2022-06-29T22:01:52","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=89976"},"modified":"2022-06-30T09:27:44","modified_gmt":"2022-06-30T07:27:44","slug":"vad-07-la-periferia","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/vad-07-la-periferia\/","title":{"rendered":"VAD 07. La periferia"},"content":{"rendered":"
\"VAD07
VAD07 La periferia<\/span><\/figcaption><\/figure>\n
\n

\u00abTodo el mundo sabe que los mitos nunca sucedieron realmente, pero que siempre est\u00e1n sucediendo. Ahora contin\u00faan no solo a trav\u00e9s de las aventuras de los h\u00e9roes antiguos, sino que tambi\u00e9n se abren paso en las historias ubicuas y m\u00e1s populares de pel\u00edculas, juegos y literatura contempor\u00e1neas\u00bb.<\/em><\/p>\n

Olga Tokarczuk<\/p>\n<\/blockquote>\n

En diciembre de 2019, Olga Tokarczuk, escritora polaca y premio Nobel de Literatura 2018, centr\u00f3 su discurso ante la Academia Sueca en la ternura como una manera de observar nuestro mundo ya que, seg\u00fan la escritora, la ternura tiene la capacidad de mostr\u00e1rnoslo<\/p>\n

\n

\u201ccomo vivo, interconectado, cooperando y codependiente en s\u00ed mismo\u201d. <\/em><\/p>\n<\/blockquote>\n

A lo largo de su emotivo discurso, insiste en la importancia de trabajar sobre lo que no es f\u00e1cilmente clasificable, aquello que se encuentra en los m\u00e1rgenes; y en la necesidad de lenguajes, met\u00e1foras, f\u00e1bulas y mitos que nos ayuden a explorar todo lo que nos une y vincula a trav\u00e9s del tiempo y de las geograf\u00edas.<\/p>\n

De alguna manera, y salvando las distancias, Tokarczuk se\u00f1ala algunos de los problemas que tambi\u00e9n afectan a las arquitectas y los arquitectos de hoy en d\u00eda, como son la necesaria compresi\u00f3n de la amplitud del \u00e1mbito disciplinar de la arquitectura, el conocimiento de la evoluci\u00f3n o transformaci\u00f3n de dicho campo a trav\u00e9s del tiempo y la geograf\u00eda, y la reelaboraci\u00f3n de la narraci\u00f3n de nuestro pasado, presente y futuro colectivo a partir de una mirada contempor\u00e1nea.<\/p>\n

La comprensi\u00f3n de la amplitud del \u00e1mbito disciplinar es tan necesaria hoy como siempre lo ha sido, aunque quiz\u00e1 actualmente seamos algo m\u00e1s sensibles a ello. Las tareas, pre y post proyecto, o en paralelo al proyecto, son tambi\u00e9n tareas profesionales. Muchos arquitectos y arquitectas proyectan nuestro entorno desde el \u00e1mbito pol\u00edtico promoviendo leyes, decretos, reglamentos, planes y ordenanzas. Desde la administraci\u00f3n, muchas personas han trabajado mucho tiempo para que un trozo de terreno sea calificado como solar edificable o no lo sea. Emplazamientos que tienen un contexto socio-econ\u00f3mico que ha sido decidido previamente por muchas otras personas, por no hablar de los reglamentos de habitabilidad que condicionan y alientan las posibilidades de dise\u00f1o de los edificios. Lotte Stam Beese y la reconstrucci\u00f3n de barrios en Rotterdam despu\u00e9s de la Segunda Guerra Mundial, as\u00ed como Jakoba Mulder y Aldo Van Eyck con sus parques infantiles en Amsterdam son un ejemplo de ello. O Eva Kail, m\u00e1s recientemente en Viena, incorporando la perspectiva de g\u00e9nero en la administraci\u00f3n del ayuntamiento de la ciudad y promoviendo lo que hoy se conoce mundialmente como Vienna model<\/em>.<\/p>\n

En este contexto, este n\u00famero de la revista VAD, bajo el lema La periferia, hace una llamada a reflexiones, art\u00edculos y experiencias que abran nuestra mirada a lo que \u201csiempre est\u00e1 sucediendo\u201d pero cuyo eco se ha perdido en el ruido que nos envuelve y que, habitualmente, la arquitectura oficial ha ido relegando a los m\u00e1rgenes.<\/p>\n

DESCARGAR<\/strong><\/a><\/p>\n

SUMARIO<\/strong><\/h4>\n
Novela gr\u00e1fica<\/strong><\/h5>\n

– Mies. Agust\u00edn Ferrer Casas<\/p>\n

Pr\u00f3logo<\/strong><\/h5>\n

– La periferia. Eva M. \u00c1lvarez Isidro<\/p>\n

Editorial<\/strong><\/h5>\n

– La mirada perif\u00e9rica. Carlos J. G\u00f3mez Alfonso<\/p>\n

Art\u00edculos de investigaci\u00f3n<\/strong><\/h5>\n

– La influencia de la vivienda p\u00fablica en la formaci\u00f3n y transformaci\u00f3n de la periferia de las ciudades gallegas. Antonio Garc\u00eda Fern\u00e1ndez<\/p>\n

– Paisajes vitales y fiesta de objetos en los jardines de las \u201ccasas de vidrio\u201d de Lina Bo Bardi y Ray Eames. Mara S\u00e1nchez Llorens | Fermina Garrido L\u00f3pez<\/p>\n

– Centro y policentrismo: De la exclusi\u00f3n y la dependencia a la inclusi\u00f3n y la oportunidad. Bruno Seve | Atxu Amann Alcocer<\/p>\n

– Arte perif\u00e9rico: V\u00e1zquez Can\u00f3nico y su parque escult\u00f3rico en O Porri\u00f1o (Pontevedra). Valent\u00edn Arrieta Berdasco<\/p>\n

– Singularidades perif\u00e9ricas en la Costa del Sol. La invenci\u00f3n del paisaje y la tipolog\u00eda marbell\u00ed a trav\u00e9s de la enso\u00f1aci\u00f3n gr\u00e1fica del arquitecto Melvin Villarroel. Antonio Estepa Rubio | Jes\u00fas Estepa Rubio<\/p>\n

– Wilhelmina Jansen\u00b4s houses: peripheral architectures in Dutch modernity<\/em>. Carolina Quiroga<\/p>\n

(Las casas de Wilhelmina Jansen: arquitecturas perif\u00e9ricas en la modernidad holandesa)<\/p>\n

– Climate and culture as design material: The government houses of Chandigarh by Pierre Jeanneret, a contemporary solution<\/em>. Oljer Cardenas Ni\u00f1o | Kevin Santus<\/p>\n

(Clima y cultura como material de dise\u00f1o: Las casas gubernamentales en Chandigarh de Pierre Jeanneret, una soluci\u00f3n contempor\u00e1nea)<\/p>\n

Art\u00edculos de cr\u00edtica<\/strong><\/h5>\n

– Coyunturas. \u00bfDe qu\u00e9 estamos hablando los arquitectos en M\u00e9xico?. Ignacio Gonz\u00e1lez Tejeda<\/p>\n

– Cine y periferia: Una breve reflexi\u00f3n sobre la representaci\u00f3n de los espacios periurbanos en el cine. Miguel \u00c1ngel Contreras Ch\u00e1vez<\/p>\n

– A 136 capturas de la censura. Logan Leyton | Carola Ureta Mar\u00edn<\/p>\n

– Private property and the p\u00e9riurbain. Fabrizio Gallanti<\/p>\n

(Propiedad privada y lo periurbano)<\/p>\n

– The Periphery of Architectural History. Paola Zellner Bassett<\/p>\n

(La periferia de la historia arquitect\u00f3nica)<\/p>\n

Rese\u00f1as<\/strong><\/h5>\n

– Luis Cubillo de Arteaga. Obras y proyectos. David Garc\u00eda-Asenjo Llana<\/p>\n

– Todos los museos son novelas de ciencia ficci\u00f3n. Jorge Carri\u00f3n. Fernando Jim\u00e9nez Parras<\/p>\n

– La ciudad en el cine. Recorridos, encuadres, secuencias, montajes.Varios autores. Andrea Maglio<\/p>\n

– Arquitectura y g\u00e9nero. Una introducci\u00f3n posible. Mar\u00eda Novas Ferrad\u00e1s. Josenia Herv\u00e1s y Heras<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00abTodo el mundo sabe que los mitos nunca sucedieron realmente, pero que siempre est\u00e1n sucediendo. Ahora contin\u00faan no solo a trav\u00e9s de las aventuras de los h\u00e9roes antiguos, sino que tambi\u00e9n se abren paso en las historias ubicuas y m\u00e1s populares de pel\u00edculas, juegos y literatura contempor\u00e1neas\u00bb. Olga Tokarczuk En diciembre de 2019, Olga Tokarczuk, […]<\/p>\n","protected":false},"author":2,"featured_media":89979,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,28],"tags":[14041,92,16038,15796,11822,16027,10443,120,15788,12449,12758,15785,16029,15794,16036,16034,12471,318,14043,5849,7293,8765,15795,15783,14306,15672,12552,11425,15793,1532,8055,14379,14168,16028,2394,15178,15782,16033,16035,4798,15784,15792,15781,14797,16037,2639,3558,14066,7295,15791,15789,11986,15790,15786,1278,2048,15787,12468,16030,16031,7945,16032],"class_list":{"0":"post-89976","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-publicaciones","8":"category-revistas","9":"tag-agustin-ferrer-casas","10":"tag-aldo-van-eyck","11":"tag-andrea-maglio","12":"tag-anthony-quinn","13":"tag-antonio-estepa-rubio","14":"tag-antonio-garcia-fernandez","15":"tag-antonio-pizza","16":"tag-archigram","17":"tag-architectural-design","18":"tag-arte","19":"tag-atxu-amann","20":"tag-barbara-goldstein","21":"tag-bruno-seve","22":"tag-carlos-gomez-alfonso","23":"tag-carola-ureta-marin","24":"tag-carolina-quiroga","25":"tag-cine","26":"tag-ciudad","27":"tag-david-garcia-asenjo","28":"tag-desarrollo-sustentable","29":"tag-dolores-hayden","30":"tag-editorial-lampreave","31":"tag-eva-alvarez","32":"tag-eva-kail","33":"tag-fabrizio-gallanti","34":"tag-fermina-garrido-lopez","35":"tag-fernando-colomo","36":"tag-fernando-jimenez-parras","37":"tag-gian-franco-corsi-zeffirelli","38":"tag-gordon-matta-clark","39":"tag-jakoba-helena-mulder","40":"tag-jesus-estepa-rubio","41":"tag-josenia-hervas-y-heras","42":"tag-kevin-santus","43":"tag-lina-bo-bardi","44":"tag-logan-leyton","45":"tag-lotte-stam-beese","46":"tag-melvin-villarroel","47":"tag-miguel-angel-contreras-chavez","48":"tag-modelo-profesional","49":"tag-monica-pidgeon","50":"tag-nick-mason","51":"tag-olga-tokarczuk","52":"tag-oljer-cardenas-nino","53":"tag-paola-zellner-bassett","54":"tag-periferia","55":"tag-ray-eames","56":"tag-revista-vad","57":"tag-richard-buckminster-fuller","58":"tag-roger-waters","59":"tag-sheila-levrant-de-bretteville","60":"tag-silvia-blanco-agueira","61":"tag-susana-torre","62":"tag-team-4","63":"tag-teoria","64":"tag-teoria-e-historia","65":"tag-tom-ford","66":"tag-urbanismo","67":"tag-valentin-arrieta-berdasco","68":"tag-vazquez-canonico","69":"tag-veredes","70":"tag-wilhelmina-jansen"},"yoast_head":"\nVAD 07. 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