{"id":80625,"date":"2020-08-18T00:01:05","date_gmt":"2020-08-17T22:01:05","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=80625"},"modified":"2020-06-27T17:24:02","modified_gmt":"2020-06-27T15:24:02","slug":"engawa-25","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/engawa-25\/","title":{"rendered":"e n g a w a # 25"},"content":{"rendered":"

Cada n\u00famero de engawa tiene un peso espec\u00edfico. Este luce en su lomo un n\u00famero redondo, el 25,\u00a0 y cuenta a sus espaldas con 10 a\u00f1os de perseverancia. Adem\u00e1s se publica en un momento extra\u00f1o, en el que la reflexi\u00f3n es m\u00e1s necesaria que nunca.<\/p>\n

Celebramos este n\u00famero con la buena compa\u00f1\u00eda de\u00a0 Mois\u00e9s Puente, arquitecto y editor, que nos brinda la posibilidad de excavar algo m\u00e1s a fondo en la tierra que pisamos al traernos en la portada la enigm\u00e1tica imagen de Gordon Matta-Clark .<\/p>\n

Esperamos que sea de vuestro inter\u00e9s.<\/p>\n

\"\"<\/p>\n

En los a\u00f1os 80, la serie televisiva Dallas relataba las vicisitudes de una empresa familiar, la EwingOil, vinculada a la extracci\u00f3n de petr\u00f3leo. En uno de los centenares de cap\u00edtulos, J.R., el magnate tejano protagonista pregunta a su futura nuera ante uno de los pozos de extracci\u00f3n:<\/p>\n

– \u00bfTe interesa el petr\u00f3leo?
\n– Nunca me ha interesado, consiste en excavar en el pasado.<\/p>\n

M\u00e1s all\u00e1 de la an\u00e9cdota de la serie, la respuesta esconde por un lado el deseo superficial de la modernidad y sobretodo la certeza que en lo profundo podemos encontrar la memoria de los lugares, la esencia de \u00e9stos e incluso el enigma y la historia del tiempo.<\/p>\n

Afirman los cient\u00edficos que las profundidades de los oc\u00e9anos son la \u00faltima frontera porque el hombre tan solo ha inspeccionado un 5% de \u00e9stas. Con toda seguridad las profundidades terrestres tambi\u00e9n lo sean. Por tanto podr\u00edamos afirmar que existe un misterioso y profundo desconocimiento sobre todo aquello no explorado.<\/p>\n

Decimos popularmente que\u00a0\u201cla cara es el espejo del alma\u201d<\/em>\u00a0ya que en la superficie tambi\u00e9n se puede reflejar lo profundo porque el rostro y el sistema nervioso est\u00e1n conectados. De este modo, los procesos cognitivos, emocionales y el comportamiento humano cambian en la forma que adquiere nuestro rostro\u2026 y viceversa. Nuestro cuerpo, a trav\u00e9s de nuestro interior m\u00e1s profundo, o el alma para algunos, adquiere vida, visi\u00f3n, pensamiento, inteligencia, emociones, deseo, identidad\u2026 Mediante los sentidos percibimos para luego conocer, aunque nunca sepamos nada del cierto. Por eso, no solo basta recurrir a los sentidos para sentir.<\/p>\n

Gordon Matta-Clark es el protagonista de este n\u00famero 25 con una imagen que representa el descenso del artista al subsuelo parisino. Un homenaje a la prematura muerte de su hermano Batan a la vez que un viaje a las profundidades. Una exploraci\u00f3n al interior de aquella parte oculta que en la superficie se desvela.<\/p>\n

Gracias a todos los que hab\u00e9is aceptado esta propuesta, y gracias especialmente a Mois\u00e9s Puente por su colaboraci\u00f3n.<\/p>\n

Editorial<\/a><\/p>\n

La gravedad del vuelo<\/a>\u00a0\u00b7 Mois\u00e9s Puente<\/p>\n

(At) Non Site (Mono Lake)<\/a>\u00a0\u00b7 Montse Solano<\/p>\n

6 apuntes sobre lo profundo<\/a> \u00b7 Pablo Twose Valls<\/p>\n

Queda el vac\u00edo\u00a0<\/a>\u00b7 Rub\u00e9n P\u00e1ez<\/p>\n

La paradoja de Gulliver<\/a>\u00a0\u00b7 Fran\u00e7ois de Guynot<\/p>\n

En los m\u00e1rgenes<\/a>\u00a0\u00b7 Javier de las Heras Sol\u00e9<\/p>\n

11 9<\/a>\u00a0\u00b7 Carlos Cach\u00f3n<\/p>\n

Habitando pel\u00edculas\u00a0<\/a>\u00b7 Jonas Langbein<\/p>\n

Alrededor de tres (imp)precisiones<\/a>\u00a0\u00b7 Jorge C\u00e1rdenas<\/p>\n

Recordar, descubrir, proyectar<\/a>\u00a0\u00b7 V\u00edctor D\u00edaz-Asensio<\/p>\n

Hokusai<\/a>\u00a0\u00b7 J.R. Ewing<\/p>\n

Una historia en dos movimientos<\/a> \u00b7 Roberto Cides<\/p>\n","protected":false},"excerpt":{"rendered":"

Cada n\u00famero de engawa tiene un peso espec\u00edfico. Este luce en su lomo un n\u00famero redondo, el 25,\u00a0 y cuenta a sus espaldas con 10 a\u00f1os de perseverancia. Adem\u00e1s se publica en un momento extra\u00f1o, en el que la reflexi\u00f3n es m\u00e1s necesaria que nunca. Celebramos este n\u00famero con la buena compa\u00f1\u00eda de\u00a0 Mois\u00e9s Puente, […]<\/p>\n","protected":false},"author":2,"featured_media":80626,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,28],"tags":[10805,12740,11184,7923,12471,4396,10797,13852,13853,6304,1532,14815,8721,13855,14814,14813,13854,14812,13851,14810,13315,13858,8668,8398,14811,8458,6305,6302,13857,13856,2901,1021,1120,1865,1173,7925,13057,6300,13859,12748,13460],"class_list":{"0":"post-80625","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-publicaciones","8":"category-revistas","9":"tag-alberto-twose","10":"tag-alejandro-perez-garcia","11":"tag-arquitectos-y-cineastas","12":"tag-carlos-cachon","13":"tag-cine","14":"tag-cineastas","15":"tag-dario-mateo","16":"tag-davide-masserini","17":"tag-francisco-silva","18":"tag-francois-guynot-de-boismenu","19":"tag-gordon-matta-clark","20":"tag-j-r-ewing","21":"tag-javier-de-las-heras-sole","22":"tag-joan-alfos","23":"tag-jonas-langbein","24":"tag-jorge-cardenas","25":"tag-juan-fernando-rodenas-garcia","26":"tag-laia-masllorens","27":"tag-ludovica-marcacci-balestrazzi","28":"tag-manuel-vilas","29":"tag-maria-pura-moreno-moreno","30":"tag-mauricio-calvo","31":"tag-moises-puente","32":"tag-montse-solano","33":"tag-oriol-vilanova","34":"tag-orson-welles","35":"tag-ourania-chamilaki","36":"tag-pablo-twose-valls","37":"tag-pau-llorca","38":"tag-paula-jaen","39":"tag-pedro-puertas-herrera","40":"tag-pensamiento","41":"tag-publicacion","42":"tag-reflexion","43":"tag-revista","44":"tag-revista-engawa","45":"tag-roberto-cides","46":"tag-ruben-paez","47":"tag-salvador-moreno-perez","48":"tag-sara-escudero","49":"tag-victor-diaz-asensio"},"yoast_head":"\ne n g a w a # 25 - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: e n g a w a # 25\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/engawa-25\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"e n g a w a # 25 - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: e n g a w a # 25\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/engawa-25\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-08-17T22:01:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2020\/06\/e-n-g-a-w-a-25.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"1766\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"veredes\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/veredes\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"veredes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/engawa-25\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/engawa-25\\\/\"},\"author\":{\"name\":\"veredes\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/0bbb669073ef7faba5168a0844e93d2c\"},\"headline\":\"e n g a w a # 25\",\"datePublished\":\"2020-08-17T22:01:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/engawa-25\\\/\"},\"wordCount\":539,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/engawa-25\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/e-n-g-a-w-a-25.jpg\",\"keywords\":[\"Alberto Twose\",\"Alejandro P\u00e9rez Garc\u00eda\",\"arquitectos y cineastas\",\"Carlos Cach\u00f3n\",\"cine\",\"cineastas\",\"Dar\u00edo Mateo\",\"Davide Masserini\",\"Francisco Silva\",\"Fran\u00e7ois Guynot de Boismenu\",\"Gordon Matta-Clark\",\"J.R. 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