{"id":78918,"date":"2021-01-18T00:01:37","date_gmt":"2021-01-17T23:01:37","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=78918"},"modified":"2023-05-08T17:24:22","modified_gmt":"2023-05-08T15:24:22","slug":"el-programa-intangible-miguel-angel-diaz-camacho","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/el-programa-intangible-miguel-angel-diaz-camacho\/","title":{"rendered":"El programa intangible | Miguel \u00c1ngel D\u00edaz Camacho"},"content":{"rendered":"
\"El

The Architectural Review. Biblioteca Phillip Exeter en New Hampshire<\/a><\/span><\/figcaption><\/figure>\n

Dec\u00eda Louis I. Kahn<\/a>:<\/p>\n

\n

\u00abPrograma es una palabra demasiado aburrida. Se trata de comprender la naturaleza de un conjunto de espacios donde es bueno hacer algo en concreto. Ahora bien, dec\u00eds que algunos espacios deber\u00edan ser flexibles, pero tambi\u00e9n los hay que deber\u00edan ser completamente inflexibles. Deber\u00edan ser pura inspiraci\u00f3n […] Es algo parecido a una especie de cielo, una especie de entorno espacial, terriblemente importante para m\u00ed. Un edificio es un mundo dentro de otro mundo\u00bb.1<\/sup><\/p>\n<\/blockquote>\n

En otra ocasi\u00f3n Kahn va incluso un poco m\u00e1s all\u00e1:<\/p>\n

\n

\u00abEl programa no es nada. El programa es un estorbo. Hay que rebelarse contra el programa\u00bb.2<\/sup><\/p>\n<\/blockquote>\n

Interesa aqu\u00ed la idea de espacio inflexible<\/em> como lugar esencial, capaz de trascender cualquier programaci\u00f3n funcional y al mismo tiempo convertirse en la raz\u00f3n de ser de un edificio. Pensemos la biblioteca Exeter<\/a>3<\/sup> como por ejemplo, la vivienda palacio de un embajador, con la ceremoniosa escalera semicircular y sim\u00e9trica de acceso, el vest\u00edbulo para fiestas y recepciones, la galer\u00eda perimetral de ladrillo como expresi\u00f3n segura del baluarte diplom\u00e1tico, o la vivienda principal del embajador sobre la cubierta jard\u00edn. En palabras de Louis I. Kahn,<\/p>\n

\n

\u00absi cambias un programa, liberas fuerzas maravillosas\u00bb.3<\/sup><\/p>\n<\/blockquote>\n

Pensemos ahora como divertimento otro programa cualquiera, como un centro de arte o un ayuntamiento, y no resultar\u00e1 dif\u00edcil imaginar su adecuaci\u00f3n. Sin embargo, ante cualquiera de estas improbables circunstancias, ser\u00eda la luz difusa que habita en la densidad del vac\u00edo central la que habr\u00eda de constituir su verdadero n\u00facleo fundacional, el espacio inflexible: el mundo dentro de otro mundo<\/em>.<\/p>\n

La arquitectura liberada de su ra\u00edz program\u00e1tica se presenta como un sistema, una estructura, un orden capaz de estimular la existencia al margen de cualquier fatigoso listado de habitaciones: el hecho de habitar supera cualquier programa inmobiliario del mismo modo que el espacio biblioteca trasciende el conjunto de mesas y estanter\u00edas. Y as\u00ed sucesivamente. La obra de arquitectura transforma la distribuci\u00f3n del programa en estrategia de apropiaci\u00f3n del espacio.<\/p>\n

La obra de arquitectura introduce valores sensibles como la significaci\u00f3n del espacio, el discurrir<\/a> de la luz o la graduaci\u00f3n del silencio; la obra de arquitectura establece transiciones y umbrales<\/a>, favorece el encuentro colectivo, alberga lo m\u00e1s profundo de lo \u00edntimo<\/a>. Unidades de ambiente, atm\u00f3sferas, acontecimientos<\/a>.<\/p>\n

La obra de arquitectura y su programa intangible.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doctor Arquitecto
\nMadrid. Abril 2015.
\nAutor de\u00a0Parr\u00e1fos de arquitectura.\u00a0#arquiParrafos<\/span><\/p>\n

Notas:<\/p>\n

1 <\/sup>Louis I. Kahn, Conversaciones con estudiantes,<\/a> Barcelona, Gustavi Gili, 2002, p\u00e1gs. 30-31.
\n2 <\/sup>Louis I. Kahn, \u00abNew Frontiers in Architecture: CIAM in Oterlo 1959\u00bb. Charla en la clausura del congreso de Otterlo. Tomado de Oscar Newman, New Frontiers in Architecture: CIAM in Oterlo 1959, Universe Books, Nueva York 1961. Tambi\u00e9n publicado en Louis I. Kahn. Mi Arquitecto, Arquia Documental<\/a> 3, p\u00e1g. 31.
\n3 <\/sup>Biblioteca de la Phillips Exeter Academy, New Hampshire, EEUU, Louis I. Kahn 1965-72.
\n4 <\/sup>Louis I. Kahn, Conversaciones con estudiantes<\/a>, Barcelona, Gustavi Gili, 2002, p\u00e1g. 58.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dec\u00eda Louis I. Kahn: \u00abPrograma es una palabra demasiado aburrida. Se trata de comprender la naturaleza de un conjunto de espacios donde es bueno hacer algo en concreto. Ahora bien, dec\u00eds que algunos espacios deber\u00edan ser flexibles, pero tambi\u00e9n los hay que deber\u00edan ser completamente inflexibles. Deber\u00edan ser pura inspiraci\u00f3n […] Es algo parecido a […]<\/p>\n","protected":false},"author":5,"featured_media":79422,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[3428,93,6743,12278,12448,143,2539,673,2631,9446,147,9132,7137,150,12449,1973,11547,5427,8465,393,10555,12168,12206,510,7481,580,11589,14541,6141,659,668,3639,12642,5884,12643,8912,3952,3104,814,815,3315,12169,11546,10631,865,6465,898,920,11762,977,2787,2750,3640,1517,1726,2066,1136,1911,5630,11050,1278,1286,1289,2608,7081,12465,12455],"class_list":{"0":"post-78918","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-articulos","8":"category-slider-principal","9":"tag-alberto-campo-baeza","10":"tag-alejandro-de-la-sota","11":"tag-alison-smithson","12":"tag-antonio-giraldez-lopez","13":"tag-arquitectura","14":"tag-arquitectura-contemporanea","15":"tag-arquitectura-del-paisaje","17":"tag-arquitectura-espanola","18":"tag-arquitectura-madrilena","19":"tag-arquitectura-moderna","20":"tag-arquitectura-norteamericana","21":"tag-arquitectura-popular","22":"tag-arquitectura-tradicional","23":"tag-arte","24":"tag-cabana","25":"tag-carlos-cerulla","26":"tag-carlos-puente","27":"tag-claude-nicolas-ledoux","28":"tag-critica","29":"tag-dirk-van-der-heuvel","30":"tag-domingo-alvarez","31":"tag-ediciones-poligrafa","32":"tag-espacio","33":"tag-espacio-domestico","34":"tag-filosofia","35":"tag-francisco-de-asis-cabrero-torres-quevedo","36":"tag-georg-kolbe","37":"tag-georges-perec","38":"tag-habitar","39":"tag-historia","40":"tag-jorge-luis-borges","41":"tag-jorge-manrique","42":"tag-jose-antonio-corrales-gutierrez","43":"tag-jose-manuel-caballero-bonald","44":"tag-jose-rafael-moneo-valles","45":"tag-josep-quetglas","46":"tag-louis-i-kahn","47":"tag-madrid","48":"tag-maestro","49":"tag-manuel-gallego-jorreto","50":"tag-marcel-reich-ranicki","51":"tag-marcela-correa","52":"tag-max-risselada","53":"tag-mies-van-der-rohe","54":"tag-miguel-angel-diaz-camacho","55":"tag-movimiento-moderno","56":"tag-naturaleza","57":"tag-oscar-tenreiro-degwitz","58":"tag-paisaje","59":"tag-patrimonio-cultural","60":"tag-peter-cook","61":"tag-peter-smithson","62":"tag-peter-y-alison-smithson","63":"tag-peter-zumthor","64":"tag-proyectar","65":"tag-ramon-vazquez-molezun","66":"tag-refugio","67":"tag-robert-smithson","68":"tag-smiljan-radic","69":"tag-teoria","70":"tag-territorio","71":"tag-tiempo","72":"tag-tipologia","73":"tag-universidad-de-pennsylvania","74":"tag-vivienda","75":"tag-vivienda-unifamiliar"},"yoast_head":"\nEl programa intangible | Miguel \u00c1ngel D\u00edaz Camacho - 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