{"id":78910,"date":"2020-06-26T00:01:14","date_gmt":"2020-06-25T22:01:14","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=78910"},"modified":"2020-06-24T14:05:09","modified_gmt":"2020-06-24T12:05:09","slug":"mirar-es-poseer-miguel-angel-diaz-camacho","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/mirar-es-poseer-miguel-angel-diaz-camacho\/","title":{"rendered":"Mirar es poseer | Miguel \u00c1ngel D\u00edaz Camacho"},"content":{"rendered":"<figure id=\"attachment_78920\" aria-describedby=\"caption-attachment-78920\" style=\"width: 1000px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-78920\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2020\/03\/Mirar-es-poseer-Miguel-\u00c1ngel-D\u00edaz-Camacho-Ledoux_Theatre_of_Besan\u00e7on.jpg\" alt=\"\" width=\"1000\" height=\"663\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2020\/03\/Mirar-es-poseer-Miguel-\u00c1ngel-D\u00edaz-Camacho-Ledoux_Theatre_of_Besan\u00e7on.jpg 1000w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2020\/03\/Mirar-es-poseer-Miguel-\u00c1ngel-D\u00edaz-Camacho-Ledoux_Theatre_of_Besan\u00e7on-300x199.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2020\/03\/Mirar-es-poseer-Miguel-\u00c1ngel-D\u00edaz-Camacho-Ledoux_Theatre_of_Besan\u00e7on-160x105.jpg 160w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-78920\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Ledoux, Theatre of Besan\u00e7on<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">El espacio y el ojo mantienen una fascinante relaci\u00f3n de interclusi\u00f3n. Por un lado el ojo se encuentra sumergido en el espacio, sostenido en una posici\u00f3n flotante que construye nuestra percepci\u00f3n del afuera; al mismo tiempo, el espacio se despliega en la habitaci\u00f3n interior del ojo, resolviendo una de las formas m\u00e1s elementales y ef\u00edmeras de la conquista. Tal vez este procedimiento intangible (podr\u00edamos decir biol\u00f3gico) de posesi\u00f3n, pudiera explicar por s\u00ed solo el enorme valor de la arquitectura como instrumento para la apropiaci\u00f3n del mundo.<\/p>\n<p style=\"text-align: justify;\">Pocas obras representan de manera tan literal este modelo de usufructo intraocular como el grabado de Ledoux \u201cCoup d&#8217;Oeil du Theatre de Beson\u00e7on\u201d.<sup>1 <\/sup>Aqu\u00ed el espacio arquitect\u00f3nico pierde su condici\u00f3n exterior y es representado como un paisaje en miniatura alojado en el interior del ojo. La altura total del teatro es sugerida mediante la presencia de un foco cenital que se dirige hacia el espectador, una exhalaci\u00f3n luminosa que atraviesa el propio ojo y se prolonga hacia el afuera. Espacio exterior, luz interior o el hombre como una suerte de centro de claridades.<\/p>\n<p style=\"text-align: justify;\">El ejercicio de inmersi\u00f3n del ojo en el espacio exterior no resulta en absoluto menos excitante. Le Corbusier dibuja ojos fuera del cuerpo (y fuera de la arquitectura) en la conocida <a href=\"https:\/\/veredes.es\/blog\/de-la-caja-isotermica-al-organismo-sostenible-rodrigo-almonacid\/\" target=\"_blank\" rel=\"noopener noreferrer\">secci\u00f3n<\/a> de la Unidad de Habitaci\u00f3n de Marsella, situando un desproporcionado \u00f3rgano para la visi\u00f3n sobre el vac\u00edo.<sup>2<\/sup>\u00a0La poderosa infraestructura queda detr\u00e1s del ojo, como el andamiaje necesario para la construcci\u00f3n de la mirada y la recuperaci\u00f3n de los placeres esenciales: el sol, la naturaleza, las nubes, la feliz agitaci\u00f3n del mundo en nuestro interior.<\/p>\n<p style=\"text-align: justify;\">Paisaje conquistado:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00bfacaso se le puede pedir m\u00e1s a la arquitectura?<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Mirar es poseer.<\/p>\n<p style=\"text-align: justify;\">Miguel \u00c1ngel D\u00edaz Camacho. Doctor Arquitecto<br \/>\nMadrid. Abril 2015.<br \/>\n<span style=\"color: #999999;\">Autor de\u00a0Parr\u00e1fos de arquitectura.\u00a0#arquiParrafos<\/span><\/p>\n<p style=\"text-align: justify;\">Notas:<\/p>\n<p style=\"text-align: justify;\"><sup>1 <\/sup>Fine Arts Museum of San Francisco, Claude Nicolas Ledoux, 1804.<br \/>\n<sup>2 <\/sup>Unidad de Habitaci\u00f3n de Marsella, Le Corbusier, 1952.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El espacio y el ojo mantienen una fascinante relaci\u00f3n de interclusi\u00f3n. Por un lado el ojo se encuentra sumergido en el espacio, sostenido en una posici\u00f3n flotante que construye nuestra percepci\u00f3n del afuera; al mismo tiempo, el espacio se despliega en la habitaci\u00f3n interior del ojo, resolviendo una de las formas m\u00e1s elementales y ef\u00edmeras [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":78920,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[93,7889,8465,5849,424,5212,1815,9781,1595,3451,659,668,1541,785,2423,6465,2066,12469],"class_list":{"0":"post-78910","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-faro","8":"category-slider-principal","9":"tag-alejandro-de-la-sota","10":"tag-arquitectura-ecologica","11":"tag-claude-nicolas-ledoux","12":"tag-desarrollo-sustentable","13":"tag-dibujo","14":"tag-disciplina","15":"tag-ecologia","16":"tag-fondation-le-corbusier","17":"tag-francisco-javier-saenz-de-oiza","18":"tag-funcionalismo","19":"tag-habitar","20":"tag-historia","21":"tag-juhani-pallasmaa","22":"tag-le-corbusier","23":"tag-luis-fernandez-galiano","24":"tag-miguel-angel-diaz-camacho","25":"tag-proyectar","26":"tag-sostenibilidad"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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Delegado del Consejo Superior de los Colegios de Arquitectos de Espa\u00f1a (CSCAE) en el Consejo Europeo de Arquitectos, Architects Council of Europe (ACE). Socio fundador en MADC Arquitectos, compa\u00f1\u00eda establecida en Madrid que ha recibido numerosos premios en concursos nacionales e internacionales. Investigador y profesor universitario, su filosof\u00eda de trabajo y pensamiento te\u00f3rico han sido ampliamente desarrollados en publicaciones como \u201cP\u00e1rrafos de Arquitectura. Core(oh)graf\u00edas\u201d (Ediciones Asim\u00e9tricas, 2016) o \u201cArquitectura y Cambio Clim\u00e1tico\u201d (Fundaci\u00f3n Arquia, 2018). 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