{"id":7641,"date":"2010-09-26T06:04:35","date_gmt":"2010-09-26T06:04:35","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=7641"},"modified":"2018-05-24T19:02:37","modified_gmt":"2018-05-24T17:02:37","slug":"wim-wenders-si-los-edificios-pudieran-hablar-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/wim-wenders-si-los-edificios-pudieran-hablar-jorge-gorostiza\/","title":{"rendered":"Wim Wenders. Si los edificios pudieran hablar | Jorge Gorostiza"},"content":{"rendered":"

\"\"<\/a>
If Buildings Could Talk \u2013 visual investigation of the Rolex Learning Center<\/span>
Film by Wim Wenders<\/span>
Photo \u00a9 Hisao Suzuki, sketch by \u00a9 Wim Wenders<\/span><\/figcaption><\/figure><\/p>\n

Wim Wenders es un director que en los a\u00f1os ochenta nos fascin\u00f3 a los arquitectos gracias a pel\u00edculas como El cielo sobre Berl\u00edn<\/em> y Par\u00eds, Texas<\/em>, pero aunque no s\u00e9 muy bien cu\u00e1les han sido las causas, parece haber ca\u00eddo en desgracia en los \u00faltimos a\u00f1os, a pesar de pel\u00edculas notables, como\u00a0El final de la violencia<\/em>, The Million Dollar Hotel<\/em>, Tierra de abundancia<\/em> y Llamando a las puertas del cielo<\/a><\/em>, que diseccionan y analizan el paisaje estadounidense, como pocos cineastas lo han hecho hasta ahora.<\/p>\n

Precisamente,\u00a0por un art\u00edculo que estoy escribiendo sobre la relaci\u00f3n de las pel\u00edculas dirigidas por Wenders con el paisaje urbano americano, he encontrado en su p\u00e1gina web oficial datos sobre su \u00faltimo trabajo, un documental de veinte minutos de duraci\u00f3n, en tres dimensiones, que se exhibir\u00e1 en el Arsenale de Venecia, hasta finales\u00a0de noviembre, incluido dentro de la 12 Mostra Internazionale di Architettura<\/a>. Esta pel\u00edcula la ha rodado en el edificio del Rolex Learning Center, proyectado por los arquitectos Kazuyo Sejima<\/a> y Ryue Nishizawa<\/a>, o sea SANAA<\/a>\u00a0-por cierto, su p\u00e1gina web<\/a> es incre\u00edblemente escueta-, siendo la primera mencionada\u00a0la directora<\/a> de la Bienal de este a\u00f1o. De este edificio el cineasta\u00a0ha dicho que \u00abes m\u00e1s paisaje que edificio\u00bb.<\/p>\n

La imagen que acompa\u00f1a a este comentario est\u00e1 sacada de la p\u00e1gina web oficial de Wenders antes mencionada y son dibujos del propio director, en esa p\u00e1gina tambi\u00e9n hay unas estupendas fotograf\u00edas de Donata Wenders<\/a> y el texto, escrito por Wim, que he copiado a continuaci\u00f3n:<\/p>\n

\n

\u00abIf Buildings Could Talk…<\/em>
\n … some of them would sound like Shakespeare.<\/em>
\n Others would speak like the Financial Times,<\/em>
\n yet others would praise God, or Allah.<\/em>
\n Some would just whisper,<\/em>
\n some would loudly sing their own praises,<\/em>
\n while others would modestly mumble a few words<\/em>
\n and really have nothing to say.<\/em>
\n Some are plain dead and don\u2019t speak anymore…<\/em><\/p>\n

Buildings are like people, in fact.<\/em>
\n Old and young, male and female,<\/em>
\n ugly and beautiful, fat and skinny,<\/em>
\n ambitious and lazy, rich and poor,<\/em>
\n clinging to the past<\/em>
\n or reaching out to the future.<\/em><\/p>\n

Don\u2019t get me wrong: this is not a metaphor.<\/em>
\n Buildings DO speak to us!<\/em>
\n They have messages. Of course.<\/em>
\n Some really WANT a constant dialogue with us.<\/em>
\n Some rather listen carefully first.<\/em>
\n And you have probably noticed:<\/em>
\n Some of them like us a lot, some less<\/em>
\n and some not at all.<\/em><\/p>\n

Buildings, like people, are subject to time<\/em>
\n and exist in a three-dimensional world.<\/em>
\n That\u2019s why our film is in 3D.<\/em>
\n It\u2019s an invitation to wander around,<\/em>
\n to experience and to listen, for once.<\/em><\/p>\n

The building you will encounter<\/em>
\n is a particularly gentle and friendly one,<\/em>
\n made for learning, reading and communicating.<\/em>
\n Its hills and valleys (yes, they exist in there)<\/em>
\n are eager to welcome you,<\/em>
\n to help, to be of service,<\/em>
\n and to be, in the best sense of the word,<\/em>
\n a meeting place.\u00bb<\/em><\/p>\n<\/blockquote>\n

Jorge Gorostiza, arquitecto. Autor del blog Arquitectura+Cine+Ciudad<\/em><\/span>
\nSanta Cruz de Tenerife, septiembre 2010<\/p>","protected":false},"excerpt":{"rendered":"

Wim Wenders es un director que en los a\u00f1os ochenta nos fascin\u00f3 a los arquitectos gracias a pel\u00edculas como El cielo sobre Berl\u00edn y Par\u00eds, Texas, pero aunque no s\u00e9 muy bien cu\u00e1les han sido las causas, parece haber ca\u00eddo en desgracia en los \u00faltimos a\u00f1os, a pesar de pel\u00edculas notables, como\u00a0El final de la […]<\/p>\n","protected":false},"author":34,"featured_media":41967,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1460,5951],"tags":[10274,211,12471,4396,1718,10276,10246,1593,770,978,1719,10275,2690,1206,9045,1717],"class_list":{"0":"post-7641","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-capturas","8":"category-cine","9":"category-slider-principal","10":"tag-august-sander","11":"tag-bienal-de-venecia","12":"tag-cine","13":"tag-cineastas","14":"tag-director","15":"tag-donata-wenders","16":"tag-espacio-cinematografico","17":"tag-jorge-gorostiza","18":"tag-kazuyo-sejima","19":"tag-paisaje-urbano","20":"tag-paisaje-urbano-americano","21":"tag-robert-frank","22":"tag-ryue-nishizawa","23":"tag-sanaa","24":"tag-walker-evans","25":"tag-wim-wenders"},"yoast_head":"\nWim Wenders. 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