{"id":75032,"date":"2020-02-03T00:01:28","date_gmt":"2020-02-02T23:01:28","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=75032"},"modified":"2021-02-09T16:18:32","modified_gmt":"2021-02-09T15:18:32","slug":"dominio-domestico-frontera-y-limite-como-recinto-luis-gil-pita","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/dominio-domestico-frontera-y-limite-como-recinto-luis-gil-pita\/","title":{"rendered":"[:es]Dominio dom\u00e9stico. Frontera y l\u00edmite como \u201crecinto\u201d | Luis Gil [:gl]Dominio dom\u00e9stico. Fronteira e l\u00edmite como \u201crecinto\u201d | Luis Gil [:en]Domestic domain. Border and boundary as \u00abenclosure\u00bb | Luis Gil [:]"},"content":{"rendered":"

[:es]https:\/\/veredes.es\/blog\/arquitecturas-limite-la-frontera-luis-gil\/<\/p>\n

\"Pueblo
Pueblo Nubas, Casa Korongo | Imagen: George Rodger<\/span><\/a><\/figcaption><\/figure>\n

El redescubrimiento del borde y del recinto como objeto de estudio y como generador de nuevas formas de entender donde la actualidad pasa, no como en la cuesti\u00f3n cultural y de presentaci\u00f3n del tema liminar por la met\u00e1fora de la transici\u00f3n del fin y en concreto de la crisis neoliberal de fin de siglo o bimilenio, sino por la necesidad de redescubrir en medio de un oc\u00e9ano de falsedades imaginarias, cu\u00e1les pueden ser, como dec\u00eda el Maestro Cornelis van Eesteren los principios elementales de la arquitectura, aquellos que deben ser constantemente redescubiertos para el perdido oficio de la arquitectura.<\/p>\n

Nos interesa recuperar estos temas de fondo y peso como ha interesado en estos \u00faltimos a\u00f1os retomar el pensamiento, obra y cr\u00edtica del Team X y la generaci\u00f3n ligada a su pensamiento y discusi\u00f3n. No es casual ver entonces que el objeto principal de discusi\u00f3n del su tiempo fuese entre otros junto con la crisis del espacio p\u00fablico, y sus diferentes grados de relaci\u00f3n con el espacio privado y la l\u00ednea que los enlazaba, el recinto como principio original de la arquitectura, que ahora nos ocupa. Desde el borde dom\u00e9stico y el recinto en Alison y Peter Smithson presente en toda su obra como refundaci\u00f3n de la arquitectura al estudio del dominio en las distancias entre las piezas de juego en los parques infantiles de \u00c1msterdam de Aldo van Eyck y sus variaciones entono al in between<\/em> en sus ejercicios de organizaci\u00f3n entre espacios interiores y exteriores.<\/p>\n

Finalmente, pues, la frontera y el limite al encuentro con la escala m\u00e1s pr\u00f3xima al hombre y al arquitecto , el l\u00edmite como borde de su espacio de protecci\u00f3n m\u00e1s intimo, la frontera como organizador de lo propio frente a la naturaleza exterior y del mundo p\u00fablico. Limite y frontera como borde separador del espacio controlado por reglas propias frente al organizado por reglas colectivas, comunales y\/o naturales de orden superior y tambi\u00e9n pol\u00edtico.<\/p>\n

Pero al igual que en la escala territorial y cultural, la cuesti\u00f3n liminar del recinto, pasa por el imprescindible repensar sobre la idea de dominio. \u00c9ste se muestra como la energ\u00eda generadora y organizadora de cualquier territorio que despu\u00e9s deba ser marcado o registrado. Sin esta previa cuesti\u00f3n (de marcado car\u00e1cter antropol\u00f3gico), la marca, el recinto, en el fondo la geometrizaci\u00f3n o materializaci\u00f3n de lo controlado carece del sentido que le da origen o del que es expresi\u00f3n.<\/p>\n

Abordar las cuestiones b\u00e1sicas sobre la apropiaci\u00f3n del espacio o territorializaci\u00f3n por el hombre de su entorno es siempre y en cualquier caso primario, aunque ya estemos tratando con la escala arquitect\u00f3nica dom\u00e9stica. El dominio es la idea fundacional del conflicto y del problema arquitect\u00f3nico como delimitaci\u00f3n de los fen\u00f3menos duales dentro-fuera, p\u00fablico-privado, cerrado-abierto, etc. en el que se apoya de la g\u00e9nesis y organizaci\u00f3n del recinto arquitect\u00f3nico.<\/p>\n

\"Dominio<\/p>\n

Dentro de la arquitectura, el dominio quiere significarse como control del espacio a nuestro alrededor, de las cosas del entorno en la distancia marcada por la funci\u00f3n a realizar y no s\u00f3lo. Marcas y distancias dadas por los usos a practicar desde un lugar original. Dominio tambi\u00e9n es buscar sitio, localizarse, ubicarse y asentarse, tareas nada f\u00e1ciles a la verdadera pr\u00e1ctica arquitect\u00f3nica y fundacionales de su pr\u00e1ctica. Dominio de igual forma es distribuir, reorganizar y equilibrar, ya sea de manera espont\u00e1nea, como en la naturaleza o de forma planeada como hace la arquitectura. El dominio tampoco es otra cosa diferente del conflicto, de la marca que se\u00f1ala donde terminan o empiezan otros espacios colindantes.<\/p>\n

Complejidad e interacci\u00f3n, relaciones desiguales de dominio. Avance, conquista m\u00e1s alejada de lo propio, a veces innecesarias tanto en la vida diaria como en arquitectura. Despu\u00e9s claro est\u00e1 llegar\u00e1n las nociones de limite, de frontera… De la posible armonizaci\u00f3n de esos conflictos resultar\u00e1 la naturaleza de lo colectivo. Un reequilibrio de fuerzas que organiza la colonizaci\u00f3n de los espacios y los intersticios que permiten los pasos y movimientos en los territorios de cualquier escala. S\u00f3lo hay que ver el desorganizado equilibrio de la disposici\u00f3n de los cuerpos en las abarrotas playas en \u00e9poca estival. Se usa, se ocupa m\u00e1s que lo propiamente substancial. Las personas, los animales y las cosas parecen extenderse, debido a su naturaleza y a las funciones que le son propias, m\u00e1s all\u00e1 de su \u00e1mbito o espacio f\u00edsico propio, como los minerales radiactivos o los metales magnetizados. De igual que nos quemamos con la energ\u00eda del fuego antes mismo de tocar la llama.<\/p>\n

Existe siempre un n\u00facleo fundamental, a la manera que Heidegger nos lo explica, origen, referencia desde donde se proyecta cierta energ\u00eda hacia el exterior, donde al final nace la forma el recinto y el muro fronterizo dom\u00e9stico. Ese origen, funci\u00f3n o uso, es el que m\u00e1s tarde formula la arquitectura reconocible en la forma. Funci\u00f3n que crece alrededor, que se prolonga d\u00e1ndonos la dimensi\u00f3n final del muro con el que trabajaremos.<\/p>\n

El dominio son las reglas del juego, las marcas que lo organizan y limitan y que se convertir\u00e1n a veces en las l\u00edneas pintadas en el suelo del campo de juego, como las paredes y los muros de cerramiento y l\u00edmite de la arquitectura, pero de cota cero y todo ello mucho antes del cl\u00e1sicamente procurado equilibrio forma-funci\u00f3n. Y en otras ocasiones en las complejas reglas y leyes del recinto como fachada como borde construido.<\/p>\n

El resto, todo aquello que parece m\u00e1s complejo, es mucho m\u00e1s f\u00e1cil\u2026<\/p>\n

Luis Gil Pita, arquitecto
\nSantiago de Compostela,\u00a0Noviembre 2019<\/p>\n

Cap\u00edtulo del art\u00edculo Alegor\u00eda de la frontera y el l\u00edmite, publicado originalmente en la revista Obradoiro n\u00ba34, invierno de 2009.<\/em><\/span><\/p>\n

[:gl]

\"Pueblo
Pueblo Nubas, Casa Korongo | Imaxe: George Rodger<\/span><\/a><\/figcaption><\/figure><\/p>\n

O redescubrimiento do bordo e do recinto como obxecto de estudo e como xerador de novas formas de entender onde a actualidade pasa, non como na cuesti\u00f3n cultural e de presentaci\u00f3n do tema liminar pola met\u00e1fora da transici\u00f3n do fin e en concreto da crise neoliberal de fin de s\u00e9culo ou bimilenio, sen\u00f3n pola necesidade de redescubrir no medio dun oc\u00e9ano de falsidades imaxinarias, cales poden ser, como dic\u00eda o Mestre Cornelis van Eesteren os principios elementais da arquitectura, aqueles que deben ser constantemente redescubiertos para o perdido oficio da arquitectura.<\/p>\n

Inter\u00e9sanos recuperar estes temas de fondo e peso como interesou nestes \u00faltimos anos retomar o pensamento, obra e cr\u00edtica do Team X e a xeraci\u00f3n ligada ao seu pensamento e discusi\u00f3n. Non \u00e9 casual ver ent\u00f3n que o obxecto principal de discusi\u00f3n do o seu tempo fose entre outros xunto coa crise do espazo p\u00fablico, e os seus diferentes graos de relaci\u00f3n co espazo privado e a li\u00f1a que os enlazaba, o recinto como principio orixinal da arquitectura, que agora nos ocupa. Desde o bordo dom\u00e9stico e o recinto en Alison e Peter Smithson presente en toda a s\u00faa obra como refundaci\u00f3n da arquitectura ao estudo do dominio nas distancias entre as pezas de xogo nos parques infant\u00eds de \u00c1msterdam de Aldo van Eyck e as s\u00faas variaci\u00f3ns entoo ao in between<\/em> nos seus exercicios de organizaci\u00f3n entre espazos interiores e exteriores.<\/p>\n

Finalmente, pois, a fronteira e o limite ao encontro coa escala m\u00e1is pr\u00f3xima ao home e ao arquitecto , o l\u00edmite como bordo do seu espazo de protecci\u00f3n m\u00e1is intimo, a fronteira como organizador do propio fronte \u00e1 natureza exterior e do mundo p\u00fablico. Limite e fronteira como bordo separador do espazo controlado por regras propias fronte ao organizado por regras colectivas, comunais e\/ou naturais de orde superior e tam\u00e9n pol\u00edtico.<\/p>\n

Pero do mesmo xeito que na escala territorial e cultural, a cuesti\u00f3n liminar do recinto, pasa polo imprescindible repensar sobre a idea de dominio. Este m\u00f3strase como a enerx\u00eda xeradora e organizadora de calquera territorio que despois deba ser marcado ou rexistrado. Sen esta previa cuesti\u00f3n (de marcado car\u00e1cter antropol\u00f3xico), a marca, o recinto, no fondo a geometrizaci\u00f3n ou materializaci\u00f3n do controlado carece do sentido que lle d\u00e1 orixe ou do que \u00e9 expresi\u00f3n.<\/p>\n

Abordar as cuesti\u00f3ns b\u00e1sicas sobre a apropiaci\u00f3n do espazo ou territorializaci\u00f3n polo home da s\u00faa contorna \u00e9 sempre e en calquera caso primario, a\u00ednda que xa esteamos a tratar coa escala arquitect\u00f3nica dom\u00e9stica. O dominio \u00e9 a idea fundacional do conflito e do problema arquitect\u00f3nico como delimitaci\u00f3n dos fen\u00f3menos duais dentro-f\u00f3ra, p\u00fablico-privado, pechado-aberto, etc. no que se apoia da x\u00e9nese e organizaci\u00f3n do recinto arquitect\u00f3nico.<\/p>\n

\"Dominio<\/p>\n

Dentro da arquitectura, o dominio quere significarse como control do espazo ao noso ao redor, das cousas da contorna na distancia marcada pola funci\u00f3n para realizar e non s\u00f3. Marcas e distancias dadas polos usos para practicar desde un lugar orixinal. Dominio tam\u00e9n \u00e9 buscar sitio, localizarse, situarse e asentarse, tarefas nada f\u00e1ciles \u00e1 verdadeira pr\u00e1ctica arquitect\u00f3nica e fundacionais da s\u00faa pr\u00e1ctica. Dominio de igual forma \u00e9 distribu\u00edr, reorganizar e equilibrar, xa sexa de maneira espont\u00e1nea, como na natureza ou de forma planeada como fai a arquitectura. O dominio tampouco \u00e9 outra cousa diferente do conflito, da marca que sinala onde terminan ou empezan outros espazos lindeiros.<\/p>\n

Complexidade e interacci\u00f3n, relaci\u00f3ns desiguais de dominio. Avance, conquista m\u00e1is afastada do propio, \u00e1s veces innecesarias tanto na vida diaria como en arquitectura. Despois est\u00e1 claro chegar\u00e1n as noci\u00f3ns de limite, de fronteira… Da posible harmonizaci\u00f3n deses conflitos resultar\u00e1 a natureza do colectivo. Un reequilibrio de forzas que organiza a colonizaci\u00f3n dos espazos e os intersticios que permiten os pasos e movementos nos territorios de calquera escala. S\u00f3 hai que ver o desorganizado equilibrio da disposici\u00f3n dos corpos en abarr\u00f3talas praias en \u00e9poca estival. \u00dasase, oc\u00fapase m\u00e1is que o propiamente substancial. As persoas, os animais e as cousas parecen estenderse, debido \u00e1 s\u00faa natureza e \u00e1s funci\u00f3ns que lle son propias, m\u00e1is al\u00f3 do seu \u00e1mbito ou espazo f\u00edsico propio, como os minerais radioactivos ou os metais magnetizados. De igual que nos queimamos coa enerx\u00eda do lume antes mesmo de tocar a chama.<\/p>\n

Existe sempre un n\u00facleo fundamental, \u00e1 maneira que Heidegger expl\u00edcanolo, orixe, referencia desde onde se proxecta certa enerx\u00eda cara ao exterior, onde ao final nace a forma o recinto e o muro fronteirizo dom\u00e9stico. Esa orixe, funci\u00f3n ou uso, \u00e9 o que m\u00e1is tarde formula a arquitectura reconocible na forma. Funci\u00f3n que crece ao redor, que se prolonga d\u00e1ndonos a dimensi\u00f3n final do muro co que traballaremos.<\/p>\n

O dominio son as regras do xogo, as marcas que o organizan e limitan e que se converter\u00e1n \u00e1s veces nas li\u00f1as pintadas no chan do campo de xogo, como as paredes e os muros de cerramento e l\u00edmite da arquitectura, pero de cota cero e todo iso moito antes do clasicamente procurado equilibrio forma-funci\u00f3n. E noutras ocasi\u00f3ns nas complexas regras e leis do recinto como fachada como bordo constru\u00eddo.<\/p>\n

O resto, todo aquilo que parece m\u00e1is complexo, \u00e9 moito m\u00e1is sinxelo\u2026<\/p>\n

Luis Gil Pita, arquitecto
\nSantiago de Compostela,\u00a0Novembro 2019<\/p>\n

Cap\u00edtulo do artigo Alegor\u00eda da fronteira e o l\u00edmite, publicado orixinalmente na revista Obradoiro n\u00ba34, inverno de 2009.<\/em><\/span><\/p>\n

[:en]

\"Pueblo
Nubas people, Korongo House | Photography: George Rodger<\/span><\/a><\/figcaption><\/figure><\/p>\n

The rediscovery of the edge and the enclosure as an object of study and as a generator of new ways of understanding where current affairs happen, not as in the cultural and presentation issue of the subject being limited by the metaphor of the transition of the end and in particular of the crisis neoliberal of the end of the century or bimilenio, but by the need to rediscover in the middle of an ocean of imaginary falsehoods, what can be, as Master Cornelis van Eesteren said the elementary principles of architecture, those that must be constantly rediscovered for the lost architecture trade.<\/p>\n

We are interested in recovering these issues of substance and weight as you have been interested in the last few years to return to the thinking, work and criticism of Team X and the generation linked to your thinking and discussion. It is no accident to see then that the main object of discussion of his time was among others along with the crisis of public space, and its different degrees of relationship with private space and the line that linked them, the site as the original principle of architecture , which now concerns us. From the domestic edge and the enclosure in Alison and Peter Smithson present in all his work as a re-foundation of the architecture to the study of the domain in the distances between the play pieces in the playgrounds of Amsterdam of Aldo van Eyck and its variations in between in your organizational exercises between interior and exterior spaces.<\/p>\n

Finally, then, the border and the limit to the encounter with the scale closest to the man and the architect, the limit as the edge of his most intimate protection space, the border as an organizer of his own against external nature and the public world . Limit and border as a separating edge of the space controlled by its own rules against that organized by collective, communal and \/ or natural rules of a higher order and also political.<\/p>\n

But as in the territorial and cultural scale, the liminal question of the enclosure, goes through the essential rethinking about the idea of dominance. This is shown as the generating and organizing energy of any territory that must then be marked or registered. Without this previous question (of marked anthropological character), the brand, the enclosure, in the background the geometrization or materialization of the controlled lacks the meaning that gives rise to it or of which it is expression.<\/p>\n

Addressing the basic questions about the appropriation of space or territorialization by the man in his environment is always and in any case primary, although we are already dealing with the domestic architectural scale. The domain is the foundational idea of the conflict and the architectural problem as a delimitation of the dual phenomena inside-outside, public-private, closed-open, etc. which relies on the genesis and organization of the architectural site.<\/p>\n

\"Dominio<\/p>\n

Within the architecture, the domain wants to be meant as control of the space around us, of the things of the environment in the distance marked by the function to be performed and not only. Marks and distances given by the uses to be practiced from an original place. Domain is also to find a place, locate, locate and settle, tasks not easy to the true architectural practice and foundational practice. Mastery in the same way is to distribute, reorganize and balance, either spontaneously, as in nature or in a planned way as architecture does. The domain is also nothing different from the conflict, from the brand that indicates where other adjacent spaces end or begin.<\/p>\n

Complexity and interaction, unequal domain relationships. Advance, conquers further from the own, sometimes unnecessary in both daily life and architecture. Then, of course, the notions of limit, of border will arrive … From the possible harmonization of these conflicts, the nature of the collective will result. A rebalancing of forces that organizes the colonization of spaces and interstices that allow the steps and movements in the territories of any scale. You just have to see the disorganized balance of the arrangement of the bodies on the crowded beaches in summer. It is used, it deals more than the substance itself. People, animals and things seem to extend, due to their nature and their own functions, beyond their own physical space or space, such as radioactive minerals or magnetized metals. Just as we burn with the energy of the fire before touching the flame.<\/p>\n

There is always a fundamental nucleus, in the way that Heidegger explains it to us, origin, reference from where some energy is projected towards the outside, where in the end the enclosure and the domestic border wall form. That origin, function or use, is the one that later formulates the recognizable architecture in the form. Function that grows around, which continues giving us the final dimension of the wall with which we will work.<\/p>\n

The domain is the rules of the game, the brands that organize and limit it and that will sometimes become the lines painted on the floor of the playing field, such as walls and walls of enclosure and limit of architecture, but dimension zero and all this long before the classically sought form-function balance. And on other occasions in the complex rules and laws of the enclosure as a facade as a built edge.<\/p>\n

The rest, everything that seems more complex, is much easier …<\/p>\n

Luis Gil Pita, architect
\nSantiago de Compostela,\u00a0November 2019<\/p>\n

Article chapter Allegory of the border and the limit, originally published in the Obradoiro magazine n\u00ba34, winter 2009.<\/em><\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es]https:\/\/veredes.es\/blog\/arquitecturas-limite-la-frontera-luis-gil\/ El redescubrimiento del borde y del recinto como objeto de estudio y como generador de nuevas formas de entender donde la actualidad pasa, no como en la cuesti\u00f3n cultural y de presentaci\u00f3n del tema liminar por la met\u00e1fora de la transici\u00f3n del fin y en concreto de la crisis neoliberal de fin de siglo […]<\/p>\n","protected":false},"author":53,"featured_media":75035,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[92,6743,14301,318,9520,6942,12084,399,14299,447,6401,516,14302,14298,4954,12729,630,659,668,14305,785,1579,4601,4356,6964,14303,2496,920,11215,1021,3640,1517,14300,1865,7295,3020,4373,4444,1241,1243,1980,1514,1278,2048,1286,5153,14304],"class_list":["post-75032","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-aldo-van-eyck","tag-alison-smithson","tag-bruce-charles-chatwin","tag-ciudad","tag-ciudad-alegorica","tag-ciudad-historica","tag-cornelis-van-eesteren","tag-cultura","tag-daniel-bell","tag-economia","tag-espacio-colectivo","tag-espacio-publico","tag-eugenio-trias-sagnier","tag-francis-fukuyama","tag-francisco-jarauta","tag-friedrich-wilhelm-nietzsche","tag-geografia","tag-habitar","tag-historia","tag-lbert-camus","tag-le-corbusier","tag-limite","tag-luis-gil-pita","tag-marcel-duchamp","tag-martin-heidegger","tag-max-karl-ernst-ludwig-planck","tag-movimiento","tag-naturaleza","tag-paul-virilio","tag-pensamiento","tag-peter-smithson","tag-peter-y-alison-smithson","tag-pierre-felix-bourdieu","tag-reflexion","tag-richard-buckminster-fuller","tag-romanticismo","tag-s-xix","tag-s-xx","tag-sociedad","tag-sociologia","tag-sociologia-urbana","tag-team-x","tag-teoria","tag-teoria-e-historia","tag-territorio","tag-viajar","tag-vicente-verdu"],"yoast_head":"\n[:es]Dominio dom\u00e9stico. 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Becado de investigaci\u00f3n en Holanda en 2000-1, con un estudio sobre lo fronterizo y liminar en arquitectura, por la Diputaci\u00f3n de A Coru\u00f1a, fue posteriormente Profesor invitado en el \u00e1rea de proyectos de la Facultad de Arquitectura de Guimar\u00e1es, Universidade do Minho, del 2001 hasta el 2007. Desde el inicio de su carrera ha publicado asiduamente art\u00edculos y ha participado como editor en diferentes publicaciones alrededor de la arquitectura.","sameAs":["https:\/\/gilpitanietopenamariaarquitectos.com\/","https:\/\/www.facebook.com\/gilpita","https:\/\/www.instagram.com\/explore\/tags\/luisgilpita\/","https:\/\/www.linkedin.com\/in\/jos-luis-gil-pita-5ba58920\/","https:\/\/x.com\/https:\/\/twitter.com\/luisgilpita"],"url":"https:\/\/veredes.es\/blog\/author\/luis-gil-pita\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/75032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=75032"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/75032\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/75035"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=75032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=75032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=75032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}