{"id":74977,"date":"2019-12-02T00:01:44","date_gmt":"2019-12-01T23:01:44","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=74977"},"modified":"2023-05-05T18:02:43","modified_gmt":"2023-05-05T16:02:43","slug":"alegoria-la-frontera-limite-luis-gil","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/alegoria-la-frontera-limite-luis-gil\/","title":{"rendered":"Alegor\u00eda de la frontera y el l\u00edmite | Luis Gil"},"content":{"rendered":"<p><figure id=\"attachment_75038\" aria-describedby=\"caption-attachment-75038\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-75038 size-full\" title=\"Alegor\u00eda de la frontera y el l\u00edmite | Luis Gil Muro de Berl\u00edn | Fotograf\u00eda de Oliver Reuther para la agencia Cordon Press\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/10\/Alegor\u00eda-de-la-frontera-y-el-l\u00edmite-Luis-Gil-Muro-de-berl\u00edn-Fotograf\u00eda-de-Oliver-Reuther-para-la-agencia-Cordon-Press.jpg\" alt=\"Alegor\u00eda de la frontera y el l\u00edmite | Luis Gil Muro de Berl\u00edn | Fotograf\u00eda de Oliver Reuther para la agencia Cordon Press\" width=\"1200\" height=\"795\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/10\/Alegor\u00eda-de-la-frontera-y-el-l\u00edmite-Luis-Gil-Muro-de-berl\u00edn-Fotograf\u00eda-de-Oliver-Reuther-para-la-agencia-Cordon-Press.jpg 1200w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/10\/Alegor\u00eda-de-la-frontera-y-el-l\u00edmite-Luis-Gil-Muro-de-berl\u00edn-Fotograf\u00eda-de-Oliver-Reuther-para-la-agencia-Cordon-Press-300x199.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/10\/Alegor\u00eda-de-la-frontera-y-el-l\u00edmite-Luis-Gil-Muro-de-berl\u00edn-Fotograf\u00eda-de-Oliver-Reuther-para-la-agencia-Cordon-Press-1024x678.jpg 1024w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/10\/Alegor\u00eda-de-la-frontera-y-el-l\u00edmite-Luis-Gil-Muro-de-berl\u00edn-Fotograf\u00eda-de-Oliver-Reuther-para-la-agencia-Cordon-Press-160x105.jpg 160w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-75038\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Muro de Berl\u00edn | Fotograf\u00eda de Oliver Reuther para la agencia Cordon Press<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">La actualidad neoliberal que nos ha tocado vivir dificulta como ninguna otra anterior el poder referir comportamientos, sucesos y actitudes a un horizonte estable, un marco concreto que sirva de articulador, de elemento de di\u00e1logo y fondo al an\u00e1lisis de una contemporaneidad dif\u00edcilmente acotable, nada definida y de un r\u00e1pido vaciamiento de contenidos, cuyo fin \u00faltimo parece no ser otro que la realizaci\u00f3n material de un mercado de la m\u00e1xima escala cuantitativa. Los horizontes f\u00edsicos y las pautas cl\u00e1sicas de comportamiento se han desvanecido en las \u00faltimas d\u00e9cadas del s. XX devalu\u00e1ndose como puntos de referencia en la din\u00e1mica cl\u00e1sica de los comportamientos culturales de occidente. Parad\u00f3jicamente esa tan banalizada, por los medios, disoluci\u00f3n cotidiana de la corporeidad del borde, del marco de referencia, es una de las pocas caracter\u00edsticas que por ausencia define la \u00e9poca en que habitamos.<\/p>\n<p style=\"text-align: justify;\">La referida disoluci\u00f3n f\u00edsica del borde y del liminar geogr\u00e1fico alcanz\u00f3 su concreci\u00f3n metaf\u00f3rica y su referente simb\u00f3lico a trav\u00e9s de la ca\u00edda del muro de Berl\u00edn tal como lo ha descrito <a href=\"https:\/\/veredes.es\/blog\/tag\/francisco-jarauta\/\" target=\"_blank\" rel=\"noopener noreferrer\">Francisco Jarauta<\/a>.<sup>1<\/sup>\u00a0Pero adem\u00e1s su ca\u00edda sirvi\u00f3 como referente simb\u00f3lico a una serie de desapariciones y fines largamente labrados en el pensamiento y el arte, durante todo el s. XX, aunque ya apuntadas desde el s. XIX, por parte de los estudios y teor\u00edas que han coincidido aleg\u00f3ricamente con el fin de calendario de bimilenio, entre ellas, La muerte de Dios anunciada por Friedrich W. Nietzsche, la del arte a manos de Marcel Duchamp y el criticable <a href=\"https:\/\/amzn.to\/34EiI6l\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Fin de la Historia<\/em><\/a> tal como la refiri\u00f3 Francis Fukuyama en compa\u00f1\u00eda temporal del expl\u00edcito<a href=\"https:\/\/amzn.to\/2Mdk01x\" target=\"_blank\" rel=\"noopener noreferrer\"><em> Fin de las Ideolog\u00edas<\/em> <\/a>apuntado por Daniel Bell.<sup>2<\/sup><\/p>\n<figure id=\"attachment_74982\" aria-describedby=\"caption-attachment-74982\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-74982 size-full\" title=\"Alegor\u00eda de la frontera y el l\u00edmite | Luis Gil  Roto\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/10\/Alegor\u00eda-de-la-frontera-y-el-l\u00edmite-Luis-Gil-Roto.jpg\" alt=\"Alegor\u00eda de la frontera y el l\u00edmite | Luis Gil  Roto\" width=\"1200\" height=\"837\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/10\/Alegor\u00eda-de-la-frontera-y-el-l\u00edmite-Luis-Gil-Roto.jpg 1200w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/10\/Alegor\u00eda-de-la-frontera-y-el-l\u00edmite-Luis-Gil-Roto-300x209.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/10\/Alegor\u00eda-de-la-frontera-y-el-l\u00edmite-Luis-Gil-Roto-1024x714.jpg 1024w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-74982\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Roto<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Casi como resumen, de las desapariciones anteriores, y como constataci\u00f3n figurada, fin de las fronteras a la econom\u00eda transnacional y a la informaci\u00f3n tal como apuntan repetitivamente los medios de comunicaci\u00f3n. Con esta envolvente de fondo, mientras que hasta hace poco los acontecimientos y comportamientos sociales, econ\u00f3micos y culturales, manten\u00edan un argumento lineal (incluyendo sus derivados el movimiento c\u00edclico o pendular ) cuya ra\u00edz era la noci\u00f3n de gui\u00f3n o progresi\u00f3n, ahora, se muestran (no podemos decir que se estructuren) en un movimiento de naturaleza perform\u00e1ntica en el que la improvisaci\u00f3n y lo aleatorio al servicio del mercado juega un papel fundamental. As\u00ed contra estos nuevos comportamientos de naturaleza mutable resulta muy dif\u00edcil contraponer los argumentos de previsi\u00f3n que se adecuaban al control de estructuras m\u00e1s definidas.<\/p>\n<p style=\"text-align: justify;\">En esa constante referencia al <em>Fin <\/em>las palabras desdibujamiento, disoluci\u00f3n, trasvase, permeabilidad forman parte ya del nuevo vocabulario com\u00fan a muy diversas \u00e1reas, en especial al comercio y la informaci\u00f3n. Aunque muy al contrario de lo publicitado y asumido t\u00f3picamente, el borde, el limite y la separaci\u00f3n entre \u00e1mbitos econ\u00f3micos y sociales no s\u00f3lo no se debilita sino que parece mantenerse y reafirmarse, diluy\u00e9ndose bien es cierto determinados ciertos aspectos f\u00edsicos, al mismo tiempo que se refuerzan los conceptos abstractos que generan dicha separaci\u00f3n.<\/p>\n<p style=\"text-align: justify;\">Con esta p\u00e9rdida de estructura o de contorno se est\u00e1 produciendo un desequilibrio en la conciencia social y del individuo todav\u00eda no lo suficientemente valorado, indicada y anticipada de forma clara en los estudios de Pierre Bordieu,<sup>3<\/sup>\u00a0que ser\u00e1 marcante de la sociedad y cultura de las pr\u00f3ximas d\u00e9cadas.<\/p>\n<p>Luis Gil Pita, arquitecto<br \/>\nSantiago de Compostela,\u00a0Noviembre 2019<\/p>\n<p>Notas:<\/p>\n<p style=\"text-align: justify;\"><sup>1\u00a0<\/sup>Jarauta Francisco.\u00bbPresentaci\u00f3n introducci\u00f3n\u00bb <a href=\"https:\/\/amzn.to\/2VHh3JD\" target=\"_blank\" rel=\"noopener noreferrer\">Otra mirada sobre la \u00e9poca<\/a>. pg 9. Edt F Jarauta, Librer\u00eda Yerba. Murcia 1994.<\/p>\n<p style=\"text-align: justify;\"><sup>2\u00a0<\/sup>En un espacio temporal donde es dif\u00edcil determinar si los comportamientos neoliberales forman parte de una ideolog\u00eda en s\u00ed o simplemente se trata de actitudes que parad\u00f3gicamente necesitan de la ausencia de cualquier otra ideolog\u00eda.<\/p>\n<p style=\"text-align: justify;\"><sup>3\u00a0<\/sup>Que describen c\u00f3mo los comportamientos neoliberales tienen una \u00fanica visi\u00f3n, deshistorizada y deshistorizante, atomizada y atomizante.<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"dqNmcwkU3U\"><p><a href=\"https:\/\/veredes.es\/blog\/dominio-problema-fundamental-fisico-los-fenomenos-limite-frontera-luis-gil\/\">El dominio como problema fundamental y f\u00edsico de los fen\u00f3menos l\u00edmite y frontera | Luis Gil<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abEl dominio como problema fundamental y f\u00edsico de los fen\u00f3menos l\u00edmite y frontera | Luis Gil\u00bb \u2014 veredes\" src=\"https:\/\/veredes.es\/blog\/dominio-problema-fundamental-fisico-los-fenomenos-limite-frontera-luis-gil\/embed\/#?secret=CYHd7vYtGj#?secret=dqNmcwkU3U\" data-secret=\"dqNmcwkU3U\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #999999;\"><em>Cap\u00edtulo del art\u00edculo Alegor\u00eda de la frontera y el l\u00edmite, publicado originalmente en la revista Obradoiro n\u00ba34, invierno de 2009.<\/em><\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>La actualidad neoliberal que nos ha tocado vivir dificulta como ninguna otra anterior el poder referir comportamientos, sucesos y actitudes a un horizonte estable, un marco concreto que sirva de articulador, de elemento de di\u00e1logo y fondo al an\u00e1lisis de una contemporaneidad dif\u00edcilmente acotable, nada definida y de un r\u00e1pido vaciamiento de contenidos, cuyo fin [&hellip;]<\/p>\n","protected":false},"author":53,"featured_media":75038,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[92,6743,14301,318,9520,6942,12084,399,14299,447,6401,516,14302,14298,4954,12729,630,659,668,14305,785,1579,4601,4356,6964,14303,2496,920,11215,1021,3640,1517,14300,1865,7295,3020,4373,4444,1241,1243,1980,1514,1278,2048,1286,5153,14304],"class_list":{"0":"post-74977","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-articulos","8":"category-slider-principal","9":"tag-aldo-van-eyck","10":"tag-alison-smithson","11":"tag-bruce-charles-chatwin","12":"tag-ciudad","13":"tag-ciudad-alegorica","14":"tag-ciudad-historica","15":"tag-cornelis-van-eesteren","16":"tag-cultura","17":"tag-daniel-bell","18":"tag-economia","19":"tag-espacio-colectivo","20":"tag-espacio-publico","21":"tag-eugenio-trias-sagnier","22":"tag-francis-fukuyama","23":"tag-francisco-jarauta","24":"tag-friedrich-wilhelm-nietzsche","25":"tag-geografia","26":"tag-habitar","27":"tag-historia","28":"tag-lbert-camus","29":"tag-le-corbusier","30":"tag-limite","31":"tag-luis-gil-pita","32":"tag-marcel-duchamp","33":"tag-martin-heidegger","34":"tag-max-karl-ernst-ludwig-planck","35":"tag-movimiento","36":"tag-naturaleza","37":"tag-paul-virilio","38":"tag-pensamiento","39":"tag-peter-smithson","40":"tag-peter-y-alison-smithson","41":"tag-pierre-felix-bourdieu","42":"tag-reflexion","43":"tag-richard-buckminster-fuller","44":"tag-romanticismo","45":"tag-s-xix","46":"tag-s-xx","47":"tag-sociedad","48":"tag-sociologia","49":"tag-sociologia-urbana","50":"tag-team-x","51":"tag-teoria","52":"tag-teoria-e-historia","53":"tag-territorio","54":"tag-viajar","55":"tag-vicente-verdu"},"yoast_head":"<!-- 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