{"id":74680,"date":"2019-10-04T00:01:15","date_gmt":"2019-10-03T22:01:15","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=74680"},"modified":"2023-03-02T11:14:17","modified_gmt":"2023-03-02T10:14:17","slug":"botas-ghirlanda-%e2%86%92-malaparte-%e2%86%92-godard-%e2%86%92-cavani-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/botas-ghirlanda-%e2%86%92-malaparte-%e2%86%92-godard-%e2%86%92-cavani-jorge-gorostiza\/","title":{"rendered":"Botas Ghirlanda \u2192 Malaparte \u2192 Godard \u2192 Cavani | Jorge Gorostiza"},"content":{"rendered":"

[:es]

\"Juan
Juan Manuel Botas Ghirlanda. Golfo de Capri, \u00f3leo sobre lienzo 128 x 126 cm.<\/span>
Museo Municipal de Bellas Artes, Santa Cruz de Tenerife<\/span><\/figcaption><\/figure><\/p>\n

Hace poco, navegando por la red, encontr\u00e9 el cuadro\u00a0Golfo de Capri<\/i>, que pint\u00f3\u00a0Juan Manuel Botas Ghirlanda<\/a>\u00a0en la primera d\u00e9cada del siglo pasado y cuya reproducci\u00f3n adjunto sobre este texto. Es curioso que los cuadros y casi todo, se vea ahora m\u00e1s en las pantallas que en la realidad, aunque la impresi\u00f3n no sea la misma. Al encontrarlo en Internet, he recordado\u00a0 la \u00faltima vez que lo vi,\u00a0fue en una\u00a0exposici\u00f3n antol\u00f3gica<\/a>\u00a0del pintor, lo hab\u00edan colgado solo en una gran pared al fondo de la primera sala y aunque lo hab\u00eda visto muchas veces en el\u00a0Museo Municipal de Bellas Artes<\/a>, inmediatamente lo asoci\u00e9 a una palabra:\u00a0Malaparte<\/a>.<\/p>\n

\n

\u00bfEse promontorio en la isla de Capri no ser\u00eda era el elegido por el escritor para edificar su casa?<\/p>\n<\/blockquote>\n

En 1905, Botas vendi\u00f3 uno de sus cuadros m\u00e1s grandes al Ayuntamiento de Santa Cruz de Tenerife por una fortuna, mil quinientas pesetas (aproximadamente nueve euros),\u00a0Miguel Tarquis\u00a0ha escrito que al mismo tiempo el pintor empieza \u00aba hacer pol\u00edtica, compra con cuadros o halagos las voluntades de los concejales\u00bb, demostrando que la corrupci\u00f3n no es solo un fen\u00f3meno contempor\u00e1neo, y logra la aprobaci\u00f3n del Pleno municipal para que le concedan una beca de estudios de tres mil pesetas anuales, con este dinero, por fin pudo abandonar su isla perdida en medio de Atl\u00e1ntico, traslad\u00e1ndose a Roma, durante su viaje a Italia se sabe\u00a0que\u00a0estuvo una temporada en N\u00e1poles y seguramente desde all\u00ed cruz\u00f3 el Tirreno hasta Capri.<\/p>\n

Treinta a\u00f1os despu\u00e9s, Malaparte adquiri\u00f3 un terreno escarpado en la costa este de Capri llamado\u00a0Punta del Massullo<\/a>\u00a0y le encarg\u00f3 a\u00a0Adalberto Libera<\/a>\u00a0el proyecto para construir su\u00a0casa, ya se ha escrito mucho sobre este edificio y sobre\u00a0El desprecio<\/a><\/i>, algunos hablando solo\u00a0de\u00a0Brigitte Bardot<\/a>\u00a0y otros, mas serios, ensalzando c\u00f3mo\u00a0Jean-Luc Godard<\/a>\u00a0usa ese espacio arquitect\u00f3nico de una forma magistral. Hay que recodar que\u00a0Liliana Cavani<\/a>\u00a0en\u00a0La piel<\/i>\u00a0<\/a>desaprovech\u00f3 las posibilidades que le daba el edificio y c\u00f3mo las han aprovechado algunos directores de anuncios publicitarios.<\/p>\n

Habr\u00eda que preguntarse si hoy en d\u00eda se permitir\u00eda que alguien construyese esa casa en ese lugar, en primera l\u00ednea de costa, no conozco la legislaci\u00f3n italiana, pero estoy seguro que en Espa\u00f1a ser\u00eda pr\u00e1cticamente imposible y que conste que no se est\u00e1 criticando la legislaci\u00f3n, porque es evidente\u00a0que destruir un paisaje como el que pint\u00f3 Botas es una salvajada, pero tambi\u00e9n es evidente que la\u00a0casa Malaparte<\/a>\u00a0es uno de los edificios m\u00e1s interesantes de la historia de la arquitectura.<\/p>\n

Botas volvi\u00f3 a su isla pero, seg\u00fan Tarquis, ten\u00eda \u00absu pecho minado \u00a1Las modelos son tan bonitas! Roma y Par\u00eds son perniciosas para cualquier joven de un temperamento an\u00e1rquico como el de Botas. Locuras de juventud que no se pueden reparar; la tuberculosis pulmonar hab\u00eda hecho presa en su pecho\u00bb -como puede observarse Tarquis ten\u00eda unas nociones de medicina muy peculiares-, una enfermedad que entonces era inevitablemente mortal. El pintor acababa de cumplir treinta y cinco a\u00f1os cuando falleci\u00f3, y en esos pocos a\u00f1os hab\u00eda visto y vivido mucho m\u00e1s que la mayor\u00eda de sus compatriotas insulares.<\/p>\n

Este podr\u00eda ser un buen final para esta entrada, pero lo cierto es que una vez comparadas las fotograf\u00edas de la casa y el cuadro, no parece que sean el mismo promontorio, es una l\u00e1stima, porque finalmente lo real pierde el encanto que podr\u00eda tener en la ficci\u00f3n.<\/p>\n

\"Villa
Villa Malaparte<\/span><\/figcaption><\/figure>\n

Jorge Gorostiza, Doctor arquitecto.
\nSanta Cruz de Tenerife,\u00a0Mayo\u00a0\u00a02019
\nAutor del blog Arquitectura+Cine+Ciudad<\/em><\/span>[:gl]

\"Juan
Juan Manuel Botas Ghirlanda. Golfo de Capri, \u00f3leo sobre lenzo 128 x 126 cm.<\/span>
Museo Municipal de Belas Artes, Santa Cruz de Tenerife<\/span><\/figcaption><\/figure><\/p>\n

Hai pouco, navegando pola rede, atopei o cadro Golfo de Capri<\/em>, que pintou Juan Manuel Botas Ghirlanda<\/a> na primeira d\u00e9cada do s\u00e9culo pasado e cuxa reproduci\u00f3n adxunto sobre este texto. \u00c9 curioso que os cadros e case todo, v\u00e9xase agora m\u00e1is nas pantallas que na realidade, a\u00ednda que a impresi\u00f3n non sexa a mesma. Ao atopalo na internet, lembrei a \u00faltima vez que o vin, foi nunha exposici\u00f3n antol\u00f3xica<\/a> do pintor, o colgaran s\u00f3 nunha gran parede ao fondo da primeira sala e a\u00ednda que o v\u00eda moitas veces no Museo Municipal de Bellas Artes<\/a>, inmediatamente asocieino a unha palabra: Malaparte<\/a>.<\/p>\n

\n

Ese promontorio na illa de Capri non ser\u00eda era o elixido polo escritor para edificar a s\u00faa casa?<\/p>\n<\/blockquote>\n

En 1905, Botas vendeu un dos seus cadros m\u00e1is grandes ao Concello de Santa Cruz de Tenerife por unha fortuna, mil cincocentas pesetas (aproximadamente nove euros), Miguel Tarquis escribiu que ao mesmo tempo o pintor empeza \u00aba facer pol\u00edtica, compra con cadros ou afagos as vontades dos concelleiros\u00bb, demostrando que a corrupci\u00f3n non \u00e9 s\u00f3 un fen\u00f3meno contempor\u00e1neo, e logra a aprobaci\u00f3n do Pleno municipal para que lle concedan unha bolsa de estudos de tres mil pesetas anuais, con este di\u00f1eiro, por fin puido abandonar a s\u00faa illa perdida no medio de Atl\u00e1ntico, traslad\u00e1ndose a Roma, durante a s\u00faa viaxe a Italia s\u00e1bese que estivo unha tempada en N\u00e1poles e seguramente desde al\u00ed cruzou o Tirreno ata Capri<\/p>\n

Trinta anos despois, Malaparte adquiriu un terreo escarpado na costa este de Capri chamado Punta del Massullo<\/a> e encargoulle a Adalberto Libera<\/a> o proxecto para constru\u00edr a s\u00faa casa, xa se escribiu moito sobre este edificio e sobre O desprezo<\/a><\/i>, alg\u00fans falando s\u00f3 de Brigitte Bardot<\/a> e outros, mais serios, enxalzando como Jean-Luc Godard<\/a> usa ese espazo arquitect\u00f3nico dunha forma maxistral. Hai que recodar que Liliana Cavani<\/a>\u00a0en\u00a0A\u00a0pel<\/i><\/a> desaproveitou as posibilidades que lle daba o edificio e como as aproveitaron alg\u00fans directores de anuncios publicitarios.<\/p>\n

Haber\u00eda que preguntarse se hoxe en d\u00eda permitir\u00edase que algu\u00e9n constru\u00edse esa casa nese lugar, en primeira li\u00f1a de costa, non co\u00f1ezo a lexislaci\u00f3n italiana, pero estou seguro que en Espa\u00f1a ser\u00eda practicamente imposible e que conste que non se est\u00e1 criticando a lexislaci\u00f3n, porque \u00e9 evidente que destru\u00edr unha paisaxe como o que pintou Botas \u00e9 unha animalada, pero tam\u00e9n \u00e9 evidente que a casa Malaparte<\/a> \u00e9 un dos edificios m\u00e1is interesantes da historia da arquitectura.<\/p>\n

Botas volveu \u00e1 s\u00faa illa pero, segundo Tarquis, ti\u00f1a \u00abo seu peito minado As modelos son tan bonitas! Roma e Par\u00eds son perniciosas para calquera mozo dun temperamento an\u00e1rquico como o de Botas. Tolemias de mocidade que non se poden reparar; a tuberculose pulmonar hab\u00eda feito presa no seu peito\u00bb -como pode observarse Tarquis ti\u00f1a unhas noci\u00f3ns de medicina moi peculiares-, unha enfermidade que ent\u00f3n era inevitablemente mortal. O pintor acababa de cumprir trinta e cinco anos cando faleceu, e neses poucos anos vira e vivira moito m\u00e1is que a maior\u00eda dos seus compatriotas insulares<\/p>\n

Leste poder\u00eda ser un bo final para esta entrada, pero o certo \u00e9 que unha vez comparadas as fotograf\u00edas da casa e o cadro, non parece que sexan o mesmo promontorio, \u00e9 unha m\u00e1goa, porque finalmente o real perde o encanto que poder\u00eda ter na ficci\u00f3n.<\/p>\n

\"Villa
Villa Malaparte<\/span><\/figcaption><\/figure>\n

Jorge Gorostiza, Doutor arquitecto.
\nSanta Cruz de Tenerife,\u00a0Maio\u00a0\u00a02019
\nAutor do blogue Arquitectura+Cine+Cidade<\/em><\/span>[:en]

\"Juan
Juan Manuel Botas Ghirlanda. Golfo de Capri, oil on canvas\u00a0128 x 126 cm.<\/span>
Museo Municipal de Bellas Artes, Santa Cruz de Tenerife<\/span><\/figcaption><\/figure><\/p>\n

Recently, surfing the net, I found the picture Gulf of Capri<\/em>, which Juan Manuel Botas Ghirlanda<\/a> painted in the first decade of the last century and whose reproduction attached on this text. It is curious that the pictures and almost everything, is now seen more on the screens than in reality, although the impression is not the same. When I found it on the Internet, I remembered the last time I saw it, it was in an anthological exhibition<\/a> of the painter, they had hung it only on a large wall at the bottom of the first room and although I had seen it many times in the Museo Municipal de Bellas Artes<\/a>, I immediately associated it with a word: Malaparte<\/a>.<\/p>\n

\n

That promontory on the island of Capri would not be the one chosen by the writer to build his house?<\/p>\n<\/blockquote>\n

In 1905, Boots sold one of his greatest paintings to the City of Santa Cruz de Tenerife for a fortune, one thousand five hundred pesetas (approximately nine euros), Miguel Tarquis has written that at the same time the painter begins<\/p>\n

\n

\u00abto do politics, buy with paintings or compliments the wills of the councilors \u00bb,<\/p>\n<\/blockquote>\n

demonstrating that corruption is not only a contemporary phenomenon, and achieves the approval of the municipal plenary to grant him a scholarship of studies of three thousand pesetas per year, with this money, finally he could abandon his Lost island in the middle of Atlantic, moving to Rome, during his trip to Italy it is known that he was a season in Naples and surely from there crossed the Tyrrhenian to Capri.<\/p>\n

Thirty years later, Malaparte acquired a steep terrain on the east coast of Capri called Punta del Massullo<\/a> and commissioned Adalberto Libera<\/a> for the project to build his house, much has already been written about this building and about El desprecio<\/a><\/i>, some speaking only of Brigitte Bardot<\/a> and others, more serious, extolling how Jean-Luc Godard<\/a> uses that architectural space in a masterful way. It should be remembered that Liliana Cavani<\/a> in La piel <\/i><\/a>missed the possibilities that the building gave her and how they have taken advantage of some advertising directors.<\/p>\n

It would be necessary to ask if today someone would be allowed to build that house in that place, on the waterfront, I do not know the Italian legislation, but I am sure that in Spain it would be practically impossible and that it is known that the legislation is not being criticized, because it is evident that destroying a landscape like the one that Boots painted is a savage one, but it is also evident that the Malaparte house <\/a>is one of the most interesting buildings in the history of architecture.<\/p>\n

Boots returned to his island but, according to Tarquis, he had \u00abhis mined chest. The models are so pretty! Rome and Paris are pernicious to any young man of an anarchic temperament like Boots. Madnesses of youth that cannot be repaired; pulmonary tuberculosis had become prey in his chest \u00bb- as can be seen Tarquis had very peculiar notions of medicine – a disease that was then inevitably fatal. The painter had just turned thirty-five when he died, and in those few years he had seen and lived much more than most of his island compatriots.<\/p>\n

This could be a good end to this post, but the truth is that once the photographs of the house and the painting are compared, it does not seem that they are the same promontory, it is a pity, because finally the real thing loses the charm that it could have in Fiction.<\/p>\n

\n

\"Villa
Villa Malaparte<\/span><\/figcaption><\/figure>\n

Jorge Gorostiza, PhD architect.
\nSanta Cruz de Tenerife,\u00a0May\u00a0 2019
\nAuthor of the blog Arquitectura+Cine+Ciudad<\/em><\/span>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Hace poco, navegando por la red, encontr\u00e9 el cuadro\u00a0Golfo de Capri, que pint\u00f3\u00a0Juan Manuel Botas Ghirlanda\u00a0en la primera d\u00e9cada del siglo pasado y cuya reproducci\u00f3n adjunto sobre este texto. Es curioso que los cuadros y casi todo, se vea ahora m\u00e1s en las pantallas que en la realidad, aunque la impresi\u00f3n no sea la […]<\/p>\n","protected":false},"author":34,"featured_media":74682,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33,3,1460,5951],"tags":[10728,11795,6657,12471,11796,668,746,7538,1593,14285,977,1021,3452,12466,1865,5945,1286,12465,12455],"class_list":["post-74680","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arquitectos","category-capturas","category-cine","category-slider-principal","tag-adalberto-libera","tag-adolfo-amitrano","tag-arquitectura-italiana","tag-cine","tag-curzio-malaparte","tag-historia","tag-italia","tag-jean-luc-godard","tag-jorge-gorostiza","tag-juan-manuel-botas-ghirlanda","tag-paisaje","tag-pensamiento","tag-personaje","tag-pintura","tag-reflexion","tag-sergio-de-miguel","tag-territorio","tag-vivienda","tag-vivienda-unifamiliar"],"yoast_head":"\nBotas Ghirlanda \u2192 Malaparte \u2192 Godard \u2192 Cavani | Jorge Gorostiza - 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