{"id":74472,"date":"2019-09-30T00:01:49","date_gmt":"2019-09-29T22:01:49","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=74472"},"modified":"2019-10-09T19:15:38","modified_gmt":"2019-10-09T17:15:38","slug":"espacio-purista-marcelo-gardinetti","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/espacio-purista-marcelo-gardinetti\/","title":{"rendered":"[:es]El espacio purista | Marcelo Gardinetti[:gl]O espazo purista | Marcelo Gardinetti[:en]The purist space | Marcelo Gardinetti[:]"},"content":{"rendered":"

[:es]

\"El
El atelier de la casa del pintor Am\u00e9d\u00e9e Ozenfant | Autor: Marcelo Gardinetti<\/span><\/figcaption><\/figure><\/p>\n

El atelier de la casa del pintor Am\u00e9d\u00e9e Ozenfant<\/a> construido en 1922 encarna una s\u00edntesis del espacio purista que proclama\u00a0Le Corbusier<\/a>\u00a0durante esos a\u00f1os. Esta vivienda es la primera que realiza en Paris y en ella pone en pr\u00e1ctica sus ideas respecto a la arquitectura de los nuevos tiempos.<\/p>\n

Ozenfant y Le Corbusier compart\u00edan una idea pl\u00e1stica narrada entre\u00a0 1918 y 1924 en la revista L\u2019\u00c9spirit Nouveau<\/a>. Ozenfant fue autor del t\u00e9rmino Purismo para identificar el movimiento pict\u00f3rico fundado por ambos y que, muy a pesar de Le Corbusier, tambi\u00e9n rotula las obras de arquitectura realizadas por \u00e9l en la d\u00e9cada del 20.<\/p>\n

\"Atelier
Atelier de la casa del pintor Am\u00e1d\u00e9e Ozenfant<\/span><\/figcaption><\/figure>\n

El edificio enfatiza la simpleza que confiere la geometr\u00eda pura. Una fachada dise\u00f1ada bajo un estricto orden matem\u00e1tico. Le Corbusier saca de contexto elementos caracter\u00edsticos de establecimientos fabriles para incorporarlos a la arquitectura dom\u00e9stica con nuevos significados. Para William J. R. Curtis<\/a>, esta intenci\u00f3n expresa una idea decisiva respecto a su arquitectura:<\/p>\n

\n

\u201cel estudio de Ozenfant era un peque\u00f1o fragmento del sue\u00f1o maquinista de Le Corbusier: un l\u00edmpido santuario dedicado a L\u2019Espirit Nouveau<\/a>\u201d.<\/em>1\u00a0<\/sup><\/p>\n<\/blockquote>\n

Los dientes de sierra que formaron parte del dise\u00f1o original de la cubierta -ahora inexistentes- y en las ventanas moduladas, establecen una novedosa discordancia en la imagen de la vivienda tradicional. Los planos transparentes se colocan a ras del muro exterior para adquirir una imagen de ingente ingravidez. El contraste entre el dise\u00f1o pl\u00e1stico de la escalera exterior en forma de cinta arrollada y la r\u00edgida estructura del volumen principal es una estratagema que utiliza frecuentemente Le Corbusier: la conjunci\u00f3n de geometr\u00edas opuestas para potenciar por contraste la cualidad de ambas.<\/p>\n

\"Atelier
Atelier de la casa del pintor Am\u00e1d\u00e9e Ozenfant<\/span><\/figcaption><\/figure>\n

Tanto las referencias mec\u00e1nicas como la forma abstracta de una geometr\u00eda pura coinciden con los principios pict\u00f3ricos puristas que proclamaban en la revista. Al respecto, Frampton, se\u00f1ala que en el taller Ozenfant, Le Corbusier<\/p>\n

\n

\u201ctraspone por as\u00ed decirlo,\u00a0el prototipo Citrohan<\/a>\u00a0a un volumen cubico \u00fanico, el taller, alrededor del cual el resto de la casa se dispone de manera relativamente inc\u00f3moda. El taller de doble altura est\u00e1 iluminado en dos lados adyacentes y por un chasis acristalado en el techo. Es, de forma manifiesta, en oposici\u00f3n a las estancias de vivienda, el espacio purista privilegiado\u201d.2<\/sup><\/em><\/p>\n<\/blockquote>\n

Es efectivamente en el atelier ubicado en el piso superior donde la idea se manifiesta con mayor \u00e9nfasis. El uso de iluminaci\u00f3n cenital natural, filtrada por un cielorraso de cristal ahumado, permite distribuir la luz de manera uniforme y le confiere al local un car\u00e1cter novedoso y pr\u00e1ctico. La orientaci\u00f3n norte y este de los lados exteriores del terreno facilitan la intenci\u00f3n de colocar grandes pa\u00f1os de carpinter\u00edas en ambas caras, simplificando las fuentes luminosas. La superposici\u00f3n de ambas acciones consuma una distribuci\u00f3n uniforme de la luz natural en todo el espacio.<\/p>\n

\"Atelier
Atelier de la casa del pintor Am\u00e1d\u00e9e Ozenfant<\/span><\/figcaption><\/figure>\n

El dise\u00f1o de las carpinter\u00edas responde a esa l\u00f3gica industrial proclamada, y aunque fueron realizadas de manera artesanal, semejan el resultado de una producci\u00f3n seriada. La escalerilla que conduce al altillo ratifica esa visi\u00f3n maquinista. Presenta una evidente similitud con las escaleras interiores de los barcos, evocaci\u00f3n po\u00e9tica a la m\u00e1quina de vapor.<\/p>\n

Le Corbusier exterioriza en esta obra su avidez por transformar el entorno moderno de manera racional, mediante formas de car\u00e1cter universal que expresan su gusto por la geometr\u00eda y su inter\u00e9s por el mundo mecanizado. El espacio purista aqu\u00ed representado es el comienzo de un recorrido que no ser\u00e1 lineal, pero que se apoya en algunos de los conceptos que germinan en esta obra.<\/p>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata. Argentina. Septiembre 2018<\/p>\n

Notas:<\/p>\n

1\u00a0\u00a0<\/sup>CURTIS, William J.R.,\u00a0Le Corbusier, ideas y formas, \u00a9 Blume 1987 p\u00e1g. 57<\/em><\/a><\/p>\n

2\u00a0<\/sup>FRAMPTON, Kenneth,\u00a0Le Corbusier, \u00a9 Akal 2001 p\u00e1g. 31<\/em><\/a>[:gl]

\"El
O atelier da casa do pintor Am\u00e9d\u00e9e Ozenfant | Autor: Marcelo Gardinetti<\/span><\/figcaption><\/figure><\/p>\n

O atelier da casa do pintor Am\u00e9d\u00e9e Ozenfant<\/a>\u00a0 constru\u00eddo en 1922 encarna unha s\u00edntese do espazo purista que proclama Le Corbusier<\/a> durante eses anos. Esta vivenda \u00e9 a primeira que realiza en Paris e nela pon en pr\u00e1ctica as s\u00faas ideas respecto a a arquitectura dos novos tempos.<\/p>\n

Ozenfant e Le Corbusier compart\u00edan unha idea pl\u00e1stica narrada entre 1918 e 1924 na revista L\u2019\u00c9spirit Nouveau<\/a>. Ozenfant foi autor do termo Purismo para identificar o movemento pict\u00f3rico fundado por ambos e que, moi a pesar de Le Corbusier, tam\u00e9n rotula as obras de arquitectura realizadas por el na d\u00e9cada do 20.<\/p>\n

\"Atelier
O atelier da casa do pintor Am\u00e9d\u00e9e Ozenfant<\/span><\/figcaption><\/figure>\n

O edificio salienta a simpleza que confire a xeometr\u00eda pura. Unha fachada dese\u00f1ada baixo unha estrita orde matem\u00e1tica. Le Corbusier saca de contexto elementos caracter\u00edsticos de establecementos fabr\u00eds para incorporalos \u00e1 arquitectura dom\u00e9stica con novos significados. Para William J. R. Curtis<\/a>, esta intenci\u00f3n expresa unha idea decisiva respecto a a s\u00faa arquitectura:<\/p>\n

\n

\u201co estudo de Ozenfant era un pequeno fragmento do so\u00f1o maquinista de Lle Corbusier: un l\u00edmpido santuario dedicado a\u00a0L\u2019Espirit Nouveau<\/a>\u201d.<\/em>1\u00a0<\/sup><\/p>\n<\/blockquote>\n

\n
\n

Os dentes de serra que formaron parte do dese\u00f1o orixinal da cuberta -agora inexistentes- e nas xanelas moduladas, establecen unha nova discordancia na imaxe da vivenda tradicional. Os planos transparentes col\u00f3canse a niveis do muro exterior para adquirir unha imaxe de inxente ingravidez. O contraste entre o dese\u00f1o pl\u00e1stico da escaleira exterior en forma de cinta arroiada e a r\u00edxida estrutura do volume principal \u00e9 unha estrataxema que utiliza frecuentemente Lle Corbusier: a conxunci\u00f3n de xeometr\u00edas opostas para potenciar por contraste a calidade de ambas.<\/p>\n

\"Atelier
O atelier da casa do pintor Am\u00e9d\u00e9e Ozenfant<\/span><\/figcaption><\/figure>\n<\/div>\n

Tanto as referencias mec\u00e1nicas como a forma abstracta dunha xeometr\u00eda pura coinciden cos principios pict\u00f3ricos puristas que proclamaban na revista. Respecto diso, Frampton, sinala que no taller Ozenfant, Le Corbusier<\/p>\n

\n

\u201ctraspone por as\u00ed dicilo, o prototipo Citrohan<\/a> a un volume cubico \u00fanico, o taller, ao redor do cal o resto da casa disponse de maneira relativamente inc\u00f3moda. O taller de dobre altura est\u00e1 iluminado en dous lados adxacentes e por un chasis acristalado no teito. \u00c9, de forma manifesta, en oposici\u00f3n \u00e1s estancias de vivenda, o espazo purista privilexiado<\/em>\u201d.2<\/sup><\/em><\/p>\n<\/blockquote>\n

\u00c9 efectivamente no atelier situado no piso superior onde a idea manif\u00e9stase con maior \u00e9nfase. O uso de iluminaci\u00f3n cenital natural, filtrada por un cielorraso de cristal afumado, permite distribu\u00edr a luz de maneira uniforme e conf\u00edrelle ao local un car\u00e1cter novo e pr\u00e1ctico. A orientaci\u00f3n norte e leste dos lados exteriores do terreo facilitan a intenci\u00f3n de colocar grandes panos de carpinter\u00edas en ambas as caras, simplificando as fontes luminosas. A superposici\u00f3n de ambas as acci\u00f3ns consuma unha distribuci\u00f3n uniforme da luz natural en todo o espazo.<\/p>\n

\"Atelier
O atelier da casa do pintor Am\u00e9d\u00e9e Ozenfant<\/span><\/figcaption><\/figure>\n

O dese\u00f1o das carpinter\u00edas responde a esa l\u00f3xica industrial proclamada, e a\u00ednda que foron realizadas de maneira artesanal, semellan o resultado dunha produci\u00f3n seriada. A escada que conduce ao altillo ratifica esa visi\u00f3n maquinista. Presenta unha evidente similitude coas escaleiras interiores dos barcos, evocaci\u00f3n po\u00e9tica \u00e1 m\u00e1quina de vapor.<\/p>\n

Le Corbusier exterioriza nesta obra a s\u00faa avidez por transformar a contorna moderna de maneira racional, mediante formas de car\u00e1cter universal que expresan o seu gusto pola xeometr\u00eda e o seu interese polo mundo mecanizado. O espazo purista aqu\u00ed representado \u00e9 o comezo dun percorrido que non ser\u00e1 lineal, pero que se apoia nalg\u00fans dos conceptos que germinan nesta obra.<\/p>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata. Arxentina. Setembro 2018<\/p>\n

Notas:<\/p>\n

1\u00a0\u00a0<\/sup>CURTIS, William J.R.,\u00a0Le Corbusier, ideas\u00a0e formas, \u00a9 Blume 1987 p\u00e1x. 57<\/em><\/a><\/p>\n

2\u00a0<\/sup>FRAMPTON, Kenneth,\u00a0Le Corbusier, \u00a9 Akal 2001 p\u00e1x. 31<\/em><\/a>[:en]

\"El
The atelier of the painter Am\u00e9d\u00e9e Ozenfant\u00b4s house | Author: Marcelo Gardinetti<\/span><\/figcaption><\/figure><\/p>\n

The atelier of the painter Am\u00e9d\u00e9e Ozenfant<\/a>\u00b4s house\u00a0is builted in 1922 embodies a synthesis of the purist space proclaimed by Le Corbusier<\/a> during those years. This house is the first one in Paris and in it he puts into practice his ideas regarding the architecture of the new times.<\/p>\n

Ozenfant and Le Corbusier shared a plastic idea narrated between 1918 and 1924 in the\u00a0L\u2019\u00c9spirit Nouveau<\/a> magazine. Ozenfant was the author of the term Purism to identify the pictorial movement founded by both and that, despite Le Corbusier, also labels the architectural works made by him in the 20s.<\/p>\n

\"Atelier
The atelier of the painter Am\u00e9d\u00e9e Ozenfant\u00b4s house<\/span><\/figcaption><\/figure>\n
\n
\n
\n
\n
\n

The building emphasizes the simplicity that confers pure geometry. A facade designed under a strict mathematical order. Le Corbusier takes characteristic elements of manufacturing establishments out of context to incorporate them into domestic architecture with new meanings. For William J. R. Curtis<\/a>,\u00a0 this intention expresses a decisive idea regarding its architecture:<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n

\u201cOzenfant’s study was a small fragment of Le Corbusier’s machinist dream: a clear sanctuary dedicated to\u00a0L\u2019Espirit Nouveau<\/a>\u201d.<\/em>1\u00a0<\/sup><\/p>\n<\/blockquote>\n

The saw teeth that were part of the original design of the roof – now non-existent – and in the modulated windows, establish a novel disagreement in the image of the traditional dwelling. The transparent planes are placed flush with the outer wall to acquire an image of enormous weightlessness. The contrast between the plastic design of the outer staircase in the form of a rolled tape and the rigid structure of the main volume is a ploy frequently used by Le Corbusier: the conjunction of opposing geometries to enhance the quality of both by contrast.<\/p>\n

\"Atelier
The atelier of the painter Am\u00e9d\u00e9e Ozenfant\u00b4s house<\/span><\/figcaption><\/figure>\n

Both the mechanical references and the abstract form of a pure geometry coincide with the purist pictorial principles proclaimed in the magazine. In this regard, Frampton points out that in the Ozenfant workshop, Le Corbusier<\/p>\n

\n

\u201cIt transposes, so to speak, the Citrohan prototype<\/a> to a single cubic volume, the workshop, around which the rest of the house is arranged relatively uncomfortably. The double height workshop is illuminated on two adjacent sides and by a glazed roof chassis. It is, manifestly, as opposed to housing stays, the privileged purist space<\/em>\u201d.2<\/sup><\/em><\/p>\n<\/blockquote>\n

It is indeed in the atelier located on the upper floor where the idea is manifested with greater emphasis. The use of natural zenithal lighting, filtered by a smoked glass ceiling, allows the light to be distributed evenly and gives the premises a novel and practical character. The north and east orientation of the outer sides of the land facilitate the intention of placing large carpentry cloths on both sides, simplifying the light sources. The superposition of both actions consumes a uniform distribution of natural light throughout the space.<\/p>\n

\"Atelier
The atelier of the painter Am\u00e9d\u00e9e Ozenfant\u00b4s house<\/span><\/figcaption><\/figure>\n

The carpentry design responds to that proclaimed industrial logic, and although they were made by hand, they resemble the result of a serial production. The ladder that leads to the loft confirms that machinist vision. It presents an evident similarity with the internal stairs of the ships, poetic evocation to the steam engine.<\/p>\n

Le Corbusier externalizes in this work his eagerness to transform the modern environment in a rational way, by means of universal character forms that express his taste for geometry and his interest in the mechanized world. The purist space represented here is the beginning of a journey that will not be linear, but that is based on some of the concepts that germinate in this work.<\/p>\n

Marcelo Gardinetti. Architect
\nLa Plata. Argentina. September 2018<\/p>\n

Notas:<\/p>\n

1\u00a0\u00a0<\/sup>CURTIS, William J.R.,\u00a0Le Corbusier, ideas y formas, \u00a9Blume 1987 p\u00e1g. 57<\/em><\/a><\/p>\n

2\u00a0<\/sup>FRAMPTON, Kenneth,\u00a0Le Corbusier, \u00a9Akal 2001 p\u00e1g. 31<\/em><\/a>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] El atelier de la casa del pintor Am\u00e9d\u00e9e Ozenfant construido en 1922 encarna una s\u00edntesis del espacio purista que proclama\u00a0Le Corbusier\u00a0durante esos a\u00f1os. Esta vivienda es la primera que realiza en Paris y en ella pone en pr\u00e1ctica sus ideas respecto a la arquitectura de los nuevos tiempos. Ozenfant y Le Corbusier compart\u00edan una […]<\/p>\n","protected":false},"author":4,"featured_media":74473,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[4500,8415,7089,148,6949,668,1621,6637,785,815,4985,12414,865,1021,12466,1111,1278,2048,12413,1357,6188,1359,2341],"class_list":["post-74472","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-adolf-loos","tag-amedee-ozenfant","tag-arquitectura-francesa","tag-arquitectura-modular","tag-arquitectura-suiza","tag-historia","tag-kenneth-frampton","tag-lesprit-nouveau","tag-le-corbusier","tag-maestro","tag-marcelo-gardinetti","tag-max-dubois","tag-mies-van-der-rohe","tag-pensamiento","tag-pintura","tag-prototipo","tag-teoria","tag-teoria-e-historia","tag-tony-garnier","tag-vivienda-bajo-coste","tag-vivienda-economica","tag-vivienda-modular","tag-william-j-r-curtis"],"yoast_head":"\n[:es]El espacio purista | Marcelo Gardinetti[:gl]O espazo purista | Marcelo Gardinetti[:en]The purist space | Marcelo Gardinetti[:] - 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