{"id":74384,"date":"2019-09-27T00:01:22","date_gmt":"2019-09-26T22:01:22","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=74384"},"modified":"2019-09-27T09:01:00","modified_gmt":"2019-09-27T07:01:00","slug":"akropolis-now-miguel-angel-diaz-camacho","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/","title":{"rendered":"Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho"},"content":{"rendered":"<p><figure id=\"attachment_74385\" aria-describedby=\"caption-attachment-74385\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-74385\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/09\/Akropolis-Now-2004-de-Kendell-Geers-1024x768.jpg\" alt=\"Akropolis Now, Kendell Geers, 2004. Visto aqu\u00ed. La obra consiste en 18 paneles verticales de malla de alambre con concertinas en posici\u00f3n vertical y en el interior de una estructura modular met\u00e1lica. | Fuente: http:\/\/lamiradapaseante.blogspot.com\/2013\/11\/akropolis-now-concertinas.html\" width=\"640\" height=\"480\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/09\/Akropolis-Now-2004-de-Kendell-Geers-1024x768.jpg 1024w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/09\/Akropolis-Now-2004-de-Kendell-Geers-300x225.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/09\/Akropolis-Now-2004-de-Kendell-Geers.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-74385\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Akropolis Now, Kendell Geers, 2004. La obra consiste en 18 paneles verticales de malla de alambre con concertinas en posici\u00f3n vertical y en el interior de una estructura modular met\u00e1lica | Fuente: <a style=\"color: #999999;\" href=\"http:\/\/lamiradapaseante.blogspot.com\/2013\/11\/akropolis-now-concertinas.html\" target=\"_blank\">lamiradapaseante.blogspot.com<\/a><\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">Un peque\u00f1o encargo profesional me ha llevado estos d\u00edas a la b\u00fasqueda de carreras con <em>futuro<\/em>. Era mi primera vez. Confieso que la informaci\u00f3n hallada tras una primera b\u00fasqueda, alcanza una mayor relevancia en cuanto a la tendencia que dibuja que en cuanto la informaci\u00f3n en s\u00ed: <em>carreras al alza<\/em> vs carreras en declive, <em>competencias<\/em> vs vocaciones, <em>t\u00e9cnicas<\/em> vs pensamientos, <em>pr\u00e1cticas<\/em> vs teor\u00edas, <em>ciencias<\/em> vs humanidades. Claro est\u00e1, el \u00abprimero\u00bb de los dos factores arrasa sistem\u00e1ticamente en la red. Llegados a este punto, tal vez alguien pueda pensar que a continuaci\u00f3n se va recomendar <a href=\"https:\/\/veredes.es\/blog\/estudiar-arquitectura-jose-ramon-hernandez-correa\/\" target=\"_blank\"><strong>estudiar arquitectura<\/strong><\/a>, una de las titulaciones que hoy languidecen fuera del foco pero que en el fondo merece la pena por esto y por aquello. No es nuestra intenci\u00f3n, pueden seguir leyendo con toda paz.<\/p>\n<p style=\"text-align: justify;\">Cuando se orienta a los j\u00f3venes hacia la especializaci\u00f3n t\u00e9cnica, pr\u00e1ctica o cient\u00edfica, y se hace adem\u00e1s desatendiendo o minimizando las \u00e1reas relacionadas con la inmensidad del pensamiento, la creatividad y las humanidades, entonces -cr\u00e9anme- se habr\u00e1 formado una burbuja peligrosa y monumental cuyas consecuencias -probablemente- no queramos ni imaginar. En palabras de <a href=\"https:\/\/veredes.es\/blog\/tag\/felix-de-azua\/\" target=\"_blank\">F\u00e9lix de Az\u00faa<\/a>:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u00abLa clase dirigente piensa que la cultura es algo ornamental, cuando es la espina dorsal de un pa\u00eds\u00bb.<sup>1<\/sup><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">La espina dorsal del Mundo, a\u00f1adir\u00edamos. Tras a\u00f1os de recortes sistem\u00e1ticos en las horas y contenidos relacionados con la pl\u00e1stica, la filosof\u00eda, el teatro, la poes\u00eda, la historia del arte, y no digamos la arquitectura, en los colegios e institutos, decimos, tras a\u00f1os de desamparo cultural en forma de cuatrienios descabalados e inconexos, los datos de los empleos con <em>futuro<\/em> nos advierten de lo acertado (\u00a1oh sorpresa!) de estas seudo-pol\u00edticas para tecn\u00f3cratas: pocos reclaman hoy con urgencia perfiles relacionados con esas disciplinas displicentes, materias de lo <em>humano<\/em> peligrosamente hoy infravaloradas.<\/p>\n<p style=\"text-align: justify;\">La educaci\u00f3n se traduce siempre en riqueza en cualquier parte del mundo.<sup>2<\/sup> Al margen ya de las fronteras y de las patrias, estrechos lugares que habitan entre dos paisajes <em>extranjeros<\/em>, el equilibrio entre los conocimientos t\u00e9cnicos y humanistas deber\u00eda garantizar espacios m\u00faltiples y compartidos para una sociedad cr\u00edtica y creativa, resolutiva y reflexiva, pr\u00e1ctica y <em>solidaria<\/em>. Bien nos vendr\u00edan algunos de estos \u00absegundos factores\u00bb para acometer decididamente algunas de nuestras actuales crisis.<\/p>\n<p style=\"text-align: justify;\"><strong>\u00bfTanto nos hemos equivocado?<\/strong> No olvidemos que los muros se levantan desde la t\u00e9cnica, t\u00e9cnica de carreras con<em> futuro<\/em>, pero mucho antes lo hacen &#8211;<a href=\"https:\/\/elpais.com\/elpais\/2016\/03\/14\/videos\/1457941739_817534.html\" target=\"_blank\"><em>no en mi nombre<\/em><\/a>&#8211; como parte fundamental de una cultura: la cultura (no solo europea) de los estados <em>legitimados<\/em> y sus relucientes vallas de espino hilvanado meticulosamente.<\/p>\n<p style=\"text-align: justify;\">La cultura con olor a<em> napalm<\/em> del Akropolis Now.<sup>3<\/sup><\/p>\n<p style=\"text-align: justify;\">Miguel \u00c1ngel D\u00edaz Camacho. Doctor Arquitecto<br \/>\nMadrid. Marzo 2016.<br \/>\n<span style=\"color: #999999;\">Autor de\u00a0<em>Parr\u00e1fos de arquitectura<\/em>.\u00a0<a style=\"color: #999999;\" href=\"https:\/\/twitter.com\/hashtag\/arquiparrafos?f=realtime&amp;src=hash\" target=\"_blank\">#arquiParrafos<\/a><\/span><\/p>\n<p style=\"text-align: justify;\">Notas<\/p>\n<p style=\"text-align: justify;\"><sup>1<\/sup>\u00a0F\u00e9lix de Az\u00faa a pocos d\u00edas de ocupar el sill\u00f3n H de la Real Academia de la Lengua, <a href=\"https:\/\/elpais.com\/cultura\/2016\/03\/13\/actualidad\/1457870518_173928.html\" target=\"_blank\">El Pa\u00eds 14 de marzo de 2016.<\/a><br \/>\n<sup>2<\/sup>\u00a0<em>\u00abEspa\u00f1a ha recibido en ayuda estructural europea desde 1986 el equivalente a dos planes Marshall, pero lo ha gastado en infraestructuras [&#8230;] lo que no parece haber sido de gran ayuda para el desarrollo econ\u00f3mico. Por el contrario, la inversi\u00f3n casi exclusiva en educaci\u00f3n, que fue la experiencia irlandesa, parece haber sido mucho m\u00e1s eficaz\u00bb.<\/em> C\u00e9sar Molina y Fernando Ram\u00edrez, \u00abBrexit, convergencia y democracia en Europa\u00bb, semanario <a href=\"https:\/\/www.ahorasemanal.es\/brexit,-convergencia-y-democracia-en-europa\" target=\"_blank\">Ahora, 11-17 de marzo.<\/a><br \/>\n<sup>3<\/sup>\u00a0<em>\u00ab\u00bfHueles eso? \u00bfLo hueles muchacho? Es Napalm hijo. Nada en el mundo huele as\u00ed. \u00a1Me encanta el olor a napalm por la ma\u00f1ana!\u00bb<\/em>. Apocalypse Now, Francis Ford Coppola, 1979; gui\u00f3n basado en la novela de Joseph Conrad \u00ab<a href=\"https:\/\/amzn.to\/2PADi4y\" target=\"_blank\">Heart of darkness<\/a>\u00ab, 1899.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Un peque\u00f1o encargo profesional me ha llevado estos d\u00edas a la b\u00fasqueda de carreras con futuro. Era mi primera vez. Confieso que la informaci\u00f3n hallada tras una primera b\u00fasqueda, alcanza una mayor relevancia en cuanto a la tendencia que dibuja que en cuanto la informaci\u00f3n en s\u00ed: carreras al alza vs carreras en declive, competencias [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":74385,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[102,12448,12449,5185,8038,14232,8037,8094,521,535,542,3185,14233,580,5786,1595,605,6604,8039,668,4625,5884,8036,8912,3653,4164,785,6220,6729,6465,4798,1021,1074,1103,1136,1865,4452,1269],"class_list":{"0":"post-74384","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-faro","8":"category-slider-principal","9":"tag-alvar-aalto","10":"tag-arquitectura","11":"tag-arte","12":"tag-carlo-scarpa","13":"tag-carlos-gonzalez-tausz","14":"tag-cesar-molina","15":"tag-emilio-garcia-alonso","17":"tag-espana","18":"tag-estudiante","19":"tag-etsam","20":"tag-felix-de-azua","21":"tag-fernando-ramirez","22":"tag-filosofia","23":"tag-filosofo","24":"tag-francisco-javier-saenz-de-oiza","25":"tag-frank-lloyd-wright","26":"tag-gian-lorenzo-bernini","27":"tag-helena-iglesias","28":"tag-historia","29":"tag-javier-carvajal-ferrer","30":"tag-jose-antonio-corrales-gutierrez","31":"tag-jose-maria-rodriguez-ortiz","32":"tag-jose-rafael-moneo-valles","33":"tag-jose-ramon-hernandez-correa","34":"tag-juan-daniel-fullaondo","35":"tag-le-corbusier","36":"tag-leon-krier","37":"tag-lsp","38":"tag-miguel-angel-diaz-camacho","39":"tag-modelo-profesional","40":"tag-pensamiento","41":"tag-poesia","42":"tag-profesion","43":"tag-ramon-vazquez-molezun","44":"tag-reflexion","45":"tag-ricardo-aroca-hernandez-ros","46":"tag-teatro"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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