{"id":74384,"date":"2019-09-27T00:01:22","date_gmt":"2019-09-26T22:01:22","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=74384"},"modified":"2019-09-27T09:01:00","modified_gmt":"2019-09-27T07:01:00","slug":"akropolis-now-miguel-angel-diaz-camacho","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/","title":{"rendered":"Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho"},"content":{"rendered":"

[:es]

\"Akropolis
Akropolis Now, Kendell Geers, 2004. La obra consiste en 18 paneles verticales de malla de alambre con concertinas en posici\u00f3n vertical y en el interior de una estructura modular met\u00e1lica | Fuente: lamiradapaseante.blogspot.com<\/a><\/span><\/figcaption><\/figure><\/p>\n

Un peque\u00f1o encargo profesional me ha llevado estos d\u00edas a la b\u00fasqueda de carreras con futuro<\/em>. Era mi primera vez. Confieso que la informaci\u00f3n hallada tras una primera b\u00fasqueda, alcanza una mayor relevancia en cuanto a la tendencia que dibuja que en cuanto la informaci\u00f3n en s\u00ed: carreras al alza<\/em> vs carreras en declive, competencias<\/em> vs vocaciones, t\u00e9cnicas<\/em> vs pensamientos, pr\u00e1cticas<\/em> vs teor\u00edas, ciencias<\/em> vs humanidades. Claro est\u00e1, el \u00abprimero\u00bb de los dos factores arrasa sistem\u00e1ticamente en la red. Llegados a este punto, tal vez alguien pueda pensar que a continuaci\u00f3n se va recomendar estudiar arquitectura<\/strong><\/a>, una de las titulaciones que hoy languidecen fuera del foco pero que en el fondo merece la pena por esto y por aquello. No es nuestra intenci\u00f3n, pueden seguir leyendo con toda paz.<\/p>\n

Cuando se orienta a los j\u00f3venes hacia la especializaci\u00f3n t\u00e9cnica, pr\u00e1ctica o cient\u00edfica, y se hace adem\u00e1s desatendiendo o minimizando las \u00e1reas relacionadas con la inmensidad del pensamiento, la creatividad y las humanidades, entonces -cr\u00e9anme- se habr\u00e1 formado una burbuja peligrosa y monumental cuyas consecuencias -probablemente- no queramos ni imaginar. En palabras de F\u00e9lix de Az\u00faa<\/a>:<\/p>\n

\n

\u00abLa clase dirigente piensa que la cultura es algo ornamental, cuando es la espina dorsal de un pa\u00eds\u00bb.1<\/sup><\/p>\n<\/blockquote>\n

La espina dorsal del Mundo, a\u00f1adir\u00edamos. Tras a\u00f1os de recortes sistem\u00e1ticos en las horas y contenidos relacionados con la pl\u00e1stica, la filosof\u00eda, el teatro, la poes\u00eda, la historia del arte, y no digamos la arquitectura, en los colegios e institutos, decimos, tras a\u00f1os de desamparo cultural en forma de cuatrienios descabalados e inconexos, los datos de los empleos con futuro<\/em> nos advierten de lo acertado (\u00a1oh sorpresa!) de estas seudo-pol\u00edticas para tecn\u00f3cratas: pocos reclaman hoy con urgencia perfiles relacionados con esas disciplinas displicentes, materias de lo humano<\/em> peligrosamente hoy infravaloradas.<\/p>\n

La educaci\u00f3n se traduce siempre en riqueza en cualquier parte del mundo.2<\/sup> Al margen ya de las fronteras y de las patrias, estrechos lugares que habitan entre dos paisajes extranjeros<\/em>, el equilibrio entre los conocimientos t\u00e9cnicos y humanistas deber\u00eda garantizar espacios m\u00faltiples y compartidos para una sociedad cr\u00edtica y creativa, resolutiva y reflexiva, pr\u00e1ctica y solidaria<\/em>. Bien nos vendr\u00edan algunos de estos \u00absegundos factores\u00bb para acometer decididamente algunas de nuestras actuales crisis.<\/p>\n

\u00bfTanto nos hemos equivocado?<\/strong> No olvidemos que los muros se levantan desde la t\u00e9cnica, t\u00e9cnica de carreras con futuro<\/em>, pero mucho antes lo hacen –no en mi nombre<\/em><\/a>– como parte fundamental de una cultura: la cultura (no solo europea) de los estados legitimados<\/em> y sus relucientes vallas de espino hilvanado meticulosamente.<\/p>\n

La cultura con olor a napalm<\/em> del Akropolis Now.3<\/sup><\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doctor Arquitecto
\nMadrid. Marzo 2016.
\nAutor de\u00a0Parr\u00e1fos de arquitectura<\/em>.\u00a0#arquiParrafos<\/a><\/span><\/p>\n

Notas<\/p>\n

1<\/sup>\u00a0F\u00e9lix de Az\u00faa a pocos d\u00edas de ocupar el sill\u00f3n H de la Real Academia de la Lengua, El Pa\u00eds 14 de marzo de 2016.<\/a>
\n2<\/sup>\u00a0\u00abEspa\u00f1a ha recibido en ayuda estructural europea desde 1986 el equivalente a dos planes Marshall, pero lo ha gastado en infraestructuras […] lo que no parece haber sido de gran ayuda para el desarrollo econ\u00f3mico. Por el contrario, la inversi\u00f3n casi exclusiva en educaci\u00f3n, que fue la experiencia irlandesa, parece haber sido mucho m\u00e1s eficaz\u00bb.<\/em> C\u00e9sar Molina y Fernando Ram\u00edrez, \u00abBrexit, convergencia y democracia en Europa\u00bb, semanario Ahora, 11-17 de marzo.<\/a>
\n3<\/sup>\u00a0\u00ab\u00bfHueles eso? \u00bfLo hueles muchacho? Es Napalm hijo. Nada en el mundo huele as\u00ed. \u00a1Me encanta el olor a napalm por la ma\u00f1ana!\u00bb<\/em>. Apocalypse Now, Francis Ford Coppola, 1979; gui\u00f3n basado en la novela de Joseph Conrad \u00abHeart of darkness<\/a>\u00ab, 1899.<\/p>\n

[:gl]

\"Akropolis
Akropolis Now, Kendell Geers, 2004. A obra consiste en 18 paneis verticais de malla de arame con concertinas en posici\u00f3n vertical e no interior dunha estrutura modular met\u00e1lica | Fonte: lamiradapaseante.blogspot.com<\/a><\/span><\/figcaption><\/figure><\/p>\n

Un pequeno encargo profesional levoume estes d\u00edas \u00e1 procura de carreiras con futuro<\/em>. Era a mi\u00f1a primeira vez. Confeso que a informaci\u00f3n achada tras unha primeira procura, alcanza unha maior relevancia en canto \u00e1 tendencia que debuxa que en canto a informaci\u00f3n en si: carreiras \u00e1 alza<\/em> vs carreiras en declive, competencias<\/em> vs vocaci\u00f3ns, t\u00e9cnicas<\/em> vs pensamentos, pr\u00e1cticas<\/em> vs teor\u00edas, ciencias<\/em> vs humanidades. Est\u00e1 claro, o \u00abprimeiro\u00bb dos dous factores arrasa sistematicamente na rede. Chegados a este punto, talvez algu\u00e9n poida pensar que a continuaci\u00f3n se vai recomendar estudar arquitectura<\/strong><\/a>, unha das titulaci\u00f3ns que hoxe languidecen fose do foco pero que no fondo merece a pena por isto e por aquilo. Non \u00e9 a nosa intenci\u00f3n, poden seguir lendo con toda paz.<\/p>\n

Cando se orienta aos mozos cara \u00e1 especializaci\u00f3n t\u00e9cnica, pr\u00e1ctica ou cient\u00edfica, e faise ademais desatendendo ou minimizando as \u00e1reas relacionadas coa inmensidade do pensamento, a creatividade e as humanidades, ent\u00f3n -cr\u00e9anme- formouse unha burbulla perigosa e monumental cuxas consecuencias -probablemente- non queiramos nin imaxinar. En palabras de\u00a0F\u00e9lix de Az\u00faa<\/a>:<\/p>\n

\n

\u00abA clase dirixente pensa que a cultura \u00e9 algo ornamental, cando \u00e9 a espi\u00f1a dorsal dun pa\u00eds\u00bb.1<\/sup><\/p>\n<\/blockquote>\n

A espi\u00f1a dorsal do Mundo, engadiriamos. Tras anos de recortes sistem\u00e1ticos nas horas e contidos relacionados coa pl\u00e1stica, a filosof\u00eda, o teatro, a poes\u00eda, a historia da arte, e non digamos a arquitectura, nos colexios e institutos, dicimos, tras anos de desamparo cultural en forma de cuadrienios descabalados e inconexos, os datos dos empregos con futuro<\/em> adv\u00edrtennos do acertado (oh sorpresa!) destas seudo-pol\u00edticas para tecn\u00f3cratas: poucos reclaman hoxe con urxencia perfiles relacionados con esas disciplinas displicentes, materias do humano<\/em> perigosamente hoxe infravaloradas.<\/p>\n

A educaci\u00f3n trad\u00facese sempre en riqueza en calquera parte do mundo.2<\/sup> \u00c1 marxe xa das fronteiras e das patrias, estreitos lugares que habitan entre d\u00faas paisaxes estranxeiras,<\/em> o equilibrio entre os co\u00f1ecementos t\u00e9cnicos e humanistas deber\u00eda garantir espazos m\u00faltiples e compartidos para unha sociedade cr\u00edtica e creativa, resolutiva e reflexiva, pr\u00e1ctica e solidaria. Ben nos vir\u00edan alg\u00fans destes \u00absegundos factores\u00bb para acometer decididamente algunhas das nosas actuais crises.<\/p>\n

Tanto nos equivocamos?<\/strong> Non esquezamos que os muros se levantan desde a t\u00e9cnica, t\u00e9cnica de carreiras con futuro<\/em>, pero moito antes fano -non no meu nome- como parte fundamental dunha cultura: a cultura (non s\u00f3 europea) dos estados lexitimados<\/em> e os seus relucentes valos de espino ganduxado meticulosamente.<\/p>\n

\u00bfTanto nos hemos equivocado?<\/strong> No olvidemos que los muros se levantan desde la t\u00e9cnica, t\u00e9cnica de carreras con futuro<\/em>, pero mucho antes lo hacen –no en mi nombre<\/em><\/a>– como parte fundamental de una cultura: la cultura (no solo europea) de los estados legitimados<\/em> y sus relucientes vallas de espino hilvanado meticulosamente.<\/p>\n

A cultura con cheiro a napalm<\/em> do Akropolis Now.3<\/sup><\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doutor Arquitecto
\nMadrid. Marzo 2016.
\nAutor de\u00a0Parr\u00e1fos de arquitectura<\/em>.\u00a0#arquiParrafos<\/a><\/span><\/p>\n

Notas<\/p>\n

1<\/sup>\u00a0F\u00e9lix de Az\u00faa a poucos d\u00edas de ocupar a cadeira de brazos H da Real Academia da Lingua, El Pa\u00eds 14 de marzo de 2016.<\/a>
\n2<\/sup>\u00a0\u00abEspa\u00f1a recibiu en axuda estrutural europea desde 1986 o equivalente a dous plans Marshall, pero gastouno en infraestruturas […] o que non parece ser de gran axuda para o desenvolvemento econ\u00f3mico. Pola contra, o investimento case exclusivo en educaci\u00f3n, que foi a experiencia irlandesa, parece ser moito m\u00e1is eficaz\u00bb. <\/em>C\u00e9sar Molina e Fernando Ram\u00edrez, \u00abBrexit, converxencia e democracia en Europa\u00bb, semanario Ahora, 11-17 de marzo.<\/a>
\n3<\/sup>\u00a0\u00abCheiras iso? Ch\u00e9iralo raparigo? \u00c9 Napalm fillo. Nada no mundo cheira as\u00ed. Enc\u00e1ntame o cheiro a napalm pola ma\u00f1\u00e1\u00bb<\/em>. Apocalypse Now, Francis Ford Coppola, 1979; gui\u00f3n baseado na novela de Joseph Conrad \u00abHeart of darkness<\/a>\u00ab, 1899.<\/p>\n

[:en]

\"Akropolis
Akropolis Now, Kendell Geers, 2004. The work consists of 18 vertical wire mesh panels with concertinas in an upright position and inside a metal modular structure | Source: lamiradapaseante.blogspot.com<\/a><\/span><\/figcaption><\/figure><\/p>\n

A small professional assignment has led me these days to find careers with a future<\/em>. It was my first time. I confess that the information found after a first search, reaches a greater relevance in terms of the trend it draws than in terms of the information itself: upward races<\/em> vs. declining races, skills<\/em> vs. vocations, techniques<\/em> vs. thoughts, practices<\/em> vs. theories, science<\/em> vs humanities Of course, the \u00abfirst\u00bb of the two factors systematically sweeps the network. At this point, perhaps someone may think that next it is recommended to study architecture<\/a><\/strong>, one of the degrees that today languish out of focus but in the end is worth it for this and that. It is not our intention, you can continue reading peacefully.<\/p>\n

When young people are oriented towards technical, practical or scientific specialization, and it is also done by neglecting or minimizing the areas related to the immensity of thought, creativity and humanities, then – believe me – a dangerous and monumental bubble will have formed whose consequences – probably – we don’t want to imagine. In the words of\u00a0F\u00e9lix de Az\u00faa<\/a>:<\/p>\n

\n

\u00abThe ruling class thinks that culture is something ornamental, when it is the backbone of a country\u00bb.1<\/sup><\/p>\n<\/blockquote>\n

The backbone of the World, we would add. After years of systematic cuts in the hours and contents related to plastic, philosophy, theater, poetry, art history, and not to say architecture, in schools and institutes, we say, after years of cultural helplessness in the form In four unbalanced and unconnected four-year periods, the data of future<\/em> employment warns us of the correctness (oh surprise!) of these pseudo-policies for technocrats: few today urgently claim profiles related to these displicent disciplines, human<\/em> matters dangerously today undervalued.<\/p>\n

Education always translates into wealth anywhere in the world.2<\/sup> Regardless of borders and homelands, narrow places that inhabit two foreign<\/em> landscapes, the balance between technical and humanistic knowledge should guarantee multiple and shared spaces for a Critical and creative society, decisive and reflective, practical and supportive<\/em>. We could use some of these \u00absecond factors\u00bb to decisively undertake some of our current crises.<\/p>\n

Have we been so wrong?<\/strong> Let’s not forget that the walls are built from the technique, career technique with a future<\/em>, but much earlier they do it – not in my name<\/em><\/a> – as a fundamental part of a culture: the culture (not only European) of the legitimized<\/em> states and their shining fences of hawthorn basted meticulously.<\/p>\n

The napalm-smelling<\/em> culture of Akropolis Now.3<\/sup><\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho.\u00a0PhD Architect
\nMadrid. March 2016.
\nAuthor\u00a0of the\u00a0Parr\u00e1fos de arquitectura<\/em>.\u00a0#arquiParrafos<\/a><\/span><\/p>\n

Notes:<\/p>\n

1<\/sup>\u00a0F\u00e9lix de Az\u00faa a few days after occupying the H chair of the Royal Academy of Language, El Pa\u00eds, March 14, 2016.<\/a>
\n2<\/sup>\u00a0\u00abSpain has received in European structural aid since 1986 the equivalent of two Marshall plans, but has spent it on infrastructure […] which does not seem to have been of great help for economic development. On the contrary, investment almost exclusive in education, which was the Irish experience, seems to have been much more effective\u00bb.<\/em> C\u00e9sar Molina\u00a0and Fernando Ram\u00edrez, \u00abBrexit, convergence and democracy in Europe\u00bb,\u00a0newspaper\u00a0Ahora, March 11-17.<\/a>
\n3<\/sup>\u00a0\u00abDo you smell that? Do you smell it boy? It’s Napalm son. Nothing in the world smells like that. I love the smell of napalm in the morning!\u00bb<\/em>. Apocalypse Now, Francis Ford Coppola, 1979; script based on the Joseph Conrad\u00b4s novel \u00abHeart of darkness<\/a>\u00ab, 1899.<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Un peque\u00f1o encargo profesional me ha llevado estos d\u00edas a la b\u00fasqueda de carreras con futuro. Era mi primera vez. Confieso que la informaci\u00f3n hallada tras una primera b\u00fasqueda, alcanza una mayor relevancia en cuanto a la tendencia que dibuja que en cuanto la informaci\u00f3n en s\u00ed: carreras al alza vs carreras en declive, […]<\/p>\n","protected":false},"author":5,"featured_media":74385,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[102,12448,12449,5185,8038,14232,8037,8094,521,535,542,3185,14233,580,5786,1595,605,6604,8039,668,4625,5884,8036,8912,3653,4164,785,6220,6729,6465,4798,1021,1074,1103,1136,1865,4452,1269],"class_list":["post-74384","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-alvar-aalto","tag-arquitectura","tag-arte","tag-carlo-scarpa","tag-carlos-gonzalez-tausz","tag-cesar-molina","tag-emilio-garcia-alonso","tag-espana","tag-estudiante","tag-etsam","tag-felix-de-azua","tag-fernando-ramirez","tag-filosofia","tag-filosofo","tag-francisco-javier-saenz-de-oiza","tag-frank-lloyd-wright","tag-gian-lorenzo-bernini","tag-helena-iglesias","tag-historia","tag-javier-carvajal-ferrer","tag-jose-antonio-corrales-gutierrez","tag-jose-maria-rodriguez-ortiz","tag-jose-rafael-moneo-valles","tag-jose-ramon-hernandez-correa","tag-juan-daniel-fullaondo","tag-le-corbusier","tag-leon-krier","tag-lsp","tag-miguel-angel-diaz-camacho","tag-modelo-profesional","tag-pensamiento","tag-poesia","tag-profesion","tag-ramon-vazquez-molezun","tag-reflexion","tag-ricardo-aroca-hernandez-ros","tag-teatro"],"yoast_head":"\nAkropolis Now | Miguel \u00c1ngel D\u00edaz Camacho - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/diazcamacho\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-26T22:01:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-09-27T07:01:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/09\/Akropolis-Now-2004-de-Kendell-Geers.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"900\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Miguel \u00c1ngel D\u00edaz Camacho\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/MADCARQUITECTOS\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Miguel \u00c1ngel D\u00edaz Camacho\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/\"},\"author\":{\"name\":\"Miguel \u00c1ngel D\u00edaz Camacho\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/e3a2f3fc087cf59bab205fb869b57b1d\"},\"headline\":\"Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho\",\"datePublished\":\"2019-09-26T22:01:22+00:00\",\"dateModified\":\"2019-09-27T07:01:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/\"},\"wordCount\":1961,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2019\\\/09\\\/Akropolis-Now-2004-de-Kendell-Geers.jpg\",\"keywords\":[\"Alvar Aalto\",\"arquitectura\",\"arte\",\"Carlo Scarpa\",\"Carlos Gonz\u00e1lez Tausz\",\"C\u00e9sar Molina\",\"emilio garc\u00eda alonso\",\"escuela de arquitectura\",\"Espa\u00f1a\",\"estudiante\",\"ETSAM\",\"F\u00e9lix de Az\u00faa\",\"Fernando Ram\u00edrez\",\"filosof\u00eda\",\"fil\u00f3sofo\",\"Francisco Javier S\u00e1enz de Oiza\",\"Frank Lloyd Wright\",\"gian lorenzo bernini\",\"helena iglesias\",\"historia\",\"Javier Carvajal Ferrer\",\"Jos\u00e9 Antonio Corrales Guti\u00e9rrez\",\"jos\u00e9 mar\u00eda rodr\u00edguez ortiz\",\"Jos\u00e9 Rafael Moneo Vall\u00e9s\",\"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\",\"Juan Daniel Fullaondo\",\"Le Corbusier\",\"Leon Krier\",\"lsp\",\"Miguel \u00c1ngel D\u00edaz Camacho\",\"modelo profesional\",\"pensamiento\",\"poes\u00eda\",\"profesi\u00f3n\",\"Ram\u00f3n V\u00e1zquez Molez\u00fan\",\"reflexi\u00f3n\",\"Ricardo Aroca Hern\u00e1ndez-Ros\",\"teatro\"],\"articleSection\":[\"faro\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/\",\"name\":\"Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho - veredes\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2019\\\/09\\\/Akropolis-Now-2004-de-Kendell-Geers.jpg\",\"datePublished\":\"2019-09-26T22:01:22+00:00\",\"dateModified\":\"2019-09-27T07:01:00+00:00\",\"description\":\"Toda la informaci\u00f3n sobre: Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2019\\\/09\\\/Akropolis-Now-2004-de-Kendell-Geers.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2019\\\/09\\\/Akropolis-Now-2004-de-Kendell-Geers.jpg\",\"width\":1200,\"height\":900,\"caption\":\"Akropolis Now, Kendell Geers, 2004. Visto aqu\u00ed. La obra consiste en 18 paneles verticales de malla de alambre con concertinas en posici\u00f3n vertical y en el interior de una estructura modular met\u00e1lica. | Fuente: http:\\\/\\\/lamiradapaseante.blogspot.com\\\/2013\\\/11\\\/akropolis-now-concertinas.html\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/akropolis-now-miguel-angel-diaz-camacho\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/e3a2f3fc087cf59bab205fb869b57b1d\",\"name\":\"Miguel \u00c1ngel D\u00edaz Camacho\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/miguel\u00e1ngeld\u00edazcamacho-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/miguel\u00e1ngeld\u00edazcamacho-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/miguel\u00e1ngeld\u00edazcamacho-96x96.jpg\",\"caption\":\"Miguel \u00c1ngel D\u00edaz Camacho\"},\"description\":\"Es doctor arquitecto y actual presidente de la Asociaci\u00f3n Sostenibilidad y Arquitectura. Delegado del Consejo Superior de los Colegios de Arquitectos de Espa\u00f1a (CSCAE) en el Consejo Europeo de Arquitectos, Architects Council of Europe (ACE). Socio fundador en MADC Arquitectos, compa\u00f1\u00eda establecida en Madrid que ha recibido numerosos premios en concursos nacionales e internacionales. Investigador y profesor universitario, su filosof\u00eda de trabajo y pensamiento te\u00f3rico han sido ampliamente desarrollados en publicaciones como \u201cP\u00e1rrafos de Arquitectura. Core(oh)graf\u00edas\u201d (Ediciones Asim\u00e9tricas, 2016) o \u201cArquitectura y Cambio Clim\u00e1tico\u201d (Fundaci\u00f3n Arquia, 2018). En la actualidad desarrolla proyectos de arquitectura y urbanismo en Espa\u00f1a y Noruega.\",\"sameAs\":[\"https:\\\/\\\/madc.xyz\\\/\",\"https:\\\/\\\/www.facebook.com\\\/diazcamacho\",\"https:\\\/\\\/www.instagram.com\\\/madc_architecture\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/madcarquitectos\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/MADCARQUITECTOS\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/miguel-angel-diaz-camacho\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho - veredes","description":"Toda la informaci\u00f3n sobre: Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/","og_locale":"es_ES","og_type":"article","og_title":"Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho - veredes","og_description":"Toda la informaci\u00f3n sobre: Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho","og_url":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/diazcamacho","article_published_time":"2019-09-26T22:01:22+00:00","article_modified_time":"2019-09-27T07:01:00+00:00","og_image":[{"width":1200,"height":900,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/09\/Akropolis-Now-2004-de-Kendell-Geers.jpg","type":"image\/jpeg"}],"author":"Miguel \u00c1ngel D\u00edaz Camacho","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/MADCARQUITECTOS","twitter_site":"@veredes","twitter_misc":{"Escrito por":"Miguel \u00c1ngel D\u00edaz Camacho","Tiempo de lectura":"10 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/"},"author":{"name":"Miguel \u00c1ngel D\u00edaz Camacho","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/e3a2f3fc087cf59bab205fb869b57b1d"},"headline":"Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho","datePublished":"2019-09-26T22:01:22+00:00","dateModified":"2019-09-27T07:01:00+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/"},"wordCount":1961,"commentCount":0,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/09\/Akropolis-Now-2004-de-Kendell-Geers.jpg","keywords":["Alvar Aalto","arquitectura","arte","Carlo Scarpa","Carlos Gonz\u00e1lez Tausz","C\u00e9sar Molina","emilio garc\u00eda alonso","escuela de arquitectura","Espa\u00f1a","estudiante","ETSAM","F\u00e9lix de Az\u00faa","Fernando Ram\u00edrez","filosof\u00eda","fil\u00f3sofo","Francisco Javier S\u00e1enz de Oiza","Frank Lloyd Wright","gian lorenzo bernini","helena iglesias","historia","Javier Carvajal Ferrer","Jos\u00e9 Antonio Corrales Guti\u00e9rrez","jos\u00e9 mar\u00eda rodr\u00edguez ortiz","Jos\u00e9 Rafael Moneo Vall\u00e9s","Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa","Juan Daniel Fullaondo","Le Corbusier","Leon Krier","lsp","Miguel \u00c1ngel D\u00edaz Camacho","modelo profesional","pensamiento","poes\u00eda","profesi\u00f3n","Ram\u00f3n V\u00e1zquez Molez\u00fan","reflexi\u00f3n","Ricardo Aroca Hern\u00e1ndez-Ros","teatro"],"articleSection":["faro","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/","url":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/","name":"Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho - veredes","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/09\/Akropolis-Now-2004-de-Kendell-Geers.jpg","datePublished":"2019-09-26T22:01:22+00:00","dateModified":"2019-09-27T07:01:00+00:00","description":"Toda la informaci\u00f3n sobre: Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/09\/Akropolis-Now-2004-de-Kendell-Geers.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/09\/Akropolis-Now-2004-de-Kendell-Geers.jpg","width":1200,"height":900,"caption":"Akropolis Now, Kendell Geers, 2004. Visto aqu\u00ed. La obra consiste en 18 paneles verticales de malla de alambre con concertinas en posici\u00f3n vertical y en el interior de una estructura modular met\u00e1lica. | Fuente: http:\/\/lamiradapaseante.blogspot.com\/2013\/11\/akropolis-now-concertinas.html"},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/akropolis-now-miguel-angel-diaz-camacho\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Akropolis Now | Miguel \u00c1ngel D\u00edaz Camacho"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/e3a2f3fc087cf59bab205fb869b57b1d","name":"Miguel \u00c1ngel D\u00edaz Camacho","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/miguel\u00e1ngeld\u00edazcamacho-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/miguel\u00e1ngeld\u00edazcamacho-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/miguel\u00e1ngeld\u00edazcamacho-96x96.jpg","caption":"Miguel \u00c1ngel D\u00edaz Camacho"},"description":"Es doctor arquitecto y actual presidente de la Asociaci\u00f3n Sostenibilidad y Arquitectura. Delegado del Consejo Superior de los Colegios de Arquitectos de Espa\u00f1a (CSCAE) en el Consejo Europeo de Arquitectos, Architects Council of Europe (ACE). Socio fundador en MADC Arquitectos, compa\u00f1\u00eda establecida en Madrid que ha recibido numerosos premios en concursos nacionales e internacionales. Investigador y profesor universitario, su filosof\u00eda de trabajo y pensamiento te\u00f3rico han sido ampliamente desarrollados en publicaciones como \u201cP\u00e1rrafos de Arquitectura. Core(oh)graf\u00edas\u201d (Ediciones Asim\u00e9tricas, 2016) o \u201cArquitectura y Cambio Clim\u00e1tico\u201d (Fundaci\u00f3n Arquia, 2018). En la actualidad desarrolla proyectos de arquitectura y urbanismo en Espa\u00f1a y Noruega.","sameAs":["https:\/\/madc.xyz\/","https:\/\/www.facebook.com\/diazcamacho","https:\/\/www.instagram.com\/madc_architecture\/","https:\/\/www.linkedin.com\/in\/madcarquitectos\/","https:\/\/x.com\/https:\/\/twitter.com\/MADCARQUITECTOS"],"url":"https:\/\/veredes.es\/blog\/author\/miguel-angel-diaz-camacho\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/74384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=74384"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/74384\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/74385"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=74384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=74384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=74384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}