{"id":73305,"date":"2019-05-23T00:01:23","date_gmt":"2019-05-22T22:01:23","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=73305"},"modified":"2019-05-20T11:01:16","modified_gmt":"2019-05-20T09:01:16","slug":"formas-del-diseno-galicia-xxi","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/formas-del-diseno-galicia-xxi\/","title":{"rendered":"[:es]Formas del dise\u00f1o. Galicia XXI[:gl]Formas do dese\u00f1o. Galicia XXI[:en]Forms of design. Galicia XXI[:]"},"content":{"rendered":"

[:es]<\/p>\n

\"Formas<\/p>\n

‘Formas del\u00a0dise\u00f1o. Galicia XXI’<\/strong><\/a>, pretende construir un relato desde\u00a0el presente del potencial creativo de Galicia en el \u00e1mbito del dise\u00f1o. La idea es proyectar\u00a0lo que se est\u00e1 haciendo sin dejar de tener un ojo en el retrovisor, para revisar lo logrado a partir de un punto de vista simb\u00f3lico: la publicaci\u00f3n del Manifiesto del Laboratorio de Formas de Galicia<\/em> editado en 1970, que entre sus primeras acciones inclu\u00eda el renacimiento de la f\u00e1brica de Sargadelos y la creaci\u00f3n del Museo de Arte Carlos Maside. As\u00ed, la exposici\u00f3n cuenta con dos partes: una introducci\u00f3n en esas tres d\u00e9cadas de despertar y modernizaci\u00f3n, desde los primeros a\u00f1os setenta a los \u00faltimos noventa, cuando surgen en Galicia una serie de profesionales del dise\u00f1o que comienzan a trabajar con una conciencia de ser dise\u00f1adores y dise\u00f1adoras; y un cuerpo principal que coincide con el cambio de milenio y que supone un cambio generacional con la incorporaci\u00f3n al comprado laboral de una generaci\u00f3n de dise\u00f1adores y dise\u00f1adoras gallegos ya formados en Galicia.<\/p>\n

Como complemento y punto de partida de la exposici\u00f3n, que se desarrolla en su grande medida en las salas del Auditorio de Galicia, en la Fundaci\u00f3n DIDAC se exhiben los tapices y tarjetas dise\u00f1ados por Luis Seoane y M\u00aa Elena Montero, cuarenta a\u00f1os despu\u00e9s de que estos fueran presentados en la galer\u00eda Citania de Santiago de Compostela, y nunca mostrados en conjunto desde 1979. Precisamente, es uno dieras tapices, as\u00ed como otros trabajos de Isaac D\u00edaz Pardo y Luis Seoane y sus logros en el renacimiento de la f\u00e1brica de Sargadelos, los que abren la muestra en las salas del Auditorio de Galicia.<\/p>\n

Formas del dise\u00f1o. Galicia XXI<\/strong> no es una muestra de nuevos\u00a0creativas y creativos, sino de propuestas de dise\u00f1o que fueron realizadas en las \u00faltimas d\u00e9cadas. As\u00ed, aunque la muestra se centra en dise\u00f1adores y dise\u00f1adoras que cobraron visibilidad ya entrado el siglo XXI, para darle continuidad al investigado y mostrado en La Creaci\u00f3n del necesario<\/em>. Aproximaciones al dise\u00f1o del siglo XX en Galicia<\/em> (2004), exposici\u00f3n celebrada en el MARCO de Vigo hace quince a\u00f1os, Formas del dise\u00f1o. Galicia XXI<\/strong> presta tambi\u00e9n atenci\u00f3n a los dise\u00f1adores y dise\u00f1adoras que ven\u00edan trabajando con rigor y continuaron a trabajar en el cambio de siglo, entre otros, Ventura Cores; Xos\u00e9 D\u00edaz; Pepe Barro, L\u00eda Santana\u00a0y\u00a0Xos\u00e9 Salgado del\u00a0Grupo Revisi\u00f3n; Eloy Lozano; Francisco Mantec\u00f3n; Miguel Vigo; Manuel Janeiro; Alberte Permuy; Xos\u00e9 Mar\u00eda Torn\u00e9; Uqui Permui; Nuria Carballo; Fausto Isorna; Esteban Carballido o los estudios Taller DD y Signum Dise\u00f1o, entre otros, as\u00ed como los arquitectos y arquitectas Alberto Noguerol y Pilar D\u00edez, Jes\u00fas Irisarri y Guadalupe Pi\u00f1era, Le\u00f3n L\u00f3pez de\u00a0la Osa o el pionero Xos\u00e9 Bar Boo, que tendr\u00e1n en el dise\u00f1o un campo de acci\u00f3n fundamental.<\/p>\n

En la d\u00e9cada de 2000 aparecen nuevos dise\u00f1adores y dise\u00f1adoras, con una formaci\u00f3n muy heterog\u00e9nea y que, en la mayor parte de los casos, tienen en Galicia su punto de partida. Por supuesto, hay muchos que desarrollar\u00e1n fuera su trayectoria o gran parte de ella, como es el caso paradigm\u00e1tico de Tom\u00e1s Alonso, as\u00ed como de otros como Iv\u00e1n Mato, Eli Alonso, Marta Bordes, Isaac Pi\u00f1eiro o Miguel Leiro. D\u00e9cadas antes, el gallego V\u00edctor Moscoso trabajar\u00e1 su dise\u00f1o psicod\u00e9lico para promotores musicales de la esfera californiana. Entre los que tendr\u00e1n Galicia como eje de sus creaciones se destacaron equipos de dise\u00f1o industrial y de producto como FrutoDS o Cenlitrosmetrocadrado, Lois Guill\u00e1n, arquitectos enfocados tambi\u00e9n al dise\u00f1o de mobiliario como Luis Gil Gallina y Cristina Nieto y su labor con UnDo ReDo, rvr-arquitectos, domohomo o Sof\u00eda Blanco, as\u00ed como dise\u00f1adores m\u00e1s ligados a la tradici\u00f3n artesanal como El\u00edas Cueto, Lago:Monroy, Oitenta o Arturo \u00c1lvarez. Es precisamente donde se mezcla el dise\u00f1o y el proceso artesanal -valores que ya estaban en las experiencias de Bauhaus o de Ulm y de manera m\u00e1s pr\u00f3xima en Sargadelos-, donde se destacan propuestas como las de Idoia Cuesta, Elena Hierro, Marta Armada, Ojea Studio, Ver\u00f3nica Moar, Noroeste Obradoiro, Deger\u00f3nimo, Anna Champeney y Rosa M\u00e9ndez.<\/p>\n

En las \u00faltimas d\u00e9cadas, el desarrollo de la identidad corporativa y los sistemas de identificaci\u00f3n visual facilitar\u00e1n la entrada de tipograf\u00edas con ra\u00edces gallegas, como las de Marcos Dopico o Mar\u00eda Ramos. En esa misma l\u00ednea heredera de la revoluci\u00f3n de la historia de los sistemas gr\u00e1ficos, \u00c1lvaro Vali\u00f1o obtendr\u00e1 una importante visibilidad internacional con sus pictograma e infograf\u00edas. Otros referentes de dise\u00f1o gr\u00e1fico e identidad corporativa son los de Xos\u00e9 Teiga, Marta Lojo, Mar\u00eda Pereir\u00f3, Rebeca Ces y estudios como Costa, Deso\u00f1os o Sond3, que destacan como en el mundo editorial lo har\u00e1n Ombretta, etc., Don Gr\u00e1fica, 3c3, Cecilia Labella, Rai Iglesias e Iria Sobrino, Santiago Carballal, Artur Galocha, Desescribir, Tatata, Dardo o Numax. Otros sectores que se incluyen en la muestra son lo del textil con pioneros como Adolfo Dom\u00ednguez y la iniciativa Galicia Moda de mano del publicista Luis Carballo, Masscob, Knitbrary o, en otra l\u00ednea m\u00e1s h\u00edbrida, Sara Coleman.<\/p>\n

\"Formas<\/p>\n

Formas do dese\u00f1o. Galicia XXI\u00a0<\/strong>incide tambi\u00e9n en como la finales de los a\u00f1os noventa la digitalizaci\u00f3n\u00a0cambi\u00f3 la manera de trabajar. En los \u00faltimos a\u00f1os, las redes sociales cambiaron definitivamente nuestro modo de mirar el entorno, de situarnos en ella. Es momento de nuevos perfiles profesionales, como los de la dise\u00f1adora multimedia Marta Verde. Por otra parte, una grande cantidad de artistas pl\u00e1sticos que derivaron su trabajo hacia el mundo del dise\u00f1o en los \u00faltimos a\u00f1os. En Galicia es el caso de Juan Cidr\u00e1s, Salvador Cidr\u00e1s y Vicente Blanco, que canalizaron su energ\u00eda creativa a partir de cer\u00e1micas y tapices bajo el nombre de Formabesta. Otros artistas que tocan el campo del dise\u00f1o son Montse Rego dentro del campo de la moda; Misha Bies Golas realizando portadas de discos; Pablo Barreiro y Mauro Trastoy investigando las posibilidades cer\u00e1micas; o Manuel V\u00e1zquez y Alberto Barreiro en el dise\u00f1o estrat\u00e9gico. La ilustraci\u00f3n aplicada al dise\u00f1o tambi\u00e9n destacar\u00e1 de la mano de Nuria D\u00edaz.<\/p>\n

Aunque Formas del dise\u00f1o. Galicia XXI<\/strong> se fundamenta en el trabajo de los dise\u00f1adores y dise\u00f1adoras -en algunos de los casos mostrando dise\u00f1os de autor con escasa salida comercial-, la ultima parte de la muestra incide exclusivamente en la integraci\u00f3n del dise\u00f1o en el mundo de la empresa, una vez que el avance del dise\u00f1o transcurre paralelo al desarrollo de la industria y de la econom\u00eda de un lugar. En este sentido, adem\u00e1s de trabajos de algunos de los dise\u00f1adores antes citados, en este apartado se incluyen los de otros dise\u00f1adores y agencias como Bap & Conde, Quattro idcp, Koolbrand, 100 x 100 Creatividad+Comunicaci\u00f3n, Imagen, Otiiplanet, Ekinocio o Tony Lee Brand, entre otros.<\/p>\n

Proyecto producido por el Auditorio de Galicia (Ayuntamiento de Santiago de Compostela) y la Fundaci\u00f3n DIDAC.<\/p>\n

Comisariado: David Barro\u00a0y M\u00f3nica Maneiro<\/p>\n

FORMAS DEL DISE\u00d1O. GALICIA XXI<\/strong>
\nDel 20 de febrero al 23 de junio de 2019
\nAuditorio de Galicia
\nAvenida do Burgo das Naci\u00f3ns s\/n
\n15704 Santiago de Compostela<\/p>\n

[:gl]<\/p>\n

\"Formas<\/p>\n

‘Formas do dese\u00f1o. Galicia XXI’<\/strong><\/a>, pretende constru\u00edr un relato dende o presente do potencial creativo de Galicia no \u00e1mbito do dese\u00f1o. A idea \u00e9 proxectar o que se est\u00e1 a facer sen deixar de ter un ollo no retrovisor, para revisar o logrado a partir dun punto de vista simb\u00f3lico: a publicaci\u00f3n do Manifesto do Laboratorio de Formas de Galicia<\/em> editado en 1970, que entre as s\u00faas primeiras acci\u00f3ns inclu\u00eda o renacemento da f\u00e1brica de Sargadelos e a creaci\u00f3n do Museo de Arte Carlos Maside. As\u00ed, a exposici\u00f3n conta con d\u00faas partes: unha introduci\u00f3n nesas tres d\u00e9cadas de espertar e modernizaci\u00f3n, dende os primeiros anos setenta aos \u00faltimos noventa, cando xorden en Galicia unha serie de profesionais do dese\u00f1o que comezan a traballar cunha conciencia de ser dese\u00f1adores e dese\u00f1adoras; e un corpo principal que coincide co cambio de milenio e que sup\u00f3n un cambio xeracional coa incorporaci\u00f3n ao mercado laboral dunha xeraci\u00f3n de dese\u00f1adores e dese\u00f1adoras galegos xa formados en Galicia.<\/p>\n

Como complemento e punto de partida da exposici\u00f3n, que se desenvolve na s\u00faa grande medida nas salas do Auditorio de Galicia, na Fundaci\u00f3n DIDAC\u00a0 exh\u00edbense os tapices e cart\u00f3ns dese\u00f1ados por Lu\u00eds Seoane e M\u00aa Elena Montero, corenta anos despois de que estes fosen presentados na galer\u00eda Citania de Santiago de Compostela, e nunca mostrados en conxunto dende 1979. Precisamente, \u00e9 un deses tapices, as\u00ed como outros traballos de Isaac D\u00edaz Pardo e Lu\u00eds Seoane e os seus logros no renacemento da f\u00e1brica de Sargadelos, os que abren a mostra nas salas do Auditorio de Galicia.<\/p>\n

Formas do dese\u00f1o. Galicia XXI<\/strong> non \u00e9 unha mostra de novas creativas e creativos, sen\u00f3n de propostas de dese\u00f1o que foron realizadas nas \u00faltimas d\u00e9cadas. As\u00ed, a\u00ednda que a mostra se centra en dese\u00f1adores e dese\u00f1adoras\u00a0 que cobraron visibilidade xa entrado o s\u00e9culo XXI, para darlle continuidade ao investigado e mostrado en A Creaci\u00f3n do necesario. Aproximaci\u00f3ns ao dese\u00f1o do s\u00e9culo XX en Galicia<\/em> (2004), exposici\u00f3n celebrada no MARCO de Vigo hai quince anos, Formas do dese\u00f1o. Galicia XXI<\/strong> presta tam\u00e9n atenci\u00f3n aos dese\u00f1adores e dese\u00f1adoras que vi\u00f1an traballando con rigor e continuaron a traballar no cambio de s\u00e9culo, entre outros, Ventura Cores; Xos\u00e9 D\u00edaz; Pepe Barro, L\u00eda Santana e Xos\u00e9 Salgado do Grupo Revisi\u00f3n; Eloy Lozano; Francisco Mantec\u00f3n; Miguel Vigo; Manuel Janeiro; Alberte Permuy; Xos\u00e9 Mar\u00eda Torn\u00e9; Uqui Permui; Nuria Carballo; Fausto Isorna; Esteban Carballido ou os estudios Taller DD e Signum Dese\u00f1o, entre outros, as\u00ed como os arquitectos e arquitectas Alberto Noguerol e Pilar D\u00edez, Jes\u00fas Irisarri e Guadalupe Pi\u00f1era, Le\u00f3n L\u00f3pez de la Osa ou o pioneiro Xos\u00e9 Bar Boo, que ter\u00e1n no dese\u00f1o un campo de acci\u00f3n fundamental.<\/p>\n

Na d\u00e9cada de 2000 aparecen novos dese\u00f1adores e dese\u00f1adoras, cunha formaci\u00f3n moi heterox\u00e9nea e que, na maior parte dos casos, te\u00f1en en Galicia o seu punto de partida. Por suposto, hai moitos que desenvolver\u00e1n f\u00f3ra a s\u00faa traxectoria ou gran parte dela, como \u00e9 o caso paradigm\u00e1tico de Tom\u00e1s Alonso, as\u00ed como doutros como Iv\u00e1n Mato, Eli Alonso, Marta Bordes, Isaac Pi\u00f1eiro ou Miguel Leiro. D\u00e9cadas antes, o galego V\u00edctor Moscoso traballar\u00e1 o seu dese\u00f1o psicod\u00e9lico para promotores musicais da esfera californiana. Entre os que ter\u00e1n Galicia como eixe das s\u00faas creaci\u00f3ns destac\u00e1ronse equipos de dese\u00f1o industrial e de produto como FrutoDS ou Cenlitrosmetrocadrado, Lois Guill\u00e1n, arquitectos enfocados tam\u00e9n ao dese\u00f1o de mobiliario como Luis Gil Pita e Cristina Nieto e o seu labor con UnDo ReDo, rvr-arquitectos, domohomo ou Sof\u00eda Blanco, as\u00ed como dese\u00f1adores m\u00e1is ligados \u00e1 tradici\u00f3n artesanal como El\u00edas Cueto, Lago:Monroy, Oitenta ou Arturo \u00c1lvarez. \u00c9 precisamente onde se mestura o dese\u00f1o e o proceso artesanal -valores que xa estaban nas experiencias de Bauhaus ou de Ulm e de maneira m\u00e1is pr\u00f3xima en Sargadelos-, onde se destacan propostas como as de Idoia Cuesta, Elena Ferro, Marta Armada, Ojea Studio, Ver\u00f3nica Moar, Noroeste Obradoiro, Deger\u00f3nimo, Anna Champeney e Rosa M\u00e9ndez.<\/p>\n

Nas \u00faltimas d\u00e9cadas, o desenvolvemento da identidade corporativa e os sistemas de identificaci\u00f3n visual facilitar\u00e1n a entrada de tipograf\u00edas con ra\u00edces galegas, como as de Marcos Dopico ou Mar\u00eda Ramos. Nesa mesma li\u00f1a herdeira da revoluci\u00f3n da historia dos sistemas gr\u00e1ficos, \u00c1lvaro Vali\u00f1o obter\u00e1 unha importante visibilidade internacional cos seus pictogramas e infograf\u00edas. Outros referentes de dese\u00f1o gr\u00e1fico e identidade corporativa son os de Xos\u00e9 Teiga, Marta Lojo, Mar\u00eda Pereir\u00f3, Rebeca Ces e estudios como Costa, Deso\u00f1os ou Sond3, que destacan como no mundo editorial o far\u00e1n Ombretta, etc., Don Gr\u00e1fica, 3c3, Cecilia Labella, Rai Iglesias e Iria Sobrino, Santiago Carballal, Artur Galocha, Desescribir, Tatata, Dardo ou Numax. Outros sectores que se incl\u00faen na mostra son o do t\u00e9xtil con pioneiros como Adolfo Dom\u00ednguez e a iniciativa Galicia Moda de man do publicista Lu\u00eds Carballo, Masscob, Knitbrary ou, noutra li\u00f1a m\u00e1s h\u00edbrida, Sara Coleman.<\/p>\n

\"Formas<\/p>\n

Formas do dese\u00f1o. Galicia XXI\u00a0<\/strong>incide tam\u00e9n en como a finais dos anos noventa a dixitalizaci\u00f3n mudou o xeito de traballar. Nos \u00faltimos anos, as redes sociais cambiaron definitivamente o noso modo de ollar a contorna, de situarnos nela. \u00c9 momento de novos perf\u00eds profesionais, como os da dese\u00f1adora multimedia Marta Verde. Por outra banda, unha grande cantidade de artistas pl\u00e1sticos que derivaron o seu traballo cara ao mundo do dese\u00f1o nos \u00faltimos anos. En Galicia \u00e9 o caso de Juan Cidr\u00e1s, Salvador Cidr\u00e1s e Vicente Blanco, que canalizaron a s\u00faa enerx\u00eda creativa a partir de cer\u00e1micas e tapices baixo o nome de Formabesta. Outros artistas que tocan o campo do dese\u00f1o son Montse Rego dentro do campo da moda; Misha Bies Golas realizando portadas de discos; Pablo Barreiro e Mauro Trastoy investigando as posibilidades cer\u00e1micas; ou Manuel V\u00e1zquez e Alberto Barreiro no dese\u00f1o estrat\u00e9xico. A ilustraci\u00f3n aplicada ao dese\u00f1o tam\u00e9n destacar\u00e1 da man de Nuria D\u00edaz.<\/p>\n

A\u00ednda que Formas do dese\u00f1o. Galicia XXI<\/strong> se fundamenta no traballo dos dese\u00f1adores e dese\u00f1adoras -nalg\u00fans dos casos mostrando dese\u00f1os de autor con escasa sa\u00edda comercial-, a ultima parte da mostra incide exclusivamente na integraci\u00f3n do dese\u00f1o no mundo da empresa, unha vez que o avance do dese\u00f1o transcorre paralelo ao desenvolvemento da industria e da econom\u00eda dun lugar. Neste sentido, ademais de traballos dalg\u00fans dos dese\u00f1adores antes citados, neste apartado incl\u00faense os de outros dese\u00f1adores e axencias como Bap & Conde, Quattro idcp, Koolbrand, 100 x 100 Creatividad+Comunicaci\u00f3n, Imaxe, Otiiplanet, Ekinocio ou Tony Le Brand, entre outros.<\/p>\n

Proxecto producido polo Auditorio de Galicia (Concello de Santiago de Compostela) e a Fundaci\u00f3n DIDAC<\/p>\n

Comisariado: David Barro e M\u00f3nica Maneiro<\/p>\n

FORMAS DO DESE\u00d1O. GALICIA XXI<\/strong>
\nDo 20 de febreiro ao 23 de xu\u00f1o de 2019
\nAuditorio de Galicia
\nAvenida do Burgo das Naci\u00f3ns s\/n
\n15704 Santiago de Compostela[:en]<\/p>\n

\"Formas<\/p>\n

‘Forms of design. Galicia XXI’<\/strong><\/a>, aims to build a story from the present of the creative potential of Galicia in the field of design. The idea is to project what is being done while keeping an eye on the mirror, to review what has been achieved from a symbolic point of view: the publication of the Formas de Galicia Laboratory Manifesto<\/em> published in 1970, which among its first Actions included the rebirth of the Sargadelos factory and the creation of the Carlos Maside Art Museum. Thus, the exhibition has two parts: an introduction in those three decades of awakening and modernization, from the early seventies to the last nineties, when a series of design professionals started working in Galicia with an awareness of being designers. and designers; and a main body that coincides with the turn of the millennium and which represents a generational change with the incorporation of a generation of Galician designers and designers already trained in Galicia into the labor market.<\/p>\n

As a complement and starting point of the exhibition, which takes place to a large extent in the rooms of the Auditorium of Galicia, the DIDAC Foundation exhibits tapestries and cards designed by Luis Seoane and M\u00aa Elena Montero, forty years after these were presented at the gallery Citania of Santiago de Compostela, and never shown together since 1979. Precisely, it is one of the tapestries, as well as other works of Isaac D\u00edaz Pardo and Luis Seoane and their achievements in the rebirth of the factory of Sargadelos, that open the exhibition in the rooms of the Auditorium of Galicia.<\/p>\n

Forms of design. Galicia XXI<\/strong> is not a sample of new creative and creative, but design proposals that were made in recent decades. Thus, although the show focuses on designers and designers who gained visibility already into the 21st century, to give continuity to the research and shown in The Creation of the necessary. Approximations to the design of the XX century in Galicia (2004), exhibition held at the MARCO of Vigo fifteen years ago, Forms of design. Galicia XXI<\/strong> also pays attention to the designers and designers who had been working with rigor and continued to work at the turn of the century, among others, Ventura Cores; Xos\u00e9 D\u00edaz; Pepe Barro, L\u00eda Santana and Xos\u00e9 Salgado of the Review Group; Eloy Lozano; Francisco Mantec\u00f3n; Miguel Vigo; Manuel Janeiro; Alberte Permuy; Xos\u00e9 Mar\u00eda Torn\u00e9; Uqui Permui; Nuria Carballo; Faust Isorna; Esteban Carballido or the DD Workshop and Signum Design studios, among others, as well as the architects and architects Alberto Noguerol and Pilar D\u00edez, Jes\u00fas Irisarri and Guadalupe Pi\u00f1era, Le\u00f3n L\u00f3pez de la Osa or the pioneer Xos\u00e9 Bar Boo, who will have in the design a fundamental field of action.<\/p>\n

In the decade of 2000 new designers and designers appear, with a very heterogeneous formation and that, in most of the cases, have their starting point in Galicia. Of course, there are many who will develop their career or a large part of it, such as the paradigmatic case of Tom\u00e1s Alonso, as well as others like Iv\u00e1n Mato, Eli Alonso, Marta Bordes, Isaac Pi\u00f1eiro or Miguel Leiro. Decades earlier, the Galician V\u00edctor Moscoso will work on his psychedelic design for musical promoters of the Californian sphere. Among those who will have Galicia as the axis of their creations stood out industrial design and product teams such as FrutoDS or Cenlitrosmetrocadrado, Lois Guill\u00e1n, architects also focused on furniture design such as Luis Gil Gallina and Cristina Nieto and their work with UnDo ReDo, rvr- architects, domohomo or Sof\u00eda Blanco, as well as designers more linked to the craft tradition such as El\u00edas Cueto, Lago: Monroy, Oitenta or Arturo \u00c1lvarez. It is precisely where the design and the artisan process are mixed -values that were already in the experiences of Bauhaus or Ulm and more closely in Sargadelos-, where proposals like Idoia Cuesta, Elena Hierro, Marta Armada, Ojea stand out Studio, Ver\u00f3nica Moar, Noroeste Obradoiro, Deger\u00f3nimo, Anna Champeney and Rosa M\u00e9ndez.<\/p>\n

\"Formas<\/p>\n

\n

Forms of design. Galicia XXI<\/strong>\u00a0also affects how the end of the nineties the digitalization changed the way of working. In recent years, social networks have definitely changed our way of looking at the environment, of situating ourselves in it. It is time for new professional profiles, such as those of the multimedia designer Marta Verde. On the other hand, a large number of artists who derived their work to the world of design in recent years. In Galicia is the case of Juan Cidr\u00e1s, Salvador Cidr\u00e1s and Vicente Blanco, who channeled their creative energy from ceramics and tapestries under the name of Formabesta. Other artists who touch the field of design are Montse Rego in the field of fashion; Misha Bies Golas making album covers; Pablo Barreiro and Mauro Trastoy investigating the ceramic possibilities; or Manuel V\u00e1zquez and Alberto Barreiro in strategic design. The illustration applied to the design will also stand out thanks to Nuria D\u00edaz.<\/p>\n

Although\u00a0Forms of design. Galicia XXI<\/strong>\u00a0is based on the work of the designers and designers -in some of the cases showing author’s designs with little commercial outlet-, the last part of the sample affects exclusively the integration of the design in the world of the company, once that the advance of the design takes place parallel to the development of the industry and the economy of a place. In this sense, in addition to the works of some of the aforementioned designers, this section includes those of other designers and agencies such as Bap & Conde, Quattro idcp, Koolbrand, 100 x 100 Creativity + Communication, Image, Otiiplanet, Ekinocio or Tony Lee Brand, among others.<\/p>\n

Project produced by the Auditorium of Galicia (City of Santiago de Compostela) and the DIDAC Foundation.<\/p>\n

Curated by: David Barro and M\u00f3nica Maneiro<\/p>\n

FORMS OF DESIGN. GALICIA XXI<\/strong>
\nFrom February 20 to June 23, 2019
\nAuditorium of Galicia
\nAvenue of Burgo das Naci\u00f3ns s \/ n
\n15704 Santiago de Compostela[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] ‘Formas del\u00a0dise\u00f1o. Galicia XXI’, pretende construir un relato desde\u00a0el presente del potencial creativo de Galicia en el \u00e1mbito del dise\u00f1o. La idea es proyectar\u00a0lo que se est\u00e1 haciendo sin dejar de tener un ojo en el retrovisor, para revisar lo logrado a partir de un punto de vista simb\u00f3lico: la publicaci\u00f3n del Manifiesto del […]<\/p>\n","protected":false},"author":2,"featured_media":73306,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[6703,5865,350,7723,3027,7166,10612,12470,11769,430,431,556,14094,619,668,698,1209,1241],"class_list":["post-73305","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-arquitecto","tag-arquitectura-gallega","tag-comunicacion","tag-comunicacion-audiovisual","tag-comunicacion-visual","tag-comunicar","tag-david-barro","tag-diseno","tag-diseno-gallego","tag-diseno-grafico","tag-diseno-industrial","tag-exposicion","tag-fundacion-didac","tag-galicia","tag-historia","tag-ilustracion","tag-santiago-de-compostela","tag-sociedad"],"yoast_head":"\n[:es]Formas del dise\u00f1o. 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