{"id":72867,"date":"2019-04-29T00:01:14","date_gmt":"2019-04-28T22:01:14","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=72867"},"modified":"2019-04-16T17:54:16","modified_gmt":"2019-04-16T15:54:16","slug":"universo-una-casa-marcelo-gardinetti","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/universo-una-casa-marcelo-gardinetti\/","title":{"rendered":"[:es]Un universo, una casa | Marcelo Gardinetti[:gl]Un universo, unha casa | Marcelo Gardinetti[:en]A universe, a house | Marcelo Gardinetti[:]"},"content":{"rendered":"

[:es]

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure><\/p>\n

\u00bfC\u00f3mo debe ser una casa en la ladera de la monta\u00f1a para una familia con una persona confinada a una silla de ruedas? El propio cliente ten\u00eda la respuesta:<\/p>\n

\u201cal contrario de lo que cabr\u00eda esperar, no quiero una casa sencilla. Quiero una casa compleja porque la casa definir\u00e1 mi mundo\u201d.1<\/sup><\/p><\/blockquote>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

El terreno donde se implanta la vivienda est\u00e1 ubicado en los alrededores de Burdeos, en la ladera en una colina con vistas a la ciudad. El propietario hab\u00eda adquirido el lote antes que un accidente de auto le limitara la movilidad. Koolhaas atiende la solicitud del cliente y responde al desaf\u00edo con un dise\u00f1o en tres niveles que ser\u00e1n el universo de su cliente.<\/p>\n

El nivel bajo enclava su silueta irregular en la ladera de la colina. Sobre este volumen se apilan otras dos cajas diferentes. Cada caja corresponde a un piso y se define como una entidad de car\u00e1cter y funcionamiento aut\u00f3nomo.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

La planta inferior Agrupa los servicios de la casa: cocina, comedor \u00edntimo, bodega y una sala para tv. En la planta intermedia se desarrolla la actividad social de la familia. Una planta libre con cerramientos transparentes que permiten vivenciar el paisaje urbano a la distancia. La planta superior aloja los dormitorios. Es una caja de hormig\u00f3n rosado con aberturas redondas que enmarcan el paisaje desde cada dormitorio. Vista a cierta distancia, la primera planta se funde con la ladera y la tercera parece flotar sobre la caja de vidrio intermedia.<\/p>\n

Sin embargo, la caracter\u00edstica sobresaliente de la casa es el escritorio del propietario. Una habitaci\u00f3n de 3 x 3,5 metros montada sobre una plataforma con un enorme pist\u00f3n hidr\u00e1ulico que permite la movilidad vertical en los tres niveles.<\/p>\n

\u201cEl movimiento del elevador cambia continuamente la arquitectura de la casa. Una m\u00e1quina es su coraz\u00f3n\u201d.2<\/sup><\/p><\/blockquote>\n

En la planta baja forma parte de la cocina comedor; en el primer piso se integra con el mismo solado del \u00e1rea social; en la planta alta forma parte del dormitorio del matrimonio. Una biblioteca cierra uno de los laterales de la plataforma en todo el recorrido de la plataforma.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

Las dem\u00e1s circulaciones verticales se adaptan a las formas caprichosas de la planta baja. Una escalera caracol atraviesa la casa paralela al montacargas. Cuando alcanza la planta intermedia, se reviste en acero inoxidable para que se diluya en el reflejo del paisaje que domina el piso.<\/p>\n

La soluci\u00f3n estructural tambi\u00e9n es at\u00edpica. La planta superior descansa en uno de los extremos sobre el volumen de la escalera, que se encuentra fuera del eje axial de la planta rectangular. Este desequilibrio se resuelve mediante una viga que cruza de manera transversal el volumen por encima del techo, soportada por un tensor de acero anclado al piso para alcanzar la estabilidad estructural. La parte trasera est\u00e1 sujeta por un soporte se acero en forma de \u201cele\u201d.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

As\u00ed definida, la casa establece un doble orden funcional de una manera sagaz y efectiva. El movimiento vertical de la habitaci\u00f3n permite al propietario interactuar con los dem\u00e1s miembros de la familia en las \u00e1reas m\u00e1s importantes de la vivienda.<\/p>\n

Koolhaas crea un peque\u00f1o universo para un hombre que carece de movilidad propia, y ese universo se mueve para \u00e9l.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata. Argentina. Abril 2019<\/p>\n

Notas:<\/p>\n

1<\/sup>\u00a0Rem Koolhaas\/OMA, Memoria descriptiva del proyecto.<\/a><\/p>\n

2<\/sup>\u00a0Ibidem.[:gl]

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure><\/p>\n

Como debe ser unha casa na ladeira da monta\u00f1a para unha familia cunha persoa confinada a unha cadeira de rodas? O propio cliente ti\u00f1a a resposta:<\/p>\n

\u201cao contrario do que caber\u00eda esperar, non quero unha casa sinxela. Quero unha casa complexa porque a casa definir\u00e1 o meu mundo\u201d.1<\/sup><\/p><\/blockquote>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

O terreo onde se implanta a vivenda est\u00e1 situado nos arredores de Bordeus, na ladeira nun outeiro con vistas \u00e1 cidade. O propietario adquirira o lote antes que un accidente de auto limit\u00e1selle a mobilidade. Koolhaas atende a solicitude do cliente e responde o desaf\u00edo cun dese\u00f1o en tres niveles que ser\u00e1n o universo do seu cliente.<\/p>\n

O nivel baixo enclava a s\u00faa silueta irregular na ladeira do outeiro. Sobre este volume se apilan outras d\u00faas caixas diferentes. Cada caixa corresponde a un piso e def\u00ednese como unha entidade de car\u00e1cter e funcionamento aut\u00f3nomo.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

A planta inferior Agrupa os servizos da casa: coci\u00f1a, comedor \u00edntimo, adega e unha sala para tv. Na planta intermedia desenv\u00f3lvese a actividade social da familia. Unha planta libre con cerramentos transparentes que permiten vivenciar a paisaxe urbana \u00e1 distancia. A planta superior aloxa os dormitorios. \u00c9 unha caixa de formig\u00f3n rosado con aberturas redondas que enmarcan a paisaxe desde cada dormitorio. Vista a certa distancia, a primeira planta f\u00fandese coa ladeira e a terceira parece flotar sobre a caixa de vidro intermedia.<\/p>\n

Con todo, a caracter\u00edstica sobresaliente da casa \u00e9 o escritorio do propietario. Unha habitaci\u00f3n de 3 x 3,5 metros montada sobre unha plataforma cun enorme pist\u00f3n hidr\u00e1ulico que permite a mobilidade vertical nos tres niveles.<\/p>\n

\u201cO movemento do elevador cambia continuamente a arquitectura da casa. Unha m\u00e1quina \u00e9 o seu coraz\u00f3n\u201d.2<\/sup><\/p><\/blockquote>\n

Na planta baixa forma parte da coci\u00f1a comedor; no primeiro piso int\u00e9grase co mesmo solado da \u00e1rea social; na planta alta forma parte do dormitorio do matrimonio. Unha biblioteca pecha un dos laterais da plataforma en todo o percorrido da plataforma.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

As demais circulaci\u00f3ns verticais ad\u00e1ptanse \u00e1s formas caprichosas da planta baixa. Unha escaleira caracol atravesa a casa paralela ao montacargas. Cando alcanza a planta intermedia, rev\u00edstese en aceiro inoxidable para que se dil\u00faa no reflexo da paisaxe que domina o piso.<\/p>\n

A soluci\u00f3n estrutural tam\u00e9n \u00e9 at\u00edpica. A planta superior descansa nun dos extremos sobre o volume da escaleira, que se atopa f\u00f3ra do eixo axial da planta rectangular. Este desequilibrio res\u00f3lvese mediante unha viga que cruza de maneira transversal o volume por encima do teito, soportada por un tensor de aceiro ancorado ao piso para alcanzar a estabilidade estrutural. A parte traseira est\u00e1 suxeita por un soporte #aceirar en forma de \u201cele\u201d.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

As\u00ed definida, a casa establece unha dobre orde funcional dunha maneira sagaz e efectiva. O movemento vertical da habitaci\u00f3n permite ao propietario interactuar cos demais membros da familia nas \u00e1reas m\u00e1is importantes da vivenda.<\/p>\n

Koolhaas crea un pequeno universo para un home que carece de mobilidade propia, e ese universo m\u00f3vese para el.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata. Arxentina. Abril 2019<\/p>\n

Notas:<\/p>\n

1<\/sup>\u00a0Rem Koolhaas\/OMA, Memoria descriptiva del proyecto.<\/a><\/p>\n

2<\/sup>\u00a0Ibidem.[:en]

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure><\/p>\n

How should a house on the mountainside be for a family with a person confined to a wheelchair? The client himself had the answer:<\/p>\n

\u201cContrary to what you would expect, I do not want a simple house. I want a complex house because the house will define my world\u201d.1<\/sup><\/p><\/blockquote>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

The land where the house is located is located in the surroundings of Bordeaux, on the hillside overlooking the city. The owner had purchased the lot before a car accident limited his mobility. Koolhaas meets the customer’s request and responds to the challenge with a design in three levels that will be the universe of his client.<\/p>\n

The low level locks its irregular silhouette on the side of the hill. Two other boxes are stacked on top of this volume. Each box corresponds to a floor and is defined as an entity of autonomous character and functioning.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

The lower floor Groups the services of the house: kitchen, intimate dining room, cellar and a TV room. In the middle floor the social activity of the family is developed. A free plant with transparent enclosures that allow you to experience the urban landscape at a distance. The upper floor houses the bedrooms. It is a pink concrete box with round openings that frame the landscape from each bedroom. Seen from a distance, the first floor merges with the slope and the third seems to float on the intermediate glass box.<\/p>\n

However, the outstanding feature of the house is the owner’s desk. A room of 3 x 3.5 meters mounted on a platform with a huge hydraulic piston that allows vertical mobility on all three levels.<\/p>\n

\u201cThe movement of the elevator continuously changes the architecture of the house. A machine is your heart\u201d.2<\/sup><\/p><\/blockquote>\n

On the ground floor part of the kitchen dining room; on the first floor it is integrated with the same floor of the social area; on the top floor it is part of the marriage bedroom. A library closes one of the sides of the platform throughout the course of the platform.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

The other vertical circulations adapt to the capricious shapes of the ground floor. A spiral staircase crosses the house parallel to the elevator. When it reaches the intermediate plant, it is coated in stainless steel to be diluted in the reflection of the landscape that dominates the floor.<\/p>\n

The structural solution is also atypical. The upper floor rests at one end on the volume of the staircase, which is outside the axial axis of the rectangular floor. This imbalance is solved by means of a beam that transversally crosses the volume above the ceiling, supported by a steel tensioner anchored to the floor to achieve structural stability. The rear part is supported by a steel bracket in the shape of\u00a0 \u201cL\u201d.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

Thus defined, the house establishes a double functional order in a shrewd and effective way. The vertical movement of the room allows the owner to interact with the other members of the family in the most important areas of the home.<\/p>\n

Koolhaas creates a small universe for a man who lacks mobility of his own, and that universe moves for him.<\/p>\n

\"Maison
Maison Bordeaux, 1996-98, Rem Koolhas \u00a9Hans Werlemann, courtesy OMA<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Architect
\nLa Plata. Argentina. April 2019<\/p>\n

Notes:<\/p>\n

1<\/sup>\u00a0Rem Koolhaas\/OMA, Descriptive report of the project.<\/a><\/p>\n

2<\/sup>\u00a0Ibidem.[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] \u00bfC\u00f3mo debe ser una casa en la ladera de la monta\u00f1a para una familia con una persona confinada a una silla de ruedas? El propio cliente ten\u00eda la respuesta: \u201cal contrario de lo que cabr\u00eda esperar, no quiero una casa sencilla. Quiero una casa compleja porque la casa definir\u00e1 mi mundo\u201d.1 El terreno donde […]<\/p>\n","protected":false},"author":4,"featured_media":72870,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[143,2913,7446,147,1765,668,4985,2049,2173,1278,12465,12455],"class_list":["post-72867","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-contemporanea","tag-arquitectura-holandesa","tag-arquitectura-inglesa","tag-arquitectura-moderna","tag-arquitectura-movil","tag-historia","tag-marcelo-gardinetti","tag-oma","tag-rem-koolhaas","tag-teoria","tag-vivienda","tag-vivienda-unifamiliar"],"yoast_head":"\n[:es]Un universo, una casa | Marcelo Gardinetti[:gl]Un universo, unha casa | Marcelo Gardinetti[:en]A universe, a house | Marcelo Gardinetti[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Un universo, una casa | Marcelo Gardinetti[:gl]Un universo, unha casa | Marcelo Gardinetti[:en]A universe, a house | Marcelo Gardinetti[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/universo-una-casa-marcelo-gardinetti\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Un universo, una casa | Marcelo Gardinetti[:gl]Un universo, unha casa | Marcelo Gardinetti[:en]A universe, a house | Marcelo Gardinetti[:] - 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