{"id":72252,"date":"2019-02-18T00:01:25","date_gmt":"2019-02-17T23:01:25","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=72252"},"modified":"2022-09-30T16:35:29","modified_gmt":"2022-09-30T14:35:29","slug":"lluvia-luz-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/lluvia-luz-inigo-garcia-odiaga\/","title":{"rendered":"[:es]Lluvia de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Choiva de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Rain of light | \u00cd\u00f1igo Garc\u00eda Odiaga[:]"},"content":{"rendered":"

[:es]

\"\u00d3culo
\u00d3culo del Pante\u00f3n en Roma.<\/span><\/figcaption><\/figure><\/p>\n

Curiosamente el recuerdo m\u00e1s intenso que deja en nuestra memoria el Pante\u00f3n romano, es el de una ausencia, el de ese punto donde la materia desaparece para aligerar la membrana de hormig\u00f3n de su c\u00fapula, all\u00ed donde \u00e9sta es m\u00e1s esbelta. En ese c\u00e9nit, el \u00f3culo con sus nueve metros de di\u00e1metro, abre el espacio interior al cielo, dejando pasar el aire y tambi\u00e9n la lluvia. Cruzando el remate de bronce, los d\u00edas de precipitaci\u00f3n el agua cae dentro del espacio sagrado de la esfera, donde mediante una imperceptible curvatura del suelo y gracias a una serie de orificios estrat\u00e9gicamente colocados, las gotas de lluvia son llevadas al alcantarillado de Roma.<\/p>\n

Pero si algo atraviesa el \u00f3culo del Pante\u00f3n en abundancia es la luz, estrell\u00e1ndose contra sus paredes, suelo o los casetones de la c\u00fapula dibujando el continuo movimiento del sol. Una lluvia de luz inunda su interior a diario mostrando el momento del a\u00f1o y la hora del d\u00eda para aquellos que lo sepan leer, estableciendo as\u00ed una relaci\u00f3n casi m\u00e1gica entre el cosmos y ese espacio que es la casa de \u201ctodos los dioses\u201d<\/strong>. Cuando la luz y la lluvia coinciden el suelo brilla, haciendo que el solado de m\u00e1rmol reverbere simulando emitir un luz imposible excepto para un lugar convertido en sagrado mediante la luz, la lluvia y la arquitectura.<\/p>\n

Poca gente ha interpretado tan bien esa lluvia de luz como el escultor Harry Bertoia<\/a> en la capilla del MIT construida por Eero Saarinen<\/a> en 1955. La capilla es un cilindro de ladrillo rugoso, en el que la puerta de acceso es la \u00fanica abertura en sus fachadas. Al atravesar ese umbral, el visitante es transportado a un espacio interior en el que los muros de ladrillo se vuelven ondulantes y la luz lo inunda todo fluyendo desde el techo. En cuanto la pupila del ojo se adapta a la luminosidad interior, cobra todo el protagonismo el altar de m\u00e1rmol blanco ba\u00f1ado por el \u00f3culo , que queda rodeado por la escultura de Bertoia.<\/p>\n

\"MIT,
MIT, Eero Saarinen.<\/span><\/figcaption><\/figure>\n

De la claraboya cenital cuelga una cortina de cables que sujetan un sinf\u00edn de peque\u00f1as pletinas metalizadas. La luz del sol refleja y hace vibrar esa cortina inestable, que se ajusta y equilibra constantemente simulando una lluvia incesante que genera un efecto atmosf\u00e9rico silencioso en el interior del edificio, imitando los d\u00edas lluviosos de Roma. La capilla de car\u00e1cter aconfesional est\u00e1 dedicada como el Pante\u00f3n a todos y a ninguno de los dioses. \u00danicamente la luz adquiere por lo tanto un car\u00e1cter divino, aunque s\u00f3lo sea para la arquitectura.<\/p>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. Arquitecto
\nSan Sebasti\u00e1n. Enero 2017[:gl]

\"\u00d3culo
\u00d3culo do Pante\u00f3n en Roma.<\/span><\/figcaption><\/figure><\/p>\n

Curiosamente o recordo m\u00e1is intenso que deixa na nosa memoria o Pante\u00f3n romano, \u00e9 o dunha ausencia, o dese punto onde a materia desaparece para alixeirar a membrana de formig\u00f3n da s\u00faa c\u00fapula, al\u00ed onde esta \u00e9 m\u00e1is esvelta. Nese c\u00e9nit, o \u00f3culo cos seus nove metros de di\u00e1metro, abre o espazo interior ao ceo, deixando pasar o aire e tam\u00e9n a choiva. Cruzando o remate de bronce, os d\u00edas de precipitaci\u00f3n a auga cae dentro do espazo sacro da esfera, onde mediante unha imperceptible curvatura do chan e grazas a unha serie de orificios estratexicamente colocados, as pingas de choiva son levadas \u00e1 rede de sumidoiros de Roma.<\/p>\n

Pero se algo atravesa o \u00f3culo do Pante\u00f3n en abundancia \u00e9 a luz, estrel\u00e1ndose contra as s\u00faas paredes, chan ou os casetones da c\u00fapula debuxando o continuo movemento do sol. Unha choiva de luz asolaga o seu interior a diario mostrando o momento do ano e a hora do d\u00eda para aqueles que o saiban ler, establecendo as\u00ed unha relaci\u00f3n case m\u00e1xica entre o cosmos e ese espazo que \u00e9 a casa de \u201ctodos os deuses\u201d<\/strong>. Cando a luz e a choiva coinciden o chan brilla, facendo que o solado de m\u00e1rmore reverbere simulando emitir un luz imposible excepto para un lugar convertido en sagrado mediante a luz, a choiva e a arquitectura.<\/p>\n

Pouca xente interpretou tan ben esa choiva de luz como o escultor Harry Bertoia<\/a> na capela do MIT constru\u00edda por Eero Saarinen<\/a> en 1955. A capela \u00e9 un cilindro de ladrillo rugoso, no que a porta de acceso \u00e9 a \u00fanica abertura nas s\u00faas fachadas. Ao atravesar ese limiar, o visitante \u00e9 transportado a un espazo interior no que os muros de ladrillo v\u00f3lvense ondulantes e a luz asol\u00e1gao todo flu\u00edndo desde o teito. En canto a pupila do ollo ad\u00e1ptase \u00e1 luminosidade interior, cobra todo o protagonismo o altar de m\u00e1rmore branco ba\u00f1ado polo \u00f3culo , que queda rodeado pola escultura de Bertoia.<\/p>\n

\"MIT,
MIT, Eero Saarinen.<\/span><\/figcaption><\/figure>\n

Da claraboya cenital colga unha cortina de cables que suxeitan unha infinidade de pequenas pletinas metalizadas. A luz do sol reflicte e fai vibrar esa cortina inestable, que se axusta e equilibra constantemente simulando unha choiva incesante que xera un efecto atmosf\u00e9rico silencioso no interior do edificio, imitando os d\u00edas chuviosos de Roma. A capela de car\u00e1cter aconfesional est\u00e1 dedicada como o Pante\u00f3n a todos e a ning\u00fan dos deuses. Unicamente a luz adquire por tanto un car\u00e1cter divino, a\u00ednda que s\u00f3 sexa para a arquitectura.<\/p>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. Arquitecto
\nSan Sebasti\u00e1n. Xaneiro 2017[:en]

\"\u00d3culo
Oculus of the Pantheon in Rome.<\/span><\/figcaption><\/figure><\/p>\n

Curiously, the most intense memory left in our memory by the Roman Pantheon is that of an absence, the point where matter disappears to lighten the concrete membrane of its dome, where it is more slender. In that zenith, the oculus with its nine meters in diameter, opens the interior space to the sky, allowing the air and also the rain to pass through. Crossing the bronze finish, the days of precipitation the water falls into the sacred space of the sphere, where by an imperceptible curvature of the floor and thanks to a series of strategically placed holes, raindrops are taken to the sewer system of Rome.<\/p>\n

But if something crosses the oculus of the Pantheon in abundance, it is light, crashing against its walls, floor or the domes of the dome, drawing the continuous movement of the sun. A rain of light floods its interior daily showing the time of year and the time of day for those who know how to read, establishing an almost magical relationship between the cosmos and that space that is the home of \u201c<\/strong>all the gods\u201d<\/strong>. When light and rain coincide, the floor shines, causing the marble flooring to reverberate, simulating an impossible light except for a place made sacred by light, rain and architecture.<\/p>\n

Few people have interpreted that rain of light as well as the sculptor Harry Bertoia<\/a> in the MIT chapel built by Eero Saarinen<\/a> in 1955. The chapel is a rugged brick cylinder, in which the access door is the only opening in its facades . When crossing that threshold, the visitor is transported to an interior space in which the brick walls become undulating and the light floods everything flowing from the ceiling. As soon as the pupil of the eye adapts to the interior luminosity, the white marble altar bathed by the oculus, which is surrounded by the sculpture of Bertoia, takes center stage.<\/p>\n

\"MIT,
MIT, Eero Saarinen.<\/span><\/figcaption><\/figure>\n

From the overhead skylight hangs a curtain of cables that hold an endless number of small metallic plates. Sunlight reflects and vibrates that unstable curtain, which adjusts and balances constantly simulating an incessant rain that generates a silent atmospheric effect inside the building, imitating the rainy days of Rome. The non-denominational chapel is dedicated as the Pantheon to all and none of the gods. Only light therefore acquires a divine character, if only for architecture.<\/p>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. Architect
\nSan Sebasti\u00e1n.\u00a0January 2017[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Curiosamente el recuerdo m\u00e1s intenso que deja en nuestra memoria el Pante\u00f3n romano, es el de una ausencia, el de ese punto donde la materia desaparece para aligerar la membrana de hormig\u00f3n de su c\u00fapula, all\u00ed donde \u00e9sta es m\u00e1s esbelta. En ese c\u00e9nit, el \u00f3culo con sus nueve metros de di\u00e1metro, abre el […]<\/p>\n","protected":false},"author":31,"featured_media":72254,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[12448,1512,6893,9575,3512,12458,2542,508,510,4580,513,14014,668,4285,810,3255,2628,6033,1671],"class_list":["post-72252","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura","tag-arquitectura-en-la-memoria","tag-arquitectura-finlandesa","tag-arquitectura-romana","tag-eero-saarinen","tag-equipamiento-religioso","tag-escultor","tag-escultura","tag-espacio","tag-espacio-escenico","tag-espacio-interior","tag-harry-bertoia","tag-historia","tag-inigo-garcia-odiaga","tag-luz","tag-memoria","tag-mit","tag-panteon","tag-roma"],"yoast_head":"\n[:es]Lluvia de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Choiva de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Rain of light | \u00cd\u00f1igo Garc\u00eda Odiaga[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Lluvia de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Choiva de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Rain of light | \u00cd\u00f1igo Garc\u00eda Odiaga[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/lluvia-luz-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Lluvia de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Choiva de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Rain of light | \u00cd\u00f1igo Garc\u00eda Odiaga[:] - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: [:es]Lluvia de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Choiva de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Rain of light | \u00cd\u00f1igo Garc\u00eda Odiaga[:]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/lluvia-luz-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/inigo.garciaodiaga\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-17T23:01:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-30T14:35:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/02\/Lluvia-de-luz-\u00cd\u00f1igo-Garc\u00eda-Odiaga-mit-saarinen-eero.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"1492\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"\u00cd\u00f1igo Garc\u00eda Odiaga\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/IOdiaga\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"\u00cd\u00f1igo Garc\u00eda Odiaga\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/lluvia-luz-inigo-garcia-odiaga\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/lluvia-luz-inigo-garcia-odiaga\\\/\"},\"author\":{\"name\":\"\u00cd\u00f1igo Garc\u00eda Odiaga\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/7edb23bf36ddbe2d9c8f4cf5fae64668\"},\"headline\":\"[:es]Lluvia de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Choiva de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Rain of light | \u00cd\u00f1igo Garc\u00eda Odiaga[:]\",\"datePublished\":\"2019-02-17T23:01:25+00:00\",\"dateModified\":\"2022-09-30T14:35:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/lluvia-luz-inigo-garcia-odiaga\\\/\"},\"wordCount\":1402,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/lluvia-luz-inigo-garcia-odiaga\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2019\\\/02\\\/Lluvia-de-luz-\u00cd\u00f1igo-Garc\u00eda-Odiaga-mit-saarinen-eero.jpg\",\"keywords\":[\"arquitectura\",\"arquitectura en la memoria\",\"arquitectura finlandesa\",\"arquitectura romana\",\"Eero Saarinen\",\"equipamiento religioso\",\"escultor\",\"escultura\",\"espacio\",\"espacio esc\u00e9nico\",\"espacio interior\",\"Harry Bertoia\",\"historia\",\"\u00cd\u00f1igo Garc\u00eda Odiaga\",\"luz\",\"memoria\",\"mit\",\"pante\u00f3n\",\"Roma\"],\"articleSection\":[\"art\u00edculos\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/lluvia-luz-inigo-garcia-odiaga\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/lluvia-luz-inigo-garcia-odiaga\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/lluvia-luz-inigo-garcia-odiaga\\\/\",\"name\":\"[:es]Lluvia de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Choiva de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Rain of light | \u00cd\u00f1igo Garc\u00eda Odiaga[:] - 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