{"id":72151,"date":"2019-02-26T00:01:30","date_gmt":"2019-02-25T23:01:30","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=72151"},"modified":"2019-02-20T20:22:40","modified_gmt":"2019-02-20T19:22:40","slug":"atlas-teorias-la-arquitectura","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/atlas-teorias-la-arquitectura\/","title":{"rendered":"Atlas de Teor\u00eda(s) de la Arquitectura"},"content":{"rendered":"

[:es]

\"John
John Hejduk, Lancaster\/Hanover Masque, 1980-1982. L\u00e1piz color y grafito sobre papel traslucido [92.4 x 153.5]. Canadian Centre for Architecture. \u00a9 Estate of John Hejduk<\/span><\/figcaption><\/figure><\/p>\n

Atlas de Teor\u00eda(s) de la Arquitectura<\/span><\/i><\/strong> es una muestra visual sobre diferentes modos de ver el arte de construir. Es una exposici\u00f3n en plural, puesto que no hay un s\u00f3lo modo de concebir qu\u00e9 es la arquitectura, c\u00f3mo se hace y c\u00f3mo debe entenderse.<\/span><\/p>\n

La arquitectura, como cualquier disciplina, desarrolla su teor\u00eda en palabras; pero, conjuntamente, es capaz de pensar en im\u00e1genes. Ya en el Renacimiento, cuando los humanistas se decidieron a ordenar el saber sobre el\u00a0arte de construir<\/em>, optaron mayoritariamente por mezclar palabra e imagen en sus tratados. La imagen ocupaba la fisura existente entre el idealismo de la palabra y el realismo de lo presente, sin confundirse con ninguno. Pero,<\/p>\n

\u00bfqu\u00e9\u00a0hace<\/em>\u00a0la imagen a la teor\u00eda? <\/strong><\/p><\/blockquote>\n

En tanto forma de producci\u00f3n cultural,<\/p>\n

\u00bfpuede proponer a trav\u00e9s de edificios o ciudades la visi\u00f3n significante de un mundo nuevo y mejor?<\/strong><\/p><\/blockquote>\n

Atlas de Teor\u00eda(s) de la Arquitectura<\/em>\u00a0<\/strong>es una muestra visual sobre diferentes modos de ver el\u00a0arte de construir<\/em>: diversos modos de concebir qu\u00e9\u00a0es<\/em>\u00a0la arquitectura, c\u00f3mo se hace y c\u00f3mo debe entenderse. Cada generaci\u00f3n de arquitectos ha necesitado reescribir la historia desde su propio presente y, en consecuencia, tambi\u00e9n desarrollar su propia teor\u00eda \u2014que, como un\u00a0fantasma<\/em>, se le presenta de urgencia una y otra vez\u2014. No hay teor\u00eda sin historia pero, como\u00a0atlas de im\u00e1genes<\/strong>, la exposici\u00f3n prefiere rastrear clasificaciones alternativas a la sucesi\u00f3n temporal. Porque la teor\u00eda de la arquitectura se conforma, en realidad, como una multiplicidad de teor\u00edas de la arquitectura que se conectan, a su vez, por una multiplicidad de relaciones hist\u00f3ricas.<\/p>\n

En una suerte de\u00a0Wunderkammer<\/em>, cuarto de maravillas o gabinete de curiosidades, la exposici\u00f3n re\u00fane m\u00e1s de cincuenta documentos originales cedidos por el Canadian Centre for Architecture y la Biblioteca de la Escuela de Arquitectura de la Universidad Polit\u00e9cnica de Madrid: grabados de\u00a0Piranesi<\/strong>,\u00a0Palladio<\/strong>\u00a0o\u00a0Cesariano<\/strong>; montajes de\u00a0Peter Eisenman<\/a><\/strong>; presentaciones de proyectos de\u00a0Le Corbusier<\/a><\/strong>,\u00a0Gunnar Asplund<\/strong>\u00a0o\u00a0Karl Friedrich Schinkel<\/strong>; dibujos conceptuales de Aldo Rossi<\/strong> o\u00a0John Hejduk<\/strong>; proyecciones singulares de\u00a0James Stirling<\/strong>\u00a0o\u00a0Auguste Choisy<\/strong>; mensajes publicitarios de\u00a0Cedric Price<\/strong>\u00a0o\u00a0Bernard Tschumi<\/strong>; posters de\u00a0Daniel Libeskind<\/strong>; levantamientos arqueol\u00f3gicos de\u00a0Le Roy<\/strong>\u00a0o\u00a0Hittorff<\/strong>; o utop\u00edas urbanas de\u00a0Scamozzi<\/strong>\u00a0o\u00a0Frank Lloyd Wright<\/strong>. El atlas de im\u00e1genes traspasa las p\u00e1ginas de tratados, libros o revistas para adentrarse en proyectos ideales, audiovisuales, comisariados y performances.<\/p>\n

\"Le
Le Corbusier, boceto para la Maison de l’homme, Zurich, Suiza, 1961-1963. Tinta, l\u00e1piz color, grafito y montaje sobre papel traslucido [15.4 \u00d7 40.2] Canadian Centre for Architecture \u00a9 FLC-ADAGP<\/span><\/figcaption><\/figure>\n

En su af\u00e1n de acumulaci\u00f3n,\u00a0Atlas de Teor\u00eda(s) de la Arquitectura<\/em>\u00a0<\/strong>cuestiona algunos aspectos del estado presente de la arquitectura, periodo que algunos consideran ahogado en un torrente de im\u00e1genes. El arquitecto, como cualquier usuario, tiene a su alcance un repositorio aparentemente ilimitado de im\u00e1genes con solo teclear en el navegador. Dispone de redes y plataformas para compartirlas, para crear y administrar colecciones y tableros. Basta un clic para que un algoritmo localice cientos de ejemplos de apariencia similar. Un proceso de acumulaci\u00f3n y fragmentaci\u00f3n de gran complejidad que, parad\u00f3jicamente, no est\u00e1 llevando a un enriquecimiento de nuestra cultura visual. M\u00e1s bien parece que estamos sugestionados, afectados por una suerte de miop\u00eda. Hay quien ha llegado a afirmar con iron\u00eda que en la actualidad<\/p>\n

\n

\u00abla forma sigue a la imagen\u00bb.<\/strong><\/p>\n

\u00abPero ver no es nada: discernir lo es todo; y la ventaja del hombre sublime sobre el mediocre es elegir mejor lo que le conviene\u00bb. <\/strong><\/p>\n<\/blockquote>\n

Ante este horizonte,<\/p>\n

\n

\u00bfno es esta afirmaci\u00f3n de Milizia m\u00e1s contempor\u00e1nea que nunca?<\/strong><\/p>\n<\/blockquote>\n

As\u00ed, esta exposici\u00f3n (que incluye tambi\u00e9n proyectos audiovisuales, comisariados, performances…) plantea la arquitectura no como un arte o una t\u00e9cnica acotada a las construcciones funcionales para la vida humana, sino que incluye tambi\u00e9n el conjunto de edificaciones que se quedaron en fase de proyecto o incluso aquello que se dise\u00f1\u00f3 sin aspiraci\u00f3n a convertirse en realidad. <\/span><\/p>\n

El C\u00edrculo de Bellas Artes<\/a> ha editado un libro a prop\u00f3sito de esta exposici\u00f3n que re\u00fane textos de, entre otros, Philip Ursprung, Hanno Walter Kruft, Juan Miguel Hern\u00e1ndez Le\u00f3n, Davide Tommaso Ferrando, L\u00e9a-Catherine Szacka o Rodrigo de la O (comisario de la exposici\u00f3n y coordinador del volumen). El libro lleva asociada una herramienta inform\u00e1tica de navegaci\u00f3n intertextual. <\/span><\/p>\n

Por otra parte, el ciclo Los lunes, al C\u00edrculo<\/i> ha organizado una serie de conferencias que complementan la muestra y en las que escucharemos a pensadores, artistas, intelectuales y especialistas en arquitectura.<\/span><\/p>\n

Atlas de Teor\u00eda(s) de la Arquitectura<\/strong>
\nFecha: 14.02.2019 > 26.05.2019
\nHorario:
\nMartes a domingos 11:00 > 14:00 – 17:00 > 21:00
\nLunes cerrado
\nSala: Sala Goya
\nComisariado: Rodrigo de la O Cabrera
\nOrganiza: C\u00edrculo de Bellas Artes[:gl]

\"John
John Hejduk, Lancaster\/Hanover Masque, 1980-1982. Lapis cor\u00a0e grafito sobre papel traslucido [92.4 x 153.5]. Canadian Centre for Architecture. \u00a9 Estate of John Hejduk<\/span><\/figcaption><\/figure><\/p>\n

Atlas de Teor\u00eda(s) da Arquitectura <\/span><\/i><\/strong>\u00e9 unha mostra visual sobre diferentes modos de ver a arte de constru\u00edr. \u00c9 unha exposici\u00f3n en plural, debido a que non hai un s\u00f3 modo de concibir que \u00e9 a arquitectura, como se fai e como debe entenderse.<\/span><\/p>\n

A arquitectura, como calquera disciplina, desenvolve a s\u00faa teor\u00eda en palabras; pero, conxuntamente, \u00e9 capaz de pensar en imaxes. Xa no Renacemento, cando os humanistas decid\u00edronse a ordenar o saber sobre a arte de constru\u00edr<\/em>, optaron maioritariamente por mesturar palabra e imaxe nos seus tratados. A imaxe ocupaba a fisura existente entre o idealismo da palabra e o realismo do presente, sen confundirse con ning\u00fan. Pero,<\/p>\n

que fai a imaxe \u00e1 teor\u00eda?<\/strong><\/p><\/blockquote>\n

En tanto forma de produci\u00f3n cultural,<\/p>\n

pode propo\u00f1er a trav\u00e9s de edificios ou cidades a visi\u00f3n significante dun mundo novo e mellor?<\/strong><\/p><\/blockquote>\n

Atlas de Teor\u00eda(s) da Arquitectura<\/em> <\/strong>\u00e9 unha mostra visual sobre diferentes modos de ver a arte de constru\u00edr<\/em>: diversos modos de concibir que \u00e9 a arquitectura, como se fai e como debe entenderse. Cada xeraci\u00f3n de arquitectos necesitou reescribir a historia desde a s\u00faa propio presente e, en consecuencia, tam\u00e9n desenvolver a s\u00faa propia teor\u00eda \u2014que, como unha pantasma<\/em>, pres\u00e9ntaselle de urxencia unha e outra vez\u2014. Non hai teor\u00eda sen historia pero, como atlas de imaxes,<\/strong> a exposici\u00f3n prefire rastrexar clasificaci\u00f3ns alternativas \u00e1 sucesi\u00f3n temporal. Porque a teor\u00eda da arquitectura conf\u00f3rmase, en realidade, como unha multiplicidad de teor\u00edas da arquitectura que se conectan, \u00e1 s\u00faa vez, por unha multiplicidad de relaci\u00f3ns hist\u00f3ricas.<\/p>\n

Nunha sorte de Wunderkammer<\/em>, cuarto de marabillas ou gabinete de curiosidades, a exposici\u00f3n re\u00fane m\u00e1is de cincuenta documentos orixinais cedidos polo Canadian Centre for Architecture e a Biblioteca da Escola de Arquitectura da Universidade Polit\u00e9cnica de Madrid: gravados de Piranesi, Palladio <\/strong>ou Cesariano<\/strong>; montaxes de Peter Eisenman<\/a><\/strong>; presentaci\u00f3ns de proxectos de e Corbusier<\/a><\/strong>, Gunnar Asplund <\/strong>ou Karl Friedrich Schinkel;<\/strong> debuxos conceptuais de Aldo Rossi<\/strong> ou John Hejduk<\/strong>; proxecci\u00f3ns singulares de James Stirling<\/strong> ou Auguste Choisy<\/strong>; mensaxes publicitarias de Cedric Price<\/strong> ou Bernard Tschumi;<\/strong> posters de Daniel Libeskind<\/strong>; levantamentos arqueol\u00f3xicos de Le Roy <\/strong>ou Hittorff<\/strong>; ou utop\u00edas urbanas de Scamozzi<\/strong> ou Frank Lloyd Wright<\/strong>. O atlas de imaxes traspasa as p\u00e1xinas de tratados, libros ou revistas para penetrarse en proxectos ideais, audiovisuais, comisariados e performances.<\/p>\n

\"Le
Le Corbusier, boceto para\u00a0a Maison de l’homme, Zurich, Suiza, 1961-1963. Tinta, lapis, cor, grafito\u00a0e montaxe sobre papel traslucido [15.4 \u00d7 40.2] Canadian Centre for Architecture \u00a9 FLC-ADAGP<\/span><\/figcaption><\/figure>\n

No seu af\u00e1n de acumulaci\u00f3n, Atlas de Teor\u00eda(s) da Arquitectura<\/em><\/strong> cuestiona alg\u00fans aspectos do estado presente da arquitectura, per\u00edodo que alg\u00fans consideran afogado nun torrente de imaxes. O arquitecto, como calquera usuario, ten ao seu alcance un repositorio aparentemente ilimitado de imaxes con s\u00f3 teclear no navegador. Disp\u00f3n de redes e plataformas para compartilas, para crear e administrar colecci\u00f3ns e taboleiros. Basta un clic para que un algoritmo localice centos de exemplos de aparencia similar. Un proceso de acumulaci\u00f3n e fragmentaci\u00f3n de gran complexidade que, paradoxalmente, non est\u00e1 a levar a un enriquecemento da nosa cultura visual. M\u00e1is ben parece que estamos sugestionados, afectados por unha sorte de miop\u00eda. Hai quen chegou a afirmar con iron\u00eda que na actualidade<\/p>\n

\n

\u00aba forma segue \u00e1 imaxe\u00bb.<\/strong><\/p>\n

\u00abPero ver non \u00e9 nada: discernir o \u00e9 todo; e a vantaxe do home sublime sobre o mediocre \u00e9 elixir mellor o que lle conv\u00e9n\u00bb. <\/strong><\/p>\n<\/blockquote>\n

Ante este horizonte,<\/p>\n

\n

non \u00e9 esta afirmaci\u00f3n de Milizia m\u00e1is contempor\u00e1nea que nunca?<\/strong><\/p>\n<\/blockquote>\n

As\u00ed, esta exposici\u00f3n (que incl\u00fae tam\u00e9n proxectos audiovisuais, comisariados, performances…) exp\u00f3n a arquitectura non como unha arte ou unha t\u00e9cnica coutada \u00e1s construci\u00f3ns funcionais para a vida humana, sen\u00f3n que incl\u00fae tam\u00e9n o conxunto de edificaci\u00f3ns que quedaron en fase de proxecto ou incluso aquilo que se dese\u00f1ou sen aspiraci\u00f3n a converterse en realidade.<\/p>\n

O C\u00edrculo de Belas Artes<\/a> Artes editou un libro \u00e1 mantenta desta exposici\u00f3n que re\u00fane textos de, entre outros, Philip Ursprung, Hanno Walter Kruft, Juan Miguel Hern\u00e1ndez Le\u00f3n, Davide Tommaso Ferrando, L\u00e9a- Catherine Szacka ou Rodrigo da Ou (comisario da exposici\u00f3n e coordinador do volume). O libro leva asociada unha ferramenta inform\u00e1tica de navegaci\u00f3n intertextual.<\/span><\/p>\n

Por outra banda, o ciclo Os luns, ao C\u00edrculo<\/em> organizou unha serie de conferencias que complementan a mostra e nas que escoitaremos a pensadores, artistas, intelectuais e especialistas en arquitectura.<\/p>\n

Atlas de Teor\u00eda(s) da Arquitectura<\/strong>
\nData: 14.02.2019 > 26.05.2019
\nHorario:
\nMartes a domingos 11:00 > 14:00 – 17:00 > 21:00
\nLuns cerrado
\nSala: Sala Goya
\nComisariado: Rodrigo de la O Cabrera
\nOrganiza: C\u00edrculo de Belas Artes[:en]

\"John
John Hejduk, Lancaster \/ Hanover Masque, 1980-1982. Colored pencil and graphite on translucent paper [92.4 x 153.5]. Canadian Center for Architecture. \u00a9 Estate of John Hejduk<\/span><\/figcaption><\/figure><\/p>\n

Atlas of Theory(s) of Architecture<\/strong><\/em> is a visual sample of different ways of seeing the art of building. It is an exhibition in the plural, since there is no single way of conceiving what architecture is, how it is done and how it should be understood.<\/p>\n

Architecture, like any discipline, develops its theory in words; but, together, it is capable of thinking about images. Already in the Renaissance, when the humanists decided to order knowledge about the art of building<\/em>, they opted mainly to mix word and image in their treatises. The image occupied the existing rift between the idealism of the word and the realism of the present, without being confused with any. But,<\/p>\n

What does the image do to the theory?<\/strong><\/p><\/blockquote>\n

As a form of cultural production,<\/p>\n

Can you propose through buildings or cities the significant vision of a new and better world?<\/strong><\/p><\/blockquote>\n

Atlas of Theory(s) of Architecture<\/strong> <\/em>is a visual sample of different ways of seeing the art of building: different ways of conceiving what architecture is, how it is done and how it should be understood. Each generation of architects has had to rewrite history from their own present and, consequently, also develop their own theory – which, like a ghost, is urgently presented to them over and over again. There is no theory without history but, as atlases of images, the exhibition prefers to trace alternative classifications to temporal succession. Because the theory of architecture is shaped, in reality, as a multiplicity of theories of architecture that are connected, in turn, by a multiplicity of historical relationships.<\/p>\n

In a kind of Wunderkammer<\/em>, room of wonders or cabinet of curiosities, the exhibition gathers more than fifty original documents yielded by the Canadian Center for Architecture and the Library of the School of Architecture of the Polytechnic University of Madrid: engravings of Piranesi, Palladio<\/strong> or Cesariano<\/strong>; montages by Peter Eisenman<\/a><\/strong>; project presentations by Le Corbusier<\/a><\/strong>, Gunnar Asplund<\/strong> or Karl Friedrich Schinkel<\/strong>; conceptual drawings by Aldo Rossi<\/strong> or John Hejduk<\/strong>; unique projections by James Stirling<\/strong> or Auguste Choisy<\/strong>; advertising messages of Cedric Price <\/strong>or Bernard Tschumi<\/strong>; posters by Daniel Libeskind<\/strong>; archaeological surveys of Le Roy <\/strong>or Hittorff<\/strong>; or urban utopias of Scamozzi <\/strong>or Frank Lloyd Wright<\/strong>. The atlas of images goes beyond the pages of treatises, books or magazines to enter into ideal, audiovisual, curated and performance projects<\/p>\n

\"Le
Le Corbusier, sketch for the Maison de l’Homme, Zurich, Switzerland, 1961-1963. Ink, colored pencil, graphite and mounting on translucent paper [15.4 \u00d7 40.2] Canadian Center for Architecture \u00a9 FLC-ADAGP<\/span><\/figcaption><\/figure>\n

In its desire for accumulation, Atlas of Theory(s) of Architecture<\/em><\/strong> questions some aspects of the present state of architecture, a period that some consider drowned in a torrent of images. The architect, like any user, has at his disposal a seemingly unlimited repository of images with just typing in the browser. It has networks and platforms to share them, to create and manage collections and boards. Just one click for an algorithm to locate hundreds of examples of similar appearance. A process of accumulation and fragmentation of great complexity that, paradoxically, is not leading to an enrichment of our visual culture. Rather it seems that we are sugested, affected by a kind of myopia. Some have come to affirm with irony that nowadays<\/p>\n

\n

\u00abThe form follows the image\u00bb.<\/strong><\/p>\n

\u00abBut seeing is nothing: discerning is everything; and the advantage of the sublime man over the mediocre is to choose better what suits him\u00bb. <\/strong><\/p>\n<\/blockquote>\n

Against this horizon,<\/p>\n

\n

Is not this affirmation of Milizia more contemporary than ever?<\/strong><\/p>\n<\/blockquote>\n

Thus, this exhibition (which also includes audiovisual projects, curated, performances …) raises the architecture not as an art or a technique limited to the functional constructions for human life, but also includes the set of buildings that remained in project phase or even that which was designed without aspiration to become reality.<\/p>\n

The\u00a0C\u00edrculo de Bellas Artes<\/a> has published a book about this exhibition that brings together texts by, among others, Philip Ursprung, Hanno Walter Kruft, Juan Miguel Hernandez Leon, Davide Tommaso Ferrando, L\u00e9a-Catherine Szacka or Rodrigo de la O (curator of the exhibition and volume coordinator). The book is associated with a computer tool for intertextual navigation.<\/span><\/p>\n

On the other hand, the series Mondays, the Circle has organized a series of lectures that complement the exhibition and in which we will listen to thinkers, artists, intellectuals and specialists in architecture.<\/p>\n

Atlas of Theory (s) of Architecture
\n<\/strong>Date: 02\/14\/2019> 05.26.2019
\nSchedule:
\nTuesday to Sunday 11:00> 14:00 – 17:00> 21:00
\nClosed Monday
\nRoom: Goya Room
\nCurated by: Rodrigo de la O Cabrera
\nOrganized by: C\u00edrculo de Bellas Artes[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Atlas de Teor\u00eda(s) de la Arquitectura es una muestra visual sobre diferentes modos de ver el arte de construir. Es una exposici\u00f3n en plural, puesto que no hay un s\u00f3lo modo de concebir qu\u00e9 es la arquitectura, c\u00f3mo se hace y c\u00f3mo debe entenderse. La arquitectura, como cualquier disciplina, desarrolla su teor\u00eda en palabras; […]<\/p>\n","protected":false},"author":2,"featured_media":72152,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1385,16,1382],"tags":[3850,2232,3352,156,3651,1521,13981,13983,348,357,8968,12751,424,6821,542,556,13989,605,4748,13984,668,13988,2325,3491,5759,13987,3620,785,13985,12205,1651,4973,13986,1278,12468,1329,13982],"class_list":["post-72151","post","type-post","status-publish","format-standard","has-post-thumbnail","category-conferencias","category-eventos","category-exposiciones","tag-aldo-rossi","tag-analisis-urbano-y-territorial","tag-andrea-palladio","tag-arte-urbano","tag-bernard-schumi","tag-cedric-price","tag-centre-canadien-darchitecture","tag-cesare-di-lorenzo-cesariano","tag-comisario","tag-conferencia","tag-daniel-libeskind","tag-davide-tommaso-ferrando","tag-dibujo","tag-erik-gunnar-asplund","tag-etsam","tag-exposicion","tag-francois-auguste-choisy","tag-frank-lloyd-wright","tag-giovanni-battista-piranesi","tag-hanno-walter-kruft","tag-historia","tag-jacques-ignace-hittorff","tag-james-stirling","tag-john-hejduk","tag-juan-miguel-hernandez-leon","tag-julien-david-le-roy","tag-karl-friedrich-schinkel","tag-le-corbusier","tag-lea-catherine-szacka","tag-libro","tag-peter-eisenman","tag-philip-ursprung","tag-rodrigo-de-la-o","tag-teoria","tag-urbanismo","tag-utopia","tag-vincenzo-scamozzi"],"yoast_head":"\nAtlas de Teor\u00eda(s) de la Arquitectura - 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