{"id":7212,"date":"2010-11-27T06:30:03","date_gmt":"2010-11-27T06:30:03","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=7212"},"modified":"2024-05-24T13:58:09","modified_gmt":"2024-05-24T11:58:09","slug":"creadores-de-suenos-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/creadores-de-suenos-jorge-gorostiza\/","title":{"rendered":"[:es]Creadores de sue\u00f1os | Jorge Gorostiza[:gl]Creadores de so\u00f1os | Jorge Gorostiza[:en]Creators of dreams | Jorge Gorostiza[:]"},"content":{"rendered":"<p>[:es]<figure id=\"attachment_45374\" aria-describedby=\"caption-attachment-45374\" style=\"width: 750px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-45374\" title=\"Creadores de sue\u00f1os | Jorge Gorostiza\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1.jpg\" alt=\"Creadores de sue\u00f1os | Jorge Gorostiza\" width=\"750\" height=\"779\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1.jpg 336w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1-288x300.jpg 288w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><figcaption id=\"caption-attachment-45374\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Creadores de sue\u00f1os | Jorge Gorostiza<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">El \u00faltimo n\u00famero <em>hna<\/em>,\u00a0la revista de la <a href=\"https:\/\/www.hna.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Hermandad Nacional de Arquitectos<\/a>, ha aparecido por primera vez s\u00f3lo en formato digital, ahorr\u00e1ndose el papel. En este <a href=\"https:\/\/www.hna.es\/\">n\u00famero<\/a>, Claudio M. N\u00f3voa escribe un art\u00edculo titulado \u00abCreadores de sue\u00f1os\u00bb (cuya primera p\u00e1gina reproduzco aqu\u00ed al lado) sobre las relaciones entre Arquitectura y Cine, antes de hacerlo me mand\u00f3 un cuestionario interesante y complejo que yo respond\u00ed como pude y \u00e9l ha tenido la amabilidad de citarme e incluso enlazar este blog, luego, como siempre, se ha publicado s\u00f3lo una peque\u00f1\u00edsima parte, pero creo que tiene inter\u00e9s y por eso lo reproduzco a continuaci\u00f3n, incluso con sus enlaces:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00abEl cl\u00edmax de <a href=\"http:\/\/www.filmaffinity.com\/es\/evideos.php?movie_id=926890\">El d\u00eda de la bestia<\/a> tiene lugar en las madrile\u00f1as <a href=\"http:\/\/es.wikipedia.org\/wiki\/Puerta_de_Europa_de_Madrid\">Torres Kio<\/a>. dos edificios, inversamente sim\u00e9tricos, inclinados en sus estructuras. en este original escenario es donde un sacerdote, interpretado por \u00c1lex Angulo, y un heavy, al que da vida Santiago Segura, se enfrentan al Anticristo. En juego, el futuro de la Humanidad. Ah\u00ed es nada. el director \u00c1lex de la Iglesia emple\u00f3 a estos dos gigantes de cemento para crear un entorno apocal\u00edptico. Y lo logr\u00f3. tras su estreno, las dos torres se convirtieron en todo un icono, tanto en el s\u00e9ptimo arte como en Madrid.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Desde siempre, las grandes construcciones han hechizado a los cineastas, hasta el punto de convertirlas en parte sustancial de las tramas. Ah\u00ed est\u00e1 el gigant\u00f3n <a href=\"http:\/\/www.filmaffinity.com\/es\/evideos.php?movie_id=802202\">King Kong<\/a>, asediado \u2013en una imagen ya m\u00edtica\u2013 en la c\u00faspide del Empire State Building. En un <a href=\"http:\/\/www.imdb.com\/title\/tt0074751\/\">remake<\/a> posterior, de 1976, el gorila repite, pero en las tristemente c\u00e9lebres Torres Gemelas.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Estos episodios ilustran c\u00f3mo los directores de cine emplean elementos arquitect\u00f3nicos en sus filmes con un objetivo claro: que sean parte importante de la historia. A su vez, constituyen una peque\u00f1a muestra de los v\u00ednculos que comparten arquitectura y cine. A partir de aqu\u00ed, preparaos para un excitante viaje por las relaciones entre ambos mundos, donde ficci\u00f3n y realidad a veces se confunden. nos guiar\u00e1 el arquitecto e investigador cinematogr\u00e1fico Jorge Gorostiza, uno de los grandes expertos en la materia.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Es l\u00f3gico que la intensa amistad arquitectura-s\u00e9ptimo arte venga de lejos. el cine naci\u00f3 mudo. De ah\u00ed que los creadores tuviesen que echar mano de numerosos recursos para introducir matices que permitiesen, al espectador, entender el verdadero sentido de lo que quer\u00edan contar. Fritz Lang, con su m\u00edtica <a href=\"https:\/\/veredes.es\/blog\/metropolis\/\" target=\"_blank\" rel=\"noopener noreferrer\">Metr\u00f3polis<\/a>, se sirve de unas espectaculares edificaciones para acentuar su visi\u00f3n apocal\u00edptica del futuro. Los decorados en <a href=\"http:\/\/www.filmaffinity.com\/es\/film446167.html\">El gabinete del doctor Caligari<\/a>, de Robert Weine, intensifican el desequilibrio emocional del protagonista.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Jorge Gorostiza indica que otro interesante v\u00ednculo tiene que ver con la forma en la que se preservan, como patrimonio, \u201cedificios y lugares, por el hecho de haber sido el escenario de una pel\u00edcula\u201d. Y pone el ejemplo de la l\u00fagubre casona donde transcurre <a href=\"http:\/\/www.filmaffinity.com\/es\/film245378.html\">El orfanato<\/a>, ubicada en la localidad asturiana de Llanes y con su propia historia detr\u00e1s. de aqu\u00ed saltamos a T\u00fanez, pa\u00eds que ha sacado partido al esp\u00edritu cinematogr\u00e1fico de sus paisajes. Todo fan\u00e1tico de <a href=\"http:\/\/www.starwars.com\/\">La guerra de las galaxias<\/a> visitar\u00e1 la ciudad de Ajim, donde se localiza la cantina en la que Luke Skywalker conoci\u00f3 a Han Solo. Y al norte de esta poblaci\u00f3n, muy cerquita, est\u00e1 la casa de Obi Wan Kenobi\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Y hasta aqu\u00ed el art\u00edculo de Claudio. Aprovecho para darle las gracias.<\/p>\n<p>Jorge Gorostiza, arquitecto. Autor del blog <em>Arquitectura+Cine+Ciudad<\/em><br \/>\nSanta Cruz de Tenerife, noviembre 2010[:en]<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-45374\" title=\"hna1\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1.jpg\" alt=\"\" width=\"620\" height=\"643\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1.jpg 336w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1-288x300.jpg 288w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">The last number hna, the magazine of the <a href=\"https:\/\/www.hna.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Hermandad Nacional de Arquitectos<\/a>, has appeared for the first time only in digital format, saving itself the paper. In this <a href=\"https:\/\/www.hna.es\/\">number<\/a>,\u00a0Claudio M. N\u00f3voa writes a qualified article \u00abCreators of dreams\u00bb (which first page I reproduce here to the side) on the relations between Architecture and Cinema, before making it it ordered me an interesting and complex questionnaire that I answered since could and he has had the amiability to arrange an appointment and even to connect this blog, then, since always, the smallest part has been published only, but I believe that it has interest and because of it I reproduce it later, even with his links:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00abThe climax of\u00a0<em><a href=\"http:\/\/www.filmaffinity.com\/es\/evideos.php?movie_id=926890\">El d\u00eda de la bestia<\/a><\/em> takes place in the\u00a0<em><a href=\"http:\/\/es.wikipedia.org\/wiki\/Puerta_de_Europa_de_Madrid\">Torres Kio<\/a><\/em> in Madrid. two buildings, inversely symmetrical, inclined in his structures. In this original scene it is where a priest interpreted by \u00c1lex Angulo, and a heavy metal, to which life gives Santiago Sure, they face the Antichrist. In game, the future of the Humanity. There it is at all. The director \u00c1lex de la Iglesia used these two giants of cement to create an apocalyptic environment. And it achieved it. After his premiere, both towers turned into the whole icon, both into the seventh art and into Madrid.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>From always, the big constructions have bewitched the filmmakers, up to the point of turning them partly substantially of the plots. There there is the carnival giant <em><a href=\"http:\/\/www.filmaffinity.com\/es\/evideos.php?movie_id=802202\">King Kong<\/a><\/em>, besieged &#8211; in an already mythical image &#8211; in the apex of the Empire State Building. In a later\u00a0<em><a href=\"http:\/\/www.imdb.com\/title\/tt0074751\/\">remake<\/a><\/em> of 1976, the gorilla repeats, but in the sadly famous Twin Towers.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>These episodes illustrate how the directors of cinema use architectural elements in his movies with a clear aim: that are an important part of the history. In turn, they constitute a small sample of the links that share architecture and cinema. From here, prepare you for an exciting trip for the relations between both worlds, where fiction and reality sometimes get confused. We will be guided by the architect and investigator cinematographic Jorge Gorostiza, one of the big experts in the matter.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>It is logical that intense make friends of architecture the seventh art comes from distant view. The cinema was born mute. Of there that the creators had to throw hand of numerous resources to introduce shades that were allowing, to the spectator, to understand the real sense of what they wanted to count. Fritz Lang, with his mythical <em><a href=\"https:\/\/veredes.es\/blog\/metropolis\/\" target=\"_blank\" rel=\"noopener noreferrer\">Metr\u00f3polis<\/a><\/em>, is served a few spectacular buildings to accentuate his apocalyptic vision of the future. The sets in <a href=\"http:\/\/www.filmaffinity.com\/es\/film446167.html\" target=\"_blank\" rel=\"noopener noreferrer\">The office of the doctor Caligari<\/a>, of Robert Weine, intensify the emotional imbalance of the protagonist.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Jorge Gorostiza indicates that another interesting link has to see with the form in the one that is preserved, as heritage, \u00bb buildings and places, for the fact of having been the scene of a movie \u00ab. And it puts the example of the lugubrious casona where <a href=\"http:\/\/www.filmaffinity.com\/es\/film245378.html\" target=\"_blank\" rel=\"noopener noreferrer\">The orphanage<\/a> passes, located in Llanes&#8217;s Asturian locality and with his own one it tells the history behind. Of here we jump to Tunis, country that it has cashed in to the cinematographic spirit of his landscapes. Every fanatic of <a href=\"http:\/\/www.starwars.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">The star wars<\/a> will visit Ajim&#8217;s city, where there is located the canteen in which Luke Skywalker knew to They Have Only. And to the north of this population, very quite close, the\u00a0 Obi Wan Kenobi\u00b4s house\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">And hitherto Claudio&#8217;s article. I am useful to thank him.<\/p>\n<p>Jorge Gorostiza, architect. Author of the blog <em>Arquitectura+Cine+Ciudad<\/em><\/p>\n<p>Santa Cruz de Tenerife, november 2010<\/p>\n<p>[:gl]<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-45374\" title=\"hna1\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1.jpg\" alt=\"\" width=\"620\" height=\"643\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1.jpg 336w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2010\/12\/hna1-288x300.jpg 288w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">O \u00faltimo n\u00famero <em>hna<\/em>, a revista da <a href=\"https:\/\/www.hna.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Hermandad Nacional de Arquitectos<\/a>, apareceu por primeira vez s\u00f3 en formato dixital, aforrando o papel. Neste\u00a0<a href=\"https:\/\/www.hna.es\/\">n\u00famero<\/a>, Claudio M. N\u00f3voa escribe un artigo titulado \u00abCreadores de sonos\u00bb (cuxa primeira p\u00e1xina reproduzo aqu\u00ed ao lado) sobre as relaci\u00f3ns entre Arquitectura e Cine, antes de facelo mandoume un cuestionario interesante e complexo que eu respond\u00edn como puiden e el tivo a amabilidade de citarme e mesmo enlazar este blog, logo, como sempre, publicouse s\u00f3 unha pequena parte, pero creo que ten interese e por iso reprod\u00fazoo a continuaci\u00f3n, mesmo cos seus enlaces:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00abO cl\u00edmax do <em><a href=\"http:\/\/www.filmaffinity.com\/es\/evideos.php?movie_id=926890\">El d\u00eda de la bestia<\/a><\/em> ten lugar nas madrile\u00f1as <em><a href=\"http:\/\/es.wikipedia.org\/wiki\/Puerta_de_Europa_de_Madrid\">Torres Kio<\/a><\/em>. dous edificios, inversamente sim\u00e9tricos, inclinados nas s\u00faas estruturas. neste orixinal escenario \u00e9 onde un sacerdote, interpretado por \u00c1lex Angulo, e un heavy, ao que d\u00e1 vida Santiago Segura, se enfrontan o Anticristo. En xogo, o futuro da Humanidade. A\u00ed \u00e9 nada. o director \u00c1lex de la Iglesia empregou estes dous xigantes de cemento para crear un \u00e1mbito apocal\u00edptico. E logrouno. tras a s\u00faa estrea, as d\u00faas torres convert\u00e9ronse en toda unha icona, tanto na s\u00e9tima arte coma en Madrid.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Dende sempre, as grandes construci\u00f3ns engaiolaron os cineastas, ata o punto de convertelas en parte substancial das tramas. A\u00ed est\u00e1 o gigant\u00f3n <em><a href=\"http:\/\/www.filmaffinity.com\/es\/evideos.php?movie_id=802202\">King Kong<\/a>,<\/em> asediado -nunha imaxe xa m\u00edtica- na c\u00faspide do Empire State Building. Nun\u00a0<em><a href=\"http:\/\/www.imdb.com\/title\/tt0074751\/\">remake<\/a><\/em> posterior, de 1976, o gorila repite, pero nas tristemente c\u00e9lebres Torres Xemelgas.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Estes episodios ilustran como os directores de cine empregan elementos arquitect\u00f3nicos nos seus filmes cun obxectivo claro: que sexan parte importante da historia. \u00c1 s\u00faa vez, constit\u00faen unha pequena mostra dos v\u00ednculos que comparten arquitectura e cine. A partir de aqu\u00ed, prepar\u00e1devos para un excitante viaxe polas relaci\u00f3ns entre ambos os dous mundos, onde ficci\u00f3n e realidade \u00e1s veces se confunden. guiaranos o arquitecto e investigador cinematogr\u00e1fico Jorge Gorostiza, un dos grandes expertos na materia.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00c9 l\u00f3xico que a intensa amizade arquitectura-s\u00e9timo arte ve\u00f1a de lonxe. o cine naceu mudo. De a\u00ed que os creadores tivesen que botar man de numerosos recursos para introducir matices que permitisen, ao espectador, entender o verdadeiro sentido do que quer\u00edan contar. Fritz Lang, coa s\u00faa m\u00edtica <em><a href=\"https:\/\/veredes.es\/blog\/metropolis\/\" target=\"_blank\" rel=\"noopener noreferrer\">Metr\u00f3polis<\/a><\/em>, s\u00e9rvese dunhas espectaculares edificaci\u00f3ns para acentuar a s\u00faa visi\u00f3n apocal\u00edptica do futuro. Os decorados <em>en <a href=\"http:\/\/www.filmaffinity.com\/es\/film446167.html\">El gabinete del doctor Caligari<\/a><\/em>, de Robert Weine, intensifican o desequilibrio emocional do protagonista.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Es l\u00f3gico que la intensa amistad arquitectura-s\u00e9ptimo arte venga de lejos. el cine naci\u00f3 mudo. De ah\u00ed que los creadores tuviesen que echar mano de numerosos recursos para introducir matices que permitiesen, al espectador, entender el verdadero sentido de lo que quer\u00edan contar. Fritz Lang, con su m\u00edtica <a href=\"https:\/\/veredes.es\/blog\/metropolis\/\" target=\"_blank\" rel=\"noopener noreferrer\">Metr\u00f3polis<\/a>, se sirve de unas espectaculares edificaciones para acentuar su visi\u00f3n apocal\u00edptica del futuro. Los decorados en <a href=\"http:\/\/www.filmaffinity.com\/es\/film446167.html\">El gabinete do doutor Caligari<\/a>, de Robert Weine, intensifican el desequilibrio emocional del protagonista.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Jorge Gorostiza indica que outro interesante v\u00ednculo ten que ver coa forma na que se preservan, como patrimonio, \u00abedificios e lugares, polo feito de ser o escenario dunha pel\u00edcula\u00bb. E pon o exemplo da l\u00fagubre casa grande onde transcorre <em><a href=\"http:\/\/www.filmaffinity.com\/es\/film245378.html\">El orfanato<\/a>,<\/em>, situada na localidade asturiana de Llanes e coa s\u00faa propia historia detr\u00e1s. de aqu\u00ed saltamos a T\u00fanez, pa\u00eds que sacou partido ao esp\u00edrito cinematogr\u00e1fico das s\u00faas paisaxes. todo fan\u00e1tico de <em><a href=\"http:\/\/www.starwars.com\/\">A guerra das galaxias<\/a><\/em> visitar\u00e1 a cidade de Ajim, onde se localiza a\u00a0<em>cantina<\/em> na que Luke Skywalker co\u00f1eceu a Han Solo. E ao norte desta poboaci\u00f3n, moi cerquita, est\u00e1 a casa de <em>Obi Wan Kenobi<\/em>\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">E ata aqu\u00ed o artigo de Claudio. Aproveito para darlle as grazas.<\/p>\n<p>Jorge Gorostiza, arquitecto. Autor do blogue <em>Arquitectura+Cine+Ciudad<\/em><\/p>\n<p>Santa Cruz de Tenerife, novembro 2010<\/p>\n<p>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] El \u00faltimo n\u00famero hna,\u00a0la revista de la Hermandad Nacional de Arquitectos, ha aparecido por primera vez s\u00f3lo en formato digital, ahorr\u00e1ndose el papel. En este n\u00famero, Claudio M. N\u00f3voa escribe un art\u00edculo titulado \u00abCreadores de sue\u00f1os\u00bb (cuya primera p\u00e1gina reproduzco aqu\u00ed al lado) sobre las relaciones entre Arquitectura y Cine, antes de hacerlo me [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":45374,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1460,5951],"tags":[12471,318,1623,6674,1565,2819,2154,4580,10259,10486,1593,814,857,10487],"class_list":["post-7212","post","type-post","status-publish","format-standard","has-post-thumbnail","category-capturas","category-cine","category-slider-principal","tag-cine","tag-ciudad","tag-claudio-m-novoa","tag-decorado","tag-escenario","tag-escenario-urbano","tag-escenografia","tag-espacio-escenico","tag-fritz-lang","tag-huindad","tag-jorge-gorostiza","tag-madrid","tag-metropolis","tag-robert-weine"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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