{"id":71326,"date":"2019-09-23T00:01:03","date_gmt":"2019-09-22T22:01:03","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=71326"},"modified":"2019-09-03T10:38:33","modified_gmt":"2019-09-03T08:38:33","slug":"busqueda-la-coherencia-oscar-tenreiro-degwitz","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/busqueda-la-coherencia-oscar-tenreiro-degwitz\/","title":{"rendered":"[:es]En b\u00fasqueda de la coherencia | \u00d3scar Tenreiro Degwitz[:gl]En procura da coherencia | \u00d3scar Tenreiro Degwitz[:en]In search of coherence | \u00d3scar Tenreiro Degwitz[:]"},"content":{"rendered":"

[:es]

\"La
La piel exterior es de secciones de tronco sin aserrar | Fotograf\u00eda: \u00d3scar Tenreiro Degwitz<\/span><\/figcaption><\/figure><\/p>\n

No es porque el Royal Institute of British Architects en 2009 le hubiese dedicado conferencias y estudios anal\u00edticos, la raz\u00f3n por la que nos interesa el refugio de vacaciones de Le Corbusier construido en Roquebrune-Cap Martin a orillas del mediterr\u00e1neo franc\u00e9s. Siempre ha capturado nuestra atenci\u00f3n porque representa lo que parece escasear m\u00e1s en el momento actual en el mundo de la arquitectura: la coherencia entre discurso y vida. Coherencia que adem\u00e1s, en el caso de Le Corbusier, ata\u00f1e a un estilo de vida austero destinado en forma muy importante a comprobar en s\u00ed mismo, en sus h\u00e1bitos, lo que propon\u00eda como arquitecto. Cuya idea central era mejorar las condiciones de vida del hombre mediante la edificaci\u00f3n de una arquitectura que respondiera a nuevos modos de hacer ciudad, de organizar el espacio cotidiano, nuevos criterios sobre los patrones de la vida en familia y en sociedad.<\/p>\n

Esa coherencia es lo que llev\u00f3 a Le Corbusier a construir este Cabanon de dimensiones m\u00ednimas (3.66 x 3.66 m.) en el patio lateral del restorancito (\u201cL\u2019\u00c9toile de Mer\u201d) de su viejo amigo Thomas Rebutato, en la ladera que desciende desde la l\u00ednea f\u00e9rrea que sirve a Roquebrune-CapMartin, hacia el mediterr\u00e1neo. Le Corbusier hab\u00eda hecho amistad con \u00e9l gracias a sus asiduas visitas a la cercana casa de la arquitecta y dise\u00f1adora irlandesa Eileen Gray y Jean Badovici, \u00e9ste \u00faltimo editor de los primeros escritos de Le Corbusier, construida en 1927 seg\u00fan los criterios racionalistas del temprano \u201cMovimiento Moderno\u201d. Le Corbusier solicit\u00f3 autorizaci\u00f3n para construir la caba\u00f1a a su amigo Rebutato y, seg\u00fan su testimonio, el 30 de Diciembre de i951, sobre una de las mesas del restor\u00e1n, la dise\u00f1\u00f3:<\/p>\n

\n

\u201c\u2026dibuj\u00e9, para regal\u00e1rselos a mi mujer con motivo de su cumplea\u00f1os, los planos de una caba\u00f1ita \u2026hechos en \u00be de hora\u2026\u201d<\/p>\n<\/blockquote>\n

Pero la realizaci\u00f3n detallada, la \u201cpuesta en limpio\u201d habr\u00eda de tardar mucho m\u00e1s tiempo, tan estudiado fue el equipamiento interno, cuyo dise\u00f1o segu\u00eda las normas del sistema dimensional desarrollado por Le Corbusier, el Modulor, Durante ese per\u00edodo el gran ingeniero franc\u00e9s Jean Prouv\u00e9 (1901-1984) fue llamado como colaborador con la aparente intenci\u00f3n de construirla en acero. Sin embargo, esa colaboraci\u00f3n no continu\u00f3 y tanto el mobiliario interno como el envoltorio exterior se realiz\u00f3 en madera. El techo es de fibrocemento ondulado con aleros y bajo \u00e9l hay un plaf\u00f3n de aglomerado de madera.<\/p>\n

\"La
La esquina frente al pasadizo de acceso | Fotograf\u00eda: \u00d3scar Tenreiro Degwitz<\/span><\/figcaption><\/figure>\n

El equipamiento interno consiste en una mesa de trabajo junto a cuyos lados se abren sendas ventanas, una cuadrada y otra rectangular, que permiten ver al exterior y recibir luz natural; del lado contrario una cama con gavetas debajo destinada a su esposa junto a una tercera ventana, mientras \u00e9l dorm\u00eda en el suelo en saco de dormir. Un peque\u00f1o lavamanos met\u00e1lico separa la mesa de la cama y junto a la cabecera de esta \u00faltima est\u00e1 el cub\u00edculo del WC, separado del ambiente por una cortina de lona, enfrentado al pasadizo de entrada decorado por un hermoso mural pintado por el arquitecto.<\/p>\n

Se trata de un min\u00fasculo container concebido como el interior de un camarote destinado a dormir y asearse justo al lado del lugar donde podr\u00eda comer como un parroquiano m\u00e1s. M\u00e1s all\u00e1, hacia la izquierda de la vista al mar, a unos pasos de distancia, hay otra caba\u00f1ita, m\u00e1s provisional, m\u00e1s desprovista y no accesible al visitante tur\u00edstico, que es el sitio de trabajo donde dibujaba sus planos o pintaba, en esos treinta d\u00edas al a\u00f1o de verano caliente y descanso, t\u00edpicamente europeos.<\/p>\n

Ya en el a\u00f1o en el que Le Corbusier construye el Cabanon era un hombre de fama universal. Mientras lo hac\u00eda estaba terminando la Unidad de Marsella y comenzaba los estudios de la nueva ciudad de Chandigarh en La India. Pero en lugar de ver su residencia veraniega como una \u201cvilla\u201d m\u00e1s a la orilla del mar, decide establecer un \u201cpunto de mira\u201d un espacio m\u00ednimo vital que no desea irrumpir en su entorno, para convivir con el d\u00eda a d\u00eda de ese lugar recluido que hab\u00eda aprendido a amar. Toma entonces el arquitecto el deseo de estar all\u00ed en sitio privado como una oportunidad de experimentaci\u00f3n en s\u00ed mismo en t\u00e9rminos de contenci\u00f3n, de disfrute con la naturaleza, de convivencia quieta con un ambiente humano y natural.<\/p>\n

Por eso hablo de coherencia, de testimonio, de modo de vivir que quiere ser frugal. Una actitud radicalmente diferente a la que hoy prevalece.<\/p>\n

Al visitar esta especie de celda de monje secular que es un testimonio vivo de una filosof\u00eda de vida estamos a mucha distancia de la fiesta de amaneramientos costosos que es la arquitectura de estos d\u00edas. Ha sido declarada monumento patrimonial, el m\u00e1s peque\u00f1o de Francia, un pa\u00eds colmado de castillos fabulosos. Esa decisi\u00f3n nos habla de lo que constituye una cultura. Entre tantas cosas, la huella de los hombres claves en el transcurrir humano. Una huella que nos llama a retornar a lo esencial.<\/p>\n

\u00d3scar Tenreiro Degwitz, Arquitecto.
\nVenezuela,\u00a0enero 2009
\nEntre lo Cierto y lo Verdadero<\/em><\/span><\/p>\n

[:gl]

\"La
A pel exterior \u00e9 de secci\u00f3ns de tronco sen aserrar | Fotograf\u00eda: \u00d3scar Tenreiro Degwitz<\/span><\/figcaption><\/figure><\/p>\n

Non \u00e9 porque o Royal Institute of British Architects en 2009 dedicoulle conferencias e estudos anal\u00edticos, a raz\u00f3n pola que nos interesa o refuxio de vacaci\u00f3ns de Le Corbusier constru\u00eddo en Roquebrune- Cap Martin a beiras do mediterr\u00e1neo franc\u00e9s. Sempre capturou a nosa atenci\u00f3n porque representa o que parece escasear m\u00e1is no momento actual no mundo da arquitectura: a coherencia entre discurso e vida. Coherencia que ademais, no caso de Le Corbusier, incumbe a un estilo de vida austero destinado en forma moi importante a comprobar en si mesmo, nos seus h\u00e1bitos, o que propo\u00f1\u00eda como arquitecto. Cuxa idea central era mellorar as condici\u00f3ns de vida do home mediante a edificaci\u00f3n dunha arquitectura que respondese a novos modos de facer cidade, de organizar o espazo coti\u00e1n, novos criterios sobre os patr\u00f3ns da vida en familia e en sociedade.<\/p>\n

Esa coherencia \u00e9 o que levou a Le Corbusier a constru\u00edr este Cabanon de dimensi\u00f3ns m\u00ednimas (3.66 x 3.66 m.) no patio lateral do restorancito (\u201cL\u2019\u00c9toile de Mer\u201d) do seu vello amigo Thomas Rebutato, na ladeira que descende desde a li\u00f1a f\u00e9rrea que serve a Roquebrune- CapMartin, cara ao mediterr\u00e1neo. Le Corbusier fixera amizade con el grazas \u00e1s s\u00faas asiduas visitas \u00e1 pr\u00f3xima casa da arquitecta e dese\u00f1adora irlandesa Eileen Gray e Jean Badovici, este \u00faltimo editor dos primeiros escritos de Le Corbusier, constru\u00edda en 1927 segundo os criterios racionalistas do temper\u00e1n \u201cMovemento Moderno\u201d. Le Corbusier solicitou autorizaci\u00f3n para constru\u00edr a cabana ao seu amigo Rebutato e, segundo o seu testemu\u00f1o, o 30 de Decembro de i951, sobre unha das mesas do restor\u00e1n, dese\u00f1ouna:<\/p>\n

\n

\u201c\u2026debuxei, para regalarllos \u00e1 mi\u00f1a muller con motivo dos seus aniversarios, os planos dunha caba\u00f1ita \u2026feitos en \u00be de hora\u2026\u201d<\/p>\n<\/blockquote>\n

Pero a realizaci\u00f3n detallada, a \u201cposta en limpo\u201d haber\u00eda de tardar moito m\u00e1is tempo, tan estudado foi o equipamento interno, cuxo dese\u00f1o segu\u00eda as normas do sistema dimensional desenvolto por Le Corbusier, o Modulor, Durante ese per\u00edodo o gran enxe\u00f1eiro franc\u00e9s Jean Prouv\u00e9 (1901-1984) foi chamado como colaborador coa aparente intenci\u00f3n de constru\u00edla en aceiro. Con todo, esa colaboraci\u00f3n non continuou e tanto o mobiliario interno como o envoltorio exterior realizouse en madeira. O teito \u00e9 de fibrocemento ondulado con beirados e baixo el hai un plaf\u00f3n de aglomerado de madeira.<\/p>\n

\"La
O recuncho\u00a0frente ao pasadizo de aceso | Fotograf\u00eda: \u00d3scar Tenreiro Degwitz<\/span><\/figcaption><\/figure>\n

O equipamento interno consiste nunha mesa de traballo xunto a cuxos lados se abren senllas xanelas, unha cadrada e outra rectangular, que permiten ver ao exterior e recibir luz natural; ao lado contrario unha cama con gavetas debaixo destinada \u00e1 s\u00faa esposa xunto a unha terceira xanela, mentres el durm\u00eda no chan en saco de durmir. Un pequeno lavamanos met\u00e1lico separa a mesa da cama e xunto \u00e1 cabeceira desta \u00faltima est\u00e1 o cub\u00edculo do WC, separado do ambiente por unha cortina de lona, enfrontado ao pasadizo de entrada decorado por un fermoso mural pintado polo arquitecto.<\/p>\n

Tr\u00e1tase dunha min\u00fasculo contedora concibido como o interior dun camarote destinado a durmir e asearse xusto \u00e1 beira do lugar onde poder\u00eda comer como un fregu\u00e9s m\u00e1is. M\u00e1is al\u00f3, cara \u00e1 esquerda da vista ao mar, a uns pasos de distancia, hai outra caba\u00f1ita, m\u00e1is provisional, m\u00e1is desprovista e non accesible ao visitante tur\u00edstico, que \u00e9 o sitio de traballo onde debuxaba os seus planos ou pintaba, neses trinta d\u00edas ao ano de ver\u00e1n quente e descanso, tipicamente europeos.<\/p>\n

Xa no ano no que Le Corbusier constr\u00fae o Cabanon era un home de fama universal. Mentres o fac\u00eda estaba a terminar a Unidade de Marsella e comezaba os estudos da nova cidade de Chandigarh na India. Pero en lugar de ver a s\u00faa residencia estival como unha \u201cvila\u201d m\u00e1is \u00e1 beira do mar, decide establecer un \u201cpunto de mira\u201d un espazo m\u00ednimo vital que non desexa irromper na s\u00faa contorna, para convivir co d\u00eda a d\u00eda dese lugar reclu\u00eddo que aprendera a amar. Toma ent\u00f3n o arquitecto o desexo de estar al\u00ed en sitio privado como unha oportunidade de experimentaci\u00f3n en si mesmo en termos de contenci\u00f3n, de goce coa natureza, de convivencia quieta cun ambiente humano e natural.<\/p>\n

Por iso falo de coherencia, de testemu\u00f1o, de modo de vivir que quere ser frugal. Unha actitude radicalmente diferente \u00e1 que hoxe prevalece.<\/p>\n

Ao visitar esta especie de cela de monxe secular que \u00e9 un testemu\u00f1o vivo dunha filosof\u00eda de vida estamos a moita distancia da festa de amaneramientos custosos que \u00e9 a arquitectura destes d\u00edas. Foi declarada monumento patrimonial, o m\u00e1is pequeno de Francia, un pa\u00eds colmado de castelos fabulosos. Esa decisi\u00f3n f\u00e1lanos do que constit\u00fae unha cultura. Entre tantas cousas, a pegada dos homes craves no transcorrer humano. Unha pegada que nos chama a retornar ao esencial.<\/p>\n

\u00d3scar Tenreiro Degwitz, Arquitecto.
\nVenezuela, xaneiro 2009
\nEntre o Certo\u00a0e\u00a0o Verdadeiro<\/em><\/span><\/p>\n

[:en]

\"La
The outer skin is of unsawn trunk sections | Photography: \u00d3scar Tenreiro Degwitz<\/span><\/figcaption><\/figure><\/p>\n

It is not because the Royal Institute of British Architects in 2009 had dedicated lectures and analytical studies, the reason we are interested in the Le Corbusier holiday shelter built in Roquebrune-Cap Martin on the shores of the French Mediterranean. It has always captured our attention because it represents what seems to be scarce at the present time in the world of architecture: coherence between discourse and life. Consistency that also, in the case of Le Corbusier, concerns an austere lifestyle destined in a very important way to verify in himself, in his habits, what he proposed as an architect. Whose central idea was to improve the living conditions of man by building an architecture that responded to new ways of making a city, of organizing daily space, new criteria on the patterns of life in family and society.<\/p>\n

That coherence is what led Le Corbusier to build this Cabanon of minimum dimensions (3.66 x 3.66 m.) In the side patio of the restorancito (\u201cL’\u00c9toile de Mer\u201d) of his old friend Thomas Rebutato, on the slope that descends from the railway line that serves Roquebrune-CapMartin, towards the Mediterranean. Le Corbusier had made friends with him thanks to his frequent visits to the nearby house of the Irish architect and designer Eileen Gray and Jean Badovici, the latter editor of the first writings of Le Corbusier, built in 1927 according to the rationalist criteria of the early \u201cMovement Modern\u201d. Le Corbusier requested authorization to build the cabin to his friend Rebutato and, according to his testimony, on December 30, i951, on one of the restaurant tables, he designed it:<\/p>\n

\n

\u201c… I drew, to give them to my wife on the occasion of her birthday, the plans of a little cabin … made in \u00be hour …\u201d<\/p>\n<\/blockquote>\n

But the detailed realization, the \u00abcleanup\u00bb would take much longer, so studied was the internal equipment, whose design followed the norms of the dimensional system developed by Le Corbusier, the Modulor, During that period the great French engineer Jean Prouv\u00e9 (1901-1984) was called as a collaborator with the apparent intention of building it in steel. However, this collaboration did not continue and both the internal furniture and the outer wrapping were made of wood. The roof is made of corrugated fiber cement with eaves and under it there is a wood chipboard ceiling.<\/p>\n

\"La
The corner in front of the access passageway | Photography: \u00d3scar Tenreiro Degwitz<\/span><\/figcaption><\/figure>\n

The internal equipment consists of a work table next to whose sides open two windows, one square and one rectangular, which allow to see outside and receive natural light; on the opposite side a bed with drawers underneath for his wife by a third window, while he slept on the floor in a sleeping bag. A small metal sink separates the table from the bed and next to the headboard of the latter is the toilet cubicle, separated from the environment by a canvas curtain, facing the entrance passageway decorated by a beautiful mural painted by the architect.<\/p>\n

It is a tiny container conceived as the interior of a cabin destined to sleep and clean right next to the place where you could eat like a parishioner. Beyond, to the left of the ocean view, a few steps away, there is another cabin, more provisional, more devoid and not accessible to the tourist visitor, which is the workplace where he drew his plans or painted, in those thirty Hot summer days and rest, typically European.<\/p>\n

Already in the year in which Le Corbusier built the Cabanon was a man of universal fame. While doing so he was finishing the Marseille Unit and began studying the new city of Chandigarh in India. But instead of seeing his summer residence as a \u201cvilla\u201d more on the seashore, he decides to establish a \u201cpoint of view\u201d a minimum vital space that he does not want to break into his surroundings, to live with the day to day of that place secluded who had learned to love. The architect then takes the desire to be there in a private place as an opportunity for experimentation in itself in terms of containment, enjoyment with nature, quiet coexistence with a natural and human environment.<\/p>\n

That is why I speak of coherence, of testimony, of a way of life that wants to be frugal. A radically different attitude to what prevails today.<\/p>\n

By visiting this kind of cell of a secular monk that is a living testimony of a philosophy of life, we are a long way from the costly daybreak party that is the architecture of these days. It has been declared a heritage monument, the smallest in France, a country full of fabulous castles. That decision tells us what constitutes a culture. Among so many things, the imprint of the key men in human life. A footprint that calls us to return to the essential.<\/p>\n

\u00d3scar Tenreiro Degwitz, Architect.
\nVenezuela,\u00a0january 2009
\nEntre lo Cierto y lo Verdadero<\/em><\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] No es porque el Royal Institute of British Architects en 2009 le hubiese dedicado conferencias y estudios anal\u00edticos, la raz\u00f3n por la que nos interesa el refugio de vacaciones de Le Corbusier construido en Roquebrune-Cap Martin a orillas del mediterr\u00e1neo franc\u00e9s. Siempre ha capturado nuestra atenci\u00f3n porque representa lo que parece escasear m\u00e1s en […]<\/p>\n","protected":false},"author":35,"featured_media":71334,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[7089,147,3733,5989,3165,8746,13353,605,668,2380,13572,785,13571,898,4414,11762,977,1820,1933,4982,10880,1286,12468],"class_list":["post-71326","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-francesa","tag-arquitectura-moderna","tag-charlotte-perriand","tag-ecole-de-beaux-arts","tag-eileen-gray","tag-estilo-internacional","tag-eugene-claudius-petit","tag-frank-lloyd-wright","tag-historia","tag-jean-prouve","tag-jose-r-oubrerie","tag-le-corbusier","tag-michel-w-kagan","tag-movimiento-moderno","tag-oriol-bohigas","tag-oscar-tenreiro-degwitz","tag-paisaje","tag-politica","tag-politica-social","tag-politicas-urbanas","tag-revista-arts-architecture","tag-territorio","tag-urbanismo"],"yoast_head":"\n[:es]En b\u00fasqueda de la coherencia | \u00d3scar Tenreiro Degwitz[:gl]En procura da coherencia | \u00d3scar Tenreiro Degwitz[:en]In search of coherence | \u00d3scar Tenreiro Degwitz[:] - 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venezolana. 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Respecto a la cual no oculta su desconfianza, que explica recurriendo al aforismo de Nietzsche sobre el cr\u00edtico de arte \u201cque ve el arte desde cerca sin llegar a tocarlo nunca\u201d.","sameAs":["https:\/\/oscartenreiro.com\/"],"url":"https:\/\/veredes.es\/blog\/author\/oscar-tenreiro-degwitz\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/71326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=71326"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/71326\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/71334"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=71326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=71326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=71326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}