{"id":71084,"date":"2018-11-23T00:01:45","date_gmt":"2018-11-22T23:01:45","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=71084"},"modified":"2022-04-22T18:39:58","modified_gmt":"2022-04-22T16:39:58","slug":"los-caminos-del-agua-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/los-caminos-del-agua-inigo-garcia-odiaga\/","title":{"rendered":"Los caminos del agua | \u00cd\u00f1igo Garc\u00eda Odiaga"},"content":{"rendered":"

\"Boceto
Boceto Casa de la lluvia en Lierganes, 1979, Juan Navarro Baldeweg.<\/span><\/figcaption><\/figure><\/p>\n

Los territorios est\u00e1n en general esculpidos por el agua. Su ausencia o abundancia determina la apariencia del paisaje en el que se insertan las arquitecturas, que no son otra cosa que un peque\u00f1o obst\u00e1culo en el lento fluir del agua por la superficie de la tierra.<\/p>\n

Juan Navarro Baldeweg<\/strong><\/a> lo sabe bien, y resumi\u00f3 esta idea en la instalaci\u00f3n y en la vivienda proyectadas en 1979, que fueron denominadas como \u201cla casa de la lluvia\u201d. La instalaci\u00f3n no es otra cosa que un modelo te\u00f3rico que resume el ciclo del agua y que explica c\u00f3mo la arquitectura se integra en ese devenir. La lluvia alimentada por una peque\u00f1a bomba el\u00e9ctrica escondida en el subsuelo de la maqueta, cae sobre las cubiertas y la arquitectura se desprende de ella ofreci\u00e9ndole caminos, que alejan lo antes posible, ese fluido ca\u00eddo del cielo del edificio para devolverla a la tierra, los arroyos, los r\u00edos y el mar, y que as\u00ed pueda reiniciarse el ciclo que lo transformar\u00e1 de nuevo en lluvia.<\/p>\n

\"Cubierta
Cubierta de la escalera del claustro en el convento de La Tourette, Le Corbusier<\/span><\/figcaption><\/figure>\n

En los climas m\u00e1s lluviosos, esas sendas adoptan la forma de g\u00e1rgolas y canalones, que forman una red por la que la lluvia es expulsada de la arquitectura. Las cubiertas se convierten as\u00ed en monta\u00f1as y valles, por los que discurre el agua.<\/p>\n

En el caso de Le Corbusier<\/strong><\/a>, la cubierta de la escalera exenta en el claustro del Convento de La Tourette, se convierte en un arroyo sinuoso, mientras que la cubierta de la Capilla de Ronchamp<\/a> se transforma en un gran valle que recoge las aguas pluviales para devolverlas a la tierra a trav\u00e9s de una gran g\u00e1rgola que desagua sobre una cuenca de pir\u00e1mides y cilindros de hormig\u00f3n que evitan la erosi\u00f3n del terreno.<\/p>\n

\"Estadio
Estadio de Braga, Eduardo Souto de Moura<\/span><\/figcaption><\/figure>\n

Eduardo Souto de Moura<\/strong><\/a> en cambio, se ve obligado a alargar la monta\u00f1a para acercar la pared de la cantera a las cubiertas del estadio que \u00e9sta alberga. Dos grandes brazos en forma de cuencos met\u00e1licos alargados, vuelan desde la roca para canalizar las aguas que recogen los palios que cubren a los espectadores los d\u00edas de f\u00fatbol en Braga.<\/p>\n

\"Casa
Casa de Ch\u00e1 Boa Nova, \u00c1lvaro Siza<\/span><\/figcaption><\/figure>\n

Mientras, \u00c1lvaro Siza<\/strong><\/a> propone la misma soluci\u00f3n pero en sentido inverso. La cubierta de la Casa de Ch\u00e1 da Boa Nova, convertida en una monta\u00f1a rocosa de planos de teja, deja caer la lluvia hacia sus abundantes aleros. Es all\u00ed, donde canalones de cobre esperan pacientes para recoger cada gota de agua y llevarlas directamente al mar mediante las g\u00e1rgolas que prolongan los canalones fuera del edificio.<\/p>\n

Un peque\u00f1o remate rigidiza la chapa y act\u00faa como goter\u00f3n, dejando claro que todos los r\u00edos van hacia el mar y que ese es el camino del agua y no el contrario.<\/p>\n

\"Casa
Casa de Ch\u00e1 Boa Nova, \u00c1lvaro Siza<\/span><\/figcaption><\/figure>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. Arquitecto
\nSan Sebasti\u00e1n. Febrero 2017<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Los territorios est\u00e1n en general esculpidos por el agua. Su ausencia o abundancia determina la apariencia del paisaje en el que se insertan las arquitecturas, que no son otra cosa que un peque\u00f1o obst\u00e1culo en el lento fluir del agua por la superficie de la tierra. Juan Navarro Baldeweg lo sabe bien, y resumi\u00f3 esta […]<\/p>\n","protected":false},"author":31,"featured_media":71088,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[103,143,2539,150,2907,4285,2358,785,846,847,3255,1286],"class_list":{"0":"post-71084","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-faro","8":"category-slider-principal","9":"tag-alvaro-siza-vieira","10":"tag-arquitectura-contemporanea","11":"tag-arquitectura-del-paisaje","12":"tag-arquitectura-tradicional","13":"tag-conservacion","14":"tag-inigo-garcia-odiaga","15":"tag-juan-navarro-baldeweg","16":"tag-le-corbusier","17":"tag-medio","18":"tag-medio-rural","19":"tag-memoria","20":"tag-territorio"},"yoast_head":"\nLos caminos del agua | \u00cd\u00f1igo Garc\u00eda Odiaga - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Los caminos del agua | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Os cami\u00f1os da auga | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]The roads of water | \u00cd\u00f1igo Garc\u00eda Odiaga[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/los-caminos-del-agua-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Los caminos del agua | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Os cami\u00f1os da auga | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]The roads of water | \u00cd\u00f1igo Garc\u00eda Odiaga[:] - 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