{"id":70944,"date":"2018-11-12T00:01:46","date_gmt":"2018-11-11T23:01:46","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=70944"},"modified":"2022-05-16T09:07:58","modified_gmt":"2022-05-16T07:07:58","slug":"guantes-manoplas-jose-antonio-sumay-rey","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/guantes-manoplas-jose-antonio-sumay-rey\/","title":{"rendered":"Guantes y Manoplas | Jos\u00e9 Antonio Sumay Rey"},"content":{"rendered":"

\"Denise
Denise Scott Brown & Robert Venturi in the Las Vegas desert, 1966<\/span><\/figcaption><\/figure><\/p>\n
\n

\u00a0\u201cObservamos que los edificios pueden dise\u00f1arse como guantes que rodean c\u00f3modamente cada dedo de la mano o como manoplas que permitan que las manos y los dedos de diferentes tama\u00f1os se ajusten y se muevan. Algunos de los edificios m\u00e1s l\u00edricos del primer Movimiento Moderno son guantes, dise\u00f1ados tan espec\u00edficamente que apenas pueden acomodar peque\u00f1os cambios.\u201d\u00a01 <\/sup><\/em><\/p>\n<\/blockquote>\n

Guantes o manoplas, en la cita de Denise Scott Brown<\/strong><\/a>, aluden a dos divergentes estrategias proyectuales en la arquitectura. Por un lado, el Movimiento Moderno europeo en los a\u00f1os 20 se adapt\u00f3 a la estrategia del guante con la vivienda como tema central transitando entre la determinaci\u00f3n del Existenzminimum<\/em> y la especializaci\u00f3n funcional de los espacios. Por otro lado, la estrategia de la manopla que es la defendida por Denise Scott Brown y por su marido y socio Robert Venturi<\/strong><\/a>, nace de la falta de especificidad de los espacios en la arquitectura industrial americana o la arquitectura del Cinquecento<\/em>.<\/p>\n

La estrategia del guante ha definido la forma de la vivienda moderna al intensificar la codificaci\u00f3n de sus estancias: las habitaciones ajustan sus dimensiones a los m\u00ednimos requeridos a la vez que se especializan por medio del mobiliario o del control de la iluminaci\u00f3n y las instalaciones. El resultado de las investigaciones del primer Movimiento Moderno trajo como consecuencia la determinaci\u00f3n de la forma de habitar los espacios, en la que la organizaci\u00f3n de la cocina y los ba\u00f1os, la identificaci\u00f3n de las estancias con un uso principal (p.e. estar, comer, dormir o cocinar) o la forma de disponer los muebles viene ya definida en proyecto, y en las que el habitante se convierte en un usuario que s\u00f3lo puede escoger sus efectos personales y el estilo, que no las dimensiones, del mobiliario.<\/p>\n

En 1947 Colin Rowe<\/a><\/strong> elabor\u00f3, para un art\u00edculo en Architectural Review titulado The mathematics of the ideal villa<\/a>, <\/em>unos diagramas anal\u00edticos de la Villa Malcontenta (c. 1550) de Andrea Palladio y la Villa Stein (1927) de Le Corbusier <\/a><\/strong>que representan gr\u00e1ficamente la estrategia de los guantes y manoplas.2<\/sup> Aunque ambas casas parten de un trazado y unas proporciones an\u00e1logas, la Malcontenta, la vivienda como agrupaci\u00f3n de estancias, se reconoce en la met\u00e1fora de Scott Brown de la manopla, mientras la Stein ser\u00eda el guante que con sus tabiques curvos se adapta a la funci\u00f3n predominante del espacio: cocinar, estar, leer, comer o dormir. Por encima de las importantes diferencias sociales, culturales y tecnol\u00f3gicas ambas obras representan a la perfecci\u00f3n los dos arquetipos situados en los extremos de la met\u00e1fora de Scott Brown.<\/p>\n

\"Colin
Colin Rowe (da \u00abThe Mathematics of the Ideal Villa\u00bb) La Malcontenta di Palladio, 1560 (in alto) e la Villa Stein di Le Corbusier, Garches 1927<\/span><\/figcaption><\/figure>\n

Si logramos, por un momento, liberarnos de la mala imagen del postmodernismo como mero pastiche de estilos hist\u00f3ricos podremos observar que las ideas de Scott Brown y Venturi buscaron recuperar la importancia simb\u00f3lica de la arquitectura y acercarla, con iron\u00eda, a la vida en su complejidad y diversidad. En ese sentido, la met\u00e1fora de los guantes y las manoplas es muy elocuente sobre su forma de entender la arquitectura ya que en una \u00e9poca en la que s\u00f3lo se hac\u00edan guantes ellos se atrevieron a proponer manoplas.<\/p>\n

Denise Scott Brown y Robert Venturi renunciaron siempre a la etiqueta del postmodernismo con elegancia e iron\u00eda, pero la parad\u00f3jica sentencia de Denise:<\/p>\n

\n

\u201cFreud no era freudiano, Marx no era marxista y Bob no es postmoderno<\/em>\u201d3\u00a0<\/sup><\/p>\n<\/blockquote>\n

confirma tanto su distanciamiento del postmodernismo como su paternidad a trav\u00e9s de textos centrales en la teor\u00eda de la arquitectura del siglo XX como Complexity and Contradiction in Architecture<\/em><\/a> (1966) o Learning from Las Vegas <\/em><\/a>(1972).<\/p>\n

En definitiva, y visto desde una perspectiva actual, el legado de Venturi y Scott Brown es una mirada perspicaz al pasado que nos aleja de los debates un\u00edvocos de la modernidad, frente al rigor moral del \u201cesto o lo otro\u201d nos sit\u00faa en el placer del \u201cesto y lo otro\u201d,4 <\/sup>en el valor aditivo y equ\u00edvoco de la arquitectura que se entiende no como una forma de cristalina pureza sino como una expresi\u00f3n, a veces m\u00e1s sencilla y otras m\u00e1s abigarrada, de los valores comunes y de la diversidad de la sociedad y sus individuos.<\/p>\n

\"
Robert Venturi & Denise Scott Brown, by Andrea Tamas. Leib House \u00a9 Stephen Hil<\/span><\/figcaption><\/figure>\n

Al fin y al cabo \u00bfqu\u00e9 es mejor, guantes o manoplas? Y sobre todo, despu\u00e9s de pasearnos por la historia y por Las Vegas con Denise Scott Brown y Robert Venturi, \u00bfpor qu\u00e9 habr\u00eda que elegir?<\/p>\n

Jos\u00e9 Antonio Sumay Rey. Doctor Arquitecto
\nNoviembre\u00a02018, A Coru\u00f1a<\/p>\n

1 <\/sup>Archdaily. \u201cInterview: Robert Venturi & Denise Scott Brown, by Andrea Tamas\u201d.<\/a><\/p>\n

2\u00a0<\/sup>Colin Rowe. \u201cThe mathematics of the ideal villa\u201d en The mathematics of the ideal villa and other essays<\/em><\/a> (Cambridge: MIT press, 1987), 1-27<\/p>\n

3\u00a0<\/sup>Archdaily. \u201cInterview<\/a>\u201d. Op. Cit.<\/p>\n

4\u00a0<\/sup>Venturi, Robert. Complejidad y contradicci\u00f3n en la arquitectura<\/a> (1966). Barcelona: Editorial Gustavo Gili, 1986.<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

\u00a0\u201cObservamos que los edificios pueden dise\u00f1arse como guantes que rodean c\u00f3modamente cada dedo de la mano o como manoplas que permitan que las manos y los dedos de diferentes tama\u00f1os se ajusten y se muevan. Algunos de los edificios m\u00e1s l\u00edricos del primer Movimiento Moderno son guantes, dise\u00f1ados tan espec\u00edficamente que apenas pueden acomodar peque\u00f1os […]<\/p>\n","protected":false},"author":51,"featured_media":70968,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[3352,9522,147,6863,7891,5751,668,12586,785,898,4888,2675,4346,1278,2048,7601],"class_list":{"0":"post-70944","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-articulos","8":"category-slider-principal","9":"tag-andrea-palladio","10":"tag-arquitecta-pionera","11":"tag-arquitectura-moderna","14":"tag-denise-scott-brown","15":"tag-historia","16":"tag-jose-antonio-sumay-rey","17":"tag-le-corbusier","18":"tag-movimiento-moderno","19":"tag-mujeres-arquitectas","20":"tag-postmodernidad","21":"tag-robert-venturi","22":"tag-teoria","24":"tag-venturi-scott-brown-and-associates"},"yoast_head":"\nGuantes y Manoplas | Jos\u00e9 Antonio Sumay Rey - 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