{"id":70365,"date":"2018-10-29T00:01:45","date_gmt":"2018-10-28T23:01:45","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=70365"},"modified":"2024-08-01T09:31:34","modified_gmt":"2024-08-01T07:31:34","slug":"bauhaus-acuerdo-minimalista-marcelo-gardinetti","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/bauhaus-acuerdo-minimalista-marcelo-gardinetti\/","title":{"rendered":"Bauhaus, acuerdo minimalista | Marcelo Gardinetti"},"content":{"rendered":"

\"Lucia
Lucia Moholy 1926. Bauhaus Archivo. Berlin \u00a9 VG Bild Kunst Bonn<\/span><\/figcaption><\/figure><\/p>\n

La reconstrucci\u00f3n del patrimonio arquitect\u00f3nico demolido induce, afortunadamente, a interpretaciones que exceden la representaci\u00f3n de la propia obra. Estas definiciones erigen posiciones paralelas o antag\u00f3nicas causantes de distintas controversias, que generalmente acrecientan la idea de valor patrimonial.<\/p>\n

La reconstrucci\u00f3n de las casas dise\u00f1adas por Walter Gropius<\/strong><\/a> para los maestros de la Bauhaus<\/strong><\/a> afectadas por acciones b\u00e9licas durante la segunda guerra ofreci\u00f3 una oportunidad para revalorar el patrimonio del Movimiento Moderno. Ante ella, Bruno Fioretti M\u00e1rquez<\/strong><\/a> adopto criterios diferentes de acuerdo a las caracter\u00edsticas encontradas en cada obra.<\/p>\n

El proyecto de restauraci\u00f3n comenz\u00f3 en 1992 con la renovaci\u00f3n de las casas que manten\u00edan su estructura original. La puesta en valor de estas viviendas se ejecut\u00f3 en acuerdo al dise\u00f1o original, utilizando los mismos materiales, colores y texturas.<\/p>\n

\"\u00a9Christoph
\u00a9 Christoph Rokitta<\/a><\/span><\/figcaption><\/figure>\n

El car\u00e1cter singular fue aplicado a la reconstrucci\u00f3n de las dos viviendas destruidas por completo, la casa del director y la vivienda de Moholy-Nagy<\/strong><\/a>. En estos casos se adopt\u00f3 un criterio escultural que recompone las formas geom\u00e9tricas originales bajo par\u00e1metros de car\u00e1cter neutro.<\/p>\n

Este acuerdo minimalista mantiene las proporciones de las viviendas originales, pero reduce el dise\u00f1o a una m\u00ednima expresi\u00f3n, empleando m\u00e9todos constructivos contempor\u00e1neos. El trabajo fue realizado a partir de dibujos, maquetas y fotograf\u00edas de las dos casas. Para su construcci\u00f3n se emple\u00f3 hormig\u00f3n vertido. Las ventanas est\u00e1n montadas a ras de las fachadas y fueron tratadas con un lavado opaco que acent\u00faa la naturaleza plana de las formas.<\/p>\n

Los espacios interiores fueron entregados al artista alem\u00e1n Olaf Nicolai <\/a><\/strong>que realiz\u00f3 una instalaci\u00f3n llamada El Color de la Luz<\/em>, influenciada por las experimentaciones de color realizadas por Moholy-Nagy durante su estancia en la Bauhaus. La obra divide el interior en una serie de rect\u00e1ngulos y cuadrados que se asemejan a las pinturas geom\u00e9tricas del artista, pero evita el suo del color. Las paredes, los pisos y los techos tienen un acabado monocrom\u00e1tico con texturas que responden de manera diferente al efecto de la luz del d\u00eda seg\u00fan la forma de las habitaciones.<\/p>\n

\"Trinkhalle
Trinkhalle \u00a9 Fritz Schreiber, 1932 \u00a9 Bauhaus Dessau Foundation<\/span><\/figcaption><\/figure>\n

La intervenci\u00f3n incluy\u00f3 la reconstrucci\u00f3n de un quiosco de refrescos en una esquina del sitio, La Trinkhalle<\/em><\/strong>, dise\u00f1ado por Mies van der Rohe<\/strong><\/a> en 1932 y demolido en 1970 para ampliar la traza de la autopista que bordea la Bauhaus.<\/p>\n

La Trinkhalle<\/em> fue construida en el punto m\u00e1s oriental de la escuela. Se trata de un peque\u00f1o cuarto adosado al muro exterior del predio con una cubierta plana que sobresale por encima del vano exterior. Este peque\u00f1o edificio era el \u00fanico dise\u00f1o de Mies van der Rohe realizado en Dessau.<\/p>\n

\"Trinkhalle
Trinkhalle \u00a9 Lena B\u00f6hnlein<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti . arquitecto
\nLa Plata.\u00a0Octubre 2018<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

La reconstrucci\u00f3n del patrimonio arquitect\u00f3nico demolido induce, afortunadamente, a interpretaciones que exceden la representaci\u00f3n de la propia obra. Estas definiciones erigen posiciones paralelas o antag\u00f3nicas causantes de distintas controversias, que generalmente acrecientan la idea de valor patrimonial. La reconstrucci\u00f3n de las casas dise\u00f1adas por Walter Gropius para los maestros de la Bauhaus afectadas por acciones […]<\/p>\n","protected":false},"author":4,"featured_media":70370,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[147,12449,199,13804,7337,9235,668,885,13806,4985,865,898,920,3033,13805,12463,2787,4551,1004,1021,1278,2048,3615],"class_list":{"0":"post-70365","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-articulos","8":"category-slider-principal","9":"tag-arquitectura-moderna","10":"tag-arte","11":"tag-bauhaus","12":"tag-bruno-fioretti-marquez","13":"tag-dessau","14":"tag-fundacion-bauhaus-dessau","15":"tag-historia","16":"tag-laszlo-moholy-nagy","17":"tag-lucia-moholy","18":"tag-marcelo-gardinetti","19":"tag-mies-van-der-rohe","20":"tag-movimiento-moderno","21":"tag-naturaleza","22":"tag-new-bauhaus","23":"tag-olaf-nicolai","24":"tag-patrimonio","25":"tag-patrimonio-cultural","26":"tag-patrimonio-de-la-humanidad","27":"tag-patrimonio-historico","28":"tag-pensamiento","29":"tag-teoria","30":"tag-teoria-e-historia","31":"tag-walter-gropius"},"yoast_head":"\nBauhaus, 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