{"id":70181,"date":"2019-01-24T00:01:51","date_gmt":"2019-01-23T23:01:51","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=70181"},"modified":"2023-05-02T09:22:06","modified_gmt":"2023-05-02T07:22:06","slug":"maestros-modernos-julio-cano-lasso","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/maestros-modernos-julio-cano-lasso\/","title":{"rendered":"[:es]Maestros Modernos. Julio Cano Lasso[:gl]Mestres Modernos. Julio Cano Lasso[:en]Modern Masters. Julio Cano Lasso[:]"},"content":{"rendered":"

[:es]https:\/\/vimeo.com\/260131479<\/p>\n

Conferencia dedicada al arquitecto madrile\u00f1o Julio Cano Lasso<\/strong><\/a> (1920-1996), Medalla de Oro de arquitectura 1991, como parte del ciclo Maestros Modernos<\/strong> de la Fundaci\u00f3n Arquitectura COAM<\/strong>.<\/p>\n

Con este ciclo se quiere poner de manifiesto la importancia que el patrimonio arquitect\u00f3nico contempor\u00e1neo tiene para la sociedad del siglo XXI, la necesidad de su reconocimiento social y de su mantenimiento y conservaci\u00f3n.<\/p>\n

\n

Arquitecto espa\u00f1ol cuya obra se caracteriza por el rigor constructivo, su profundo entendimiento de la naturaleza y su sensibilidad por la tradici\u00f3n. Pertenece a la generaci\u00f3n de maestros de la arquitectura espa\u00f1ola contempor\u00e1nea. Cano Lasso<\/a> es autor de una obra de impronta realista y funcional, basada en el profundo respeto por los materiales aut\u00f3ctonos, como el ladrillo y la piedra.<\/p>\n

De su primera etapa merecen citarse las viviendas sociales de Badajoz (1965) o las de Santiago de Compostela (1960-1968), en las que destaca el planteamiento paisajista y el empleo de la galer\u00eda tradicional gallega como elemento compositivo. Entre sus viviendas unifamiliares destacan la casa del doctor Castro Fari\u00f1as (Madrid, 1958-1959), la casa Albert (Madrid, 1977-1978) o la Ortiz-Echag\u00fce (Madrid, 1966-1967), todas ellas basadas en el empleo de vol\u00famenes de ladrillo.<\/p>\n

Ejemplos de viviendas colectivas son el edificio de la calle Espalter (Madrid, 1956-1959) y las viviendas de la calle Bas\u00edlica (Madrid, 1966-1974), obra capital de la arquitectura espa\u00f1ola contempor\u00e1nea en ladrillo, que retoma la tradici\u00f3n de Zuazo<\/a> y Guti\u00e9rrez Soto<\/a>. Otro ejemplo de arquitectura en ladrillo es el Centro de Formaci\u00f3n Profesional de Vitoria, construido en colaboraci\u00f3n con Alberto Campo Baeza<\/a>.<\/p>\n

Entre sus \u00faltimas obras destacan el auditorio de Galicia en Santiago de Compostela (1986), el pabell\u00f3n de Espa\u00f1a en la Exposici\u00f3n Universal de Sevilla (1992) y el edificio de Nationale-Nederlanden en Madrid (1991).<\/p>\n

\u00abPara quienes damos preeminencia al esp\u00edritu humano y a su presencia a lo largo de la historia, la ciudad tiene un valor permanente. La ciudad, suma de arquitecturas, es la huella de los hombres en la historia, y ser\u00eda triste que en lugar de nuestras viejas y queridas ciudades, los grandes monumentos y las bellas ruinas del pasado, en el futuro s\u00f3lo se legara a la posteridad inmensos cementerios de chatarra y arquitectura reciclada, aunque \u00e9sta fuera de la m\u00e1s alta tecnolog\u00eda.\u00bb<\/a><\/p>\n<\/blockquote>\n

Mesa redonda con la intervenci\u00f3n de Alberto Campo Baeza<\/strong><\/a> e Ignacio Mendaro<\/strong>.<\/p>\n

[:gl]https:\/\/vimeo.com\/260131479<\/p>\n

Conferencia dedicada ao arquitecto madrile\u00f1o Xulio Cano Lasso<\/strong><\/a> (1920-1996), Medalla de Ouro de arquitectura 1991, como parte do ciclo Mestres Modernos<\/strong> da Fundaci\u00f3n Arquitectura COAM.<\/strong><\/p>\n

Con este ciclo qu\u00e9rese po\u00f1er de manifesto a importancia que o patrimonio arquitect\u00f3nico contempor\u00e1neo ten para a sociedade do s\u00e9culo XXI, a necesidade do seu reco\u00f1ecemento social e do seu mantemento e conservaci\u00f3n.<\/p>\n

\n

Arquitecto espa\u00f1ol cuxa obra se caracteriza polo rigor construtivo, o seu profundo entendemento da natureza e a s\u00faa sensibilidade pola tradici\u00f3n. Pertence \u00e1 xeraci\u00f3n de mestres da arquitectura espa\u00f1ola contempor\u00e1nea. Cano Lasso<\/a> \u00e9 autor dunha obra de sinal realista e funcional, baseada no profundo respecto polos materiais aut\u00f3ctonos, como o ladrillo e a pedra.<\/p>\n

Da s\u00faa primeira etapa merecen citarse as vivendas sociais de Badaxoz (1965) ou as de Santiago de Compostela (1960-1968), nas que destaca a formulaci\u00f3n paisajista e o emprego da galer\u00eda tradicional galega como elemento compositivo. Entre as s\u00faas vivendas unifamiliares destacan a casa do doutor Castro Fari\u00f1as (Madrid, 1958-1959), a casa Albert (Madrid, 1977-1978) ou a Ortiz- Echag\u00fce (Madrid, 1966-1967), todas elas baseadas no emprego de volumes de ladrillo.<\/p>\n

Exemplos de vivendas colectivas son o edificio da r\u00faa Espalter (Madrid, 1956-1959) e as vivendas de c\u00e1lea Bas\u00edlica (Madrid, 1966-1974), obra capital da arquitectura espa\u00f1ola contempor\u00e1nea en ladrillo, que retoma a tradici\u00f3n de Zuazo<\/a>\u00a0e\u00a0Guti\u00e9rrez Soto<\/a>. Outro exemplo de arquitectura en ladrillo \u00e9 o Centro de Formaci\u00f3n Profesional de Vitoria, constru\u00eddo en colaboraci\u00f3n con Alberto Campo Baeza<\/a>.<\/p>\n

Entre as s\u00faas \u00faltimas obras destacan o auditorio de Galicia en Santiago de Compostela (1986), o pavill\u00f3n de Espa\u00f1a na Exposici\u00f3n Universal de Sevilla (1992) e o edificio de Nationale- Nederlanden en Madrid (1991).<\/p>\n

\u00abPara quen dou preeminencia ao esp\u00edrito humano e \u00e1 s\u00faa presenza ao longo da historia, a cidade ten un valor permanente. A cidade, suma de arquitecturas, \u00e9 a pegada dos homes na historia, e ser\u00eda triste que en lugar das nosas vellas e queridas cidades, os grandes monumentos e as belas ru\u00ednas do pasado, no futuro s\u00f3 se legase \u00e1 posteridade inmensos cemiterios de chatarra e arquitectura reciclada, a\u00ednda que esta f\u00f3ra da m\u00e1is alta tecnolox\u00eda.\u00bb<\/a><\/p>\n<\/blockquote>\n

Mesa redonda coa intervenci\u00f3n de Alberto Campo Baeza<\/strong><\/a> e Ignacio Mendaro<\/strong>.<\/p>\n

[:en]https:\/\/vimeo.com\/260131479<\/p>\n

Conference dedicated to the Madrid architect Julio Cano Lasso<\/strong><\/a> (1920-1996), Gold Medal of architecture 1991, as part of the Modern Masters<\/strong> cycle of the COAM Architecture Foundation<\/strong>.<\/p>\n

With this cycle we want to highlight the importance that the contemporary architectural heritage has for the society of the 21st century, the need for its social recognition and its maintenance and conservation.<\/p>\n

\n

Spanish architect whose work is characterized by constructive rigor, his deep understanding of nature and his sensitivity to tradition. Belongs to the generation of masters of contemporary Spanish architecture. Cano Lasso<\/a> is the author of a work of realistic and functional imprint, based on a deep respect for native materials, such as brick and stone.<\/p>\n

From its first stage deserve mentioning the social housing of Badajoz (1965) or Santiago de Compostela (1960-1968), which highlights the landscape approach and the use of Galician traditional gallery as a compositional element. Among its single-family homes include the house of Dr. Castro Fari\u00f1as (Madrid, 1958-1959), Albert House (Madrid, 1977-1978) or Ortiz-Echag\u00fce (Madrid, 1966-1967), all based on the use of volumes of brick.<\/p>\n

Examples of collective housing are the building on Calle Espalter (Madrid, 1956-1959) and the houses on Calle Bas\u00edlica (Madrid, 1966-1974), a major work of contemporary Spanish brick architecture, which takes up the tradition of \u00a0Zuazo<\/a>\u00a0and\u00a0Guti\u00e9rrez Soto<\/a>. Another example of brick architecture is the Vocational Training Center of Vitoria, built in collaboration with Alberto Campo Baeza<\/a>.<\/p>\n

Between his last works they emphasize the auditorium of Galicia in Santiago de Compostela (1986), the pavilion of Spain in the Universal Exhibition of Seville (1992) and the building of Nationale-Nederlanden in Madrid (1991).<\/p>\n

\u00abFor those who give prominence to the human spirit and its presence throughout history, the city has a permanent value. The city, sum of architectures, is the mark of men in history, and it would be sad that instead of our old and beloved cities, the great monuments and the beautiful ruins of the past, in the future only be bequeathed to immense posterity scrapyard cemeteries and recycled architecture, even if it is one of the highest technology.\u00bb<\/a><\/p>\n<\/blockquote>\n

Round table with the intervention of\u00a0Alberto Campo Baeza<\/strong><\/a>\u00a0and\u00a0Ignacio Mendaro<\/strong>.<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es]https:\/\/vimeo.com\/260131479 Conferencia dedicada al arquitecto madrile\u00f1o Julio Cano Lasso (1920-1996), Medalla de Oro de arquitectura 1991, como parte del ciclo Maestros Modernos de la Fundaci\u00f3n Arquitectura COAM. Con este ciclo se quiere poner de manifiesto la importancia que el patrimonio arquitect\u00f3nico contempor\u00e1neo tiene para la sociedad del siglo XXI, la necesidad de su reconocimiento social […]<\/p>\n","protected":false},"author":2,"featured_media":70215,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4854],"tags":[3428,13790,12448,2631,9446,147,2330,13796,5716,330,357,542,14382,13794,13786,11589,1595,8829,668,13793,5206,4625,13789,969,5884,13792,13795,4326,13799,814,815,13785,3323,3378,7682,8080,1573,13787,1133,1136,8830,4444,8625,1241,1278,2048,12474],"class_list":["post-70181","post","type-post","status-publish","format-standard","has-post-thumbnail","category-tv","tag-alberto-campo-baeza","tag-ana-garcia-valdecasas","tag-arquitectura-espanola","tag-arquitectura-madrilena","tag-arquitectura-moderna","tag-arturo-franco-diaz","tag-carlos-sambricio","tag-casto-fernandez-shaw-iturralde","tag-coam","tag-conferencia","tag-etsam","tag-eva-hurtado-toran","tag-felix-cabrero-garrido","tag-francisco-daroca","tag-francisco-de-asis-cabrero-torres-quevedo","tag-francisco-javier-saenz-de-oiza","tag-gabriel-ruiz-cabrero","tag-historia","tag-ignacio-mendaro","tag-ignacio-vicens-y-hualde","tag-javier-carvajal-ferrer","tag-javier-saenz-guerra","tag-jorge-oteiza","tag-jose-antonio-corrales-gutierrez","tag-jose-de-coca","tag-juan-carlos-rico-nieto","tag-julio-cano-lasso","tag-luis-cubillo-de-arteaga","tag-madrid","tag-maestro","tag-maestros-modernos","tag-medalla-de-oro","tag-mesa-redonda","tag-miguel-lasso-de-la-vega","tag-museo-oteiza","tag-premio-nacional","tag-rafael-de-la-hoz-arderius","tag-rafael-de-la-hoz-castanys","tag-ramon-vazquez-molezun","tag-ricardo-sanchez-lampreave","tag-s-xx","tag-secundino-zuazo-ugalde","tag-sociedad","tag-teoria","tag-teoria-e-historia","tag-tv"],"yoast_head":"\n[:es]Maestros Modernos. 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