{"id":69541,"date":"2018-10-22T00:01:27","date_gmt":"2018-10-21T22:01:27","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=69541"},"modified":"2018-06-14T20:50:31","modified_gmt":"2018-06-14T18:50:31","slug":"diario-la-memoria-javier-mozas","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/","title":{"rendered":"[:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:]"},"content":{"rendered":"

[:es]

\"Campo
Campo de concentraci\u00f3n de Buchenwald. Detalle del r\u00f3tulo de la puerta de entrada con el texto: \u201cA cada uno lo suyo\u201d | Fotograf\u00eda: Javier Mozas<\/span><\/figcaption><\/figure><\/p>\n

Recuerdo 5, viernes 29 de setiembre de 2000<\/p>\n

\n

\u201c(…) la memoria tiene distintas dimensiones, y la persona que recuerda, desde el momento en que elige la perspectiva, determina tambi\u00e9n el nivel de connotaci\u00f3n emotiva de sus recuerdos, que no s\u00f3lo se evocan y se re-elaboran, sino que se reconstruyen de un modo distinto seg\u00fan las necesidades, interpretaciones y estados emotivos\u201d.1<\/sup><\/p>\n<\/blockquote>\n

Lectura de un titular en el peri\u00f3dico:<\/p>\n

\n

\u201cSempr\u00fan defiende la necesidad de preservar la memoria colectiva\u201d.<\/p>\n<\/blockquote>\n

El periodista da la noticia del Encuentro Internacional del Libro de Sarajevo. Me acuerdo del libro La escritura o la vida<\/em> <\/a>de Jorge Sempr\u00fan<\/a>, sobre sus vivencias en el campo de concentraci\u00f3n de Buchenwald, que le\u00ed en las vacaciones de verano de 1998. En aquel momento no me impresion\u00f3 excesivamente. Ahora leo que su intervenci\u00f3n, en una ciudad todav\u00eda marcada por la guerra, se convierte en una nueva presentaci\u00f3n de este mismo libro escrito hace cinco a\u00f1os. No podr\u00eda existir un mejor escenario. Lo sucedido en la guerra de Bosnia hace revivir al autor su historia personal y le impulsa a contar sus experiencias. La escritura se convierte as\u00ed en testimonio que reclama una necesidad, la de la pervivencia de la memoria. La lucha contra el olvido reside en la trasmisi\u00f3n de los recuerdos. El nivel de connotaciones emotivas de mis recuerdos tambi\u00e9n ha cambiado desde que le\u00ed por primera vez este libro.<\/p>\n

Ahora comprendo la fuerza moral que otorga la presencia, sin embargo, yo estuve en Buchenwald y no ol\u00ed nada, s\u00f3lo vi lo que quedaba, que no era mucho.<\/p>\n

Las representaciones de objetos y hechos pasados, incluso las art\u00edsticamente elaboradas, tienen un poder de rememoraci\u00f3n extraordinariamente intenso. Tambi\u00e9n la Iglesia se ha servido de la iconograf\u00eda para evocar escenas y situaciones pr\u00f3ximas a sus intereses, a partir de im\u00e1genes religiosas y de percepciones de lo sagrado. Cuando san Ignacio de Loyola <\/a>quiso que los fieles comprendieran perfectamente a lo que se expon\u00edan con la condenaci\u00f3n eterna, les sugiri\u00f3 que imaginasen escenas de dolor y de sufrimiento acompa\u00f1adas del humo sofocante del azufre. Este deb\u00eda ser un olor similar al de los tostaderos antiguos de pirita al aire libre en muchos pueblos mineros, algo parecido al infierno.<\/p>\n

A los pobres fieles contempor\u00e1neos de san Ignacio, este falso recuerdo les quedaba grabado en su memoria. De esta manera, estaban en disposici\u00f3n de comprender a qu\u00e9 situaci\u00f3n desagradable les podr\u00eda conducir una vida de pecado. Creo que la profundidad del olor como recuerdo no es comparable a nada.<\/p>\n

Aunque es cierto que la mayor parte de la dimensi\u00f3n subjetiva de nuestros recuerdos proviene de im\u00e1genes visuales, la pervivencia de los recuerdos relacionados con una emoci\u00f3n y con los otros sentidos diferentes al de la vista tiene una duraci\u00f3n que se prolonga largamente en el tiempo. Yo estuve en Buchenwald<\/a> y no ol\u00ed nada. Pude ver lo que quedaba: las trazas de los barracones, la puerta de entrada, algunos edificios, el museo, el crematorio reconstruido y los mismos bosques, los mismos bordes del bosque de la colina del Ettersberg que vivi\u00f3 Sempr\u00fan.<\/p>\n

Javier Mozas, arquitecto,\u00a0a+t research group<\/a>
\nVitoria-Gasteiz,\u00a0diciembre 2011<\/p>\n

Notas.<\/p>\n

1\u00a0<\/sup>Alberto Oliverio. La memoria. El arte de recordar<\/a>. Psicolog\u00eda. Alianza editorial. Madrid. 2000, p 26. Primera edici\u00f3n edition L\u2019arte di ricordare. La memoria e i suoi segreti. R.C.S. Libri S.p.A. Mil\u00e1n. 1998.<\/p>\n

Texto completo publicado originalmente en<\/span>\u00a0Rashomon. La triple verdad de la arquitectura<\/a>.<\/strong><\/em><\/p>\n

[:gl]

\"Campo
Campo de concentraci\u00f3n de Buchenwald. Detalle do r\u00f3tulo da porta de entrada co texto: \u201cA cada un o seu\u201d | Fotograf\u00eda: Javier Mozas<\/span><\/figcaption><\/figure><\/p>\n

Lembro 5, venres 29 de setiembre de 2000<\/p>\n

\n

\u201c(…) a memoria ten distintas dimensi\u00f3ns, e a persoa que lembra, desde o momento en que elixe a perspectiva, determina tam\u00e9n o nivel de connotaci\u00f3n emotiva dos seus recordos, que non s\u00f3 se evocan e se re-elaboran, sen\u00f3n que se reconstr\u00faen dun modo distinto segundo as necesidades, interpretaci\u00f3ns e estados emotivos\u201d.1<\/sup><\/p>\n<\/blockquote>\n

Lectura dun titular no xornal:<\/p>\n

\n

\u201cSempr\u00fan defende a necesidade de preservar a memoria colectiva\u201d.<\/p>\n<\/blockquote>\n

O xornalista d\u00e1 a noticia do Encontro Internacional do Libro de Saraievo. Ac\u00f3rdome do libro A escritura ou a vida<\/em><\/a> de Jorge Sempr\u00fan<\/a>, sobre as s\u00faas vivencias no campo de concentraci\u00f3n de Buchenwald, que lin nas vacaci\u00f3ns de ver\u00e1n de 1998. Naquel momento non me impresionou excesivamente. Agora leo que a s\u00faa intervenci\u00f3n, nunha cidade a\u00ednda marcada pola guerra, conv\u00e9rtese nunha nova presentaci\u00f3n de leste mesmo libro escrito fai cinco anos. Non poder\u00eda existir un mellor escenario. O sucedido na guerra de Bosnia fai revivir ao autor a s\u00faa historia persoal e imp\u00falsalle a contar as s\u00faas experiencias. A escritura conv\u00e9rtese as\u00ed en testemu\u00f1o que reclama unha necesidade, a da pervivencia da memoria. A loita contra o esquecemento reside na trasmisi\u00f3n dos recordos. O nivel de connotaci\u00f3ns emotivas dos meus recordos tam\u00e9n cambiou desde que lin por primeira vez este libro.<\/p>\n

Agora comprendo a forza moral que outorga a presenza, con todo, eu estiven en Buchenwald e non cheirei nada, s\u00f3 vi o que quedaba, que non era moito.<\/p>\n

As representaci\u00f3ns de obxectos e feitos pasados, incluso as artisticamente elaboradas, te\u00f1en un poder de lembranza extraordinariamente intenso. Tam\u00e9n a Igrexa serviuse da iconograf\u00eda para evocar escenas e situaci\u00f3ns pr\u00f3ximas aos seus intereses, a partir de imaxes relixiosas e de percepci\u00f3ns do sacro. Cando san Ignacio de Loiola<\/a> quixo que os fieis comprendesen perfectamente ao que se expo\u00f1\u00edan coa condenaci\u00f3n eterna, suxeriulles que imaxinasen escenas de dor e de sufrimento acompa\u00f1adas do fume sufocante do xofre. Leste deb\u00eda ser un cheiro similar ao dos tostaderos antigos de pirita ao aire libre en moitos pobos mineiros, algo parecido ao inferno.<\/p>\n

Aos pobres fieis contempor\u00e1neos de san Ignacio, este falso recordo quedaba gravado na s\u00faa memoria. Desta maneira, estaban en disposici\u00f3n de comprender a que situaci\u00f3n desagradable poder\u00edalles conducir unha vida de pecado. Creo que a profundidade do cheiro como lembro non \u00e9 comparable a nada.<\/p>\n

A\u00ednda que \u00e9 certo que a maior parte da dimensi\u00f3n subxectiva dos nosos recordos prov\u00e9n de imaxes visuais, a pervivencia dos recordos relacionados cunha emoci\u00f3n e cos outros sentidos diferentes ao da vista ten unha duraci\u00f3n que se prolonga longamente no tempo. Eu estiven en Buchenwald<\/a> e non cheirei nada. Puiden ver o que quedaba: as trazas dos barrac\u00f3ns, a porta de entrada, alg\u00fans edificios, o museo, o crematorio reconstru\u00eddo e os mesmos bosques, os mesmos bordos do bosque do outeiro do Ettersberg que viviu Sempr\u00fan.<\/p>\n

Aunque es cierto que la mayor parte de la dimensi\u00f3n subjetiva de nuestros recuerdos proviene de im\u00e1genes visuales, la pervivencia de los recuerdos relacionados con una emoci\u00f3n y con los otros sentidos diferentes al de la vista tiene una duraci\u00f3n que se prolonga largamente en el tiempo. Yo estuve en Buchenwald<\/a> y no ol\u00ed nada. Pude ver lo que quedaba: las trazas de los barracones, la puerta de entrada, algunos edificios, el museo, el crematorio reconstruido y los mismos bosques, los mismos bordes del bosque de la colina del Ettersberg que vivi\u00f3 Sempr\u00fan.<\/p>\n

Javier Mozas, arquitecto,\u00a0a+t research group<\/a>
\nVitoria-Gasteiz,\u00a0decembro 2011<\/p>\n

Notas.<\/p>\n

1\u00a0<\/sup>Alberto Oliverio. A memoria.\u00a0A arte de recordar<\/a>. Psicolog\u00eda. Alianza editorial. Madrid. 2000, p 26. Primeira edici\u00f3n edition L\u2019arte di ricordare. La memoria e i suoi segreti. R.C.S. Libri S.p.A. Mil\u00e1n. 1998.<\/p>\n

Texto completo publicado orixinalmente en<\/span>\u00a0Rashomon.\u00a0A triple verdade da arquitectura<\/a>.<\/strong><\/em><\/p>\n

[:en]

\"Campo
Buchenwald concentration camp. Detail of the sign of the entrance door with the text: \u00abTo each one his own\u00bb | Photography: Javier Mozas<\/span><\/figcaption><\/figure><\/p>\n

Remembrance 5, Friday, September 29, 2000<\/p>\n

\n

\u201c(…) memory has different dimensions, and the person who remembers, from the moment he chooses perspective, also determines the level of emotional connotation of his memories, which are not only evoked and re-elaborated, but also that are reconstructed in a different way according to the needs, interpretations and emotional states\u201d.1<\/sup><\/p>\n<\/blockquote>\n

Reading a headline in the newspaper:<\/p>\n

\n

\u201cSempr\u00fan defends the need to preserve collective memory\u201d.<\/p>\n<\/blockquote>\n

The journalist gives the news of the International Meeting of the Book of Sarajevo. I remember the book La escritura o la vida<\/em><\/a> by Jorge Sempr\u00fan<\/a>, about his experiences in the Buchenwald concentration camp, which I read during the summer holidays of 1998. At that time I was not overly impressed. Now I read that his intervention, in a city still marked by war, becomes a new presentation of this same book written five years ago. There could not be a better scenario. What happened in the Bosnian war makes the author relive his personal history and urges him to tell his experiences. Writing thus becomes a testimony that claims a need, that of the survival of memory. The struggle against oblivion lies in the transmission of memories. The level of emotional connotations of my memories has also changed since I first read this book.<\/p>\n

Now I understand the moral force that gives the presence, however, I was in Buchenwald and I did not smell anything, I only saw what was left, which was not much.<\/p>\n

The representations of objects and past events, even the artistically elaborated ones, have an extraordinarily intense power of remembrance. The Church has also used iconography to evoke scenes and situations close to her interests, based on religious images and perceptions of the sacred. When Saint Ignacio de Loyola<\/a> wanted the faithful to understand perfectly what was exposed with eternal condemnation, he suggested that they imagine scenes of pain and suffering accompanied by the suffocating smoke of sulfur. This must be a smell similar to that of the old outdoor pyrite toasters in many mining towns, something akin to hell.<\/p>\n

To the poor faithful contemporaries of St. Ignatius, this false memory remained engraved in his memory. In this way, they were in a position to understand to what unpleasant situation a life of sin could lead them. I think the depth of the smell as a souvenir is not comparable to anything.<\/p>\n

Although it is true that most of the subjective dimension of our memories comes from visual images, the survival of memories related to an emotion and other senses different from that of sight lasts for a long time. I was in Buchenwald<\/a> and I did not smell anything. I could see what was left: the traces of the barracks, the entrance door, some buildings, the museum, the reconstructed crematorium and the forests themselves, the very edges of the forest on the Ettersberg hill that Sempr\u00fan lived.<\/p>\n

Javier Mozas, architect,\u00a0a+t research group<\/a>
\nVitoria-Gasteiz,\u00a0december 2011<\/p>\n

Notes.<\/p>\n

1\u00a0<\/sup>Alberto Oliverio. The memory. The art of remembering Psychology<\/a>. Alianza editorial. Madrid. 2000, p 26. First edition L\u2019arte di ricordare. La memoria e i suoi segreti. R.C.S. Libri S.p.A. Mil\u00e1n. 1998.<\/p>\n

Full text originally published in<\/span> Rashomon. La triple verdad de la arquitectura<\/a>.<\/strong><\/em><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Recuerdo 5, viernes 29 de setiembre de 2000 \u201c(…) la memoria tiene distintas dimensiones, y la persona que recuerda, desde el momento en que elige la perspectiva, determina tambi\u00e9n el nivel de connotaci\u00f3n emotiva de sus recuerdos, que no s\u00f3lo se evocan y se re-elaboran, sino que se reconstruyen de un modo distinto seg\u00fan […]<\/p>\n","protected":false},"author":14,"featured_media":69542,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[3220,13662,1512,12449,350,12460,668,2930,13663,3219,13664,789,3255],"class_list":["post-69541","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-a-t-architecture-publishers","tag-alberto-oliverio","tag-arquitectura-en-la-memoria","tag-arte","tag-comunicacion","tag-fotografia","tag-historia","tag-iconografia","tag-ignacio-de-loyola","tag-javier-mozas","tag-jorge-de-semprun-maura","tag-lenguaje","tag-memoria"],"yoast_head":"\n[:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:] - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: [:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/aplust.architecture\" \/>\n<meta property=\"article:published_time\" content=\"2018-10-21T22:01:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/06\/Diario-sobre-la-memoria-Javier-Mozas-Campo-de-concentraci\u00f3n-de-Buchenwald.-Detalle-del-r\u00f3tulo-de-la-puerta-de-entrada-con-el-texto-\u201cA-cada-uno-lo-suyo\u201d-Fotograf\u00eda-Javier-Mozas.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"868\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Aurora Fern\u00e1ndez Per \u2013 Javier Mozas\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/aplust_publish\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Aurora Fern\u00e1ndez Per \u2013 Javier Mozas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/\"},\"author\":{\"name\":\"Aurora Fern\u00e1ndez Per \u2013 Javier Mozas\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/0f13d3bd8e77afb09d4238ecaecfcbb7\"},\"headline\":\"[:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:]\",\"datePublished\":\"2018-10-21T22:01:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/\"},\"wordCount\":1923,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/06\\\/Diario-sobre-la-memoria-Javier-Mozas-Campo-de-concentraci\u00f3n-de-Buchenwald.-Detalle-del-r\u00f3tulo-de-la-puerta-de-entrada-con-el-texto-\u201cA-cada-uno-lo-suyo\u201d-Fotograf\u00eda-Javier-Mozas.jpg\",\"keywords\":[\"a+t architecture publishers\",\"Alberto Oliverio\",\"arquitectura en la memoria\",\"arte\",\"comunicaci\u00f3n\",\"fotograf\u00eda\",\"historia\",\"iconografia\",\"Ignacio de Loyola\",\"Javier Mozas\",\"Jorge de Sempr\u00fan Maura\",\"lenguaje\",\"memoria\"],\"articleSection\":[\"art\u00edculos\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/\",\"name\":\"[:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:] - veredes\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/06\\\/Diario-sobre-la-memoria-Javier-Mozas-Campo-de-concentraci\u00f3n-de-Buchenwald.-Detalle-del-r\u00f3tulo-de-la-puerta-de-entrada-con-el-texto-\u201cA-cada-uno-lo-suyo\u201d-Fotograf\u00eda-Javier-Mozas.jpg\",\"datePublished\":\"2018-10-21T22:01:27+00:00\",\"description\":\"Toda la informaci\u00f3n sobre: [:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:]\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/06\\\/Diario-sobre-la-memoria-Javier-Mozas-Campo-de-concentraci\u00f3n-de-Buchenwald.-Detalle-del-r\u00f3tulo-de-la-puerta-de-entrada-con-el-texto-\u201cA-cada-uno-lo-suyo\u201d-Fotograf\u00eda-Javier-Mozas.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/06\\\/Diario-sobre-la-memoria-Javier-Mozas-Campo-de-concentraci\u00f3n-de-Buchenwald.-Detalle-del-r\u00f3tulo-de-la-puerta-de-entrada-con-el-texto-\u201cA-cada-uno-lo-suyo\u201d-Fotograf\u00eda-Javier-Mozas.jpg\",\"width\":1200,\"height\":868,\"caption\":\"Campo de concentraci\u00f3n de Buchenwald. Detalle del r\u00f3tulo de la puerta de entrada con el texto: \u201cA cada uno lo suyo\u201d | Fotograf\u00eda: Javier Mozas\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/diario-la-memoria-javier-mozas\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Diario sobre la memoria | Javier Mozas\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/0f13d3bd8e77afb09d4238ecaecfcbb7\",\"name\":\"Aurora Fern\u00e1ndez Per \u2013 Javier Mozas\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/at-architecture-publishers-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/at-architecture-publishers-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/at-architecture-publishers-96x96.jpg\",\"caption\":\"Aurora Fern\u00e1ndez Per \u2013 Javier Mozas\"},\"description\":\"Aurora Fern\u00e1ndez Per es periodista y Javier MozasS es arquitecto y urbanista. Ambos son fundadores de a + t architecture publishers, 1992, y editores de la revista de arquitectura a + t desde 1992 hasta la actualidad, as\u00ed como fundadores en 2011 del grupo de investigaci\u00f3n a + t - cuyo objetivo es promover la ciudad compacta a trav\u00e9s de la investigaci\u00f3n y el an\u00e1lisis-. Son adem\u00e1s autores y editores de numerosas publicaciones, incluida la serie \u2018Densidad sobre vivienda colectiva\u2019.\",\"sameAs\":[\"https:\\\/\\\/aplust.net\\\/\",\"https:\\\/\\\/www.facebook.com\\\/aplust.architecture\",\"https:\\\/\\\/www.instagram.com\\\/aplust_architecture_publishers\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/a-t-architecture-publishers\\\/\",\"https:\\\/\\\/www.pinterest.es\\\/aplustarch\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/aplust_publish\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/aurora-fernandez-per-javier-mozas\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"[:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:] - veredes","description":"Toda la informaci\u00f3n sobre: [:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:]","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/","og_locale":"es_ES","og_type":"article","og_title":"[:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:] - veredes","og_description":"Toda la informaci\u00f3n sobre: [:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:]","og_url":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/aplust.architecture","article_published_time":"2018-10-21T22:01:27+00:00","og_image":[{"width":1200,"height":868,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/06\/Diario-sobre-la-memoria-Javier-Mozas-Campo-de-concentraci\u00f3n-de-Buchenwald.-Detalle-del-r\u00f3tulo-de-la-puerta-de-entrada-con-el-texto-\u201cA-cada-uno-lo-suyo\u201d-Fotograf\u00eda-Javier-Mozas.jpg","type":"image\/jpeg"}],"author":"Aurora Fern\u00e1ndez Per \u2013 Javier Mozas","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/aplust_publish","twitter_site":"@veredes","twitter_misc":{"Escrito por":"Aurora Fern\u00e1ndez Per \u2013 Javier Mozas","Tiempo de lectura":"10 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/"},"author":{"name":"Aurora Fern\u00e1ndez Per \u2013 Javier Mozas","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/0f13d3bd8e77afb09d4238ecaecfcbb7"},"headline":"[:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:]","datePublished":"2018-10-21T22:01:27+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/"},"wordCount":1923,"commentCount":0,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/06\/Diario-sobre-la-memoria-Javier-Mozas-Campo-de-concentraci\u00f3n-de-Buchenwald.-Detalle-del-r\u00f3tulo-de-la-puerta-de-entrada-con-el-texto-\u201cA-cada-uno-lo-suyo\u201d-Fotograf\u00eda-Javier-Mozas.jpg","keywords":["a+t architecture publishers","Alberto Oliverio","arquitectura en la memoria","arte","comunicaci\u00f3n","fotograf\u00eda","historia","iconografia","Ignacio de Loyola","Javier Mozas","Jorge de Sempr\u00fan Maura","lenguaje","memoria"],"articleSection":["art\u00edculos","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/","url":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/","name":"[:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:] - veredes","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/06\/Diario-sobre-la-memoria-Javier-Mozas-Campo-de-concentraci\u00f3n-de-Buchenwald.-Detalle-del-r\u00f3tulo-de-la-puerta-de-entrada-con-el-texto-\u201cA-cada-uno-lo-suyo\u201d-Fotograf\u00eda-Javier-Mozas.jpg","datePublished":"2018-10-21T22:01:27+00:00","description":"Toda la informaci\u00f3n sobre: [:es]Diario sobre la memoria | Javier Mozas[:gl]Diario sobre a memoria | Javier Mozas[:en]Diary about memory | Javier Mozas[:]","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/06\/Diario-sobre-la-memoria-Javier-Mozas-Campo-de-concentraci\u00f3n-de-Buchenwald.-Detalle-del-r\u00f3tulo-de-la-puerta-de-entrada-con-el-texto-\u201cA-cada-uno-lo-suyo\u201d-Fotograf\u00eda-Javier-Mozas.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/06\/Diario-sobre-la-memoria-Javier-Mozas-Campo-de-concentraci\u00f3n-de-Buchenwald.-Detalle-del-r\u00f3tulo-de-la-puerta-de-entrada-con-el-texto-\u201cA-cada-uno-lo-suyo\u201d-Fotograf\u00eda-Javier-Mozas.jpg","width":1200,"height":868,"caption":"Campo de concentraci\u00f3n de Buchenwald. Detalle del r\u00f3tulo de la puerta de entrada con el texto: \u201cA cada uno lo suyo\u201d | Fotograf\u00eda: Javier Mozas"},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/diario-la-memoria-javier-mozas\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Diario sobre la memoria | Javier Mozas"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/0f13d3bd8e77afb09d4238ecaecfcbb7","name":"Aurora Fern\u00e1ndez Per \u2013 Javier Mozas","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/at-architecture-publishers-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/at-architecture-publishers-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/at-architecture-publishers-96x96.jpg","caption":"Aurora Fern\u00e1ndez Per \u2013 Javier Mozas"},"description":"Aurora Fern\u00e1ndez Per es periodista y Javier MozasS es arquitecto y urbanista. Ambos son fundadores de a + t architecture publishers, 1992, y editores de la revista de arquitectura a + t desde 1992 hasta la actualidad, as\u00ed como fundadores en 2011 del grupo de investigaci\u00f3n a + t - cuyo objetivo es promover la ciudad compacta a trav\u00e9s de la investigaci\u00f3n y el an\u00e1lisis-. Son adem\u00e1s autores y editores de numerosas publicaciones, incluida la serie \u2018Densidad sobre vivienda colectiva\u2019.","sameAs":["https:\/\/aplust.net\/","https:\/\/www.facebook.com\/aplust.architecture","https:\/\/www.instagram.com\/aplust_architecture_publishers\/","https:\/\/www.linkedin.com\/company\/a-t-architecture-publishers\/","https:\/\/www.pinterest.es\/aplustarch\/","https:\/\/x.com\/https:\/\/twitter.com\/aplust_publish"],"url":"https:\/\/veredes.es\/blog\/author\/aurora-fernandez-per-javier-mozas\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/69541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=69541"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/69541\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/69542"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=69541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=69541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=69541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}