{"id":69288,"date":"2018-07-20T00:01:23","date_gmt":"2018-07-19T22:01:23","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=69288"},"modified":"2022-07-20T16:07:15","modified_gmt":"2022-07-20T14:07:15","slug":"100-chairs-in-100-days-xose-suarez","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/100-chairs-in-100-days-xose-suarez\/","title":{"rendered":"A 100 Chairs in 100 days | Xos\u00e9 Su\u00e1rez"},"content":{"rendered":"

[:es]

\"Martino
Martino Gamper<\/span><\/figcaption><\/figure><\/p>\n

El proyecto \u00abA 100 Chairs in 100 days\u00bb<\/a><\/strong>\u00a0del dise\u00f1ador italiano Martino Gamper<\/strong> incide en la idea de la fabricaci\u00f3n de objetos \u00fanicos a partir de otros preexistentes y desechados. El proyecto consiste en la construcci\u00f3n de 100 sillas en un per\u00edodo de tiempo limitado a 100 d\u00edas con los restos de otras recogidas durante a\u00f1os en las calles de Londres.<\/p>\n

La construcci\u00f3n de estos elementos implica un analisis exhaustivo de las preexistentes con el fin de verificar diversas cuestiones pr\u00e1cticas como la resistencia de elementos, dispuestos en un orden contrario a la funci\u00f3n para la que fueron dise\u00f1adas originalmente.<\/p>\n

Pero tambi\u00e9n incide en aspectos m\u00e1s pol\u00e9micos como la abdicaci\u00f3n del respeto por los dise\u00f1os originales y la confrontaci\u00f3n de diversos arquetipos en una \u00fanica pieza, en algunos casos con valores culturales y econ\u00f3micos muy divergentes; y ofrece un viaje singular por las resonancias del dise\u00f1o contempor\u00e1neo a trav\u00e9s del tiempo.<\/p>\n

Dise\u00f1adores de otras disciplinas han trabajado con la idea de la reutilizaci\u00f3n de elementos de desecho: Aleksander Brodsky<\/strong><\/a> fabrica su Pabell\u00f3n para la ceremonia del vodka con una colecci\u00f3n de ventanas procedentes de derribos a las que recubre con un manto de pintura blanca para ofrecer diversos grados de transparencia, una sensaci\u00f3n heladora muy acorde con la funci\u00f3n del pabell\u00f3n y una obra sublime.<\/p>\n

\"Maison
Maison Martin Margiela<\/span><\/figcaption><\/figure>\n

Martin Margiela<\/strong> fabrica su colecci\u00f3n de ropa denominada \u00abArtisanal\u00bb<\/a>\u00a0mediante la adici\u00f3n de elementos procedentes del desarmado de otras piezas de vestuario y calzado; algunas de las prendas conservan la funci\u00f3n original, en otras se modifica por la adici\u00f3n de peque\u00f1os elementos repetidos.<\/p>\n

Piet Hein Eek<\/strong> en su colecci\u00f3n\u00a0Sloophout<\/strong><\/a>\u00a0trabaja con una idea similar. En este caso las piezas de mobiliario son dise\u00f1os originales, pero en su construcci\u00f3n se utilizan maderas recicladas con sus pinturas y barnices originales.<\/p>\n

\"Piet
Piet Hein Eek<\/span><\/figcaption><\/figure>\n

Xos\u00e9 Su\u00e1rez, arquitecto
\nSantiago de Compostela, octubre 2010
\nPublicado en\u00a0N\u00ba 313 [sillas\u2026]<\/a><\/em><\/span><\/p>\n

[:gl]

\"Martino
Martino Gamper<\/span><\/figcaption><\/figure><\/p>\n

O proxecto \u00abA 100 Chairs in 100 days\u00bb<\/a><\/strong> do dese\u00f1ador italiano Martino Gamper<\/strong> incide na idea da fabricaci\u00f3n de obxectos \u00fanicos a partir doutros preexistentes e refugados. O proxecto consiste na construci\u00f3n de 100 cadeiras nun per\u00edodo de tempo limitado a 100 d\u00edas cos restos doutras recollidas durante anos nas r\u00faas de Londres.<\/p>\n

A construci\u00f3n destes elementos implica un analisis exhaustivo das preexistentes co fin de verificar diversas cuesti\u00f3ns pr\u00e1cticas como a resistencia de elementos, dispostos nunha orde contraria \u00e1 funci\u00f3n para a que foron dese\u00f1adas orixinalmente.<\/p>\n

Pero tam\u00e9n incide en aspectos m\u00e1is pol\u00e9micos como a abdicaci\u00f3n do respecto polos dese\u00f1os orixinais e a confrontaci\u00f3n de diversos arquetipos nunha \u00fanica peza, nalg\u00fans casos con valores culturais e econ\u00f3micos moi diverxentes; e ofrece unha viaxe singular polas resonancias do dese\u00f1o contempor\u00e1neo a trav\u00e9s do tempo.<\/p>\n

Dese\u00f1adores doutras disciplinas traballaron coa idea da reutilizaci\u00f3n de elementos de refugallo: Aleksander Brodsky<\/strong><\/a> fabrica o seu Pavill\u00f3n para a cerimonia do vodka cunha colecci\u00f3n de xanelas procedentes de derribas \u00e1s que recubre cun manto de pintura branca para ofrecer diversos graos de transparencia, unha sensaci\u00f3n heladora moi acorde coa funci\u00f3n do pavill\u00f3n e unha obra sublime.<\/p>\n

\"Maison
Maison Martin Margiela<\/span><\/figcaption><\/figure>\n

Martin Margiela<\/strong> fabrica a s\u00faa colecci\u00f3n de roupa denominada \u00abArtisanal\u00bb<\/a> mediante a adici\u00f3n de elementos procedentes do desarmado doutras pezas de vestiario e calzado; algunhas das pezas conservan a funci\u00f3n orixinal, noutras modif\u00edcase pola adici\u00f3n de pequenos elementos repetidos.<\/p>\n

Piet Hein Eek<\/strong> na s\u00faa colecci\u00f3n Sloophout<\/strong><\/a> traballa cunha idea similar. Neste caso as pezas de mobiliario son dese\u00f1os orixinais, pero na s\u00faa construci\u00f3n util\u00edzanse madeiras recicladas coas s\u00faas pinturas e vernices orixinais.<\/p>\n

\"Piet
Piet Hein Eek<\/span><\/figcaption><\/figure>\n

Xos\u00e9 Su\u00e1rez, arquitecto
\nSantiago de Compostela, outubro 2010
\nPublicado en\u00a0N\u00ba 313 [sillas\u2026]<\/a><\/em><\/span><\/p>\n

[:en]

\"Martino
Martino Gamper<\/span><\/figcaption><\/figure><\/p>\n

The project \u00abA 100 Chairs in 100 days\u00bb<\/a><\/strong> by the Italian designer Martino Gamper<\/strong> focuses on the idea of manufacturing unique objects from other pre-existing and discarded objects. The project consists of the construction of 100 chairs in a period of time limited to 100 days with the remains of others collected for years on the streets of London.<\/p>\n

The construction of these elements implies an exhaustive analysis of the pre-existing ones in order to verify various practical issues such as the resistance of elements, arranged in an order contrary to the function for which they were originally designed.<\/p>\n

But it also affects more controversial aspects such as the abdication of respect for original designs and the confrontation of various archetypes in a single piece, in some cases with very divergent cultural and economic values; and offers a unique journey through the resonances of contemporary design through time.<\/p>\n

Designers of other disciplines have worked with the idea of the reuse of waste elements: Aleksander Brodsky<\/strong><\/a> manufactures his Pavilion for the vodka ceremony with a collection of windows from demolitions that he covers with a blanket of white paint to offer different degrees of transparency, an icy sensation very much in keeping with the function of the pavilion and a sublime work.<\/p>\n

\"Maison
Maison Martin Margiela<\/span><\/figcaption><\/figure>\n

Martin Margiela<\/strong> Martin Margiela manufactures his clothing collection called \u00abArtisanal\u00bb<\/a> by adding elements from the disassembly of other pieces of clothing and footwear; some of the garments retain the original function, in others it is modified by the addition of small repeated elements.<\/p>\n

Piet Hein Eek<\/strong> in his Sloophout<\/strong><\/a> collection works with a similar idea. In this case, the pieces of furniture are original designs, but in their construction recycled woods are used with their original paints and varnishes.<\/p>\n

\"Piet
Piet Hein Eek<\/span><\/figcaption><\/figure>\n

Xos\u00e9 Su\u00e1rez, architect
\nSantiago de Compostela, october\u00a02010
\nPublished in\u00a0N\u00ba 313 [sillas\u2026]<\/a><\/em><\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] El proyecto \u00abA 100 Chairs in 100 days\u00bb\u00a0del dise\u00f1ador italiano Martino Gamper incide en la idea de la fabricaci\u00f3n de objetos \u00fanicos a partir de otros preexistentes y desechados. El proyecto consiste en la construcci\u00f3n de 100 sillas en un per\u00edodo de tiempo limitado a 100 d\u00edas con los restos de otras recogidas durante […]<\/p>\n","protected":false},"author":44,"featured_media":69289,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,3,1397,5951],"tags":[11042,155,1735,8505,12470,4503,431,746,13605,13606,13607,1172,1888,1231,4539],"class_list":["post-69288","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arte-blog","category-capturas","category-diseno","category-slider-principal","tag-aleksandr-savitx-brodski","tag-arte-contemporaneo","tag-disenador","tag-disenador-industrial","tag-diseno","tag-diseno-de-mobiliario","tag-diseno-industrial","tag-italia","tag-martin-margiela","tag-martino-gamper","tag-piet-hein-eek","tag-reutilizacion","tag-reutilizar","tag-silla","tag-xose-suarez"],"yoast_head":"\nA 100 Chairs in 100 days | Xos\u00e9 Su\u00e1rez - 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