{"id":69270,"date":"2018-07-03T00:01:16","date_gmt":"2018-07-02T22:01:16","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=69270"},"modified":"2018-05-30T11:57:18","modified_gmt":"2018-05-30T09:57:18","slug":"tiempo-carlos-canovas","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/tiempo-carlos-canovas\/","title":{"rendered":"[:es]En el tiempo. Carlos C\u00e1novas[:gl]No tempo. Carlos C\u00e1novas[:en]En el tiempo. Carlos C\u00e1novas[:]"},"content":{"rendered":"

[:es]<\/p>\n

\n
\"Paisaje
Paisaje sin retorno, Rontegi, Barakaldo, 1993<\/span><\/figcaption><\/figure>\n
\n

\u201cSus fotograf\u00edas son monumentos po\u00e9ticos construidos en momentos intermedios que preceden o rememoran grandes cambios sociales e industriales, que dejan huellas en el espacio que habitamos\u201d.<\/p>\n<\/blockquote>\n

En el tiempo<\/strong><\/em>, constituye un recorrido por el trabajo de Carlos C\u00e1novas<\/strong> desde los a\u00f1os 80 hasta la actualidad a trav\u00e9s de 128 fotograf\u00edas agrupadas en seis series sucesivas: Tapias (1980), Extramuros (1983-1990), Vall\u00e8s Oriental (1990), Paisaje sin retorno (1993-1994),Paisaje an\u00f3nimo (1992-2005) y S\u00e9ptimo cielo (2007-2017).<\/p>\n<\/div>\n

\n

En esta exposici\u00f3n, el paisaje urbano es el protagonista principal, un paisaje urbano del que le interesan sobre todo los espacios donde confluyen la naturaleza y la intervenci\u00f3n del hombre, y que recoge en im\u00e1genes con una fuerte dimensi\u00f3n est\u00e9tica y po\u00e9tica. Esos paisajes que considera como intersticiales, situados en los l\u00edmites de la ciudad, le sugieren m\u00faltiples lecturas en torno a los conceptos de espacio, distancia y tiempo, conceptos que utiliza igualmente para su particular reflexi\u00f3n sobre la propia fotograf\u00eda. Como el propio C\u00e1novas afirma,<\/p>\n

\n

\u201clo \u00fanico que hace el fot\u00f3grafo es intentar que las cosas que recogen sus im\u00e1genes reflejen sus ideas previas, y tambi\u00e9n, de manera tal vez menos deliberada, aunque no menos importante, sus dudas\u201d.<\/p>\n<\/blockquote>\n

\"Paisaje
Paisaje sin retorno, Bilbao, 1993<\/span><\/figcaption><\/figure>\n

El trabajo de Carlos C\u00e1novas, en su conjunto, constituye una suerte de registro cr\u00edtico sobre la transformaci\u00f3n de lo urbano. A la vez, esta exposici\u00f3n pone de manifiesto la idea del autor sobre la propia fotograf\u00eda,<\/p>\n

\n

\u201cuna actividad permeable a la experiencia personal, en cada lugar y en cada momento, una experiencia que puede manifestarse en respuestas diferentes\u201d<\/p>\n<\/blockquote>\n

pero que, desde su carga po\u00e9tica, gira intensamente en torno a las ideas de tiempo y distancia.<\/p>\n<\/div>\n

En el tiempo. Carlos C\u00e1novas<\/strong><\/a>
\nDel 30 de mayo al 9 de septiembre de 2018
\nMuseo Ico, Madrid, Espa\u00f1a[:gl]<\/p>\n

\n
\"Paisaje
Paisaxe sen retorno, Rontegi, Barakaldo, 1993<\/span><\/figcaption><\/figure>\n
\n

\u201cAs s\u00faas fotograf\u00edas son monumentos po\u00e9ticos constru\u00eddos en momentos intermedios que preceden ou rememoran grandes cambios sociais e industriais, que deixan pegadas no espazo que habitamos\u201d.<\/p>\n<\/blockquote>\n

No tempo<\/strong>, constit\u00fae un percorrido polo traballo de Carlos C\u00e1novas<\/strong> desde os anos 80 ata a actualidade a trav\u00e9s de 128 fotograf\u00edas agrupadas en seis series sucesivas: Tapias (1980), Extramuros (1983-1990), Vall\u00e8s Oriental (1990), Paisaxe sen retorno (1993-1994),Paisaxe an\u00f3nima (1992-2005) e S\u00e9timo ceo (2007-2017).<\/p>\n<\/div>\n

\n

Nesta exposici\u00f3n, a paisaxe urbana \u00e9 o protagonista principal, unha paisaxe urbana do que lle interesan sobre todo os espazos onde confl\u00faen a natureza e a intervenci\u00f3n do home, e que recolle en imaxes cunha forte dimensi\u00f3n est\u00e9tica e po\u00e9tica. Esas paisaxes que considera como intersticiales, situados nos l\u00edmites da cidade, sux\u00edrenlle m\u00faltiples lecturas ao redor dos conceptos de espazo, distancia e tempo, conceptos que utiliza igualmente para a s\u00faa particular reflexi\u00f3n sobre a propia fotograf\u00eda. Como o propio C\u00e1novas afirma,<\/p>\n

\n

\u201co \u00fanico que fai o fot\u00f3grafo \u00e9 tentar que as cousas que recollen as s\u00faas imaxes reflectir as s\u00faas ideas previas, e tam\u00e9n, de maneira talvez menos deliberada, a\u00ednda que non menos importante, as s\u00faas d\u00fabidas\u201d.<\/p>\n<\/blockquote>\n

\"Paisaje
Paisaxe sen retorno, Bilbao, 1993<\/span><\/figcaption><\/figure>\n

O traballo de Carlos C\u00e1novas, no seu conxunto, constit\u00fae unha sorte de rexistro cr\u00edtico sobre a transformaci\u00f3n do urbano. \u00c1 vez, esta exposici\u00f3n pon de manifesto a idea do autor sobre a propia fotograf\u00eda,<\/p>\n

\n

\u201cunha actividade permeable \u00e1 experiencia persoal, en cada lugar e en cada momento, unha experiencia que pode manifestarse en respostas diferentes\u201d<\/p>\n<\/blockquote>\n

pero que, desde a s\u00faa carga po\u00e9tica, xira intensamente ao redor das ideas de tempo e distancia.<\/p>\n<\/div>\n

No tempo. Carlos C\u00e1novas<\/strong><\/a>
\nDo 30 de maio ao 9 de setembro de 2018
\nMuseo Ico, Madrid, Espa\u00f1a[:en]<\/p>\n

\n
\"Paisaje
Landscape without return, Rontegi, Barakaldo, 1993<\/span><\/figcaption><\/figure>\n
\n

\u201cHis photographs are poetic monuments built at intermediate moments that precede or recall major social and industrial changes, which leave traces in the space we inhabit\u201d.<\/p>\n<\/blockquote>\n

In time<\/strong><\/em>, it is a journey through the work of Carlos C\u00e1novas<\/strong> from the 80s to the present through 128 photographs grouped in six successive series: Tapias (1980), Extramuros (1983-1990), Vall\u00e8s Oriental (1990), Landscape Without return (1993-1994), Landscape anonymous (1992-2005) and Seventh heaven (2007-2017).<\/p>\n

In this exhibition, the urban landscape is the main protagonist, an urban landscape of which he is particularly interested in the spaces where nature and the intervention of man converge, and which he collects in images with a strong aesthetic and poetic dimension. Those landscapes that he considers as interstitial, located in the city limits, suggest multiple readings around the concepts of space, distance and time, concepts that he also uses for his particular reflection on photography itself. As C\u00e1novas himself affirms,<\/p>\n<\/div>\n

\n
\n

\u201cthe only thing the photographer does is to try to make the things that his images reflect reflect his previous ideas, and also, perhaps less deliberately, but not least, his doubts\u201d.<\/p>\n<\/blockquote>\n

\"Paisaje
Landscape without return, Bilbao, 1993<\/span><\/figcaption><\/figure>\n

The work of Carlos C\u00e1novas, as a whole, constitutes a kind of critical record on the transformation of the urban. At the same time, this exhibition highlights the author’s idea about photography itself,<\/p>\n

\n

\u201can activity permeable to personal experience, in each place and at each moment, an experience that can manifest itself in different responses\u201d<\/p>\n<\/blockquote>\n

but that, from its poetic charge, it revolves intensely around the ideas of time and distance.<\/p>\n<\/div>\n

In the time. Carlos C\u00e1novas<\/strong><\/a>
\nFrom May 30 to September 9, 2018
\nIco Museum, Madrid, Spain[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] \u201cSus fotograf\u00edas son monumentos po\u00e9ticos construidos en momentos intermedios que preceden o rememoran grandes cambios sociales e industriales, que dejan huellas en el espacio que habitamos\u201d. En el tiempo, constituye un recorrido por el trabajo de Carlos C\u00e1novas desde los a\u00f1os 80 hasta la actualidad a trav\u00e9s de 128 fotograf\u00edas agrupadas en seis series […]<\/p>\n","protected":false},"author":2,"featured_media":69271,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[212,13602,319,516,556,12460,7586,920,977,978,1286],"class_list":["post-69270","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-bilbao","tag-carlos-canovas","tag-ciudad-contemporanea","tag-espacio-publico","tag-exposicion","tag-fotografia","tag-museo-ico","tag-naturaleza","tag-paisaje","tag-paisaje-urbano","tag-territorio"],"yoast_head":"\n[:es]En el tiempo. Carlos C\u00e1novas[:gl]No tempo. Carlos C\u00e1novas[:en]En el tiempo. 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