{"id":68429,"date":"2018-05-18T00:01:59","date_gmt":"2018-05-17T22:01:59","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=68429"},"modified":"2022-02-15T01:06:15","modified_gmt":"2022-02-15T00:06:15","slug":"lenguaje-los-arquitectos-i-stepienybarno","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/lenguaje-los-arquitectos-i-stepienybarno\/","title":{"rendered":"[:es]El lenguaje de los arquitectos (I) | Stepienybarno[:gl]A linguaxe dos arquitectos (I) | Stepienybarno[:en]The language of the architects (I) | Stepienybarno[:]"},"content":{"rendered":"<p>[:es]<figure id=\"attachment_68431\" aria-describedby=\"caption-attachment-68431\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-68431 size-full\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957.jpg\" alt=\"12 hombres sin piedad, 12 Angry Men, de Sidney Lumet, 1957\" width=\"1200\" height=\"722\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957.jpg 1200w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957-300x180.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957-1024x616.jpg 1024w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-68431\" class=\"wp-caption-text\"><span style=\"color: #999999;\">12 hombres sin piedad, 12 Angry Men, de Sidney Lumet, 1957<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">\u00bfPor qu\u00e9 cuando hablan ciertos\u00a0 arquitectos no se les entiende pr\u00e1cticamente nada de lo que quieren decir y ni siquiera otros arquitectos somos capaces de saber por d\u00f3nde van los tiros? \u00bfY qu\u00e9 pasa cuando una persona ajena a la arquitectura oye hablar a los arquitectos \u201cde sus cosas\u201d?<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><strong><em>\u201cLa arquitectura ni es, ni se comporta como un lenguaje; no explica, no narra historias, ni ofrece argumentos y si lo hace har\u00e1 el rid\u00edculo. La arquitectura trata temas y presencias que expresan ideas o valores de un modo muy general y siempre directo, sin mediaciones literarias o discursivas\u201d. \u00a0<\/em><\/strong><\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/veredes.es\/blog\/tag\/emili-donato\/\" target=\"_blank\" rel=\"noopener\">Emili Donato<\/a><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Este concepto va de la mano del \u00a0planteamiento plat\u00f3nico, que ya nos avisaba que el lenguaje existe y se manifiesta en una sola direcci\u00f3n y puede jugar con su temporalidad, mientras que el espacio funciona en todas las direcciones y su tiempo es siempre hac\u00eda delante. Por lo que la correlaci\u00f3n entre ambos es m\u00e1s complicada de lo que en un principio pudiera \u00a0parecer. A pesar de ello, los arquitectos nos empa\u00f1amos en narrar lo que la arquitectura deber\u00eda estar contando por ella misma. Y lo peor de todo, no es que hablemos de lo que nos ronda por la cabeza mientras se plantea el proyecto, lo peor es que en muchos casos no sabemos traducir correctamente estas ideas a palabras que sean entendibles para el com\u00fan de los mortales.<\/p>\n<p style=\"text-align: justify;\">Conviene recordar, que la arquitectura no se hace para nosotros los arquitectos, sino para el resto de la gente. Este concepto que parece una obviedad, a veces se le olvida a m\u00e1s de uno. As\u00ed que cuando el arquitecto se enfrenta a un cliente o a un p\u00fablico no docto en la disciplina \u00bfen qu\u00e9 idioma les habla? Creemos que por desgracia se tiene cierta tendencia al\u00a0<a href=\"https:\/\/veredes.es\/blog\/manual-de-discurso-automatico-para-arquitectos-jose-ramon-hernandez-correa\/\" target=\"_blank\" rel=\"noopener\">\u201c<em>discurso del arquitecto<\/em>\u201d<\/a>\u2026.<\/p>\n<p style=\"text-align: justify;\">Pero \u00bfqu\u00e9 entiende un particular, que tiene la inocente pretensi\u00f3n de hacerse una casita tradicional (que bien pudiera ser de estilo r\u00fastico) con su porche y su piscina, cuando el arquitecto presa de sus instintos le deleita con un lenguaje que le es totalmente ajeno? Qu\u00e9 pensar\u00e1 del arquitecto cuando \u00e9ste se arranque \u00a0con frases de corte un tanto endog\u00e1mico tipo:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cel edificio quedar\u00e1 fuera de escala\u201d<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">o el t\u00edpico<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cas\u00ed los dos vol\u00famenes pueden entablar un di\u00e1logo entre s\u00ed\u201d<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">o la no menos habitual<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201c\u00e9sta es la forma de que la arquitectura quede enraizada y \u00a0se agarre al suelo\u201d.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Mucho nos tememos, que estos comentarios no har\u00e1n otra cosa que hacer pensar al cliente que se encuentra ante \u201cel artista de turno\u201d, que seguramente manejar\u00e1 los ahorros de toda su vida (pasada y futura), de manera demasiado alegre e irresponsable.<\/p>\n<p style=\"text-align: justify;\">Otro aspecto del lenguaje arquitect\u00f3nico, es el del\u00a0 \u201c<a href=\"https:\/\/veredes.es\/blog\/discurso-automatico-justificacion-teorica-locura-y-combinatoria-jose-ramon-hernandez-correa\/\" target=\"_blank\" rel=\"noopener\">metalenguaje<\/a>\u201d. Que no es otra cosa que la palabrer\u00eda que algunos arquitectos inventan para hacernos ver lo instruidos y le\u00eddos que son. Aunque la realidad sea, que muchas veces ni ellos mismos saben lo que est\u00e1n diciendo. Ante este tipo de situaciones, nosotros tenemos cierta tendencia a la evasi\u00f3n. Ni nos va ni nos viene, m\u00e1s bien se pudiera decir, que no nos interesa demasiado aquello que en un tiempo razonable, no hemos sido capaces de entender.<\/p>\n<p style=\"text-align: justify;\">Y no nos queremos extender m\u00e1s sobre el tema, porque seguro que vosotros ten\u00e9is mucho que contarnos sobre <em>palabra y palabrer\u00eda<\/em> en la arquitectura&#8230;.<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"GdtGzzIHIK\"><p><a href=\"https:\/\/veredes.es\/blog\/lenguaje-los-arquitectos-ii-stepienybarno\/\">[:es]El lenguaje de los arquitectos (II) | Stepienybarno[:gl]A linguaxe dos arquitectos (II) | Stepienybarno[:en]The language of the architects (II) | Stepienybarno[:]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00ab[:es]El lenguaje de los arquitectos (II) | Stepienybarno[:gl]A linguaxe dos arquitectos (II) | Stepienybarno[:en]The language of the architects (II) | Stepienybarno[:]\u00bb \u2014 veredes\" src=\"https:\/\/veredes.es\/blog\/lenguaje-los-arquitectos-ii-stepienybarno\/embed\/#?secret=ayJ5haJZBX#?secret=GdtGzzIHIK\" data-secret=\"GdtGzzIHIK\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.stepienybarno.es\/\">Stepienybarno<\/a>_Agnieszka Stepien y Lorenzo Barn\u00f3, arquitectos<br \/>\nEstella,\u00a0Diciembre 2009<\/p>\n<p>[:gl]<figure id=\"attachment_68431\" aria-describedby=\"caption-attachment-68431\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-68431\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957-1024x616.jpg\" alt=\"12 hombres sin piedad, 12 Angry Men, de Sidney Lumet, 1957\" width=\"640\" height=\"385\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957-1024x616.jpg 1024w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957-300x180.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-68431\" class=\"wp-caption-text\"><span style=\"color: #999999;\">12 homes sen piedade, 12 Angry Men, de Sidney Lumet, 1957<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">Por que cando falan certos arquitectos non se lles entende practicamente nada do que queren dicir e nin sequera outros arquitectos somos capaces de saber por onde van os tiros? E que pasa cando unha persoa allea \u00e1 arquitectura oe falar aos arquitectos \u201cdas s\u00faas cousas\u201d?<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><strong><em>\u201cA arquitectura nin \u00e9, nin se comporta como unha linguaxe; non explica, non narra historias, nin ofrece argumentos e se o fai far\u00e1 o rid\u00edculo. A arquitectura trata temas e presenzas que expresan ideas ou valores dun modo moi xeral e sempre directo, sen mediaci\u00f3ns literarias ou discursivas\u201d. \u00a0<\/em><\/strong><\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/veredes.es\/blog\/gl\/tag\/emili-donato\/\" target=\"_blank\" rel=\"noopener\">Emili Donato<\/a><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Este concepto vai da man da formulaci\u00f3n plat\u00f3nico, que xa nos avisaba que a linguaxe existe e manif\u00e9stase nunha soa direcci\u00f3n e pode xogar coa s\u00faa temporalidade, mentres que o espazo funciona en todas as direcci\u00f3ns e o seu tempo \u00e9 sempre fac\u00eda diante. Polo que a correlaci\u00f3n entre ambos \u00e9 m\u00e1is complicada do que nun principio puidese parecer. A pesar diso, os arquitectos embaz\u00e1monos en narrar o que a arquitectura deber\u00eda estar a contar por ela mesma. E o peor de todo, non \u00e9 que falemos do que nos rolda pola cabeza mentres se exp\u00f3n o proxecto, o peor \u00e9 que en moitos casos non sabemos traducir correctamente estas ideas a palabras que sexan entendibles para o com\u00fan dos mortais.<\/p>\n<p style=\"text-align: justify;\">Conv\u00e9n lembrar, que a arquitectura non se fai para n\u00f3s os arquitectos, sen\u00f3n para o resto da xente. Este concepto que parece unha obviedad, \u00e1s veces esqu\u00e9ceselle a m\u00e1is dun. As\u00ed que cando o arquitecto enfr\u00f3ntase a un cliente ou a un p\u00fablico non docto na disciplina en que idioma f\u00e1lalles? Cremos que por desgraza tense certa tendencia ao <a href=\"https:\/\/veredes.es\/blog\/gl\/manual-de-discurso-automatico-para-arquitectos-jose-ramon-hernandez-correa\/\" target=\"_blank\" rel=\"noopener\">\u201c<em>discurso del arquitecto<\/em>\u201d<\/a>\u2026.<\/p>\n<p style=\"text-align: justify;\">Pero que entende un particular, que ten a inocente pretensi\u00f3n de facerse unha casi\u00f1a tradicional (que ben puidese ser de estilo r\u00fastico) co seu soportal e a s\u00faa piscina, cando o arquitecto presa dos seus instintos del\u00e9italle cunha linguaxe que lle \u00e9 totalmente alleo? Que pensar\u00e1 do arquitecto cando este arr\u00ednquese con frases de corte un tanto endog\u00e1mico tipo:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201co edificio quedar\u00e1 f\u00f3ra de escala\u201d<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">ou o t\u00edpico<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cas\u00ed os dous volumes poden establecer un di\u00e1logo entre si\u201d<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">ou a non menos habitual<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cesta \u00e9 a forma de que a arquitectura quede enraizada e ag\u00e1rrese ao chan\u201d.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Moito nos tememos, que estes comentarios non far\u00e1n outra cousa que facer pensar ao cliente que se atopa ante \u201co artista de quenda\u201d, que seguramente manexar\u00e1 os aforros de toda a s\u00faa vida (pasada e futura), de maneira demasiado alegre e irresponsable.<\/p>\n<p style=\"text-align: justify;\">Outro aspecto da linguaxe arquitect\u00f3nica, \u00e9 o da <a href=\"https:\/\/veredes.es\/blog\/gl\/discurso-automatico-justificacion-teorica-locura-y-combinatoria-jose-ramon-hernandez-correa\/\" target=\"_blank\" rel=\"noopener\">\u201cmetalinguaxe<\/a>\u201d. Que non \u00e9 outra cousa que a palabrer\u00eda que alg\u00fans arquitectos inventan para facernos ver o instru\u00eddos e lidos que son. A\u00ednda que a realidade sexa, que moitas veces nin eles mesmos saben o que est\u00e1n a dicir. Ante este tipo de situaci\u00f3ns, n\u00f3s temos certa tendencia \u00e1 evasi\u00f3n. Nin nos vai nin nos v\u00e9n, m\u00e1is ben puid\u00e9sese dicir, que non nos interesa demasiado aquilo que nun tempo razoable, non fomos capaces de entender.<\/p>\n<p style=\"text-align: justify;\">E non nos queremos estender m\u00e1is sobre o tema, porque seguro que v\u00f3s tedes moito que contarnos sobre p<em>alabra e palabrer\u00eda<\/em> na arquitectura&#8230;.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.stepienybarno.es\/\">Stepienybarno<\/a>_Agnieszka Stepien\u00a0e Lorenzo Barn\u00f3, arquitectos<br \/>\nEstella,\u00a0Decembreo 2009<\/p>\n<p>[:en]<figure id=\"attachment_68431\" aria-describedby=\"caption-attachment-68431\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-68431\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957-1024x616.jpg\" alt=\"12 hombres sin piedad, 12 Angry Men, de Sidney Lumet, 1957\" width=\"640\" height=\"385\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957-1024x616.jpg 1024w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957-300x180.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El-lenguaje-de-los-arquitectos-I-Stepienybarno-12-hombres-sin-piedad-12-Angry-Men-de-Sidney-Lumet-1957.jpg 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-68431\" class=\"wp-caption-text\"><span style=\"color: #999999;\">12 Angry Men,\u00a0by Sidney Lumet, 1957<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">Why when certain architects speak they there is not understood practically anything of what they want to say and not even other architects are we capable of knowing where the shots go? And what happens when a person foreign to the architecture hears speaking to the architects \u201cabout his things\u201d?<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><strong><em>\u201cThe architecture neither is, nor behaves as a language; it does not explain, neither narrates histories, nor offers arguments and if it does it it will do the ridiculous one. The architecture treats topics and presences that express ideas or values of a very general way and always directly, without literary or discursive mediations\u201d. \u00a0<\/em><\/strong><\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/veredes.es\/blog\/en\/tag\/emili-donato\/\" target=\"_blank\" rel=\"noopener\">Emili Donato<\/a><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">This concept goes of the hand of the platonic exposition, which already was warning us that the language exists and demonstrates in an alone direction and can play with his temporality, whereas the space works in all the directions and his time is always it was doing ahead. By what the correlation between both is more complicated of what in a beginning could seem. In spite of it, the architects we mist ourselves in narrating what the architecture should be counting for her itself. And the worse thing of everything, it is not that we speak what courts us for the head while the project appears, the worse thing is that in many cases we cannot translate correctly these ideas into words that are understandable for the common one of the mortal ones.<\/p>\n<p style=\"text-align: justify;\">It suits to remember, that the architecture does not do to itself for us the architects, but for the rest of the people. This concept that looks like an obviedad, sometimes forgets to more of one. So when the architect faces a client or a not learned public in the discipline in what language does he speak to them? We think that unfortunately certain trend is had to the <a href=\"https:\/\/veredes.es\/blog\/en\/manual-de-discurso-automatico-para-arquitectos-jose-ramon-hernandez-correa\/\" target=\"_blank\" rel=\"noopener\">\u201c<\/a><a href=\"https:\/\/veredes.es\/blog\/en\/manual-de-discurso-automatico-para-arquitectos-jose-ramon-hernandez-correa\/\" target=\"_blank\" rel=\"noopener\"><em>speech of the architect<\/em> <\/a>\u201d\u2026.<\/p>\n<p style=\"text-align: justify;\">But what understands an individual, who has the innocent pretension to a traditional little house be done (that well could be of rustic style) with his porch and his swimming pool, when the architect dam of his instincts delights with a language that him is totally foreign? What will think about the architect when this one starts with phrases of court rather endog\u00e1mico type:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cthe building will stay out of scale\u201d<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">or the typical one<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cthis way both volumes can begin a dialog between yes\u201d<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">or not less habitual<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cthis one is the form of which the architecture remains deeply rooted and fights to the soil\u201d.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Much we are afraid, that these comments will not do another thing that to make think to the client who thinks before \u201cthe artist of shift\u201d, that surely he will handle the savings of all his life (past and future), in a too happy and irresponsible way.<\/p>\n<p style=\"text-align: justify;\">Another aspect of the architectural language, it is that of the \u201c<a href=\"https:\/\/veredes.es\/blog\/en\/discurso-automatico-justificacion-teorica-locura-y-combinatoria-jose-ramon-hernandez-correa\/\" target=\"_blank\" rel=\"noopener\">metalanguage<\/a>\u201d. That is not another thing that the fllood of words that some architects invent to make ourselves to see instructed and well-read that are. Though the reality is, that often they themselves do not even know what they are saying. Before this type of situations, us we have certain trend to the evasion. It us neither goes it us nor comes, rather it was possible to say, that we are not interested too much in that one that in a reasonable time, we have not been capable of dealing.<\/p>\n<p style=\"text-align: justify;\">And we do not want to spread any more on the topic, because there is sure that you have great that to count to us on <em>word and fllood of word<\/em>s in the architecture&#8230;.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.stepienybarno.es\/\">Stepienybarno<\/a>_Agnieszka Stepien and Lorenzo Barn\u00f3, architects<br \/>\nEstella,\u00a0December 2009<\/p>\n<p>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] \u00bfPor qu\u00e9 cuando hablan ciertos\u00a0 arquitectos no se les entiende pr\u00e1cticamente nada de lo que quieren decir y ni siquiera otros arquitectos somos capaces de saber por d\u00f3nde van los tiros? \u00bfY qu\u00e9 pasa cuando una persona ajena a la arquitectura oye hablar a los arquitectos \u201cde sus cosas\u201d? \u201cLa arquitectura ni es, ni [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":68431,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[6471,103,12448,5427,3652,3645,3646,458,12647,1576,3653,4659,1021,12473,1278],"class_list":["post-68429","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-agnieszka-stepien","tag-alvaro-siza-vieira","tag-arquitectura","tag-carlos-puente","tag-discurso","tag-discurso-automatico","tag-discurso-vacio","tag-educacion","tag-emili-donato","tag-ensenanza","tag-jose-ramon-hernandez-correa","tag-lorenzo-barno","tag-pensamiento","tag-stepienybarno","tag-teoria"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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