{"id":68410,"date":"2018-07-02T00:01:12","date_gmt":"2018-07-01T22:01:12","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=68410"},"modified":"2023-09-12T16:08:31","modified_gmt":"2023-09-12T14:08:31","slug":"kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/","title":{"rendered":"[:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:]"},"content":{"rendered":"

[:es]

\"Arne
Arne Jacobsen, imagen de \u00e9poca de la casa Kokfelt vista desde el jard\u00edn (h.1957).<\/span><\/figcaption><\/figure><\/p>\n

La casa\u00a0Kokfelt<\/strong>, m\u00e1s que una casa, es una forma de vida, una\u00a0d\u00edaita<\/em>\u00a0o\u00a0di\u00e6ta<\/em>\u00a0que dir\u00edan los cl\u00e1sicos. Fue dise\u00f1ada por el dan\u00e9s\u00a0Arne Jacobsen<\/strong>\u00a0entre 1955 y terminada de construir\u00a0en 1957 como alojamiento de verano para una peque\u00f1a familia. No es de esas piezas memorables por su car\u00e1cter mod\u00e9lico en t\u00e9rminos formales ni tecnol\u00f3gicos, pero a su autor le permiti\u00f3 afianzar una l\u00ednea de investigaci\u00f3n dom\u00e9stica que dar\u00eda frutos tan brillantes como la\u00a0Siesby\u00a0<\/strong><\/a>(1957) y la\u00a0Jensen\u00a0<\/strong><\/a>(1960), seguramente m\u00e1s conocidas por todos.<\/p>\n

M\u00e1s all\u00e1 de tratar aqu\u00ed de su g\u00e9nesis, me parece oportuno dedicar esta reflexi\u00f3n a prop\u00f3sito de dos de sus mejores atributos por ser hoy tan despreciados (cuando no denostados): la\u00a0econom\u00eda de medios<\/strong>\u00a0y la\u00a0discreci\u00f3n<\/strong>. Pese a ello (o precisamente por ello) la soluci\u00f3n definitiva muestra una belleza inusitada, basada en lo simple, en lo efectivo y comedido, sin que ello signifique renunciar a la experimentaci\u00f3n. Sin lugar a dudas, la casa\u00a0Kokfelt es uno de los ejercicios m\u00e1s sint\u00e9ticos y precisos de toda la obra de Jacobsen. Es seguramente una de esas obras de la posguerra que mejor responden al\u00a0Nuevo Empirismo\u00a0escandinavo<\/strong><\/a>. Su f\u00f3rmula es b\u00e1sica: una\u00a0tipolog\u00eda de \u201ccasa-belvedere\u201d<\/strong>\u00a0de configuraci\u00f3n compacta y construcci\u00f3n elemental.<\/p>\n

\n

Una \u201ccaja panor\u00e1mica\u201d \u00edntimamente vinculada al paisaje<\/strong>.<\/p>\n<\/blockquote>\n

Inicialmente parece que acabar\u00eda siendo una casa de planta baja \u00fanica como algunas que ya hab\u00eda proyectado en los alrededores de Copenhague. Pero s\u00fabitamente el arquitecto dan\u00e9s cambi\u00f3 de idea. La ubicaci\u00f3n del solar al norte de la isla de Sj\u00e6lland (Tisvilde<\/strong><\/a>), junto al mar, le lleva a reconsiderar ese modelo \u201creptante\u201d por uno que se despega del terreno plano con un sencillo artificio: su acostumbrado peque\u00f1o volumen de servicio (garaje y almac\u00e9n) pasa a ser el podio sobre el que se posa el principal de uso habitacional. As\u00ed, sin aumentar el tama\u00f1o de la obra, todas las piezas de la casa disponen de sol, aire y, sobre todo, vistas sobre el horizonte marino, cosa imposible a ras de suelo all\u00ed.\u00a0El paisaje siempre es una clave fundamental en toda la obra de Jacobsen<\/strong>\u20261<\/sup><\/p>\n

\"Jacobsen
Jacobsen plantas del proyecto definitivo para la casa Kokfelt (1955-56).<\/span><\/figcaption><\/figure>\n

Esta\u00a0escisi\u00f3n funcional<\/strong>\u00a0(espacios de servicio abajo, espacios vivideros arriba) compromete a las dem\u00e1s, tanto en t\u00e9rminos formales como constructivos. El volumen superior concierta sus dimensiones con el inferior, alz\u00e1ndose como caja ligera de madera que vuela sim\u00e9tricamente respecto a sendos muros ciegos de ladrillo del cuerpo de apoyo. Esta\u00a0b\u00e1sica simetr\u00eda estructural<\/strong>\u00a0es realmente efectiva como p\u00f3rtico de luz reducida, y permite reducir la excavaci\u00f3n y la cimentaci\u00f3n, opci\u00f3n muy interesante para una casa de bajo coste como \u00e9sta. Adem\u00e1s Jacobsen logra aquilatar m\u00e1s el presupuesto gracias a una\u00a0estandarizaci\u00f3n dimensional\u00a0<\/strong>(estrategia que seguir\u00e1 aplicando hasta su \u00faltimas viviendas, como las\u00a0casas modulares\u00a0prefabricadas \u201cKubeflex\u201c<\/strong><\/a>). Esta opci\u00f3n conlleva un ritmo constante de intervalos id\u00e9nticos tanto para la subestructura de madera de los forjados como para la de los cerramientos, que a su vez coinciden con las particiones interiores. En fin, toda una \u201csinfon\u00eda modular<\/strong>\u201d sin que se trate de una construcci\u00f3n estandarizada, siguiendo\u00a0la tradici\u00f3n danesa.<\/p>\n

Para romper con esta aparente rigidez y \u201cpeque\u00f1ez\u201d dimensionales, la forma de la casa opera en sentido inverso<\/strong>. La caja de madera toma mayor altura hacia el lado oeste, inclinando as\u00ed la pendiente hacia el este, en sentido corto. Ese privilegio dimensional de una de las fachadas alargadas se hace corresponder con la orientaci\u00f3n de los dormitorios y el espacio del\u00a0living<\/em>, que se vuelcan as\u00ed hacia el jard\u00edn interior de la parcela. En ese frente, el arquitecto opta por crear una galer\u00eda exterior que conecta y unifica todo el alzado, retrasando as\u00ed un metro el plano del cerramiento respecto al te\u00f3rico de la caja, como si \u00e9sta hubiera perdido su tapa de madera por ese lado.<\/p>\n

En su lugar, un cerramiento acristalado de suelo a techo resuelve de manera inteligente la fachada oeste, con una banda de ventanas altas y estrechas junto al techo (suficiente para ventilar las estancias) y otra de ventanales cuadrados fijos (donde se inserta la puerta del dormitorio principal como \u00fanico m\u00f3dulo diferente, ya que la puerta del sal\u00f3n es deslizante y cuadrada como el resto de los ventanales fijos). Esa fractura r\u00edtmica del despiece de carpinter\u00edas se refuerza con la posici\u00f3n de la escalera de bajada al jard\u00edn, colocada con precisi\u00f3n justo a la salida del dormitorio principal, en perpendicular a la baranda.<\/p>\n

\"Imagen
Escalera de bajada al jard\u00edn desde la baranda de la casa Kokfelt (h.1957).<\/span><\/figcaption><\/figure>\n

Solo un par de huecos m\u00e1s se practican en el resto de las fachadas: uno, al norte, vigilando el acceso a la parcela, con las mejores vistas del estrecho del Kattegat, junto al que se dispone la zona estancial del sal\u00f3n; y otro, m\u00e1s peque\u00f1o a\u00fan, en el lado\u00a0este (del que no tenemos testigos en ninguna fotograf\u00eda), para crear ventilaci\u00f3n cruzada y poder asomarse a la parte trasera del solar, por donde se accede a la vivienda a trav\u00e9s de una desapercibida escalera exterior.<\/p>\n

\"Casa
Casa Kokfelt hueco orientado al estrecho marino del Kattegat en el lado norte (exterior e interior).<\/span><\/figcaption><\/figure>\n

Todo es discreto en esta casa, hasta la chimenea que asoma por encima de la cubierta<\/strong>. La \u00fanica calefacci\u00f3n es el hogar colocado en el centro del\u00a0living<\/em>, lo cual permite que apenas sea\u00a0visible por encima del contorno construido. Por si acaso, mand\u00f3 pintarla de un tono claro (seguramente gris perla o azul claro, aunque las fotos en blanco y negro no nos permiten asegurar cu\u00e1l), como era costumbre suya en muchas obras en las que ese conducto pod\u00eda llegar a ser inc\u00f3moda visualmente.<\/p>\n

Discreci\u00f3n y econom\u00eda de medios. Sin hacer tampoco del \u201clow cost\u201d un homenaje barato al\u00a0arte povera<\/em><\/strong><\/a>\u00a0como ahora algunos se excusan para dejar irresueltas las necesidades inherentes de toda obra.\u00a0Oficio, sensibilidad hacia el paisaje y respeto por los habitantes<\/strong>, sean estos clientes millonarios (como los de la casa Ruthwen-J\u00fcrgensen, construida justo antes que esta) o no. Como escribi\u00f3\u00a0Theodor Adorno<\/strong>\u00a0acerca de la\u00a0relaci\u00f3n entre\u00a0t\u00e9cnica y el arte en su\u00a0Teor\u00eda Est\u00e9tica\u00a0<\/em><\/strong><\/a>(1970) :<\/p>\n

\n

\u201cLa t\u00e9cnica no es una abundancia de medios, sino la facultad atesorada de ajustarse a lo que la cosa reclama objetivamente\u201d.<\/em><\/p>\n<\/blockquote>\n

Arne Jacobsen siempre ser\u00e1 un referente de lo emp\u00edricamente posible en Arquitectura, con un encanto que solo se aprecia al visitar su obra con pausa y paciencia. Con el esp\u00edritu calmado de quien pasea por un paraje abierto pero desconocido. Con la tranquilidad y capacidad de observaci\u00f3n de quien, como \u00e9l, pinta(ba) acuarelas del natural.<\/p>\n

Rodrigo Almonacid [r-arquitectura<\/a><\/span>] \u00b7 doctor arquitecto
\nValladolid.\u00a0abril 2014<\/p>\n

Notas:<\/p>\n

1<\/sup>.\u00a0Quiz\u00e1 esta haya sido la\u00a0aportaci\u00f3n m\u00e1s valiosa de mi\u00a0tesis doctoral<\/a>.<\/strong>[:gl]

\"Arne
Arne Jacobsen, imaxe de \u00e9poca da casa Kokfelt vista dende\u00a0o\u00a0xard\u00edn (h.1957).<\/span><\/figcaption><\/figure><\/p>\n

A casa Kokfelt<\/strong>, m\u00e1is que unha casa, \u00e9 unha forma de vida, unha d\u00edaita <\/em>ou dei\u00e6<\/em> ta que dir\u00edan os cl\u00e1sicos. Foi dese\u00f1ada polo dan\u00e9s Arne Jacobsen<\/strong> entre 1955 e terminada de constru\u00edr en 1957 como aloxamento de ver\u00e1n para unha pequena familia. Non \u00e9 desas pezas memorables polo seu car\u00e1cter mod\u00e9lico en termos formais nin tecnol\u00f3xicos, pero ao seu autor permitiulle afianzar unha li\u00f1a de investigaci\u00f3n dom\u00e9stica que dar\u00eda froitos tan brillantes como a Siesby<\/strong><\/a> (1957) e a Jensen<\/strong><\/a> (1960), seguramente m\u00e1is co\u00f1ecidas por todos.<\/p>\n

M\u00e1is al\u00f3 de tratar aqu\u00ed da s\u00faa x\u00e9nese, par\u00e9ceme oportuno dedicar esta reflexi\u00f3n \u00e1 mantenta de d\u00faas dos seus mellores atributos por ser hoxe tan desprezados (cando non deostados): a econom\u00eda de medios<\/strong> e a discreci\u00f3n<\/strong>. A pesar diso (ou precisamente por iso) a soluci\u00f3n definitiva mostra unha beleza inusitada, baseada no simple, no efectivo e comedido, sen que iso signifique renunciar \u00e1 experimentaci\u00f3n. Sen d\u00fabida, a casa Kokfelt \u00e9 un dos exercicios m\u00e1is sint\u00e9ticos e precisos de toda a obra de Jacobsen. \u00c9 seguramente una desas obras da posguerra que mellor responden ao Novo Empirismo\u00a0escandinavo<\/strong><\/a>. A s\u00faa f\u00f3rmula \u00e9 b\u00e1sica: unha tipolox\u00eda<\/strong> de \u201ccasa- belvedere\u201d<\/strong> de configuraci\u00f3n compacta e construci\u00f3n elemental.<\/p>\n

\n

Unha \u201ccaixa panor\u00e1mica\u201d intimamente vinculada \u00e1 paisaxe.<\/strong><\/p>\n<\/blockquote>\n

Inicialmente parece que acabar\u00eda sendo unha casa de planta baixa \u00fanica como algunhas que xa proxectara nos arredores de Copenhague. Pero s\u00fabitamente o arquitecto dan\u00e9s cambiou de idea. A localizaci\u00f3n do solar ao norte da illa de Sj\u00e6 lland (Tisvilde<\/strong><\/a>), xunto ao mar, l\u00e9valle a reconsiderar ese modelo \u201c reptante\u201d por un que se despega do terreo plano cun sinxelo artificio: o seu afeito pequeno volume de servizo (garaxe e almac\u00e9n) pasa a ser o podio sobre o que se pousa o principal de uso habitacional. As\u00ed, sen aumentar o tama\u00f1o da obra, todas as pezas da casa dispo\u00f1en de sol, aire e, sobre todo, vistas sobre o horizonte mari\u00f1o, cousa imposible a nivel de chan al\u00ed. A paisaxe sempre \u00e9 unha clave fundamental en toda a obra de Jacobsen\u20261<\/sup><\/strong><\/p>\n

\"Jacobsen
Jacobsen plantas de proxecto definitivo para\u00a0a casa Kokfelt (1955-56).<\/span><\/figcaption><\/figure>\n

Esta escisi\u00f3n funcional<\/strong> (espazos de servizo abaixo, espazos vivideros arriba) compromete \u00e1s demais, tanto en termos formais como construtivos. O volume superior concierta as s\u00faas dimensi\u00f3ns co inferior, alz\u00e1ndose como caixa lixeira de madeira que voa sim\u00e9tricamente respecto de senllos muros cegos de ladrillo do corpo de apoio. Esta b\u00e1sica simetr\u00eda estrutural<\/strong> \u00e9 realmente efectiva como p\u00f3rtico de luz reducida, e permite reducir a escavaci\u00f3n e a cimentaci\u00f3n, opci\u00f3n moi interesante para unha casa de baixo custo como esta. Ademais Jacobsen logra aquilatar m\u00e1is o orzamento grazas a unha estandarizaci\u00f3n dimensional (estratexia que seguir\u00e1 aplicando ata as s\u00faas \u00faltimas vivendas, como as casas modulares prefabricadas \u201cKubeflex\u201c<\/strong><\/a>). Esta opci\u00f3n leva un ritmo constante de intervalos id\u00e9nticos tanto para a subestructura de madeira dos forxados como para a dos cerramentos, que \u00e1 s\u00faa vez coinciden coas partici\u00f3ns interiores. En fin, toda unha \u201csinfon\u00eda modular<\/strong>\u201d sen que se trate dunha construci\u00f3n estandarizada, seguindo a tradici\u00f3n danesa.<\/p>\n

Para romper con esta aparente rixidez e \u201cpeque\u00f1ez\u201d dimensionales, a forma da casa opera en sentido inverso.<\/strong> A caixa de madeira toma maior altura cara ao lado oeste, inclinando as\u00ed a pendente cara ao leste, en sentido curto. Ese privilexio dimensional dunha das fachadas alongadas faise corresponder coa orientaci\u00f3n dos dormitorios e o espazo do living<\/em>, que se envorcan as\u00ed cara ao xard\u00edn interior da parcela. Nesa fronte, o arquitecto opta por crear unha galer\u00eda exterior que conecta e unifica todo o alzado, atrasando as\u00ed un metro o plano do cerramento respecto ao te\u00f3rico da caixa, coma se esta perdese a s\u00faa tapa de madeira por ese lado.<\/p>\n

No seu lugar, un cerramento acristalado de chan a teito resolve de maneira intelixente a fachada oeste, cunha banda de xanelas altas e estreitas xunto ao teito (suficiente para ventilar as estancias) e outra de vent\u00e1s cadradas fixas (onde se insere a porta do dormitorio principal como \u00fanico m\u00f3dulo diferente, xa que a porta do sal\u00f3n \u00e9 deslizante e cadrada como o resto das vent\u00e1s fixas). Esa fractura r\u00edtmica do despezamento de carpinter\u00edas ref\u00f3rzase coa posici\u00f3n da escaleira de baixada ao xard\u00edn, colocada con precisi\u00f3n xusto \u00e1 sa\u00edda do dormitorio principal, en perpendicular \u00e1 varanda.<\/p>\n

\"Imagen
Escaleira de baixada ao xard\u00edn desde a varanda da casa Kokfelt ( h.1957).<\/span><\/figcaption><\/figure>\n

S\u00f3 un par de ocos m\u00e1is se practican no resto das fachadas: un, ao norte, vixiando o acceso \u00e1 parcela, coas mellores vistas do estreito do Kattegat, xunto ao que se disp\u00f3n a zona estancial do sal\u00f3n; e outro, m\u00e1is pequeno a\u00ednda, no lado este (do que non temos testemu\u00f1as en ningunha fotograf\u00eda), para crear ventilaci\u00f3n cruzada e poder asomarse \u00e1 parte traseira do solar, por onde se accede \u00e1 vivenda a trav\u00e9s dunha desapercibida escaleira exterior.<\/p>\n

\"Casa
Casa Kokfelt oco orientado\u00a0o estreito marino del Kattegat\u00a0no lado norte (exterior e interior).<\/span><\/figcaption><\/figure>\n

Todo \u00e9 discreto nesta casa, ata a cheminea que asoma por encima da cuberta.<\/strong> A \u00fanica calefacci\u00f3n \u00e9 o fogar colocado no centro do living<\/em>, o cal permite que apenas sexa visible por encima do contorno constru\u00eddo. Polo si ou polo non, mandou pintala dun ton claro (seguramente gris perla ou azul claro, a\u00ednda que as fotos en branco e negro non nos permiten asegurar cal), como era costume seu en moitas obras nas que ese conduto pod\u00eda chegar a ser inc\u00f3moda visualmente.<\/p>\n

Discreci\u00f3n e econom\u00eda de medios. Sen facer tampouco do \u201cbaixo custo\u201d unha homenaxe barata \u00e1 arte povera<\/em><\/strong><\/a> como agora alg\u00fans se escusan para deixar irresueltas as necesidades inherentes de toda obra. Oficio, sensibilidade cara \u00e1 paisaxe e respecto polos habitantes<\/strong>, sexan estes clientes millonarios (como os da casa Ruthwen- J\u00fcrgensen, constru\u00edda xusto antes que esta) ou non. Como escribiu Theodor Adorno<\/strong> acerca da relaci\u00f3n entre\u00a0t\u00e9cnica y el arte en su\u00a0Teor\u00eda Est\u00e9tica\u00a0<\/em><\/strong><\/a>(1970) :<\/p>\n

\u201cA t\u00e9cnica non \u00e9 unha abundancia de medios, sen\u00f3n a facultade atesourada de axustarse ao que a cousa reclama obxectivamente\u201d.<\/em><\/p><\/blockquote>\n

Arne Jacobsen sempre ser\u00e1 un referente do emp\u00edricamente posible en Arquitectura, cun encanto que s\u00f3 se aprecia ao visitar a s\u00faa obra con pausa e paciencia. Co esp\u00edrito acougado de quen pasea por unha paraxe aberta pero desco\u00f1ecido. Coa tranquilidade e capacidade de observaci\u00f3n de quen, como el, pinta(ba) acuarelas do natural.<\/p>\n

Rodrigo Almonacid [r-arquitectura<\/a><\/span>] \u00b7 doutor arquitecto
\nValladolid.\u00a0abril 2014<\/p>\n

Notas:<\/p>\n

1<\/sup>.\u00a0Quiz\u00e1 esta fose a achega m\u00e1is valiosa da mi\u00f1a tese doutoral<\/a>.<\/strong>[:en]

\"Arne
Arne Jacobsen, image of epoch of the house Kokfelt dresses from the garden (h.1957).<\/span><\/figcaption><\/figure><\/p>\n

The Kokfelt<\/strong> house, more than a house, is a form of life, a d\u00edaita or di\u00e6ta that would say the classic ones. It was designed by the Danish Arne Jacobsen<\/strong> between 1955 and finished of constructing in 1957 as summer housing for a small family. It is not of these memorable pieces for his character mod\u00e9lico in formal terms not technological, but it allowed to his author to guarantee a line of domestic investigation that would give fruits as brilliant as the Siesby<\/strong><\/a> (1957) and the Jensen<\/strong><\/a>\u00a0(1960), surely more known by all.<\/p>\n

Beyond treating here of his genesis, it seems to me to be opportune to dedicate this reflection about two of his better attributes for being so despised today (when not reviled): the economy of means<\/strong> and the discretion<\/strong>. In spite of it (or precisely for it) the definitive solution shows an unusual beauty, based on the simple thing, on the effective and moderate thing, without it means to resign the experimentation. No doubt, the house Kokfelt is one of the most synthetic and precise exercises of the whole Jacobsen’s work. It is surely one of these works of the postwar period that better they answer to the New Scandinavian Empiricism<\/strong><\/a>. His formula is basic: a typology of \u201chouse-belvedere\u201d<\/strong>\u00a0of compact configuration and elementary construction.<\/p>\n

\n

A \u201cpanoramic box\u201d intimately linked to the landscape.<\/strong><\/p>\n<\/blockquote>\n

Initially it seems that it would end up by being a house of the only ground floor as some that already it had projected in the surroundings of Copenhagen. But suddenly the Danish architect changed idea. The location of the lot to the north of Sj\u00e6lland’s island (Tisvilde<\/strong><\/a>), together with the sea, this model leads him to reconsidering \u201creptante\u201d for one that becomes detached from the flat area with a simple artifice: his used small volume of service (garage and store) happens to be the podium on the one that settles the principal one of use habitacional. This way, without increasing the size of the work, all the pieces of the house have the Sun, air and, especially, dress on the marine horizon, impossible thing to evenness of soil there. The landscape always is a fundamental key in the whole Jacobsen’s work\u20261<\/sup><\/strong><\/p>\n

\"Jacobsen
Jacobsen, plant of the definitive project for the house Kokfelt (1955-56).<\/span><\/figcaption><\/figure>\n

This functional split<\/strong> (spaces of service below, spaces vivideros arrives) compromises to other, so much in formal as constructive terms. The top volume coordinates his dimensions with the low one, raising as light box of wood that demolishes symmetrically with regard to sendos blind walls of brick of the body of support. This basic structural symmetry is really effective as portico of limited light, and allows to reduce the excavation and the foundation, very interesting option for a house of low cost as this one.\u00a0In addition Jacobsen manages to assay more the budget thanks to a dimensional standardization<\/strong> (strategy that will continue applying even his last housings, as the modular prefabricated houses \u201c<\/a>Kubeflex\u201d<\/strong><\/a>). This option carries a constant pace of identical intervals so much for the substructure of wood of forged like for that of the closings, which in turn coincide with the interior partitions. In end, the whole \u201cmodular symphony<\/strong>\u201d without it is a question of a standardized construction, following the Danish tradition.<\/p>\n

To break with this apparent dimensional inflexibility and \u201csmallness\u201d, the form of the house operates in inverse sense.<\/strong> The box of wood takes major height towards the side west, inclining this way the slope eastward, in short sense. This dimensional privilege of one of the elongated fronts makes correspond with the orientation of the bedrooms and the space of the living<\/em>, which overturn this way towards the interior garden of the plot. In this front, the architect chooses to create an exterior gallery that connects and unifies the whole gathering, delaying this way a meter the plane of the closing with regard to the theoretical one of the box, as if this one had lost his lid of wood for this side.<\/p>\n

In his place, a glazed closing of soil to ceiling solves in an intelligent way the front west, with a band of high and narrow windows close to the ceiling (sufficient to ventilate the stays) and other one of square fixed large windows (where there is inserted the door of the principal bedroom as the only different module, since the door of the lounge is deslizante and squared as the rest of the fixed large windows). This rhythmic fracture of the break-down of carpentries is reinforced by the position of the stairs of descent to the garden, placed accurately rightly to the exit of the principal bedroom, in perpendicularly to the railing.<\/p>\n

\"Imagen
Stairs of descent to the garden from the railing of the house Kokfelt (h.1957).<\/span><\/figcaption><\/figure>\n

Only a couple of hollows more they are practised in the rest of the fronts: one, in the northern part, monitoring the access to the plot, with better conference of the strait of the Kattegat, close to which one arranges the zone estancial of the lounge; and other one, smaller still, in the this side (of which we do not have witnesses in any photography), to create crossed ventilation and to be able to appear to the back part of the lot, where one accedes to the housing across an unnoticed exterior stairs.<\/p>\n

\"Casa
Kokfelt House orientated to the marine strait of the Kattegat in the north side (exterior and interior).<\/span><\/figcaption><\/figure>\n

Everything is discreet in this house, up to the chimney that begins to show over the cover.<\/strong> The only heating is the home placed in the center of the living<\/em>, which allows that scarcely it should be visible over the constructed contour. Just in case, it gave the orders to paint her a clear tone (surely gray pearl or light blue, though the photos in black and white do not allow us to assure which), since it was a his custom in many works in which this conduit could manage to be inconvinient visually.<\/p>\n

Discretion and economy of means. Without not doing of \u201clow cost\u201d a cheap honoring to the povera art<\/strong> <\/em><\/a>since now either some of them apologize to make wavering the inherent needs of any work. Trade, sensibility towards the landscape and respect for the inhabitants<\/strong>, are these clients millionaires (as those of the house Ruthwen-J\u00fcrgensen, constructed just before that this) or not. Since he wrote Theodor Adorno<\/strong> brings over of the relation between technology and the art in his Aesthetic Theory<\/strong><\/a> (1970):<\/p>\n

\u201cThe technology is not an abundance of means, but the faculty hoarded of adjusting to what the thing claims objectively\u201d.<\/em><\/p><\/blockquote>\n

Arne Jacobsen always will be a modal of the empirically possible thing in Architecture, with a captivation that alone it appreciates on having visited his work with pause and patience. With the spirit calmed of whom it walks along an opened but unknown place. With the tranquility and capacity of observation whom, as him, it paints water-colors of the native.<\/p>\n

Rodrigo Almonacid [r-arquitectura<\/a><\/span>] \u00b7\u00a0PhD architect
\nValladolid.\u00a0april 2014<\/p>\n

Notes:<\/p>\n

1<\/sup>.\u00a0Probably this one has been the most valuable contribution of my doctoral thesis<\/strong><\/a>.[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] La casa\u00a0Kokfelt, m\u00e1s que una casa, es una forma de vida, una\u00a0d\u00edaita\u00a0o\u00a0di\u00e6ta\u00a0que dir\u00edan los cl\u00e1sicos. Fue dise\u00f1ada por el dan\u00e9s\u00a0Arne Jacobsen\u00a0entre 1955 y terminada de construir\u00a0en 1957 como alojamiento de verano para una peque\u00f1a familia. No es de esas piezas memorables por su car\u00e1cter mod\u00e9lico en t\u00e9rminos formales ni tecnol\u00f3gicos, pero a su autor […]<\/p>\n","protected":false},"author":25,"featured_media":68414,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[2450,7203,2539,6818,13562,184,668,815,977,1091,7887,1278,2048,1286,13563,2608,1357,12455],"class_list":["post-68410","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arne-jacobsen","tag-arquitectura-danesa","tag-arquitectura-del-paisaje","tag-arquitectura-nordica","tag-arte-povera","tag-bajo-coste","tag-historia","tag-maestro","tag-paisaje","tag-prefabricacion","tag-rodrigo-almonacid-canseco","tag-teoria","tag-teoria-e-historia","tag-territorio","tag-theodor-adorno","tag-tipologia","tag-vivienda-bajo-coste","tag-vivienda-unifamiliar"],"yoast_head":"\n[:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:] - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: [:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/rodrigoalmonacidcanseco\" \/>\n<meta property=\"article:published_time\" content=\"2018-07-01T22:01:12+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-09-12T14:08:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Kokfelt-casa-m\u00ednima-de-intensidad-m\u00e1xima-Rodrigo-Almonacid-Arne-Jacobsen-imagen-de-\u00e9poca-de-la-casa-Kokfelt-vista-desde-el-jard\u00edn-h.1957..jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Rodrigo Almonacid Canseco\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/ro_almonacid\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rodrigo Almonacid Canseco\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/\"},\"author\":{\"name\":\"Rodrigo Almonacid Canseco\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/2bd6a102123b7b5590e19bfadb88493c\"},\"headline\":\"[:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:]\",\"datePublished\":\"2018-07-01T22:01:12+00:00\",\"dateModified\":\"2023-09-12T14:08:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/\"},\"wordCount\":3686,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/Kokfelt-casa-m\u00ednima-de-intensidad-m\u00e1xima-Rodrigo-Almonacid-Arne-Jacobsen-imagen-de-\u00e9poca-de-la-casa-Kokfelt-vista-desde-el-jard\u00edn-h.1957..jpg\",\"keywords\":[\"Arne Jacobsen\",\"arquitectura danesa\",\"arquitectura del paisaje\",\"arquitectura n\u00f3rdica\",\"arte povera\",\"bajo coste\",\"historia\",\"maestro\",\"paisaje\",\"prefabricaci\u00f3n\",\"Rodrigo Almonacid Canseco\",\"teor\u00eda\",\"teor\u00eda e historia\",\"territorio\",\"Theodor Adorno\",\"tipolog\u00eda\",\"vivienda bajo coste\",\"vivienda unifamiliar\"],\"articleSection\":[\"art\u00edculos\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/\",\"name\":\"[:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:] - veredes\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/Kokfelt-casa-m\u00ednima-de-intensidad-m\u00e1xima-Rodrigo-Almonacid-Arne-Jacobsen-imagen-de-\u00e9poca-de-la-casa-Kokfelt-vista-desde-el-jard\u00edn-h.1957..jpg\",\"datePublished\":\"2018-07-01T22:01:12+00:00\",\"dateModified\":\"2023-09-12T14:08:31+00:00\",\"description\":\"Toda la informaci\u00f3n sobre: [:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:]\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/Kokfelt-casa-m\u00ednima-de-intensidad-m\u00e1xima-Rodrigo-Almonacid-Arne-Jacobsen-imagen-de-\u00e9poca-de-la-casa-Kokfelt-vista-desde-el-jard\u00edn-h.1957..jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/Kokfelt-casa-m\u00ednima-de-intensidad-m\u00e1xima-Rodrigo-Almonacid-Arne-Jacobsen-imagen-de-\u00e9poca-de-la-casa-Kokfelt-vista-desde-el-jard\u00edn-h.1957..jpg\",\"width\":1200,\"height\":1200,\"caption\":\"Arne Jacobsen imagen de \u00e9poca de la casa Kokfelt vista desde el jard\u00edn (h.1957).\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/2bd6a102123b7b5590e19bfadb88493c\",\"name\":\"Rodrigo Almonacid Canseco\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2024\\\/05\\\/Rodrigo-Almonacid-Canseco-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2024\\\/05\\\/Rodrigo-Almonacid-Canseco-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2024\\\/05\\\/Rodrigo-Almonacid-Canseco-96x96.jpg\",\"caption\":\"Rodrigo Almonacid Canseco\"},\"description\":\"(Teruel, 1974). Licenciado en Arquitectura (1999) con premio extraordinario y Doctor \u201ccum laude\u201d en Arquitectura por la Universidad de Valladolid (2013), compagina su actividad acad\u00e9mica como profesor doctor de la E.T.S. de Arquitectura de Valladolid con la profesional al frente de su propio estudio [r-arquitectura]. Es autor de dos libros: Mies van der Rohe: el espacio de la ausencia (2006); y El paisaje codificado en la arquitectura de Arne Jacobsen (2016). Colaborador habitual en blogs de actualidad y cr\u00edtica arquitect\u00f3nica.\",\"sameAs\":[\"https:\\\/\\\/rarquitectura.wordpress.com\\\/\",\"https:\\\/\\\/www.facebook.com\\\/rodrigoalmonacidcanseco\",\"https:\\\/\\\/www.instagram.com\\\/ro_almonacid\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/ro_almonacid\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/rodrigo-almonacid-canseco\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"[:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:] - veredes","description":"Toda la informaci\u00f3n sobre: [:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:]","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/","og_locale":"es_ES","og_type":"article","og_title":"[:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:] - veredes","og_description":"Toda la informaci\u00f3n sobre: [:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:]","og_url":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/rodrigoalmonacidcanseco","article_published_time":"2018-07-01T22:01:12+00:00","article_modified_time":"2023-09-12T14:08:31+00:00","og_image":[{"width":1200,"height":1200,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Kokfelt-casa-m\u00ednima-de-intensidad-m\u00e1xima-Rodrigo-Almonacid-Arne-Jacobsen-imagen-de-\u00e9poca-de-la-casa-Kokfelt-vista-desde-el-jard\u00edn-h.1957..jpg","type":"image\/jpeg"}],"author":"Rodrigo Almonacid Canseco","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/ro_almonacid","twitter_site":"@veredes","twitter_misc":{"Escrito por":"Rodrigo Almonacid Canseco","Tiempo de lectura":"6 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/"},"author":{"name":"Rodrigo Almonacid Canseco","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/2bd6a102123b7b5590e19bfadb88493c"},"headline":"[:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:]","datePublished":"2018-07-01T22:01:12+00:00","dateModified":"2023-09-12T14:08:31+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/"},"wordCount":3686,"commentCount":0,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Kokfelt-casa-m\u00ednima-de-intensidad-m\u00e1xima-Rodrigo-Almonacid-Arne-Jacobsen-imagen-de-\u00e9poca-de-la-casa-Kokfelt-vista-desde-el-jard\u00edn-h.1957..jpg","keywords":["Arne Jacobsen","arquitectura danesa","arquitectura del paisaje","arquitectura n\u00f3rdica","arte povera","bajo coste","historia","maestro","paisaje","prefabricaci\u00f3n","Rodrigo Almonacid Canseco","teor\u00eda","teor\u00eda e historia","territorio","Theodor Adorno","tipolog\u00eda","vivienda bajo coste","vivienda unifamiliar"],"articleSection":["art\u00edculos","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/","url":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/","name":"[:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:] - veredes","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Kokfelt-casa-m\u00ednima-de-intensidad-m\u00e1xima-Rodrigo-Almonacid-Arne-Jacobsen-imagen-de-\u00e9poca-de-la-casa-Kokfelt-vista-desde-el-jard\u00edn-h.1957..jpg","datePublished":"2018-07-01T22:01:12+00:00","dateModified":"2023-09-12T14:08:31+00:00","description":"Toda la informaci\u00f3n sobre: [:es]Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid[:gl]Kokfelt, casa m\u00ednima de intensidade m\u00e1xima | Rodrigo Almonacid[:en]Kokfelt, minimal house of maximum intensity | Rodrigo Almonacid[:]","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Kokfelt-casa-m\u00ednima-de-intensidad-m\u00e1xima-Rodrigo-Almonacid-Arne-Jacobsen-imagen-de-\u00e9poca-de-la-casa-Kokfelt-vista-desde-el-jard\u00edn-h.1957..jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Kokfelt-casa-m\u00ednima-de-intensidad-m\u00e1xima-Rodrigo-Almonacid-Arne-Jacobsen-imagen-de-\u00e9poca-de-la-casa-Kokfelt-vista-desde-el-jard\u00edn-h.1957..jpg","width":1200,"height":1200,"caption":"Arne Jacobsen imagen de \u00e9poca de la casa Kokfelt vista desde el jard\u00edn (h.1957)."},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/kokfelt-casa-minima-intensidad-maxima-rodrigo-almonacid\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Kokfelt, casa m\u00ednima de intensidad m\u00e1xima | Rodrigo Almonacid"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/2bd6a102123b7b5590e19bfadb88493c","name":"Rodrigo Almonacid Canseco","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2024\/05\/Rodrigo-Almonacid-Canseco-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2024\/05\/Rodrigo-Almonacid-Canseco-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2024\/05\/Rodrigo-Almonacid-Canseco-96x96.jpg","caption":"Rodrigo Almonacid Canseco"},"description":"(Teruel, 1974). Licenciado en Arquitectura (1999) con premio extraordinario y Doctor \u201ccum laude\u201d en Arquitectura por la Universidad de Valladolid (2013), compagina su actividad acad\u00e9mica como profesor doctor de la E.T.S. de Arquitectura de Valladolid con la profesional al frente de su propio estudio [r-arquitectura]. Es autor de dos libros: Mies van der Rohe: el espacio de la ausencia (2006); y El paisaje codificado en la arquitectura de Arne Jacobsen (2016). Colaborador habitual en blogs de actualidad y cr\u00edtica arquitect\u00f3nica.","sameAs":["https:\/\/rarquitectura.wordpress.com\/","https:\/\/www.facebook.com\/rodrigoalmonacidcanseco","https:\/\/www.instagram.com\/ro_almonacid\/","https:\/\/x.com\/https:\/\/twitter.com\/ro_almonacid"],"url":"https:\/\/veredes.es\/blog\/author\/rodrigo-almonacid-canseco\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/68410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=68410"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/68410\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/68414"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=68410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=68410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=68410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}