{"id":68335,"date":"2018-04-12T00:01:27","date_gmt":"2018-04-11T22:01:27","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=68335"},"modified":"2021-05-29T11:26:47","modified_gmt":"2021-05-29T09:26:47","slug":"alejandro-la-sota-pontevedra-1913-madrid-1996-construirse-construir","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/alejandro-la-sota-pontevedra-1913-madrid-1996-construirse-construir\/","title":{"rendered":"[:es]Alejandro de la Sota Pontevedra 1913 \u2013 Madrid 1996. Construirse \/ Construir[:gl]Alejandro de la Sota Pontevedra 1913 \u2013 Madrid 1996. Constru\u00edrse \/ Constru\u00edr[:en]Alejandro de la Sota Pontevedra 1913 \u2013 Madrid 1996. Construirse \/ Construir[:]"},"content":{"rendered":"

[:es]<\/p>\n

Del 6 de abril al 27 de mayo<\/strong> las salas de exposiciones temporales del Sexto<\/strong> cobijan la exposici\u00f3n dedicada a la figura del arquitecto pontevedr\u00e9s Alejandro de la Sota. El Museo se suma con esta gran muestra a la celebraci\u00f3n del a\u00f1o 2018 que la Real Academia de Bellas Artes de Galicia dedica la figura de Alejandro de la Sota Mart\u00ednez.<\/p>\n

\"Alejandro<\/p>\n

Alejandro de la Sota Mart\u00ednez<\/strong><\/a> fue uno de los grandes arquitectos espa\u00f1oles del siglo XX. Por primera vez se ofrece una visi\u00f3n completa de su trayectoria vital, desde a su infancia hasta su madurez en esta exposici\u00f3n, que consta de dos partes.<\/p>\n

La primera parte recrea su ni\u00f1ez y adolescencia en Pontevedra, mientras que la segunda parte hace un extenso recorrido por sus proyectos m\u00e1s importantes y significativos a trav\u00e9s de los fondos custodiados por la Fundaci\u00f3n que lleva su nombre. Los proyectos expuestos representan las diferentes etapas de su trabajo arquitect\u00f3nico, no muy extenso, pero s\u00ed fundamental; y se complementan con material bibliogr\u00e1fico, maquetas, dibujos y muebles dise\u00f1ados por el propio Alejandro.<\/p>\n

Naci\u00f3 Alejandro en el seno de una familia ilustrada y recibi\u00f3 de ella unos genes art\u00edsticos que marcaron su personalidad. Desde muy ni\u00f1o mostr\u00f3 una inclinaci\u00f3n especial por el dibujo y la m\u00fasica. Alfonso Castelao fue su instructor en la forma de entender las caricaturas, que nunca dej\u00f3 de hacer, e Iglesias Vilarelle y Jos\u00e9 Jan\u00e9 educaron su gusto musical con mucho acierto.<\/p>\n

Cuando s\u00f3lo ten\u00eda 18 a\u00f1os hizo su primera exposici\u00f3n de caricaturas<\/a> en la sala de la Junta de Turismo, en la calle Michelena, muestra que comparti\u00f3 con su amigo del alma, Ventura de Dios,\u00a0Turi\u00f1as<\/i>. Luego ambos j\u00f3venes fueron fundadores de la revista\u00a0Cristal<\/i>\u00a0en 1932 y compartieron una velada inolvidable con Garc\u00eda Lorca en la casa del Caf\u00e9 Moderno.<\/p>\n

\"Alejandro<\/p>\n

La Guerra Civil trunc\u00f3 en dos partes sus estudios en la Escuela de Arquitectura de Madrid, tras pasar antes por la Universidad de Santiago. Alejandro perteneci\u00f3 a la primera promoci\u00f3n de la posguerra, titulada en junio de 1941, y mont\u00f3 un estudio con su compa\u00f1ero y amigo Xavier Lahuerta<\/a>.<\/p>\n

La segunda parte se centra principalmente en ocho obras emblem\u00e1ticas, desde lo dise\u00f1o del \u201cPueblo de Esquivel\u201d, en Sevilla (1952-63), hasta el edificio de Correos de Le\u00f3n (1981-84).<\/p>\n

Se hace hincapi\u00e9 en el Gobierno Civil de Tarragona (1957-62), la central lechera Clesa (1958-61) y el gimnasio del Colegio Maravillas de Madrid (1960-62), tres proyectos claves que reflejan un cambio en su carrera, cuando se sacudi\u00f3 del clasicismo imperante y se adscribi\u00f3 en los postulados de la modernidad que comenzaba a penetrar t\u00edmidamente en Espa\u00f1a, y que representaron Mies van der Rohe<\/a> y otros arquitectos europeos que emigraron a Estados Unidos.<\/p>\n

La muestra le dedica tambi\u00e9n un apartado especial a sus obras m\u00e1s pontevedresas: la Casa Dom\u00ednguez en A Caeira (1973-78) y el Pabell\u00f3n de los Deportes, buenos ejemplos de sus apuestas renovadoras.<\/p>\n

[:gl]<\/p>\n

Do 6 de abril ao 27 de maio<\/strong> as salas de exposici\u00f3ns temporais do Sexto acubillan a exposici\u00f3n dedicada \u00e1 figura do arquitecto pontevedr\u00e9s Alejandro de la Sota. O Museo s\u00famase con esta gran mostra \u00e1 celebraci\u00f3n do ano 2018 que a Real Academia de Belas Artes de Galicia dedica a figura de Alejandro de la Sota Mart\u00ednez.<\/p>\n

\"Alejandro<\/p>\n

Alejandro de la Sota Mart\u00ednez<\/strong> <\/a>foi un dos grandes arquitectos espa\u00f1ois do s\u00e9culo XX. Por primeira vez ofr\u00e9cese unha visi\u00f3n completa da s\u00faa traxectoria vital, desde a s\u00faa infancia ata a s\u00faa madurez, nesta exposici\u00f3n, que consta de d\u00faas partes.<\/p>\n

A primeira parte recrea a s\u00faa nenez e adolescencia en Pontevedra, mentres que a segunda parte fai un extenso percorrido polos seus proxectos m\u00e1is importantes e significativos a trav\u00e9s dos fondos custodiados pola Fundaci\u00f3n que leva o seu nome. Os proxectos expostos representan as diferentes etapas do seu traballo arquitect\u00f3nico, non moi extenso, pero si fundamental; e complem\u00e9ntanse con material bibliogr\u00e1fico, maquetas, debuxos e mobles dese\u00f1ados polo propio Alejandro.<\/p>\n

Naceu Alejandro no seo dunha familia ilustrada e recibiu dela uns xenes art\u00edsticos que marcaron a s\u00faa personalidade. Desde moi neno mostrou unha inclinaci\u00f3n especial polo debuxo e a m\u00fasica. Alfonso Castelao foi o seu instrutor na forma de entender as caricaturas, que nunca deixou de facer, e Iglesias Vilarelle e Jos\u00e9 Jan\u00e9 educaron o seu gusto musical con moito tino.<\/p>\n

Cando so ti\u00f1a 18 anos fixo a s\u00faa primeira exposici\u00f3n de caricaturas<\/a> na sala da Xunta de Turismo, na r\u00faa Michelena, mostra que compartiu co seu amigo da alma, Ventura de Dios,\u00a0Turi\u00f1as<\/i>. Logo ambos os dous rapaces foron fundadores da revista\u00a0Cristal<\/i>\u00a0en 1932 e compartiron unha velada inesquecible con Garc\u00eda Lorca na casa do Caf\u00e9 Moderno.<\/p>\n

\"Alejandro<\/p>\n

A Guerra Civil truncou en d\u00faas partes os seus estudos na Escola de Arquitectura de Madrid, tras pasar antes pola Universidade de Santiago. Alejandro pertenceu \u00e1 primeira promoci\u00f3n da posguerra, titulada en xu\u00f1o de 1941, e montou un estudio co seu compa\u00f1eiro e amigo Xavier Lahuerta<\/a>.<\/p>\n

A segunda parte c\u00e9ntrase principalmente en oito obras emblem\u00e1ticas, desde o dese\u00f1o do \u201cPueblo de Esquivel\u201d, en Sevilla (1952-63), ata o edificio de Correos de Le\u00f3n (1981-84).<\/p>\n

Faise fincap\u00e9 no Goberno Civil de Tarragona (1957-62), a central leiteira Clesa (1958-61) e o ximnasio do Colexio Maravillas de Madrid (1960-62), tres proxectos claves que reflicten un cambio na s\u00faa carreira, cando se sacudiu do clasicismo imperante e se adscribiu nos postulados da modernidade que comezaba a penetrar timidamente en Espa\u00f1a, e que representaron Mies van der Rohe<\/a> e outros arquitectos europeos que emigraron a Estados Unidos.<\/p>\n

A mostra ded\u00edcalle tam\u00e9n un apartado especial as s\u00faas obras m\u00e1is pontevedresas: a Casa Dom\u00ednguez na Caeira (1973-78) e o Pavill\u00f3n dos Deportes, bos exemplos das s\u00faas apostas renovadoras.<\/p>\n

[:en]<\/p>\n

From April 6 to May 27<\/strong> the rooms of temporary exhibitions of the Sexto<\/strong> one shelter the exhibition dedicated to the figure of the architect pontevedr\u00e9s Alejandro de la Sota. The Museum adds with this great sample to the celebration of the year 2018 that the Royal Academy of Fine arts of Galicia dedicates Alejandro de la Sota Mart\u00ednez’s figure.<\/p>\n

\"Alejandro<\/p>\n

Alejandro de la Sota Mart\u00ednez<\/strong> <\/a>was one of the big Spanish architects of the 20th century. For the first time there offers a complete vision of his vital path, from to his infancy up to his maturity in this exhibition, which consists of two parts.<\/p>\n

The first part recreates his childhood and adolescence in Pontevedra, whereas the second part does an extensive tour for his more important and significant projects across the funds guarded by the Foundation that takes his name. The exposed projects represent the different stages of his architectural, not very extensive work, but yes fundamentally; and they complement each other with bibliographical material, models, drawings and furniture designed by the own Alejandro.<\/p>\n

Alejandro was born in the bosom of an illustrated family and received of her a few artistic genes that marked his personality. From very child it showed a special tendency to the drawing and the music. Alfonso Castelao was his instructor in the way of understanding the cartoons, which it never stopped doing, and Churches Vilarelle and Jose Jan\u00e9 they educated his musical taste with very much success.<\/p>\n

When only he was 18 years old it did his first exhibition of cartoons<\/a> in the room of the Meeting tourism, in the street Michelena, it shows that he shared with his best friend, Ventura de Dios,\u00a0Turi\u00f1as<\/i>.. Then both young persons were founders of the magazine Crystal in 1932 and shared an unforgettable party with Garc\u00eda Lorca in the house of the Modern Coffee.<\/p>\n

\"Alejandro<\/p>\n

The Civil war truncated in two parts his studies in the School of Architecture of Madrid, after happening before for the University of Santiago. Alejandro belonged to the first promotion of the postwar period, titled in June, 1941, and mounted a study with his companion and friend Xavier Lahuerta<\/a>.<\/p>\n

The second part centres principally on eight emblematic works, from I it design of the\u00a0\u201cPueblo de Esquivel\u201d, in Seville (1952-63), up to the building of Post office of Le\u00f3n (1981-84).<\/p>\n

It is emphasized in the Civil government of Tarragona (1957-62), the central dairy Clesa (1958-61) and the gymnasium of the College You Astonish of Madrid (1960-62), three key projects that reflect a change in his career, when it shook off of the commanding classicism and was assigned in the postulates of the modernity that began to penetrate shyly in Spain, and that there represented Mies van der Rohe<\/a> and other European architects who emigrated to The United States.<\/p>\n

A special paragraph dedicates the sample also to his works more pontevedresas: the House Dom\u00ednguez in To Caeira (1973-78) and the Pavilion of the Sports, good examples of his reinnovating bets.<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Del 6 de abril al 27 de mayo las salas de exposiciones temporales del Sexto cobijan la exposici\u00f3n dedicada a la figura del arquitecto pontevedr\u00e9s Alejandro de la Sota. El Museo se suma con esta gran muestra a la celebraci\u00f3n del a\u00f1o 2018 que la Real Academia de Bellas Artes de Galicia dedica la […]<\/p>\n","protected":false},"author":2,"featured_media":68332,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[93,2631,424,4503,556,8309,619,698,815,828,1081,4444],"class_list":["post-68335","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-arquitectura-espanola","tag-dibujo","tag-diseno-de-mobiliario","tag-exposicion","tag-fundacion-alejandro-de-la-sota","tag-galicia","tag-ilustracion","tag-maestro","tag-maqueta","tag-pontevedra","tag-s-xx"],"yoast_head":"\n[:es]Alejandro de la Sota Pontevedra 1913 \u2013 Madrid 1996. Construirse \/ Construir[:gl]Alejandro de la Sota Pontevedra 1913 \u2013 Madrid 1996. 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