{"id":683,"date":"2009-12-18T12:44:24","date_gmt":"2009-12-18T11:44:24","guid":{"rendered":"http:\/\/veredes.webatu.com\/wordpress\/?p=683"},"modified":"2017-09-18T10:24:30","modified_gmt":"2017-09-18T08:24:30","slug":"nieve-negra-xesus-vazquez","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/nieve-negra-xesus-vazquez\/","title":{"rendered":"NIEVE NEGRA | Xes\u00fas V\u00e1zquez"},"content":{"rendered":"

<\/p>\n

Jes\u00fas V\u00e1zquez (Ourense, 1946) es una de las figuras m\u00e1s importantes del panorama de\u00a0 la pintura contempor\u00e1nea en Espa\u00f1a. Creador de un universo especial, practicante de la abstracci\u00f3n y la figuraci\u00f3n a un tiempo, los intereses de este artista gallego afincado en Santander son casi inabarcables: desde la historia como l\u00ednea continua de un escenario en el que los acontecimientos m\u00e1s terribles y recurrentes se desarrollan para transformarse en decorado de la existencia humana hasta el concepto de memoria, la literatura desde sus or\u00edgenes hasta nuestros d\u00edas, el jazz, la poes\u00eda contempor\u00e1nea (Paul Val\u00e9ry, Ezra Pound, T. S. Eliot), el arte, el mundo hel\u00e9nico y sus mitolog\u00edas, las ideolog\u00edas del siglo XX… es pr\u00e1cticamente imposible encontrar una definici\u00f3n para la pr\u00e1ctica pict\u00f3rica de V\u00e1zquez, adem\u00e1s de injusto, puesto que ser\u00eda un intento de esquematizar y reducir consigue atrapar al espectador como el espejo de Alicia, a trav\u00e9s del que nos adentramos en un espacio-tiempo diferente, que hace referencia a nuestra memoria personal y colectiva a la vez.<\/p>\n

\n

Nieve negra supone el intento por parte de Xes\u00fas V\u00e1zquez de representar el universo de los campos de concentraci\u00f3n a trav\u00e9s de unos trazos pict\u00f3ricos que se acercan a un mundo vac\u00edo de seres humanos en el que se trata de representar el car\u00e1cter irrepresentable de un concepto tan arraigado al devenir del siglo XX como la experiencia inhumana que se produjo en aquellos espacios de muerte en los que se trataba, de aniquilar f\u00edsica y espiritualmente a una parte de la humanidad. La exposici\u00f3n recoge la obra m\u00e1s reciente de este artista, desde el a\u00f1o 2007 al 2009, en un proyecto que a\u00fana distintos formatos como el \u00f3leo, los dibujos, la escultura o los soportes audiovisuales.<\/p>\n

Fechas:
\nDel 18 de Diciembre 2009 al 21 de Marzo 2010<\/p>\n

Comisario Alberto Ruiz de Samaniego<\/p>\n

+ www.luisseoanefund.org<\/span><\/a><\/span><\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Jes\u00fas V\u00e1zquez (Ourense, 1946) es una de las figuras m\u00e1s importantes del panorama de la pintura contempor\u00e1nea en Espa\u00f1a. Creador de un universo especial, practicante de la abstracci\u00f3n y la figuraci\u00f3n a un tiempo, los intereses de este artista gallego afincado en Santander son casi inabarcables: desde la historia como l\u00ednea continua de un escenario en el que los acontecimientos m\u00e1s terribles y recurrentes se desarrollan para transformarse en decorado de la existencia humana hasta el concepto de memoria, la literatura desde sus or\u00edgenes hasta nuestros d\u00edas, el jazz, la poes\u00eda contempor\u00e1nea (Paul Val\u00e9ry, Ezra Pound, T. S. Eliot), el arte, el mundo hel\u00e9nico y sus mitolog\u00edas, las ideolog\u00edas del siglo XX… es pr\u00e1cticamente imposible encontrar una definici\u00f3n para la pr\u00e1ctica pict\u00f3rica de V\u00e1zquez, adem\u00e1s de injusto, puesto que ser\u00eda un intento de esquematizar y reducir consigue atrapar al espectador como el espejo de Alicia, a trav\u00e9s del que nos adentramos en un espacio-tiempo diferente, que hace referencia a nuestra memoria personal y colectiva a la vez.<\/p>\n

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