{"id":67525,"date":"2018-08-20T00:02:58","date_gmt":"2018-08-19T22:02:58","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=67525"},"modified":"2018-04-23T19:45:29","modified_gmt":"2018-04-23T17:45:29","slug":"la-bicicleta-sergio-miguel","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-bicicleta-sergio-miguel\/","title":{"rendered":"[:es]La bicicleta | Sergio de Miguel[:gl]A bicicleta | Sergio de Miguel[:en]The bicycle | Sergio de Miguel[:]"},"content":{"rendered":"

[:es]

\"Safety
Safety Bicycle de 1885<\/span><\/figcaption><\/figure><\/p>\n

Fije\u0301monos en la bicicleta. Esa bella ma\u0301quina. Su resultado ha llegado a ser tan depurado<\/a> y exacto que apenas ha tenido que cambiar en de\u0301cadas. Su lento perfeccionamiento no ha permitido otra cosa que la ambiciosa sofisticacio\u0301n de sus componentes.<\/p>\n

No se ha podido modificar la cualidad y cantidad de sus piezas, o sistemas de piezas. Como buena ma\u0301quina que es, para ser, no se le ha podido quitar ni an\u0303adir nada ma\u0301s. Estamos ante un universo asumido y u\u0301nico. Tan es asi\u0301 que cualquiera puede dibujar y distinguir una bicicleta. Se sabe que\u0301 tiene que tener y co\u0301mo debe ser. Es inequi\u0301voca.<\/p>\n

Si procedie\u0301ramos a trastocar su sistema (geome\u0301trico, material y dimensional), a alterar significativamente cualquiera de sus piezas, simplemente conseguiri\u0301amos que dejara de ser una bicicleta. Probablemente llegari\u0301amos a obtener una caricatura o un monstruo, pero no una bicicleta.<\/p>\n

Su disen\u0303o,<\/a> su designio, es tal que so\u0301lo podemos alterar sutilmente algunos de sus matices, pero nunca sus fundamentos. Porque cuando uno procede a vivir una bicicleta todo es y todo esta\u0301 claro. Se reconoce sin ningu\u0301n esfuerzo su equilibrio, su finalidad y su potencialidad. Podri\u0301amos concluir amablemente que ya nos pertenece.<\/p>\n

Apenas nos damos cuenta de la cantidad de ma\u0301quinas<\/a> que nos llegan a rodear. Son muchas y consiguen hacer y rehacer nuestro mundo. Algunas, incluso, se han naturalizado extraordinariamente y han dejado de percibirse como tales.<\/p>\n

Pero muchos de los objetos<\/a>, instrumentos y artefactos que nos acompan\u0303an son, sencillamente, ma\u0301quinas. Ma\u0301s o menos eficientes, ma\u0301s o menos adecuados, pero en definitiva ma\u0301quinas.<\/p>\n

Pero co\u0301mo se hace una ma\u0301quina. O mejor. Que\u0301 es lo que hace que algo pueda ser entendido como una ma\u0301quina. Porque un cuerpo lo es. Un planeta tambie\u0301n. El completo cosmos. Su caracteri\u0301stica singularidad y propiedad, su autosuficiencia, su perfecta y armoniosa combinacio\u0301n de elementos y sistemas logran lo u\u0301til y lo bello. E incluso, a veces, lo sublime.<\/p>\n

Un deseo. Nuestros edificios deberi\u0301an ser maravillosas<\/a> ma\u0301quinas tambie\u0301n. Que\u0301 si no.<\/p>\n

\u00bfDamos una vuelta?<\/p>\n

Sergio de Miguel, Doctor arquitecto
\nMadrid, octubre 2017
\nPublicado en Grupo docente y de investigaci\u00f3n para la arquitectura\u00a0Grupo 4!\u00a0de la ETSAM.<\/em><\/span><\/p>\n

[:gl]

\"Safety
Safety Bicycle de 1885<\/span><\/figcaption><\/figure><\/p>\n

Fix\u00e1monos na bicicleta. Esa bela ma\u0301quina. O seu resultado chegou a ser tan depurado<\/a> e exacto que apenas tivo que cambiar en de\u0301cadas. O seu lento perfeccionamento non permitiu outra cousa que a ambiciosa sofisticacio\u0301n dos seus compo\u00f1entes.<\/p>\n

Non se puido modificar a calidade e cantidade das s\u00faas pezas, ou sistemas de pezas. Como boa m\u00e1quina que \u00e9, para ser, non se lle puido quitar nin engadir nada m\u00e1is. Estamos ante un universo asumido e \u00fanico. Tan \u00e9 asi\u0301 que calquera pode debuxar e distinguir unha bicicleta. S\u00e1bese que\u0301 ten que ter e como debe ser. \u00c9 inequ\u00edvoca.<\/p>\n

Se proced\u00e9semos a trastornar o seu sistema (xeom\u00e9trico, material e dimensional), a alterar significativamente calquera das s\u00faas pezas, simplemente conseguiriamos que deixase de ser unha bicicleta. Probablemente chegariamos a obter unha caricatura ou un monstro, pero non unha bicicleta.<\/p>\n

O seu desen\u0303o,<\/a> o seu designio, \u00e9 tal que s\u00f3 podemos alterar sutilmente alg\u00fans dos seus matices, pero nunca os seus fundamentos. Porque cando un procede a vivir unha bicicleta todo \u00e9 e todo est\u00e1 claro. Reco\u00f1\u00e9cese sen ning\u00fan esforzo o seu equilibrio, a s\u00faa finalidade e a s\u00faa potencialidade. Poderiamos conclu\u00edr amablemente que xa nos pertence.<\/p>\n

Apenas nos damos conta da cantidade de ma\u0301quinas<\/a> que nos chegan a rodear. Son moitas e conseguen facer e refacer o noso mundo. Algunhas, mesmo, hanse naturalizado extraordinariamente e deixaron de percibirse como tales.<\/p>\n

Pero moitos dos obxectos<\/a>, instrumentos e artefactos que nos acompan\u0303 an son, sinxelamente, ma\u0301 quinas. Mais ou menos eficientes, ma\u0301 s ou menos adecuados, pero en definitiva ma\u0301 quinas.<\/p>\n

Pero co\u0301 mo faise unha ma\u0301quina. Ou mellor. Que \u00e9 o que fai que algo poida ser entendido como unha ma\u0301quina. Porque un corpo o \u00e9. Un planeta tam\u00e9n. O completo cosmos. O seu caracteri\u0301stica singularidade e propiedade, a s\u00faa autosuficiencia, a s\u00faa perfecta e harmoniosa combinacio\u0301n de elementos e sistemas l\u00f3grano ou \u00fatil e o belo. E mesmo, \u00e1s veces, o sublime.<\/p>\n

Un desexo. Os nosos edificios deberi\u0301an ser marabillosas<\/a> ma\u0301quinas tame\u0301n. Que se non.<\/p>\n

Damos unha volta?<\/p>\n

Sergio de Miguel, Doutor arquitecto
\nMadrid, outubro 2017
\nPublicado en Grupo docente e de investigaci\u00f3n para a arquitectura Grupo 4! da ETSAM.<\/em><\/span><\/p>\n

[:en]

\"Safety
Safety Bicycle de 1885<\/span><\/figcaption><\/figure><\/p>\n

Let’s fix us in the bicycle. This beautiful ma’quina. His result has managed to be so polished<\/a> and exact that scarcely it has had to change in de’cadas. His slow development has not allowed another thing that the ambitious sofisticacio’n of his components.<\/p>\n

One could not have modified the quality and quantity of his pieces, or systems of pieces. As good machine that is, to be, one could have taken him neither nor to add anything any more. We are before the assumed and only universe. So it is like that anyone can draw and distinguish a bicycle. It is known that it has to have and how it must be. It is unequivocal.<\/p>\n

If we were proceeding to trastocar his system (geometric, material and dimensional), to altering significantly any of his pieces, simply we would achieve that it was stopping being a bicycle. Probably we would manage to obtain a cartoon or a monster, but not a bicycle.<\/p>\n

His design<\/a>, his plan, is never such that only can alter finely some of his shades, but his foundations. Because when one proceeds to live through a bicycle everything is and everything is clear. Is recognized without any effort his balance, his purpose and his potential. We might conclude nicely that already it us belongs.<\/p>\n

Scarcely we realize the quantity of machines<\/a> that manage to us to make a detour. They are great and manage to do and to re-do our world. Some of them, even, have been naturalized extraordinarily and have stopped being perceived as such.<\/p>\n

But many of the objects<\/a>, instruments and appliances that accompany us are, simply, machines. More or less efficient, more or less suitable, but definitively machines<\/p>\n

But how a machine is done. Or better. What is what does that something could be understood as a machine. Because a body it is. A planet also. The complete cosmos. His characteristic singularity and property, his self-sufficiency, his perfect and harmonious combination of elements and systems achieve the useful thing and the beautiful thing. And even, sometimes, the sublime thing.<\/p>\n

A desire. Our buildings should be wonderful<\/a> machines also. What if not.<\/p>\n

Do we give a return?<\/p>\n

Sergio de Miguel,\u00a0PhD\u00a0architect
\nMadrid, octuber 2017
\nPublished in educational Group and of investigation for the architecture Grupo 4! Of the ETSAM.<\/em><\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Fije\u0301monos en la bicicleta. Esa bella ma\u0301quina. Su resultado ha llegado a ser tan depurado y exacto que apenas ha tenido que cambiar en de\u0301cadas. Su lento perfeccionamiento no ha permitido otra cosa que la ambiciosa sofisticacio\u0301n de sus componentes. No se ha podido modificar la cualidad y cantidad de sus piezas, o sistemas […]<\/p>\n","protected":false},"author":24,"featured_media":67528,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[1512,4935,362,3113,1862,530,659,668,1873,789,3255,2496,920,1564,7188,1021,1147,1149,2112,5945,3015,5276,3311,1278],"class_list":["post-67525","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-en-la-memoria","tag-complejidad","tag-conocimiento","tag-creatividad","tag-eficiencia","tag-estrategias","tag-habitar","tag-historia","tag-imagen","tag-lenguaje","tag-memoria","tag-movimiento","tag-naturaleza","tag-objeto","tag-observar","tag-pensamiento","tag-reconocimiento","tag-recorrido","tag-representacion","tag-sergio-de-miguel","tag-simbolismo","tag-simbolo","tag-tecnica-tradicional","tag-teoria"],"yoast_head":"\n[:es]La bicicleta | Sergio de Miguel[:gl]A bicicleta | Sergio de Miguel[:en]The bicycle | Sergio de Miguel[:] - 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