{"id":67516,"date":"2018-06-04T00:01:10","date_gmt":"2018-06-03T22:01:10","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=67516"},"modified":"2024-07-12T20:38:20","modified_gmt":"2024-07-12T18:38:20","slug":"reconocer-sergio-miguel","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/reconocer-sergio-miguel\/","title":{"rendered":"[:es]Reconocer | Sergio de Miguel[:gl]Reconocer | Sergio de Miguel[:en]Recognize | Sergio de Miguel[:]"},"content":{"rendered":"

[:es]

\"Pablo
Pablo Picasso. Cabeza de toro. 1942<\/span><\/figcaption><\/figure><\/p>\n

En los muchos procesos de indagaci\u00f3n que llevamos a cabo encontrar las verdaderas posibilidades de actuaci\u00f3n depende de nuestra capacidad<\/a> de identificar y distinguir. De ejercer esa iteraci\u00f3n, ese volver al conocimiento desde la atenci\u00f3n y la intenci\u00f3n en busca de nuevos campos de interpretaci\u00f3n. Desplegando un examinar intenso, un ascender al saber ver con el m\u00e1ximo de expectativas.<\/p>\n

A menudo nuestra b\u00fasqueda se enfrenta a comparar<\/a> im\u00e1genes con realidades que no pueden ser otra cosa que llaves al entendimiento. Que adem\u00e1s de ser siempre significan. Y saber descubrir su ser y significaci\u00f3n s\u00f3lo depende de que seamos capaces de re-conocer todo aquello que es y puede llegar a ser.<\/p>\n

Instruirse en esa habilidad<\/a> de volver a extraer significados y respuestas de las ideas y las cosas, incluso de lo invisible e inefable, supone intensificar y evolucionar los campos de expresi\u00f3n y manifestaci\u00f3n.<\/p>\n

Reconocer es siempre una acci\u00f3n pura<\/a>. Din\u00e1mica y aguda. Capaz de diferenciar, a trav\u00e9s de valientes acercamientos y elecciones, lo insignificante de lo caracter\u00edstico. M\u00e1s all\u00e1 de su supuesta racionalidad el acto de reconocer moldea la experiencia, la emoci\u00f3n y la alteraci\u00f3n perceptiva. Evoca y provoca. Y manifiesta una condici\u00f3n ineludible para conseguir el buen hacer.<\/p>\n

En consonancia con su atractivo circular como pal\u00edndromo la labor de reconocer supone un deambular aproximativo que converge en el n\u00facleo activo de la interpretaci\u00f3n, cotejando sucesivamente la definici\u00f3n con la memoria.<\/p>\n

Conlleva por tanto una actitud de indagaci\u00f3n eficiente cuyo principal veh\u00edculo es el tiempo. Ese tiempo esencial y detenido, m\u00e1s cerca del cualitativo kair\u00f3s<\/em> que del cuantitativo cronos, que proporciona el criterio necesario para vislumbrar aquello que deviene en importante. En sinton\u00eda<\/a> con ese duende que proporciona el momento adecuado y oportuno.<\/p>\n

Sabemos que estamos en el feliz estado de reconocer porque, desde ese preciso momento, todo lo que acontece se convierte en algo dif\u00edcil de olvidar. Despierta el impacto. Y en su perspicacia proliferan aquellas emociones y sensaciones que trasladan a nuevas realidades posibles. Es un conocimiento instant\u00e1neo, a menudo inexplicable, pero extraordinariamente conectado con aquello que sabemos positivamente que puede llegar a ser.<\/p>\n

Si de reconocer depende porqu\u00e9 no acostumbrarnos en insistir en revisar <\/a>de manera cr\u00edtica lo ya aprendido. No vaya a ser que lo que se vuelve a conocer, aqu\u00ed y ahora, sea en realidad lo que estamos buscando.<\/p>\n

Sergio de Miguel, Doctor arquitecto Madrid,\u00a0octubre 2016 Publicado en Grupo docente y de investigaci\u00f3n para la arquitectura\u00a0Grupo 4!\u00a0de la ETSAM.<\/em><\/span><\/p>\n

[:gl]

\"Pablo
Pablo Picasso. Cabeza de touro. 1942<\/span><\/figcaption><\/figure><\/p>\n

Nos moitos procesos de indagaci\u00f3n que levamos a cabo atopar as verdadeiras posibilidades de actuaci\u00f3n depende da nosa capacidade<\/a> de identificar e distinguir. De exercer esa iteraci\u00f3n, ese volver ao co\u00f1ecemento desde a atenci\u00f3n e a intenci\u00f3n en busca de novos campos de interpretaci\u00f3n. Despregando un examinar intenso, un ascender ao saber ver co m\u00e1ximo de expectativas.<\/p>\n

A mi\u00fado a nosa procura enfr\u00f3ntase a comparar<\/a> imaxes con realidades que non poden ser outra cousa que chaves ao entendemento. Que ademais de ser sempre significan. E saber descubrir o seu ser e significaci\u00f3n s\u00f3 depende de que sexamos capaces de re-co\u00f1ecer todo aquilo que \u00e9 e pode chegar a ser.<\/p>\n

Instru\u00edrse nesa habilidade<\/a> de volver extraer significados e respostas das ideas e as cousas, mesmo do invisible e inefable, sup\u00f3n intensificar e evolucionar os campos de expresi\u00f3n e manifestaci\u00f3n.<\/p>\n

Reco\u00f1ecer \u00e9 sempre unha acci\u00f3n pura<\/a>.\u00a0Din\u00e1mica e aguda. Capaz de diferenciar, a trav\u00e9s de valentes achegamentos e elecci\u00f3ns, o insignificante do caracter\u00edstico. M\u00e1is al\u00f3 da s\u00faa suposta racionalidade o acto de reco\u00f1ecer moldea a experiencia, a emoci\u00f3n e a alteraci\u00f3n perceptiva. Evoca e provoca. E manifesta unha condici\u00f3n ineludible para conseguir o bo facer.<\/p>\n

En consonancia co seu atractivo circular como pal\u00edndromo o labor de reco\u00f1ecer sup\u00f3n un deambular aproximativo que converxe no n\u00facleo activo da interpretaci\u00f3n, cotejando sucesivamente a definici\u00f3n coa memoria.<\/p>\n

Leva por tanto unha actitude de indagaci\u00f3n eficiente cuxo principal veh\u00edculo \u00e9 o tempo. Ese tempo esencial e detido, m\u00e1is preto do cualitativo kair\u00f3s<\/em> que dos cuantitativo cronos, que proporciona o criterio necesario para albiscar aquilo que dev\u00e9n en importante. En sinton\u00eda<\/a> con ese trasgo que proporciona o momento adecuado e oportuno.<\/p>\n

Sabemos que estamos no feliz estado de reco\u00f1ecer porque, desde ese preciso momento, todo o que acontece conv\u00e9rtese en algo dif\u00edcil de esquecer. Esperta o impacto. E no seu perspicacia proliferan aquelas emoci\u00f3ns e sensaci\u00f3ns que trasladan a novas realidades posibles. \u00c9 un co\u00f1ecemento instant\u00e1neo, a mi\u00fado inexplicable, pero extraordinariamente conectado con aquilo que sabemos positivamente que pode chegar a ser.<\/p>\n

Se de reco\u00f1ecer depende porqu\u00e9 non afacernos en insistir en revisar\u00a0<\/a>de maneira cr\u00edtica o xa aprendido. Non vaia a ser que o que se volve a co\u00f1ecer, aqu\u00ed e agora, sexa en realidade o que estamos a buscar.<\/p>\n

Sergio de Miguel, Doutor arquitecto
\nMadrid,\u00a0ocutubro 2016
\nPublicado en Grupo docente e de investigaci\u00f3n para a arquitectura Grupo 4! da ETSAM.<\/em><\/span><\/p>\n

[:en]

\"Pablo
Pablo Picasso. Bull\u00b4s head. 1942<\/span><\/figcaption><\/figure><\/p>\n

In many processes of investigation that we carry out to find the real possibilities of action it depends on our capacity <\/a>identifying and distinguishing. Of exercising this iteration, this to return to the knowledge from the attention and the intention in search of new fields of interpretation. Opening one to examine intensely, one to ascend on having been able to see with the maximum of expectations.<\/p>\n

Often our search faces to comparing<\/a> images with realities that cannot be another thing that keys to the understanding. That beside being always they mean. And his being is able to discover and significance only depends on that we are capable of admitting all that that it is and can manage to be.<\/p>\n

Learning in this skill<\/a> of returning to extract meanings and answers of the ideas and the things, even of the invisible and indescribable thing, it supposes intensifying and evolving the fields of expression and manifestation.<\/p>\n

Recognize is always a pure action<\/a>. Dynamic and sharp. Capable of differentiating, across brave approximations and choices, the insignificant thing of the characteristic thing. Beyond his supposed rationality the act of recognizing molds the experience, the emotion and the perceptive alteration. It evokes and provokes. And it demonstrates an unavoidable condition to manage the good one to do.<\/p>\n

In agreement with his attraction to circulate as palindrome the labor of recognizing there supposes one strolling approximatly that converges on the active core of the interpretation, arranging successively the definition with the memory.<\/p>\n

He carries therefore an attitude of efficient investigation which principal vehicle is the time. This essential and arrested time, more near the qualitative kair\u00f3s<\/em> that of quantitative stopwatches, which the necessary criterion provides to glimpse that one that develops in importantly. In tuning<\/a> in with this goblin that provides the suitable and opportune moment.<\/p>\n

We know that we are in the happy condition of recognizing because, from this precise moment, everything what happens turns into something difficult of forgetting. It wakes the impact up. And in his perspicacity there proliferate those emotions and sensations that move to new possible realities. It is an instantaneous knowledge, often inexplicable, but extraordinarily connected with that one that we know positively that it can manage to be.<\/p>\n

If of recognizing it depends porqu\u00e9 not to get used in insisting on checking<\/a> in a critical way the already learned. It is not going to be that what returns to know, here and now, is actually for what we are looking.<\/p>\n

Sergio de Miguel,\u00a0PhD architect
\nMadrid,\u00a0october 2016
\nPublished in educational Group and of investigation for the architecture Grupo 4! of the ETSAM.<\/em><\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] En los muchos procesos de indagaci\u00f3n que llevamos a cabo encontrar las verdaderas posibilidades de actuaci\u00f3n depende de nuestra capacidad de identificar y distinguir. De ejercer esa iteraci\u00f3n, ese volver al conocimiento desde la atenci\u00f3n y la intenci\u00f3n en busca de nuevos campos de interpretaci\u00f3n. Desplegando un examinar intenso, un ascender al saber ver […]<\/p>\n","protected":false},"author":24,"featured_media":67517,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[1512,4935,362,3113,1862,530,659,1873,789,3255,2496,920,7188,8181,1021,1147,1149,2112,5945,3015,5276,3311,1278],"class_list":["post-67516","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-en-la-memoria","tag-complejidad","tag-conocimiento","tag-creatividad","tag-eficiencia","tag-estrategias","tag-habitar","tag-imagen","tag-lenguaje","tag-memoria","tag-movimiento","tag-naturaleza","tag-observar","tag-pablo-picasso","tag-pensamiento","tag-reconocimiento","tag-recorrido","tag-representacion","tag-sergio-de-miguel","tag-simbolismo","tag-simbolo","tag-tecnica-tradicional","tag-teoria"],"yoast_head":"\n[:es]Reconocer | Sergio de Miguel[:gl]Reconocer | Sergio de Miguel[:en]Recognize | Sergio de Miguel[:] - 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