{"id":67511,"date":"2018-04-27T00:01:18","date_gmt":"2018-04-26T22:01:18","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=67511"},"modified":"2018-04-23T19:45:30","modified_gmt":"2018-04-23T17:45:30","slug":"des-cubrir-sergio-miguel","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/des-cubrir-sergio-miguel\/","title":{"rendered":"[:es]Des-cubrir | Sergio de Miguel[:gl]Des-cubrir | Sergio de Miguel[:en]Dis-cover | Sergio de Miguel[:]"},"content":{"rendered":"

[:es]

\"Billy
Billy Wilder sobre una escalera durante el rodaje de El esp\u00edritu de San Luis, 1957. Imagen de Charles Eames<\/span><\/figcaption><\/figure><\/p>\n

Como buscadores de sorpresas eficaces nuestra capacidad creativa puede quedar mermada por la existencia de demasiadas capas de informaci\u00f3n. Dificultada por una densa cobertura de hip\u00f3tesis inconscientes, conceptos heredados e ideas no expresadas.<\/p>\n

S\u00f3lo conseguimos liberarnos de manera efectiva cuando, desde la pr\u00e1ctica de un pensamiento lateral, somos capaces de impedir las valoraciones preconcebidas, las r\u00edgidas polarizaciones, y procedemos a deshacernos de los patrones del pensamiento inflexible. El feliz descubrimiento s\u00f3lo surge cuando somos capaces de desarrollar nuevas alternativas, dejamos de aceptar las suposiciones autom\u00e1ticas y dudamos de lo anticipado.<\/p>\n

Pero para reconocer las suposiciones ocultas, aquellas que se encubren tras las posiciones inmediatas del planteamiento, es necesario clarificar con nitidez la idea principal, actuar descomponiendo y reordenando el problema. Es pr\u00e1ctico proceder mediante la inversi\u00f3n perceptiva, transformando las cosas en sus contrarios.<\/p>\n

Tambi\u00e9n resulta eficaz incurrir en asociaciones de ideas fuera de lo acostumbrado, hacer acertadas analog\u00edas que permitan distanciarnos del problema a resolver. Cambiando el punto de partida, aquello que se considera en primer lugar, somos tambi\u00e9n proclives a transformar el campo de atenci\u00f3n haci\u00e9ndose posible una nueva restructuraci\u00f3n. Habilitando un desconocido campo de entendimiento.<\/p>\n

Al alejarnos estrat\u00e9gicamente del problema, al valorar de forma intensa y libre los hallazgos, y experimentar mediante una actitud preferentemente l\u00fadica, seremos capaces de saber encontrar nuevas soluciones cuando conscientemente buscamos otras.<\/p>\n

Todos quedamos seducidos por la magia de la serendipia<\/em>, aquel poder instant\u00e1neo por el que se encuentran determinadas soluciones sin propon\u00e9rselo, aparentemente por accidente. Y es que el brillante arte de descubrir no s\u00f3lo depende de la fortuna, ni de la sagacidad.<\/p>\n

Proviene de una curiosidad insaciable, de una educada percepci\u00f3n, de estar dispuesto a no despreciar ning\u00fan resultado posible, de nuestra atenta capacidad de sorpresa y aprendizaje, y de haberse convencido de que pensar de modo diferente, eludiendo los miedos y yendo lo suficientemente lejos, en definitiva procurando conectar ideas que aparentemente no ten\u00edan conexi\u00f3n ninguna, es el \u00fanico camino posible para allanar el misterio de la soluci\u00f3n.<\/p>\n

Nuestra intuici\u00f3n, factor clave y esencial, esa facultad com\u00fanmente adormecida, nos hace percibir las diferentes ideas como unidades de indagaci\u00f3n y son siempre las aptitudes de fluidez, flexibilidad y originalidad las que hacen la diferencia. De nuestro entrenamiento y disposici\u00f3n depende saber ver la luz.<\/a><\/p>\n

Sergio de Miguel, Doctor arquitecto
\nMadrid,\u00a0abril 2016
\nPublicado en Grupo docente y de investigaci\u00f3n para la arquitectura\u00a0Grupo 4!\u00a0de la ETSAM.<\/em><\/span><\/p>\n

[:gl]

\"Billy
Billy Wilder sobre unha escaleira durante a rodaxe do esp\u00edrito de San Lu\u00eds, 1957. Imaxe de Charles Eames<\/span><\/figcaption><\/figure><\/p>\n

Como buscadores de sorpresas eficaces nosa capacidade creativa pode quedar minguada pola existencia de demasiadas capas de informaci\u00f3n. Dificultada por unha densa cobertura de hip\u00f3teses inconscientes, conceptos herdados e ideas non expresadas.<\/p>\n

S\u00f3 conseguimos liberarnos de maneira efectiva cando, desde a pr\u00e1ctica dun pensamento lateral, somos capaces de impedir as valoraci\u00f3ns preconcibidas, as r\u00edxidas polarizaci\u00f3ns, e procedemos a desfacernos dos patr\u00f3ns do pensamento inflexible. O feliz descubrimento s\u00f3 xorde cando somos capaces de desenvolver novas alternativas, deixamos de aceptar as suposici\u00f3ns autom\u00e1ticas e dubidamos do anticipado.<\/p>\n

Pero para reco\u00f1ecer as suposici\u00f3ns ocultas, aquelas que se encobren tras as posici\u00f3ns inmediatas da formulaci\u00f3n, \u00e9 necesario clarificar con nitidez a idea principal, actuar descompo\u00f1endo e reordenando o problema. \u00c9 pr\u00e1ctico proceder mediante o investimento perceptiva, transformando as cousas nos seus contrarios.<\/p>\n

Tam\u00e9n resulta eficaz incorrer en asociaci\u00f3ns de ideas f\u00f3ra do afeito, facer acertadas analog\u00edas que permitan distanciarnos do problema para resolver. Cambiando o punto de partida, aquilo que se considera en primeiro lugar, somos tam\u00e9n proclives a transformar o campo de atenci\u00f3n fac\u00e9ndose posible unha nova restructuraci\u00f3n. Habilitando un desco\u00f1ecido campo de entendemento.<\/p>\n

Ao afastarnos estratexicamente do problema, ao valorar de forma intensa e libre os achados, e experimentar mediante unha actitude preferentemente l\u00fadica, seremos capaces de saber atopar novas soluci\u00f3ns cando conscientemente buscamos outras.<\/p>\n

Todos quedamos seducidos pola maxia da serendipia<\/em>, aquel poder instant\u00e1neo polo que se atopan determinadas soluci\u00f3ns sen propo\u00f1erllo, aparentemente por accidente. E \u00e9 que a brillante arte de descubrir non s\u00f3 depende da fortuna, nin da sagacidade.<\/p>\n

Prov\u00e9n dunha curiosidade insaciable, dunha educada percepci\u00f3n, de estar disposto a non desprezar ning\u00fan resultado posible, da nosa atenta capacidade de sorpresa e aprendizaxe, e de convencerse de que pensar de modo diferente, eludindo os medos e indo o suficientemente lonxe, en definitiva procurando conectar ideas que aparentemente non ti\u00f1an conexi\u00f3n ningunha, \u00e9 o \u00fanico cami\u00f1o posible para achandar o misterio da soluci\u00f3n.<\/p>\n

A nosa intuici\u00f3n, factor crave e esencial, esa facultade comunmente adormentada, fainos percibir as diferentes ideas como unidades de indagaci\u00f3n e son sempre as aptitudes de fluidez, flexibilidade e orixinalidade as que fan a diferenza. Do noso adestramento e disposici\u00f3n depende saber ver a luz<\/a>.<\/p>\n

Sergio de Miguel, Ductor arquitecto
\nMadrid,\u00a0abril 2016
\nPublicado en Grupo docente e de investigaci\u00f3n para a arquitectura Grupo 4!\u00a0da ETSAM.<\/em><\/span><\/p>\n

[:en]

\"Billy
Billy Wilder on a stairs during the filming of San Luis’ spirit, 1957. Charles Eames’s image<\/span><\/figcaption><\/figure><\/p>\n

Since seekers of effective surprises our creative capacity can remain reduced by the existence of too many caps of information. Impeded by a dense coverage of unconscious hypotheses, inherited concepts and not expressed ideas.<\/p>\n

Only we manage to liberate ourselves in an effective way when, from the practice of a lateral thought, we are capable of preventing the preconceived valuations, the rigid polarizations, and proceed to get rid of the bosses of the inflexible thought. The happy discovery only arises when we are capable of developing new alternatives, we stop accepting the automatic suppositions and hesitate the early thing.<\/p>\n

But to recognize the secret suppositions, those that are concealed after the immediate positions of the exposition, it is necessary to clarify with brightness the principal idea, to act separating into its elements and reordering the problem. It is practical to proceed by means of the perceptive investment, transforming the things into his opposite ones.<\/p>\n

Also it turns out to be effective to incur associations of ideas out of the used thing, to do guessed right analogies that allow to cause a rift between us of the problem to resolving. Changing the point of item, that one that is considered first, we are also inclined to transform the field of attention they making possible a new restructuring. Enabling an unknown field of understanding.<\/p>\n

On having moved away strategically from the problem, on having valued of intense and free form the findings, and to experiment by means of an attitude preferably playful, we will be capable of being able to find new solutions when consciously we look for others.<\/p>\n

We all remain seduced by the magic of the serendipia,<\/em> that instantaneous power for which they find certain solutions without proposing it, seemingly for accident. And it is that the brilliant art of discovering not only depends on the fortune, not of the sagacity.<\/p>\n

It comes from an insatiable curiosity, from a polite perception, from being ready not to despise any possible result, of our attentive capacity of surprise and learning, and from having become convinced that to think in a different way, eluding the fears and going far enough, definitively trying to connect ideas that seemingly did not have connection any, is the only possible way to level the mystery of the solution.<\/p>\n

Our intuition, key and essential factor, this faculty commonly sleepy, makes us perceive the different ideas as units of investigation and they are always the aptitudes of fluency, flexibility and originality those that do the difference. On our training and disposition it depends to be able to see the light<\/a>.<\/p>\n

Sergio de Miguel,\u00a0Phd architect
\nMadrid,\u00a0april 2016
\nPublished in educational Group and of investigation for the architecture Grupo 4!\u00a0of the ETSAM.<\/em><\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Como buscadores de sorpresas eficaces nuestra capacidad creativa puede quedar mermada por la existencia de demasiadas capas de informaci\u00f3n. Dificultada por una densa cobertura de hip\u00f3tesis inconscientes, conceptos heredados e ideas no expresadas. S\u00f3lo conseguimos liberarnos de manera efectiva cuando, desde la pr\u00e1ctica de un pensamiento lateral, somos capaces de impedir las valoraciones preconcebidas, […]<\/p>\n","protected":false},"author":24,"featured_media":67515,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[5825,2539,3864,3555,12471,510,516,12460,977,9160,4386,5945,1278,1286],"class_list":["post-67511","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-aprender","tag-arquitectura-del-paisaje","tag-billy-wilder","tag-charles-eames","tag-cine","tag-espacio","tag-espacio-publico","tag-fotografia","tag-paisaje","tag-paisaje-cultural","tag-paisaje-sonoro","tag-sergio-de-miguel","tag-teoria","tag-territorio"],"yoast_head":"\n[:es]Des-cubrir | Sergio de Miguel[:gl]Des-cubrir | Sergio de Miguel[:en]Dis-cover | Sergio de Miguel[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Des-cubrir | Sergio de Miguel[:gl]Des-cubrir | Sergio de Miguel[:en]Dis-cover | Sergio de Miguel[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/des-cubrir-sergio-miguel\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Des-cubrir | Sergio de Miguel[:gl]Des-cubrir | Sergio de Miguel[:en]Dis-cover | Sergio de Miguel[:] - 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