{"id":67453,"date":"2018-10-26T00:02:40","date_gmt":"2018-10-25T22:02:40","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=67453"},"modified":"2018-04-24T12:16:56","modified_gmt":"2018-04-24T10:16:56","slug":"fragmentos-aalto-jorge-meijide","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/fragmentos-aalto-jorge-meijide\/","title":{"rendered":"[:es]Fragmentos de Aalto | Jorge Meijide[:gl]Anacos de Aalto | Jorge Meijide[:en]Aalto’s fragments | Jorge Meijide[:]"},"content":{"rendered":"

[:es]

\"Lappia
Lappia Hall. Imagen Carlos Meijide. 1974-76<\/span><\/figcaption><\/figure><\/p>\n

Las dos piezas cer\u00e1micas de Aalto<\/strong><\/a>\u00a0entran el estudio de mi padre en 1974 despu\u00e9s de su viaje1<\/sup>\u00a0a Finlandia. \u00c9l ten\u00eda ten\u00eda treinta y ocho a\u00f1os, yo nueve, y tardar\u00eda otros tantos en saber de su creador, pero desde entonces el fin\u00e9s ocupa un lugar destacado en mi ser arquitect\u00f3nico.<\/p>\n

Las piezas son de perfecta factura, cuidadosamente proporcionadas, tersas y extra\u00f1amente sensuales en sus formas. Son hermosas.<\/p>\n

\"Pieza
Pieza esmaltada en azul cobalto, plana y con bordes redondeados<\/span><\/figcaption><\/figure>\n

Ambas proceden del Lappia Hall<\/em> de Rovaniemi, m\u00e1s concretamente del edificio del teatro, por entonces en construcci\u00f3n. Tambi\u00e9n se pueden encontrar, las mismas o variaciones de ellas, en los otros edificios que componen el conjunto c\u00edvico proyectado por Aalto a modo de gran piazza<\/em> c\u00edvica en 1963: el ayuntamiento, el primero en proyectarse (1963-66) y el \u00faltimo en construirse (1985); la biblioteca, el primero en construirse (1965-68) y proyectada despu\u00e9s de la de Sein\u00e4jok; y el teatro, el Lappia Hall<\/em>, que incluye tambi\u00e9n los estudios de radio y m\u00fasica, y cuyo proyecto se desarrolla en dos fases, entre 1969-72 (los estudios de radio y m\u00fasica) y 1972-76 (el teatro).<\/p>\n

Las piezas cer\u00e1micas son el recubrimiento de las fachadas, formado por una combinaci\u00f3n de piezas cer\u00e1micas blancas semicil\u00edndricas y piezas planas llamadas Halla<\/em>, la palabra finlandesa para congelado. Todas ellas fabricadas por la casa de porcelana finesa Arabia<\/em>2<\/sup>. Aalto hace referencia a ello en la memoria de su museo en Jyv\u00e4skyl\u00e4 (1971-1973).<\/p>\n

\"Pieza
Pieza blanca, mate y semicircular<\/span><\/figcaption><\/figure>\n

Las dos piezas son distintas, esmaltada en azul cobalto, plana y con bordes redondeados una; y blanca, mate y semicircular la otra. Aunque son distintas ambas poseen una misma relaci\u00f3n de familia que las hace reconocibles. Ambas transmiten en sus formas la elegancia de don Alvar, cuidadoso hasta los detalles, sus dimensiones, forma y dise\u00f1o, lo reflejan. Es dif\u00edcil no pensar en ellas como en peque\u00f1as partes del todo que comprende la totalidad de la obra del fin\u00e9s.<\/p>\n

Jorge Meijide . Arquitecto
\nCoru\u00f1a. Noviembre\u00a02017<\/p>\n

P.D: Alg\u00fan d\u00eda pienso plantarlas, como si de semillas de tratara, a ver si me crece un peque\u00f1o Aalto en el jard\u00edn… pero me temo que no.<\/p>\n

Notas:<\/p>\n

1<\/sup>\u00a0En la maleta tambi\u00e9n ven\u00eda un cuchillo de Tapio Wirkkala, firmado en la hoja y con una funda de cuero,\u00a0que fue lo que realmente me fascin\u00f3 y no esas dos \u201cbaldosas\u201d. Hoy lo tengo en una vitrina (las piezas est\u00e1n\u00a0en el altar\u2026).<\/p>\n

2<\/sup>\u00a0De la misma casa Arabia lleg\u00f3 en la maleta.<\/p>\n

Breve texto para Tect\u00f3nicaBlog pedido por C. Quint\u00e1ns al hilo de dos piezas de cer\u00e1mica de A. Aalto. Septiembre 2011, revisado en noviembre 2017.<\/span><\/p>\n

[:gl]

\"Lappia
Lappia Hall. Imaxe Carlos Meijide. 1974-76<\/span><\/figcaption><\/figure><\/p>\n

As d\u00faas pezas cer\u00e1micas de Aalto<\/strong><\/a>\u00a0entran o estudo do meu pai en 1974 despois da s\u00faa viaxe1<\/sup>\u00a0a Finlandia. El ti\u00f1a ti\u00f1a trinta e oito anos, eu nove, e tardar\u00eda outros tantos en saber do seu creador, pero desde ent\u00f3n o fin\u00e9s ocupa un lugar destacado no meu ser arquitect\u00f3nico.<\/p>\n

As pezas son de perfecta factura, coidadosamente proporcionadas, tersas e extra\u00f1amente sensuais nas s\u00faas formas. Son fermosas.<\/p>\n

\"Pieza
Peza esmaltada en azul cobalto, plana\u00a0e\u00a0cos bordes redondeados<\/span><\/figcaption><\/figure>\n

Ambas proceden do Lappia Hall<\/em> de Rovaniemi, m\u00e1is concretamente do edificio do teatro, por ent\u00f3n en construci\u00f3n. Tam\u00e9n se poden atopar, as mesmas ou variaci\u00f3ns delas, nos outros edificios que compo\u00f1en o conxunto c\u00edvico proxectado por Aalto a modo de gran piazza c\u00edvica<\/em> en 1963: o concello, o primeiro en proxectarse (1963-66) e o \u00faltimo en constru\u00edrse (1985); a biblioteca, o primeiro en constru\u00edrse (1965-68) e proxectada despois da de Sein\u00e4jok; e o teatro, o Lappia Hall<\/em>, que incl\u00fae tam\u00e9n os estudos de radio e m\u00fasica, e cuxo proxecto se desenvolve en d\u00faas fases, entre 1969-72 (os estudos de radio e m\u00fasica) e 1972-76 (o teatro).<\/p>\n

As pezas cer\u00e1micas son o recubrimiento das fachadas, formado por unha combinaci\u00f3n de pezas cer\u00e1micas brancas semicil\u00edndricas e pezas planas chamadas Acha, a palabra finlandesa para conxelado. Todas elas fabricadas pola casa de porcelana finesa Arabia<\/em>2<\/sup>. Aalto fai referencia a iso na memoria do seu museo en Jyv\u00e4skyl\u00e4 (1971-1973).<\/p>\n

\"Pieza
Peza branca, mate\u00a0e semicircular<\/span><\/figcaption><\/figure>\n

As d\u00faas pezas son distintas, esmaltada en azul cobalto, plana e con bordos redondeados unha; e branca, mate e semicircular a outra. A\u00ednda que son distintas ambas pos\u00faen unha mesma relaci\u00f3n de familia que as fai reconocibles. Ambas transmiten nas s\u00faas formas a elegancia de don Alvar, coidadoso ata os detalles, as s\u00faas dimensi\u00f3ns, forma e dese\u00f1o, refl\u00edcteno. \u00c9 dif\u00edcil non pensar nelas como en pequenas partes do todo que comprende a totalidade da obra do fin\u00e9s.<\/p>\n

Jorge Meijide . Arquitecto
\nCoru\u00f1a. Novembro 2017<\/p>\n

P.D: Alg\u00fan d\u00eda penso plantalas, coma se de sementes de tratase, a ver se me crece un pequeno Aalto no xard\u00edn… pero t\u00e9mome que non<\/p>\n

Notas:<\/p>\n

1<\/sup> Na maleta tam\u00e9n vi\u00f1a un coitelo de Tapio Wirkkala, asinado na folla e cunha funda de coiro, que foi o que realmente me fascinou e non esas d\u00faas \u201cbaldosas\u201d. Hoxe t\u00e9\u00f1oo nunha vitrina (as pezas est\u00e1n no altar\u2026).<\/p>\n

2<\/sup>\u00a0DDa mesma casa Arabia chegou na maleta.<\/p>\n

Breve texto para Tect\u00f3nicaBlog pedido por C. Quint\u00e1ns ao f\u00edo de d\u00faas pezas de cer\u00e1mica de A. Aalto. Setembro 2011, revisado en novembro 2017.<\/span><\/p>\n

[:en]

\"Lappia
Lappia Hall. Photo: Carlos Meijide. 1974-76<\/span><\/figcaption><\/figure><\/p>\n

Both Aalto<\/strong><\/a>‘s ceramic pieces enter the study of my father in 1974 after his viaje1 to Finland. He had thirty eight years, I had nine, and it would be late some others in knowing of his creator, but since then the Finn occupies a place emphasized in my architectural being.<\/p>\n

The pieces are of perfect invoice, carefully proportionate, smooth and strangly sensual in his forms. They are beautiful.<\/p>\n

\"Pieza
Piece enameled in blue cobalt, page and with rounded edges<\/span><\/figcaption><\/figure>\n

Both come from Rovaniemi’s Lappia Hall<\/em>, more concretely from the building of the theatre, for then in construction. Also they can think, the same ones or variations of them, in other buildings that they compose the civic set projected by Aalto like great civic piazza<\/em> in 1963: the town hall, the first one in there being projected (1963-66) and the last one to (1985) be constructed; the library, the first one in (1965-68) being constructed and projected after that of Sein\u00e4jok; and the theatre, the Lappia Hall<\/em>, which includes also the studies of radio and music, and whose project develops in two phases, between 1969-72 (the studies of radio and music) and 1972-76 (the theatre).<\/p>\n

The ceramic pieces are the covering of the fronts, formed by a combination of ceramic white semicylindrical pieces and flat so called Halla\u00a0<\/em>pieces, the Finnish word for frozen. All of them made by the house of Finnish porcelain Arabia2<\/sup>. Aalto refers to it in the memory of his museum in Jyv\u00e4skyl\u00e4 (1971-1973).<\/p>\n

\"Pieza
White, dull and semicircular piece<\/span><\/figcaption><\/figure>\n

Both pieces are different, enameled in blue cobalt, page and with rounded edges one; and white, dull and semicircular other one. Though they are different both possess the same relation of family that makes them recognizable. Both transmit in his forms don Alvar’s elegance, carefully up to the details, his dimensions, form and design, reflect it. It is difficult not to think about them as in small you divide completely that understands the totality of the work of the Finn.<\/p>\n

Jorge Meijide . Architect
\nCoru\u00f1a. November 2017<\/p>\n

P.D: Some day I think to plant them, as if of seeds of it was treating, to seeing if me a small Aalto grows in the garden … but I am afraid that not.<\/p>\n

Notes:<\/p>\n

1<\/sup>\u00a0In the suitcase also a knife was coming of I Block Wirkkala signed in the leaf and with a case of leather, which was what really fascinated me and not these two \u201ctiles\u201d. Today I have it in a showcase (the pieces are in the altar \u2026).<\/p>\n

2<\/sup> From the same house Arabia came in the suitcase.<\/p>\n

Brief text for Tect\u00f3nicaBlog asked for C. Quint\u00e1ns to the thread of two pieces of ceramics of To. Aalto. September, 2011, checked in November, 2017.<\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Las dos piezas cer\u00e1micas de Aalto\u00a0entran el estudio de mi padre en 1974 despu\u00e9s de su viaje1\u00a0a Finlandia. \u00c9l ten\u00eda ten\u00eda treinta y ocho a\u00f1os, yo nueve, y tardar\u00eda otros tantos en saber de su creador, pero desde entonces el fin\u00e9s ocupa un lugar destacado en mi ser arquitect\u00f3nico. Las piezas son de perfecta […]<\/p>\n","protected":false},"author":47,"featured_media":67454,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[102,6893,6818,6402,1581,365,1846,12470,431,3462,2501,3636],"class_list":["post-67453","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-alvar-aalto","tag-arquitectura-finlandesa","tag-arquitectura-nordica","tag-carlos-meijide","tag-carlos-quintans-eiras","tag-construccion","tag-detalle","tag-diseno","tag-diseno-industrial","tag-jorge-meijide","tag-piezas","tag-sigurd-lewerentz"],"yoast_head":"\n[:es]Fragmentos de Aalto | Jorge Meijide[:gl]Anacos de Aalto | Jorge Meijide[:en]Aalto's fragments | Jorge Meijide[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Fragmentos de Aalto | Jorge Meijide[:gl]Anacos de Aalto | Jorge Meijide[:en]Aalto's fragments | Jorge Meijide[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/fragmentos-aalto-jorge-meijide\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Fragmentos de Aalto | Jorge Meijide[:gl]Anacos de Aalto | Jorge Meijide[:en]Aalto's fragments | Jorge Meijide[:] - 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