{"id":67389,"date":"2018-09-17T00:02:37","date_gmt":"2018-09-16T22:02:37","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=67389"},"modified":"2020-05-27T21:09:28","modified_gmt":"2020-05-27T19:09:28","slug":"formatos-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/formatos-inigo-garcia-odiaga\/","title":{"rendered":"[:es]Formatos | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Formatos | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Formats | \u00cd\u00f1igo Garc\u00eda Odiaga[:]"},"content":{"rendered":"

[:es]

\"David
David Douglas Duncan 2013 \u00a9 Sucesi\u00f3n Pablo Picasso, VEGAP, Madrid, 2013. Jacqueline y Picasso identificando las obras destinadas a Par\u00eds con la \u201dK\u201d (Kahnweiler) | Fuente: hrc.utexas.edu<\/a><\/span><\/figcaption><\/figure><\/p>\n

A menudo se cree que los formatos<\/a> \u00fanicamente dan respuesta a las dimensiones de los pliegos, los lienzos o los bastidores, estableciendo relaciones entre sus diferentes dimensiones. De este modo se organizan a nivel industrial las dimensiones del papel, bas\u00e1ndose en el n\u00famero \u221a2 para establecer todas las relaciones entre las partes y el todo.<\/p>\n

El formato se entiende por lo tanto como una estructura<\/a> interna, como una regla geom\u00e9trica bajo cuyo mandato nacen las diferentes series Din A, Din B o Din C. En el caso de los lienzos que sirven de soporte a la pintura art\u00edstica el formato determina en funci\u00f3n de las dimensiones de sus bastidores, los arriostramientos o rigidizadores que se multiplican y colocan respetando esa funci\u00f3n.<\/p>\n

Los formatos son al fin y al cabo estructura, la inform\u00e1tica lo sabe bien. Un disco duro debe ser formateado, es decir ser dotado de una estructura interna de campos y pistas, para que la informaci\u00f3n pueda ser almacenada all\u00ed.<\/p>\n

El formato es por lo tanto orden, un orden que relaciona las partes mediante una unidad de medida, un m\u00f3dulo que garantiza la armon\u00eda del conjunto. Los formatos son entonces leyes compositivas, como lo son los \u00f3rdenes arquitect\u00f3nicos cl\u00e1sicos, que brindan unidad y proporci\u00f3n a una estructura para garantizar su belleza.<\/p>\n

Si en el papel en blanco la relaci\u00f3n es \u221a2, en la arquitectura cl\u00e1sica todo depende del radio del fuste de la columna en su base. Con esa dimensi\u00f3n puede dibujarse el di\u00e1metro, y con \u00e9l la altura de la columna, y despu\u00e9s el intercolumnio y as\u00ed proseguir hasta llenar por completo la p\u00e1gina en blanco con una arquitectura regular y met\u00f3dica llena de relaciones y proporciones.<\/p>\n

Una arquitectura<\/a> formateada plasmada en su papel cuyos lados son relaci\u00f3n de dos.<\/p>\n

\"Bernd
Bernd Becher, Hilla Becher. Framework Houses. 1957-74<\/span><\/figcaption><\/figure>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. Arquitecto
\nSan Sebasti\u00e1n. Mayo 2016<\/p>\n

[:gl]

\"David
David Douglas Duncan 2013 \u00a9 Sucesi\u00f3n Pablo Picasso, VEGAP, Madrid, 2013. Jacqueline\u00a0e Picasso identificando as obras destinadas a Par\u00eds coa \u201dK\u201d (Kahnweiler) | Fonte: hrc.utexas.edu<\/a><\/span><\/figcaption><\/figure><\/p>\n

A mi\u00fado crese que os formatos<\/a> unicamente dan resposta \u00e1s dimensi\u00f3ns dos pregos, os lenzos ou os bastidores, establecendo relaci\u00f3ns entre as s\u00faas diferentes dimensi\u00f3ns. Deste xeito organ\u00edzanse a nivel industrial as dimensi\u00f3ns do papel, base\u00e1ndose no n\u00famero \u221a2 para establecer todas as relaci\u00f3ns entre as partes e o todo.<\/p>\n

O formato ent\u00e9ndese por tanto como unha estrutura<\/a> interna, como unha regra xeom\u00e9trica baixo cuxo mandato nacen as diferentes series Din A, Din B ou Din C. No caso dos lenzos que serven de soporte \u00e1 pintura art\u00edstica o formato determina en funci\u00f3n das dimensi\u00f3ns dos seus bastidores, os arriostramientos ou rigidizadores que se multiplican e colocan respectando esa funci\u00f3n.<\/p>\n

Os formatos son \u00e1 fin e ao cabo estrutura, a inform\u00e1tica s\u00e1beo ben. Un disco duro debe ser formateado, \u00e9 dicir ser dotado dunha estrutura interna de campos e pistas, para que a informaci\u00f3n poida ser almacenada al\u00ed.<\/p>\n

O formato \u00e9 por tanto orde, unha orde que relaciona as partes mediante unha unidade de medida, un m\u00f3dulo que garante a harmon\u00eda do conxunto. Os formatos son ent\u00f3n leis compositivas, como o son as ordes arquitect\u00f3nicas cl\u00e1sicos, que brindan unidade e proporci\u00f3n a unha estrutura para garantir a s\u00faa beleza.<\/p>\n

Se no papel en branco a relaci\u00f3n \u00e9 \u221a2, na arquitectura cl\u00e1sica todo depende do radio do fuste da columna na s\u00faa base. Con esa dimensi\u00f3n pode debuxarse o di\u00e1metro, e con el a altura da columna, e despois o intercolumnio e as\u00ed proseguir ata encher por completo a p\u00e1xina en branco cunha arquitectura regular e met\u00f3dica chea de relaci\u00f3ns e proporci\u00f3ns.<\/p>\n

Unha arquitectura<\/a> formateada plasmada no seu papel cuxos lados son relaci\u00f3n de d\u00faas..<\/p>\n

\"Bernd
Bernd Becher, Hilla Becher. Framework Houses. 1957-74<\/span><\/figcaption><\/figure>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. Arquitecto
\nSan Sebasti\u00e1n. Maio 2016<\/p>\n

[:en]

\"David
David Douglas Duncan 2013 \u00a9 Sucesi\u00f3n Pablo Picasso, VEGAP, Madrid, 2013. Jacqueline and Picasso identifying the works destined for Paris with her \u201dK\u201d (Kahnweiler) | Source: hrc.utexas.edu<\/a><\/span><\/figcaption><\/figure><\/p>\n

Often one thinks that the formatos<\/a> only give response to the dimensions of the sheets, the linens or the frames, establishing relations between his different dimensions. Thus the dimensions of the paper are organized to industrial level, being based on the number v2 to establish all the relations between the parts and everything.<\/p>\n

The format is understood therefore as an internal structure<\/a>, as a geometric rule under the different series are born whose mandate Cash To, Cash B or Cash C. In case of the linens that use as support to the painting the format it determines depending on the dimensions of his frames, the arriostramientos or rigidizadores that multiply and are placed respecting this function.<\/p>\n

The formats are in the end a structure, the computer science knows it well. A hard disk must be formatted be provided, that is to say with an internal structure of fields and tracks, in order that the information could be stored there.<\/p>\n

The format is therefore order, an order that relates the parts by means of a unit of measure, a module that guarantees the harmony of the set. The formats are laws at the time compositivas, since they it are the architectural classic orders, which offer unit and proportion to a structure to guarantee his beauty.<\/p>\n

If in the paper in blank the relation is \u221a2, in the classic architecture everything depends on the radius of the shaft of the column in his base. With this dimension one can draw the diameter, and with him the height of the column, and later the intercolumnio and this way continue up to filling completely the blank page with a regular and methodical architecture full of relations and proportions.<\/p>\n

A formatted architecture<\/a>\u00a0formed of his paper which sides are a relation of two..<\/p>\n

\"Bernd
Bernd Becher, Hilla Becher. Framework Houses. 1957-74<\/span><\/figcaption><\/figure>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. Architect
\nSan Sebasti\u00e1n. May 2016<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] A menudo se cree que los formatos \u00fanicamente dan respuesta a las dimensiones de los pliegos, los lienzos o los bastidores, estableciendo relaciones entre sus diferentes dimensiones. De este modo se organizan a nivel industrial las dimensiones del papel, bas\u00e1ndose en el n\u00famero \u221a2 para establecer todas las relaciones entre las partes y el […]<\/p>\n","protected":false},"author":31,"featured_media":67391,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[12282,12448,5864,143,7203,7889,3657,11939,260,1815,510,7183,605,630,6925,12280,668,698,4285,2774,12281,815,6465,8181,2196,1021,1865,1278,2048,1289],"class_list":["post-67389","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-alain-roger","tag-arquitectura","tag-arquitectura-brasilena","tag-arquitectura-contemporanea","tag-arquitectura-danesa","tag-arquitectura-ecologica","tag-arquitectura-japonesa","tag-bernd-y-hilla-becher","tag-cartografia","tag-ecologia","tag-espacio","tag-fernando-pessoa","tag-frank-lloyd-wright","tag-geografia","tag-georg-wilhelm-friedrich-hegel","tag-henry-holyday","tag-historia","tag-ilustracion","tag-inigo-garcia-odiaga","tag-jorn-utzon","tag-lewis-carroll","tag-maestro","tag-miguel-angel-diaz-camacho","tag-pablo-picasso","tag-paulo-mendes-da-rocha","tag-pensamiento","tag-reflexion","tag-teoria","tag-teoria-e-historia","tag-tiempo"],"yoast_head":"\n[:es]Formatos 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