{"id":67372,"date":"2018-05-28T00:01:01","date_gmt":"2018-05-27T22:01:01","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=67372"},"modified":"2022-09-30T16:38:18","modified_gmt":"2022-09-30T14:38:18","slug":"bajar-la-mirada-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/bajar-la-mirada-inigo-garcia-odiaga\/","title":{"rendered":"[:es]Bajar la mirada | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Baixar a mirada | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Looking down | \u00cd\u00f1igo Garc\u00eda Odiaga[:]"},"content":{"rendered":"

[:es]

\"Ludwig
Ludwig Mies van der Rohe (1886-1969) y la casa Farnsworth<\/span><\/figcaption><\/figure><\/p>\n

Rechazar la mirada directa de los ojos puede ser s\u00edntoma de verg\u00fcenza o timidez, as\u00ed suele interpretarse cuando alguien nos baja la mirada. Pero en algunas culturas como la japonesa es s\u00edntoma de respeto. Para el arquitecto este gesto puede ser de sumisi\u00f3n.<\/p>\n

Mies<\/strong><\/a> baja la mirada para meterse en el espacio y as\u00ed adaptarse a la escala de la maqueta. Al bajar sus ojos, desciende el punto de vista y con \u00e9l, el horizonte igual\u00e1ndose al del lugar construido con cart\u00f3n, madera y metal del modelo tridimensional que ocupa su mesa.<\/p>\n

Se transforma as\u00ed el arquitecto en usuario, en visitante que recorre el edificio proyectado y que con su mirada adiestrada intenta confirmar las sensaciones que en sus dibujos y bocetos previos hab\u00eda intuido.<\/p>\n

La maqueta no es un objeto muerto, no es una representaci\u00f3n que busca engrosar la figura publicitaria del arquitecto cuando coloque la primera piedra. Es por el contrario una herramienta, un material en el que construir el proyecto, probar las ideas, testar las formas, comprobar los vol\u00famenes y corregir los errores.<\/p>\n

Es por tanto un boceto, del mismo modo que lo es un trozo de papel con un apunte, pero tridimensional y por tanto susceptible de ser recorrido con la mirada por sus entra\u00f1as, de modo que se anticipen los espacios futuros y que puedan ser reordenados por aquellos que los esculpen.<\/p>\n

Frank Gehry<\/strong><\/a> lo hace con microc\u00e1maras como las de las endoscopias que recorren nuestro organismo durante una operaci\u00f3n quir\u00fargica, pero Mies<\/strong><\/a> no dispon\u00eda de esa tecnolog\u00eda y lo hace bajando la vista, escalando su mirada.<\/p>\n

No siente verg\u00fcenza, sino respeto por el espacio que la arquitectura va a construir en un futuro.<\/p>\n

\"Mies
Mies van der Rohe y la maqueta del Seagram<\/span><\/figcaption><\/figure>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. Arquitecto
\nSan Sebasti\u00e1n. Abril\u00a02016[:gl]

\"Ludwig
Ludwig Mies van der Rohe (1886-1969) e a casa Farnsworth<\/span><\/figcaption><\/figure><\/p>\n

Rexeitar a mirada directa dos ollos pode ser s\u00edntoma de vergo\u00f1a ou timidez, as\u00ed adoita interpretarse cando algu\u00e9n nos baixa a mirada. Pero nalgunhas culturas como a xaponesa \u00e9 s\u00edntoma de respecto. Para o arquitecto este xesto pode ser de submisi\u00f3n.<\/p>\n

Mies<\/strong> <\/a>baixa a mirada para meterse no espazo e as\u00ed adaptarse \u00e1 escala da maqueta. Ao baixar os seus ollos, descende o punto de vista e con el, o horizonte igual\u00e1ndose ao do lugar constru\u00eddo con cart\u00f3n, madeira e metal do modelo tridimensional que ocupa a s\u00faa mesa.<\/p>\n

Transf\u00f3rmase as\u00ed o arquitecto en usuario, en visitante que percorre o edificio proxectado e que coa s\u00faa mirada adestrada tenta confirmar as sensaci\u00f3ns que nos seus debuxos e bosquexos previos intu\u00edra.<\/p>\n

A maqueta non \u00e9 un obxecto morto, non \u00e9 unha representaci\u00f3n que busca engrosar a figura publicitaria do arquitecto cando coloque a primeira pedra. \u00c9 pola contra unha ferramenta, un material no que constru\u00edr o proxecto, probar as ideas, testar as formas, comprobar os volumes e corrixir os erros.<\/p>\n

\u00c9 por tanto un bosquexo, do mesmo xeito que o \u00e9 un anaco de papel cun apuntamento, pero tridimensional e por tanto susceptible de ser percorrido coa mirada polas s\u00faas entra\u00f1as, de modo que se anticipen os espazos futuros e que poidan ser reordenados por aqueles que os esculpen.<\/p>\n

Frank Gehry<\/strong><\/a> faio con microc\u00e1maras como as das endoscopias que percorren o noso organismo durante unha operaci\u00f3n cir\u00farxica, pero\u00a0Mies<\/strong><\/a>\u00a0non dispo\u00f1\u00eda desa tecnolox\u00eda e faio baixando a vista, escalando a s\u00faa mirada.<\/p>\n

No siente verg\u00fcenza, sino respeto por el espacio que la arquitectura va a construir en un futuro.<\/p>\n

\"Mies
Mies van der Rohe y la maqueta del Seagram<\/span><\/figcaption><\/figure>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. Arquitecto
\nSan Sebasti\u00e1n. Abril\u00a02016[:en]

\"Ludwig
Ludwig Mies van der Rohe (1886-1969)\u00a0and the Farnsworth house<\/span><\/figcaption><\/figure><\/p>\n

To reject the direct look of the eyes can be a symptom of shame or coyness, this way it is in the habit of being interpreted when someone us lowers the look. But in some cultures like the Japanese it is a symptom of respect. For the architect this gesture can be of submission.<\/p>\n

Mies<\/strong><\/a> lowers the look to get into the space and this way to adapt to the scale of the model. On having lowered his eyes, it gets down the point of view and with him, the horizon being equal to that of the place constructed with carton, wood and metal of the three-dimensional model who occupies his table.<\/p>\n

The architect transforms this way in user, in visitor who crosses the projected building and who with his trained look tries to confirm the sensations that in his drawings and previous sketches he had felt.<\/p>\n

The model is not a dead object, is not a representation that seeks to increase the advertising figure of the architect when he places the first stone. It is on the contrary a tool, a material in which to construct the project, to prove the ideas, to test the forms, to verify the volumes and to correct the mistakes.<\/p>\n

It is therefore a sketch, in the same way that it is a chunk of paper with a note, but three-dimensional and therefore capable of being crossed by the look by his entrails, so that the future spaces are anticipated and that they could be reordered by those that the esculpen.<\/p>\n

Frank Gehry<\/strong><\/a> does it with microchambers as those of the endoscopias that cross our organism during a surgical operation, but Mies<\/strong><\/a> was not having this technology and it does it lowering the sight, climbing his look.<\/p>\n

He does not feel shame, but respect for the space that the architecture is going to construct in a future.<\/p>\n

\"Mies
Mies van der Rohe\u00a0and the\u00a0Seagram model<\/span><\/figcaption><\/figure>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. Architect
\nSan Sebasti\u00e1n. April\u00a02016[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Rechazar la mirada directa de los ojos puede ser s\u00edntoma de verg\u00fcenza o timidez, as\u00ed suele interpretarse cuando alguien nos baja la mirada. Pero en algunas culturas como la japonesa es s\u00edntoma de respeto. Para el arquitecto este gesto puede ser de sumisi\u00f3n. Mies baja la mirada para meterse en el espacio y as\u00ed […]<\/p>\n","protected":false},"author":31,"featured_media":67374,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[2312,365,2395,3487,10109,668,688,4285,815,828,865,2726,1021,1865,1271,1278,2048],"class_list":["post-67372","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-boceto","tag-construccion","tag-croquis","tag-frank-gehry","tag-herramienta","tag-historia","tag-idea","tag-inigo-garcia-odiaga","tag-maestro","tag-maqueta","tag-mies-van-der-rohe","tag-nueva-tecnologia","tag-pensamiento","tag-reflexion","tag-tecnologia","tag-teoria","tag-teoria-e-historia"],"yoast_head":"\n[:es]Bajar la mirada | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Baixar a mirada | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Looking down | \u00cd\u00f1igo Garc\u00eda Odiaga[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Bajar la mirada | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Baixar a mirada | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Looking down | \u00cd\u00f1igo Garc\u00eda Odiaga[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/bajar-la-mirada-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Bajar la mirada | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Baixar a mirada | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Looking down | \u00cd\u00f1igo Garc\u00eda Odiaga[:] - 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