{"id":67297,"date":"2018-03-12T00:02:29","date_gmt":"2018-03-11T23:02:29","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=67297"},"modified":"2022-06-27T08:41:37","modified_gmt":"2022-06-27T06:41:37","slug":"la-arquitectura-las-palabras-miguel-angel-diaz-camacho","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-arquitectura-las-palabras-miguel-angel-diaz-camacho\/","title":{"rendered":"[:es]La arquitectura de las palabras | Miguel \u00c1ngel D\u00edaz Camacho[:gl]A arquitectura das verbas | Miguel \u00c1ngel D\u00edaz Camacho[:en]The architecture of the words | Miguel \u00c1ngel D\u00edaz Camacho[:]"},"content":{"rendered":"

[:es]

\"The
The Century is Over. Evolutionary Tree of Twentieth-Century Architecture, Charles Jencks, Architectural Review, julio 2000, p\u00e1g. 77.<\/span><\/figcaption><\/figure><\/p>\n

Nuestra vida transcurre bajo el firmamento de las palabras: vivimos en el lenguaje. Con frecuencia pensamos torpemente en la palabra como un mero utensilio a trav\u00e9s del cual tratamos de explicitar nuestros mensajes y nuestros argumentos, pobre\u00a0palabrer\u00eda\u00a0<\/em>alrededor de -pongamos- la arquitectura. Sin embargo, en ocasiones pareciera que estos conjuntos ordenados de letras formaran con anterioridad y por s\u00ed mismos, si no una arquitectura, s\u00ed al menos un lugar, un pre\u00e1mbulo luminoso de la existencia de objetos, paisajes o habitaciones. Para Jos\u00e9 \u00c1ngel Valente, antes que nada, la palabra ser\u00e1\u00a0luz<\/em>:<\/p>\n

\n

\u00abluz,<\/em><\/p>\n

donde a\u00fan no forma<\/em><\/p>\n

su innumerable rostro lo visible\u00bb<\/em>.1<\/sup><\/p>\n<\/blockquote>\n

Las relaciones entre arquitectura y lenguaje han sido convenientemente estudiadas en numerosos textos, art\u00edculos e incluso mapas desde la academia2<\/sup>. Algunos arquitectos han cultivado sus propias palabras y esperado pacientemente sus\u00a0frutos<\/em>: Buckminster Fuller en su Diccionario de Sinergias propone una colecci\u00f3n de t\u00e9rminos inventados que habr\u00edan de estimular su propia arquitectura:\u00a0tensegrity<\/em>,\u00a0livingry,<\/em>\u00a0dymaxion<\/em>…<\/p>\n

A veces necesitamos inventar un\u00a0diccionario<\/em>, patentar la singularidad de unas ideas desde la instauraci\u00f3n de ciertas contrase\u00f1as o neologismos. Palabras\u00a0llave<\/em>. En otras ocasiones ser\u00e1 la propia arquitectura la que soporte -no sin sorpresa- palabras sencillas e inesperadas, mensajes que consigan desvelar el mundo desde lo alto: recordemos que -por alg\u00fan motivo- \u00c1lvaro Siza acepta el conocido\u00a0Bonjour Tristesse<\/em>\u00a0en Berl\u00edn a finales de los ochenta.<\/p>\n

Palabras\u00a0patrimonio<\/em>.<\/strong><\/p>\n

Sobre la libertad de las palabras, su autonom\u00eda respecto a nosotros, no parece sencillo aventurar ni una sola respuesta ni conclusi\u00f3n3<\/sup>. Quiz\u00e1 la concreci\u00f3n del ejemplo nos asista: la palabra \u00ablugar\u00bb designaba en su origen -hace miles de a\u00f1os- un claro en el bosque. Tal vez la energ\u00eda contenida en esta sola palabra sea capaz de enunciar el sentido primero de la arquitectura, un estado de las cosas previo a las intervenciones de los hombres, qui\u00e9n sabe si anterior incluso a nuestra existencia:<\/p>\n

\n

\u00abpues m\u00e1s all\u00e1 de nuestro sue\u00f1o<\/em><\/p>\n

las palabras, que no nos pertenecen,<\/em><\/p>\n

se asocian como nubes<\/em><\/p>\n

que un d\u00eda el viento precipita<\/em><\/p>\n

sobre la tierra<\/em><\/p>\n

para cambiar, no in\u00fatilmente, el mundo\u00bb<\/em>.4<\/sup><\/p>\n<\/blockquote>\n

Como si en las palabras habitara ya el principio de toda estructura: palabras\u00a0disoluci\u00f3n.\u00a0<\/em>Conviene advertir, no in\u00fatilmente, la arquitectura de las palabras.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doctor Arquitecto
\nMadrid. Diciembre\u00a02015.
\nAutor de\u00a0Parr\u00e1fos de arquitectura<\/em>.\u00a0#arquiParrafos<\/a><\/span><\/p>\n

Notas:<\/p>\n

1 <\/sup>Jos\u00e9 \u00c1ngel Valente,\u00a0Palabra<\/em>, en \u00abMaterial memoria<\/a>\u00ab, 1979.<\/p>\n

2<\/sup> Ver Adrian Forty, \u00abWords and Buildings: a Vocabulary of Modern Architecture<\/a>\u00ab, Londres, Thames & Hudson, 2004.<\/p>\n

3<\/sup> El \u00abidioma\u00bb supone una apropiaci\u00f3n particular del lenguaje com\u00fan a todos los hombres, una primera privatizaci\u00f3n colectiva de las palabras.<\/p>\n

4<\/sup> Jos\u00e9 \u00c1ngel Valente,\u00a0No in\u00fatilmente<\/em>, en \u00abLa memoria y los signos\u00bb, 1966.<\/p>\n

[:gl]

\"The
The Century is Over. Evolutionary Tree of Twentieth-Century Architecture, Charles Jencks, Architectural Review, xullo 2000, p\u00e1x. 77.<\/span><\/figcaption><\/figure><\/p>\n

A nosa vida transcorre baixo o firmamento das palabras: vivimos na linguaxe. Con frecuencia pensamos torpemente na palabra como un mero utensilio a trav\u00e9s do cal tratamos de explicitar as nosas mensaxes e os nosos argumentos, pobre palabrer\u00eda<\/em> ao redor de -po\u00f1amos- a arquitectura. Con todo, en ocasi\u00f3ns parecese que estes conxuntos ordenados de letras formasen con anterioridade e por si mesmos, se non unha arquitectura, si polo menos un lugar, un pre\u00e1mbulo luminoso da existencia de obxectos, paisaxes ou habitaci\u00f3ns. Para Jos\u00e9 \u00c1ngel Valente, primeiro de nada, a palabra ser\u00e1 luz<\/em>:<\/p>\n

\n

\u00abluz, <\/em><\/p>\n

onde a\u00ednda non forma <\/em><\/p>\n

o seu innumerable rostro o visible\u00bb<\/em>.1<\/sup><\/p>\n<\/blockquote>\n

As relaci\u00f3ns entre arquitectura e linguaxe foron convenientemente estudadas en numerosos textos, artigos e mesmo mapas desde a academia2<\/sup>. Alg\u00fans arquitectos cultivaron as s\u00faas propias palabras e esperado pacientemente os seus froitos<\/em>: Buckminster Fuller no seu Dicionario de Sinerxias prop\u00f3n unha colecci\u00f3n de termos inventados que haber\u00edan de estimular a s\u00faa propia arquitectura: tensegrity, livingry, dymaxion..<\/em>.<\/p>\n

\u00c1s veces necesitamos inventar un dicionario,<\/em> patentar a singularidade dunhas ideas desde a instauraci\u00f3n de certos contrasinais ou neoloxismos. Palabras chave<\/em>. Noutras ocasi\u00f3ns ser\u00e1 a propia arquitectura a que soporte -non sen sorpresa- palabras sinxelas e inesperadas, mensaxes que consigan desvelar o mundo desde o alto: lembremos que -por alg\u00fan motivo- \u00c1lvaro Siza acepta o co\u00f1ecido Bonjour Tristesse<\/em> en Berl\u00edn a finais dos oitenta.<\/p>\n

Palabras\u00a0patrimonio<\/em>.<\/strong><\/p>\n

Sobre a liberdade das palabras, a s\u00faa autonom\u00eda respecto de n\u00f3s, non parece sinxelo aventurar nin unha soa resposta nin conclusi\u00f3n3<\/sup>. Quiz\u00e1 a concreci\u00f3n do exemplo as\u00edstanos: a palabra \u00ablugar\u00bb designaba na s\u00faa orixe -fai miles de anos- un claro no bosque. Talvez a enerx\u00eda contida nesta soa palabra sexa capaz de enunciar o sentido primeiro da arquitectura, un estado das cousas previo \u00e1s intervenci\u00f3ns dos homes, quen sabe se anterior mesmo \u00e1 nosa existencia:<\/p>\n

\n

\u00abpois m\u00e1is al\u00f3 do noso so\u00f1o <\/em><\/p>\n

as verbas, que non nos pertencen, <\/em><\/p>\n

as\u00f3cianse como nubes <\/em><\/p>\n

que un d\u00eda o vento precipita <\/em><\/p>\n

sobre a terra <\/em><\/p>\n

para cambiar, non inutilmente, o mundo<\/em>\u00ab.4<\/sup><\/p>\n<\/blockquote>\n

Coma se nas palabras habitase xa o principio de toda estrutura: palabras disoluci\u00f3n<\/em>. Conv\u00e9n advertir, non inutilmente, a arquitectura das palabras.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doutor Arquitecto
\nMadrid. Decembro 2015.
\nAutor de\u00a0Parr\u00e1fos de arquitectura<\/em>.\u00a0#arquiParrafos<\/a><\/span><\/p>\n

Notas:<\/p>\n

1 <\/sup>Jos\u00e9 \u00c1ngel Valente,\u00a0Palabra<\/em>, en \u00abMaterial memoria<\/a>\u00ab, 1979.<\/p>\n

2<\/sup> Ver Adrian Forty, \u00abWords and Buildings: a Vocabulary of Modern Architecture<\/a>\u00ab, Londres, Thames & Hudson, 2004.<\/p>\n

3<\/sup> O \u00abidioma\u00bb sup\u00f3n unha apropiaci\u00f3n particular da linguaxe com\u00fan a todos os homes, unha primeira privatizaci\u00f3n colectiva das palabras.<\/p>\n

4<\/sup> Jos\u00e9 \u00c1ngel Valente,\u00a0No in\u00fatilmente<\/em>, en \u00abLa memoria y los signos\u00bb, 1966.<\/p>\n

[:en]

\"The
The Century is Over. Evolutionary Tree of Twentieth-Century Architecture, Charles Jencks, Architectural Review, july 2000, page. 77.<\/span><\/figcaption><\/figure><\/p>\n

Our life passes under the sky of the words: we live in the language. Often we think stubbornly about the word as a mere utensil across which we treat of explicitar our messages and our arguments, poor fllood of words about<\/em> – we put – the architecture. Nevertheless, in occasions it was looking like that these sets been ordained as letters were forming previously and for yes same, if not an architecture, yes at least a place, a luminous preamble of the existence of objects, landscapes or rooms. For Jose \u00c1ngel Valente, first of all, the word will be a light<\/em>:<\/p>\n

\n

\u00abLight<\/em><\/p>\n

here still his innumerable face does not form\u00a0<\/em><\/p>\n

the visible thing\u00bb<\/em>.1<\/sup><\/p>\n<\/blockquote>\n

The relations between architecture and language have been suitably studied in numerous texts, articles and enclosedly maps from the academy2<\/sup>. Some architects have cultivated his own words and waited patiently his fruits<\/em>: Buckminster Fuller in his Dictionary of Synergies proposes a collection of invented terms that should stimulate his own architecture: tensegrity, livingry, dymaxion…<\/em><\/p>\n

Sometimes we need to invent a dictionary<\/em>, to patent the singularity of a few ideas from the restoration of certain passwords or neologisms. Words key<\/em>. In other occasions it will be the own architecture the one that he supports – not without surprise – simple and unexpected words, messages that manage to reveal the world from the high thing: let’s remember that – for some motive – \u00c1lvaro Siza accepts the acquaintance Bonjour Tristesse<\/em> in Berlin at the end of the eighties.<\/p>\n

Words heritage<\/em>.<\/strong><\/p>\n

On the freedom of the words, his autonomy with regard to us, it does not seem to be simple neither an alone response nor conclusion venture3<\/sup>. Probably the concretion of the example attends us: the word \u00abplace\u00bb was designating in his origin – it does thousands of years – the clear one in the forest. Maybe the energy contained in this alone word is capable of enunciating the first sense of the architecture, a state of affairs before the interventions of the men, who knows if previous enclosed to our existence:<\/p>\n

Sobre la libertad de las palabras, su autonom\u00eda respecto a nosotros, no parece sencillo aventurar ni una sola respuesta ni conclusi\u00f3n3<\/sup>. Quiz\u00e1 la concreci\u00f3n del ejemplo nos asista: la palabra \u00ablugar\u00bb designaba en su origen -hace miles de a\u00f1os- un claro en el bosque. Tal vez la energ\u00eda contenida en esta sola palabra sea capaz de enunciar el sentido primero de la arquitectura, un estado de las cosas previo a las intervenciones de los hombres, qui\u00e9n sabe si anterior incluso a nuestra existencia:<\/p>\n

\n

\u00abSo beyond our dream<\/em><\/p>\n

the words, which us do not belong,<\/em><\/p>\n

associate as clouds<\/em><\/p>\n

which one day the wind precipitates<\/em><\/p>\n

on the land<\/em><\/p>\n

to change, not uselessly, the world\u00bb<\/em>.4<\/sup><\/p>\n<\/blockquote>\n

As if in the words he was living already the beginning of any structure: words dissolution<\/em>. It suits to warn, not uselessly, the architecture of the words.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho.\u00a0PhD Architect
\nMadrid. December 2015.
\nAuthor\u00a0of the\u00a0Parr\u00e1fos de arquitectura<\/em>.\u00a0#arquiParrafos<\/a><\/span><\/p>\n

Notes:<\/p>\n

1 <\/sup>Jos\u00e9 \u00c1ngel Valente,\u00a0Palabra<\/em>, en \u00abMaterial memoria<\/a>\u00ab, 1979.<\/p>\n

2<\/sup> Ver Adrian Forty, \u00abWords and Buildings: a Vocabulary of Modern Architecture<\/a>\u00ab, Londres, Thames & Hudson, 2004.<\/p>\n

3<\/sup> The \u00ablanguage\u00bb supposes a particular appropriation of the common language to all the men, the first collective privatization of the words.<\/p>\n

4<\/sup> Jos\u00e9 \u00c1ngel Valente,\u00a0No in\u00fatilmente<\/em>, en \u00abLa memoria y los signos\u00bb, 1966.<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Nuestra vida transcurre bajo el firmamento de las palabras: vivimos en el lenguaje. Con frecuencia pensamos torpemente en la palabra como un mero utensilio a trav\u00e9s del cual tratamos de explicitar nuestros mensajes y nuestros argumentos, pobre\u00a0palabrer\u00eda\u00a0alrededor de -pongamos- la arquitectura. Sin embargo, en ocasiones pareciera que estos conjuntos ordenados de letras formaran con […]<\/p>\n","protected":false},"author":5,"featured_media":67299,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[13413,103,6221,668,13412,6465,12463,1021,7295,1278,2048],"class_list":["post-67297","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-adrian-forty","tag-alvaro-siza-vieira","tag-charles-jencks","tag-historia","tag-jose-angel-valente","tag-miguel-angel-diaz-camacho","tag-patrimonio","tag-pensamiento","tag-richard-buckminster-fuller","tag-teoria","tag-teoria-e-historia"],"yoast_head":"\n[:es]La arquitectura de las palabras | Miguel \u00c1ngel D\u00edaz Camacho[:gl]A arquitectura das verbas | Miguel \u00c1ngel D\u00edaz Camacho[:en]The architecture of the words | Miguel \u00c1ngel D\u00edaz Camacho[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]La arquitectura de las palabras | Miguel \u00c1ngel D\u00edaz Camacho[:gl]A arquitectura das verbas | Miguel \u00c1ngel D\u00edaz Camacho[:en]The architecture of the words | Miguel \u00c1ngel D\u00edaz Camacho[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/la-arquitectura-las-palabras-miguel-angel-diaz-camacho\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]La arquitectura de las palabras | Miguel \u00c1ngel D\u00edaz Camacho[:gl]A arquitectura das verbas | Miguel \u00c1ngel D\u00edaz Camacho[:en]The architecture of the words | Miguel \u00c1ngel D\u00edaz Camacho[:] - 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En la actualidad desarrolla proyectos de arquitectura y urbanismo en Espa\u00f1a y Noruega.","sameAs":["https:\/\/madc.xyz\/","https:\/\/www.facebook.com\/diazcamacho","https:\/\/www.instagram.com\/madc_architecture\/","https:\/\/www.linkedin.com\/in\/madcarquitectos\/","https:\/\/x.com\/https:\/\/twitter.com\/MADCARQUITECTOS"],"url":"https:\/\/veredes.es\/blog\/author\/miguel-angel-diaz-camacho\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/67297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=67297"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/67297\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/67299"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=67297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=67297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=67297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}