{"id":66623,"date":"2017-12-21T00:02:36","date_gmt":"2017-12-20T23:02:36","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=66623"},"modified":"2019-06-03T09:13:02","modified_gmt":"2019-06-03T07:13:02","slug":"protocolos","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/protocolos\/","title":{"rendered":"[:es]Protocolos[:gl]Protocolos[:en]Protocols[:]"},"content":{"rendered":"

[:es]<\/p>\n

\"Protocolos<\/p>\n

\n

\u00ab…Una serie de protocolos cuidadosamente definidos y coordinados entre diferentes agentes marcaban una transformaci\u00f3n hist\u00f3rica, donde el resultado final era un producto inesperado frente al control absoluto sobre cada una de las partes. Del objeto se pasaba al proceso, del hardware al software.<\/em><\/p>\n

Frente a una arquitectura definida en cada punto, cada viga, cada pilar, donde nada escapa al control absoluto de los proyectistas aparec\u00eda, en todas las pantallas de televisi\u00f3n, una transformaci\u00f3n arquitect\u00f3nica definida exclusivamente a trav\u00e9s de directrices, agentes y vectores, donde lo inesperado y lo contingente hac\u00edan aparici\u00f3n, y el resultado final carec\u00eda de cualquier valor.<\/em><\/p>\n

Los protocolos cobraban a trav\u00e9s de la acci\u00f3n de los terroristas, ese 11 de septiembre, una nueva magnitud a la hora de entender los procesos y mecanismos de construcci\u00f3n -y destrucci\u00f3n- del espacio.\u00bb<\/em><\/p>\n

(Extracto del editorial)<\/p>\n<\/blockquote>\n

Este sexto experimento<\/a> propone ahondar en los protocolos, entendidos como vectores activos en la construcci\u00f3n del espacio. Leyes, normativas, instrucciones de uso, regulaciones, advertencias, c\u00f3digos t\u00e9cnicos, actas notariales, jurisprudencias, c\u00f3digos de comportamiento, patrones, sentencias judiciales, prohibiciones, hojas de ruta, acciones, patentes, softwares. Frente al dise\u00f1o de objetos cerrados, la creaci\u00f3n de herramientas que generan posibilidades de uso y transformaci\u00f3n, donde el peso central no reside en el resultado sino en el proceso. \u00a0<\/span><\/p>\n

Doce reflexiones complementarias en las que encontraremos visiones\u00a0sobre la justicia espacial, traceurs recorriendo cementerios, zonas francas y parques tecnol\u00f3gicos, hoteles ilegales sobre parques naturales, protocolos art\u00edsticos para implementar en la arquitectura, pliegos de condiciones a trav\u00e9s de los cuales transformar la periferia, instrucciones para generar arquitecturas orientadas a pr\u00e1cticas sexuales disidentes, aguas internacionales desplazadas, planes para expropiar escritos por un famoso atracador de bancos o c\u00f3mo una serie de decisiones pol\u00edticas y un Bulldozer pueden construir un dram\u00e1tico proyecto arquitect\u00f3nico.\u00a0<\/span><\/p>\n

\"Protocolos<\/p>\n

Este experimento lo forman: Edici\u00f3n limita y numerada de 750<\/strong>\u00a0ejemplares.<\/p>\n

\u00b7 Zone: The Spatial Softwares of Extrastatecraft.<\/strong><\/p>\n

Keller Easterling<\/p>\n

\u00b7 The Movement of Spatial Justice.<\/strong><\/p>\n

Andreas Philopopoulos-MIhalopoulos<\/p>\n

\u00b7 Bulldozer Politics.<\/strong><\/p>\n

L\u00e9opold Lambert<\/p>\n

\u00b7 Glossary of Boot Protocols: New Spatial Practices in Art and Architecture.<\/strong><\/p>\n

\u00c1ngela Juarranz<\/p>\n

\u00b7 Potentia Gaudendi.<\/strong><\/p>\n

VenidaDevenida<\/p>\n

\u00b7 Desterritorializaciones.<\/strong><\/p>\n

Alejandro Cantera<\/p>\n

\u00b7 Revisitando el Algarrobico.<\/strong><\/p>\n

n’UNDO<\/p>\n

\u00b7 Ser y Durar.<\/strong><\/p>\n

Democracia<\/p>\n

\u00b7 Acci\u00f3n moral desplazada. Crecimiento exponencial.<\/strong><\/p>\n

N\u00faria G\u00fcell y Levi Orta<\/p>\n

\u00b7 Lines in Water.<\/strong><\/p>\n

Giuditta Vendrame<\/p>\n

\u00b7 Copyright en el bazar. Cuatro definiciones de arquitectura en la era informacional.<\/strong><\/p>\n

Lluis Juan Li\u00f1\u00e1n<\/p>\n

\u00b7 Partir-repartir: Protocolos colaborativos de trabajo.<\/strong><\/p>\n

COLAB (Gaizka Altuna, Bego\u00f1a de Abajo, Enrique Espinosa y Almudena Ribot).<\/p>\n

\"Protocolos<\/p>\n

N\u00ba de p\u00e1ginas: 288 p\u00e1ginas.<\/strong><\/a>
\n Tama\u00f1o: 148×210 mm.<\/strong>
\n Impresi\u00f3n offset a 1 tinta. Encuadernaci\u00f3n cosida.<\/strong><\/p>\n

[:gl]<\/p>\n

\"Protocolos<\/p>\n

\n

\u00ab…Unha serie de protocolos coidadosamente definidos e coordinados entre diferentes axentes marcaban unha transformaci\u00f3n hist\u00f3rica, onde o resultado final era un produto inesperado fronte ao control absoluto sobre cada unha das partes. Do obxecto pas\u00e1base ao proceso, do hardware ao software.<\/em><\/p>\n

Fronte a unha arquitectura definida en cada punto, cada viga, cada alicerce, onde nada escapa ao control absoluto dos proyectistas aparec\u00eda, en todas as pantallas de televisi\u00f3n, unha transformaci\u00f3n arquitect\u00f3nica definida exclusivamente a trav\u00e9s de directrices, axentes e vectores, onde o inesperado e o continxente fac\u00edan aparici\u00f3n, e o resultado final carec\u00eda de calquera valor.<\/em><\/p>\n

Os protocolos cobraban a trav\u00e9s da acci\u00f3n dos terroristas, ese 11 de setembro, unha nova magnitude \u00e1 hora de entender os procesos e mecanismos de construci\u00f3n -e destruci\u00f3n- do espazo.\u00bb<\/em><\/p>\n

(Extracto da editorial)<\/p>\n<\/blockquote>\n

Este sexto experimento<\/a> prop\u00f3n profundar nos protocolos, entendidos como vectores activos na construci\u00f3n do espazo. Leis, normativas, instruci\u00f3ns de uso, regulaci\u00f3ns, advertencias, c\u00f3digos t\u00e9cnicos, actas notariais, xurisprudencias, c\u00f3digos de comportamento, patr\u00f3ns, sentenzas xudiciais, prohibici\u00f3ns, follas de ruta, acci\u00f3ns, patentes, softwares. Fronte ao dese\u00f1o de obxectos pechados, a creaci\u00f3n de ferramentas que xeran posibilidades de uso e transformaci\u00f3n, onde o peso central non reside no resultado sen\u00f3n no proceso.<\/p>\n

Doce reflexi\u00f3ns complementarias nas que atoparemos visi\u00f3ns sobre a xustiza espacial, traceurs percorrendo cemiterios, zonas francas e parques tecnol\u00f3xicos, hoteis ilegais sobre parques naturais, protocolos art\u00edsticos para implementar na arquitectura, pregos de condici\u00f3ns a trav\u00e9s dos cales transformar a periferia, instruci\u00f3ns para xerar arquitecturas orientadas a pr\u00e1cticas sexuais disidentes, augas internacionais desprazadas, plans para expropiar escritos por un famoso atracador de bancos ou como unha serie de decisi\u00f3ns pol\u00edticas e un Bulldozer poden constru\u00edr un dram\u00e1tico proxecto arquitect\u00f3nico.<\/p>\n

\"Protocolos<\/p>\n

Este experimento f\u00f3rmano: Edici\u00f3n limita e numerada de 750<\/strong> exemplares.<\/p>\n

\u00b7 Zone: The Spatial Softwares of Extrastatecraft.<\/strong><\/p>\n

Keller Easterling<\/p>\n

\u00b7 The Movement of Spatial Justice.<\/strong><\/p>\n

Andreas Philopopoulos-MIhalopoulos<\/p>\n

\u00b7 Bulldozer Politics.<\/strong><\/p>\n

L\u00e9opold Lambert<\/p>\n

\u00b7 Glossary of Boot Protocols: New Spatial Practices in Art and Architecture.<\/strong><\/p>\n

\u00c1ngela Juarranz<\/p>\n

\u00b7 Potentia Gaudendi.<\/strong><\/p>\n

VenidaDevenida<\/p>\n

\u00b7 Desterritorializaci\u00f3ns.<\/strong><\/p>\n

Alejandro Cantera<\/p>\n

\u00b7 Revisitando\u00a0o Algarrobico.<\/strong><\/p>\n

n’UNDO<\/p>\n

\u00b7 Ser\u00a0e Durar.<\/strong><\/p>\n

Democracia<\/p>\n

\u00b7 Acci\u00f3n moral desplazada. Crecemento exponencial.<\/strong><\/p>\n

N\u00faria G\u00fcell y Levi Orta<\/p>\n

\u00b7 Lines in Water.<\/strong><\/p>\n

Giuditta Vendrame<\/p>\n

\u00b7 Copyright\u00a0no bazar. Catro definici\u00f3ns de arquitectura na era informacional.<\/strong><\/p>\n

Lluis Juan Li\u00f1\u00e1n<\/p>\n

\u00b7 Partir-repartir: Protocolos colaborativos de traballo.<\/strong><\/p>\n

COLAB (Gaizka Altuna, Bego\u00f1a de Abajo, Enrique Espinosa\u00a0e Almudena Ribot).<\/p>\n

\"Protocolos<\/p>\n

N\u00ba de p\u00e1ginas: 288 p\u00e1ginas.<\/strong><\/a>
\n Tama\u00f1o: 148×210 mm.<\/strong>
\n Impresi\u00f3n offset a 1 tinta. Encuadernaci\u00f3n cosida.<\/strong><\/p>\n

[:en]<\/p>\n

\"Protocolos<\/p>\n

\n

\u00ab…A series of protocols carefully definite and coordinated between different agents were marking a historical transformation, where the final result was an unexpected product opposite to the absolute control on each of the parts. Of the object it was passing to the process, from the hardware to the software.<\/em><\/p>\n

Opposite to an architecture defined in every point, every girder, every prop, where nothing escapes to the absolute control of the designers was appearing, on all the screens of television, an architectural transformation defined exclusively across directives, agents and vectors, where the unexpected thing and it fixes quotas for it they were doing appearance, and the final result was lacking any value.<\/em><\/p>\n

The protocols were receiving across the action of the terrorists, this September 11, a new magnitude at the moment of understanding the processes and mechanisms of construction – and destruction – of the space.\u00bb<\/em><\/p>\n

(Extract of the editorial)<\/p>\n<\/blockquote>\n

This sixth experiment <\/a>proposes to go deeply into the protocols understood as active vectors with the construction of the space. Laws, regulations, instructions of use, regulations, warnings, technical codes, notarial deeds, jurisprudences, codes of behavior, bosses, judicial judgments, prohibitions, roadmaps, actions, patents, softwares. Opposite to the design of closed objects, the creation of tools that generate possibilities of use and transformation, where the central weight does not reside in the result but in the process.\u00a0<\/span><\/p>\n

Twelve complementary reflections in which we will find visions on the spatial justice, traceurs crossing cemeteries, duty-free zones and technological parks, illegal hotels on nature reserves, artistic protocols to help in the architecture, schedules of conditions across which to transform the periphery, instructions to generate architectures orientated to sexual dissident practices, international displaced waters, plans to expropriate written by a famous armed bandit of banks or how a series of political decisions and a Bulldozer they can construct a dramatic architectural project.<\/p>\n

\"Protocolos<\/p>\n

This experiment they form it: Edition borders and numbered of 750<\/strong> copies.<\/p>\n

\u00b7 Zone: The Spatial Softwares of Extrastatecraft.<\/strong><\/p>\n

Keller Easterling<\/p>\n

\u00b7 The Movement of Spatial Justice.<\/strong><\/p>\n

Andreas Philopopoulos-MIhalopoulos<\/p>\n

\u00b7 Bulldozer Politics.<\/strong><\/p>\n

L\u00e9opold Lambert<\/p>\n

\u00b7 Glossary of Boot Protocols: New Spatial Practices in Art and Architecture.<\/strong><\/p>\n

\u00c1ngela Juarranz<\/p>\n

\u00b7 Potentia Gaudendi.<\/strong><\/p>\n

VenidaDevenida<\/p>\n

\u00b7 Desterritorializaciones.<\/strong><\/p>\n

Alejandro Cantera<\/p>\n

\u00b7 Re-visiting the Algarrobico.<\/strong><\/p>\n

n’UNDO<\/p>\n

\u00b7 Being and lasting.<\/strong><\/p>\n

Democracia<\/p>\n

\u00b7 Moral displaced action. Exponential growth.<\/strong><\/p>\n

N\u00faria G\u00fcell y Levi Orta<\/p>\n

\u00b7 Lines in Water.<\/strong><\/p>\n

Giuditta Vendrame<\/p>\n

\u00b7 Copyright in the bazaar. Four definitions of architecture in the age informational.<\/strong><\/p>\n

Lluis Juan Li\u00f1\u00e1n<\/p>\n

\u00b7 Dividing to distribute: Collaborative protocols of work.<\/strong><\/p>\n

COLAB (Gaizka Altuna, Bego\u00f1a de Abajo, Enrique Espinosa\u00a0and Almudena Ribot).<\/p>\n

\"Protocolos<\/p>\n

N\u00ba de p\u00e1ginas: 288 p\u00e1ginas.<\/strong><\/a>
\n Tama\u00f1o: 148×210 mm.<\/strong>
\n Impresi\u00f3n offset a 1 tinta. Encuadernaci\u00f3n cosida.<\/strong><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] \u00ab…Una serie de protocolos cuidadosamente definidos y coordinados entre diferentes agentes marcaban una transformaci\u00f3n hist\u00f3rica, donde el resultado final era un producto inesperado frente al control absoluto sobre cada una de las partes. Del objeto se pasaba al proceso, del hardware al software. Frente a una arquitectura definida en cada punto, cada viga, cada […]<\/p>\n","protected":false},"author":2,"featured_media":66631,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[794,26],"tags":[13323,13331,13298,12278,9643,13329,9651,13327,3561,13330,13328,13325,13321,12734,13324,12205,13326,12750,7413,9654,2639,2256,6148,2351,1120,4642,13322],"class_list":["post-66623","post","type-post","status-publish","format-standard","has-post-thumbnail","category-libros","category-publicaciones","tag-alejandro-cantera","tag-almudena-ribot","tag-angela-juarranz-serrano","tag-antonio-giraldez-lopez","tag-bartlebooth-mag","tag-begona-de-abajo-castrillo","tag-begona-hermida","tag-colab","tag-democracia","tag-enrique-espinosa-perez","tag-gaizka-altuna","tag-giuditta-vendrame","tag-keller-easterling","tag-leopold-lambert","tag-levi-orta","tag-libro","tag-lluis-juan-linan","tag-nuria-guell","tag-nundo","tag-pablo-ibanez-ferrera","tag-periferia","tag-proceso","tag-procesos-digitales","tag-procesos-globales","tag-publicacion","tag-software-libre","tag-venidadevenida"],"yoast_head":"\n[:es]Protocolos[:gl]Protocolos[:en]Protocols[:] - 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