{"id":66620,"date":"2017-12-29T00:02:48","date_gmt":"2017-12-28T23:02:48","guid":{"rendered":"https:\/\/veredes.es\/blog\/?p=66620"},"modified":"2018-04-23T18:03:10","modified_gmt":"2018-04-23T16:03:10","slug":"del-edificio-hibrido-al-edificio-complejo-aurora-fernandez-per-javier-mozas","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/del-edificio-hibrido-al-edificio-complejo-aurora-fernandez-per-javier-mozas\/","title":{"rendered":"[:es]Del edificio h\u00edbrido al edificio complejo | Aurora Fern\u00e1ndez Per – Javier Mozas[:gl]Do edificio h\u00edbrido ao edificio complexo | Aurora Fern\u00e1ndez Per – Javier Mozas[:en]From the Hybrid to the Complex Building | Aurora Fern\u00e1ndez Per – Javier Mozas[:]"},"content":{"rendered":"

[:es]

\"Urban-Think
Urban-Think Tank. F\u00e1brica de Cultura BAQ. Barranquilla (Colombia), 2013-2017<\/span><\/figcaption><\/figure><\/p>\n

El edificio h\u00edbrido.<\/strong><\/p>\n

Nuestro inter\u00e9s por este tipo de proyecto surge a partir del consumo del territorio.\u00a0La ciudad dispersa es el origen de gran parte del da\u00f1o que sufre el planeta.<\/strong>\u00a0No solo aumenta la emisi\u00f3n de gases a causa del transporte y del consumo individualizado, sino que disminuye la vertebraci\u00f3n social y la posibilidad de intercambio. Incluso en un entorno como el actual, donde aparentemente todo se desarrolla en la nube.<\/p>\n

\"Del
Del edificio h\u00edbrido al edificio complejo<\/span><\/figcaption><\/figure>\n

El\u00a0edificio h\u00edbrido1<\/sup><\/a><\/strong>, es capaz de ejercer una fuerza centr\u00edpeta, capaz de\u00a0neutralizar las fuerzas centrifugas que expulsan a la poblaci\u00f3n fuera de la ciudad<\/strong>.<\/p>\n

Durante el reinado del Movimiento Moderno,\u00a0la segregaci\u00f3n de funciones cre\u00f3 los barrios residenciales, los centros comerciales,<\/strong>\u00a0los centros de negocios, los polos industriales, los campus universitarios, las ciudades sanitarias, las ciudades de ocio, los complejos culturales\u2026 Cada uno de estos recintos bien delimitados funciona unas horas al d\u00eda. El resto permanece en\u00a0standby<\/em>, esperando en silencio a sus usuarios, que deben recorrer varios kil\u00f3metros para ir de un sitio a otro de la ciudad. Este\u00a0derroche de energ\u00eda y materia<\/strong>, tanto la que se ha empleado en la construcci\u00f3n como la que se consume diariamente en su uso y su\u00a0standby<\/em>, es un agravio medioambiental.<\/p>\n

La mejor manera de remediarlo es intensificar temporalmente el uso de las estructuras.\u00a0<\/strong>Aqu\u00ed es donde surge la oportunidad para la hibridaci\u00f3n<\/p>\n

\n

\u00bfDe qu\u00e9 manera se puede intensificar el uso de las distintas funciones que\u00a0Le Corbusier<\/a>\u00a0delimit\u00f3 en habitar, trabajar, recrearse y circular?<\/p>\n<\/blockquote>\n

Con un edificio h\u00edbrido,\u00a0 cuyo prop\u00f3sito es sumar, relacionar, conectar, compartir, frente a disgregar o segregar.<\/strong><\/p>\n

\"100
100 storeys building. Theodore Starrett<\/span><\/figcaption><\/figure>\n

Los h\u00edbridos son estructuras capaces de albergar programas dispares, de promover la interacci\u00f3n de distintos usos urbanos y de combinar la actividad privada y la p\u00fablica.<\/strong>Promueven la vivienda, el espacio p\u00fablico y los equipamientos, principalmente, dando respuesta a tres de los problemas cruciales de nuestra sociedad:<\/p>\n

– la escasez y el coste de la tierra,<\/p>\n

– la monofuncionalidad de los nuevos desarrollos,<\/p>\n

– el deterioro de\u00a0 los centros urbanos.<\/p>\n

\"Del<\/p>\n

De los h\u00edbridos a los edificios complejos.<\/strong><\/p>\n

Sin embargo, la\u00a0promoci\u00f3n y el dise\u00f1o de un edificio h\u00edbrido conlleva una enorme dificultad<\/strong>\u00a0debido a la excepcionalidad de su realizaci\u00f3n. Actualmente se proponen cantidad de proyectos que podr\u00edan\u00a0 considerarse de programa h\u00edbrido, pero dif\u00edcilmente llegan a construirse. Y, si se construyen, pierden gran parte de su mestizaje por el camino.<\/p>\n

Al mismo tiempo, aumenta la complejidad de los programas para las tipolog\u00edas convencionales.<\/strong>\u00a0El proyecto debe ofrecer al usuario un abanico de posibilidades cada vez mayor, es decir, el acceso universal a cualquier uso. Las diversas actividades que pueden desarrollarse obligan a una anticipaci\u00f3n en el dise\u00f1o, a contemplar la indeterminaci\u00f3n de Koolhaas en cada programa.\u00a0Todo puede ser y debe poder ser.<\/strong>\u00a0Los centros culturales, c\u00edvicos o deportivos deben poder albergar actividades de todo tipo y para todos. Los edificios de viviendas tienen que ampliar su paleta de tipolog\u00edas para contener unidades de convivencia \u00a0m\u00e1s variadas, en muchos casos, con servicios a\u00f1adidos.<\/p>\n

Es decir, se est\u00e1 evolucionando\u00a0de la hibridaci\u00f3n de funciones a la complejizaci\u00f3n de la funci\u00f3n.<\/strong><\/p>\n

Esta nueva tendencia de edificios complejos2<\/sup>\u00a0son estructuras en las que la complejidad es un concepto positivo en el proceso de dise\u00f1o.<\/p>\n

Seg\u00fan el tipo de complejidad, pueden identificarse distintos\u00a0tipos de edificios<\/strong>:\u00a0generadores,\u00a0interiores-eslab\u00f3n,\u00a0mezcladores\u00a0y<\/strong>\u00a0contadores de historias.<\/strong><\/p>\n

\"Cedric
Cedric Price. Fun Palace. 1963-1977<\/span><\/figcaption><\/figure>\n

Los\u00a0generadores<\/strong><\/a>\u00a0son edificios que, despojados de todo lo contingente, evolucionan m\u00e1s r\u00e1pidamente y son\u00a0capaces de anticipar posibles cambios, de reconfigurarse para adaptarse<\/strong>\u00a0a los cambios de programa. Son los que mejor gestionan la indeterminaci\u00f3n o incertidumbre. Cedric Price fue quien madur\u00f3 este concepto a lo largo de sus proyectos.<\/p>\n

\"Del
Studio Muoto. Edificio para un Campus. Par\u00eds Saclay, 2016<\/span><\/figcaption><\/figure>\n

Los\u00a0interiores-eslab\u00f3n<\/strong><\/a>\u00a0no son un todo continuo. Son un todo complejo fabricado a partir de presencias continuas, de interiores liberados y felizmente relacionados.<\/p>\n

La continua presencia viene dada por la tendencia a dise\u00f1ar espacios fluidos en los que se realizan funciones simult\u00e1neas. Pi\u00e9nsese, por ejemplo, en los nuevos espacios de trabajo o en los nuevos espacios educativos, donde el usuario deambula y decide d\u00f3nde quiere tener su espacio. Esa libertad de uso obliga a dise\u00f1ar espacios que antes hubiesen sido cerrados, compartimentados, llenos de fronteras y l\u00edmites y que, de repente, se abren, no porque sean un todo continuo, sino porque son un todo complejo, una suma de sustracciones. A estos interiores los llamamos eslab\u00f3n porque son\u00a0capaces de unir y dejar que los usuarios establezcan tiempos simult\u00e1neos dentro de una continua presencia<\/strong>.<\/p>\n

\"Flores
Flores & Prats. Sala Beckett. Barcelona, 2016<\/span><\/figcaption><\/figure>\n

Los\u00a0mezcladores<\/strong><\/a>\u00a0son edificios con\u00a0alta carga de usos estimulantes, que revitalizan el tejido urbano con efecto multiplicador.<\/strong><\/p>\n

Son capaces de albergar las combinaciones m\u00e1s variadas de unidades de vivienda. Surgen residencias de estudiantes mezcladas con viviendas sociales, con residencias de ancianos o apartamentos asistidos. Incluso con viviendas compartidas o coliving.<\/p>\n

\"De
De Smet Vermeulen Architecten. Iglo project. Amberes (B\u00e9lgica), 2006-2014<\/span><\/figcaption><\/figure>\n

Los\u00a0contadores de historias<\/strong><\/a>\u00a0son aquellos edificios que hablan a partir del ojo y del cerebro del arquitecto, de sus conexiones con la realidad, la cultura o la historia.<\/p>\n

Trabajan la complejidad del contexto.\u00a0Son capaces de entender el idioma del continuo hist\u00f3rico, dialogar fluidamente con su entorno y proponer nuevos relatos.<\/strong><\/p>\n

\"NLarchitects.
NLarchitects. Spielbudenplatz Urban Plan. BeL Soziet\u00e4t f\u00fcr Architektur. St Pauli, Hamburg (Germany), 2015<\/span><\/figcaption><\/figure>\n

Aurora Fern\u00e1ndez Per – Javier Mozas
\na+t research group<\/a> se fund\u00f3 en 2011 y est\u00e1 formado por la periodista Aurora Fern\u00e1ndez Per y el arquitecto Javier Mozas. Su objetivo es difundir sus investigaciones en vivienda colectiva, densidad, usos mixtos y espacio p\u00fablico a trav\u00e9s de a+t architecture publishers.
\nVitoria-Gasteiz,\u00a0noviembre 2017<\/p>\n

Notas.<\/p>\n

1<\/sup>\u00a0Definido exhaustivamente en la publicaci\u00f3n\u00a0This is Hybrid<\/a>.<\/strong><\/p>\n

2<\/sup>\u00a0Se recoge en la serie\u00a0Complex Buildings<\/strong><\/a>\u00a0de la\u00a0revista a+t<\/a>.<\/p>\n

Extracto de la conferencia impartida en el Master habilitante de la ETSAB por a+t research group (Aurora Fern\u00e1ndez Per, Javier Mozas).<\/em><\/span><\/p>\n

[:gl]

\"Urban-Think
Urban-Think Tank. F\u00e1brica de Cultura BAQ. Barranquilla (Colombia), 2013-2017<\/span><\/figcaption><\/figure><\/p>\n

O edificio h\u00edbrido.<\/strong><\/p>\n

O noso interese por este tipo de proxecto xorde a partir do consumo do territorio. A cidade dispersa \u00e9 a orixe de gran parte do dano que sofre o planeta.<\/strong> Non s\u00f3 aumenta a emisi\u00f3n de gases a causa do transporte e do consumo individualizado, sen\u00f3n que dimin\u00fae a vertebraci\u00f3n social e a posibilidade de intercambio. Mesmo nunha contorna como o actual, onde aparentemente todo se desenvolve na nube.<\/p>\n

\"Del
Do edificio h\u00edbrido\u00a0o edificio complexo<\/span><\/figcaption><\/figure>\n

O\u00a0edificio h\u00edbrido1<\/sup><\/a><\/strong>, capaz de exercer unha forza centr\u00edpeta, capaz de neutralizar as forzas centrifugas que expulsan \u00e1 poboaci\u00f3n f\u00f3ra da cidade.<\/strong><\/p>\n

Durante o reinado do Movemento Moderno, a segregaci\u00f3n de funci\u00f3ns creou os barrios residenciais, os centros comerciais,<\/strong> os centros de negocios, os polos industriais, os campus universitarios, as cidades sanitarias, as cidades de lecer, os complexos culturais\u2026 Cada un destes recintos ben delimitados funciona unhas horas ao d\u00eda. O resto permanece en standby,<\/em> esperando en silencio aos seus usuarios, que deben percorrer varios quil\u00f3metros para ir dun sitio a outro da cidade. Este malgaste de enerx\u00eda e materia<\/strong>, tanto a que se empregou na construci\u00f3n como a que se consome diariamente no seu uso e o seu standby<\/em>, \u00e9 un agravio ambiental.<\/p>\n

A mellor maneira de remedialo \u00e9 intensificar temporalmente o uso das estruturas.<\/strong> Aqu\u00ed \u00e9 onde xorde a oportunidade para a hibridaci\u00f3n<\/p>\n

\n

De que maneira p\u00f3dese intensificar o uso das distintas funci\u00f3ns que Le Corbusier<\/a> delimitou en habitar, traballar, recrearse e circular?<\/p>\n<\/blockquote>\n

Cun edificio h\u00edbrido, cuxo prop\u00f3sito \u00e9 sumar, relacionar, conectar, compartir, fronte a disgregar ou segregar.<\/strong><\/p>\n

\"100
100 storeys building. Theodore Starrett<\/span><\/figcaption><\/figure>\n

Os h\u00edbridos son estruturas capaces de albergar programas dispares, de promover a interacci\u00f3n de distintos usos urbanos e de combinar a actividade privada e a p\u00fablica<\/strong>. Promoven a vivenda, o espazo p\u00fablico e os equipamentos, principalmente, dando resposta a tres dos problemas cruciais da nosa sociedade:<\/p>\n

– a escaseza e o custo da terra,<\/p>\n

– a monofuncionalidad dos novos desenvolvementos,<\/p>\n

– a deterioraci\u00f3n dos centros urbanos.<\/p>\n

\"Del<\/p>\n

Dos h\u00edbridos aos edificios complexos.<\/strong><\/p>\n

Con todo, a promoci\u00f3n e o dese\u00f1o dun edificio h\u00edbrido leva unha enorme dificultade<\/strong> debido \u00e1 excepcionalidade da s\u00faa realizaci\u00f3n. Actualmente prop\u00f3\u00f1ense cantidade de proxectos que poder\u00edan considerarse de programa h\u00edbrido, pero dificilmente chegan a constru\u00edrse. E, se se constr\u00faen, perden gran parte da s\u00faa mestizaxe polo cami\u00f1o.<\/p>\n

Ao mesmo tempo, aumenta a complexidade dos programas para as tipolox\u00edas convencionais.<\/strong> O proxecto debe ofrecer ao usuario un abanico de posibilidades cada vez maior, \u00e9 dicir, o acceso universal a calquera uso. As diversas actividades que poden desenvolverse obrigan a unha anticipaci\u00f3n no dese\u00f1o, a contemplar a indeterminaci\u00f3n de Koolhaas en cada programa. Todo pode ser e debe poder ser<\/strong>. Os centros culturais, c\u00edvicos ou deportivos deben poder albergar actividades de todo tipo e para todos. Os edificios de vivendas te\u00f1en que ampliar a s\u00faa paleta de tipolox\u00edas para conter unidades de convivencia m\u00e1is variadas, en moitos casos, con servizos engadidos.<\/p>\n

\u00c9 dicir, est\u00e1 a evolucionarse da hibridaci\u00f3n de funci\u00f3ns \u00e1 complejizaci\u00f3n da funci\u00f3n.<\/strong><\/p>\n

Esta nova tendencia de edificios complexos2<\/sup>\u00a0son estruturas nas que a complexidade \u00e9 un concepto positivo no proceso de dese\u00f1o.<\/p>\n

Segundo o tipo de complexidade, poden identificarse distintos tipos de edificios: xeradores, interiores-elo, mesturadores e contadores de historias.<\/strong><\/p>\n

\"Cedric
Cedric Price. Fun Palace. 1963-1977<\/span><\/figcaption><\/figure>\n

Os xeradores<\/strong><\/a> son edificios que, desposu\u00eddos de todo o continxente, evolucionan m\u00e1is rapidamente e son capaces de anticipar posibles cambios, de reconfigurarse para adaptarse<\/strong> aos cambios de programa. Son os que mellor xestionan a indeterminaci\u00f3n ou incerteza. Cedric Price foi quen madurou este concepto ao longo dos seus proxectos.<\/p>\n

\"Del
Studio Muoto. Edificio para un Campus. Par\u00eds Saclay, 2016<\/span><\/figcaption><\/figure>\n

O interiores-elo<\/strong><\/a> non son un todo continuo. Son un todo complexo fabricado a partir de presenzas continuas, de interiores liberados e felizmente relacionados.<\/p>\n

A continua presenza v\u00e9n dada pola tendencia para dese\u00f1ar espazos flu\u00eddos nos que se realizan funci\u00f3ns simult\u00e1neas. P\u00e9nsese, por exemplo, nos novos espazos de traballo ou nos novos espazos educativos, onde o usuario deambula e decide onde quere ter o seu espazo. Esa liberdade de uso obriga a dese\u00f1ar espazos que antes fosen pechados, compartimentados, cheos de fronteiras e l\u00edmites e que, de s\u00fapeto, \u00e1brense, non porque sexan un todo continuo, sen\u00f3n porque son un todo complexo, unha suma de subtracci\u00f3ns. A estes interiores cham\u00e1molos elo porque son capaces de unir e deixar que os usuarios establezan tempos simult\u00e1neos dentro dunha continua presenza.<\/strong><\/p>\n

\"Flores
Flores & Prats. Sala Beckett. Barcelona, 2016<\/span><\/figcaption><\/figure>\n

Os mesturadores<\/a><\/strong>\u00a0son edificios con alta carga de usos estimulantes, que revitalizan o tecido urbano con efecto multiplicador.<\/strong><\/p>\n

Son capaces de albergar as combinaci\u00f3ns m\u00e1is variadas de unidades de vivenda. Xorden residencias de estudantes mesturadas con vivendas sociais, con residencias de anci\u00e1ns ou apartamentos asistidos. Mesmo con vivendas compartidas ou coliving.<\/p>\n

\"De
De Smet Vermeulen Architecten. Iglo project. Amberes (B\u00e9lgica), 2006-2014<\/span><\/figcaption><\/figure>\n

Os contadores de historias<\/strong><\/a> son aqueles edificios que falan a partir do ollo e do cerebro do arquitecto, das s\u00faas conexi\u00f3ns coa realidade, a cultura ou a historia.<\/p>\n

Traballan a complexidade do contexto. Son capaces de entender o idioma do continuo hist\u00f3rico, dialogar fluidamente coa s\u00faa contorna e propo\u00f1er novos relatos.<\/strong><\/p>\n

\"NLarchitects.
NLarchitects. Spielbudenplatz Urban Plan. BeL Soziet\u00e4t f\u00fcr Architektur. St Pauli, Hamburg (Germany), 2015<\/span><\/figcaption><\/figure>\n

Aurora Fern\u00e1ndez Per – Javier Mozas
\na+t research group<\/a> fundouse en 2011 e est\u00e1 formado pola xornalista Aurora Fern\u00e1ndez Per e o arquitecto Javier Mozas. O seu obxectivo \u00e9 difundir as s\u00faas investigaci\u00f3ns en vivenda colectiva, densidade, usos mixtos e espazo p\u00fablico a trav\u00e9s de a+ t architecture publishers.
\nVitoria-Gasteiz,\u00a0novembro 2017<\/p>\n

Notas.<\/p>\n

1<\/sup>\u00a0Definido exhaustivamente na publicaci\u00f3n\u00a0This is Hybrid<\/a>.<\/strong><\/p>\n

2<\/sup>\u00a0Recogellido na serie\u00a0Complex Buildings<\/strong><\/a>\u00a0da\u00a0revista a+t<\/a>.<\/p>\n

Extracto de la conferencia impartida en el Master habilitante de la ETSAB por a+t research group (Aurora Fern\u00e1ndez Per, Javier Mozas).<\/em><\/span><\/p>\n

[:en]

\"Urban-Think
Urban-Think Tank. F\u00e1brica de Cultura BAQ. Barranquilla (Colombia), 2013-2017<\/span><\/figcaption><\/figure><\/p>\n

The hybrid building.<\/strong><\/p>\n

Our interest in this type of project is based on land consumption. The disperse city is the underlying reason for a significant part of the damage being done to the planet<\/strong>. Not only does it increase emissions as a result of individualized transport and consumption but it also undermines social cohesion and opportunities for social interaction, even in an environment like the present where seemingly everything takes place in the cloud.<\/p>\n

\"Del
From the Hybrid to the Complex Building<\/span><\/figcaption><\/figure>\n

\n

The hybrid building<\/a>1<\/sup><\/strong>, exerts a centripetal force capable of neutralizing the centrifugal forces driving residents out of the city.<\/strong><\/p>\n

During the reign of Modernism, the segregation of functions created residential neighbourhoods, shopping malls, business parks<\/strong>, industrial estates, university campuses, healthcare and leisure resorts, cultural complexes…. and each one of these strictly limited areas functions only a few hours a day. The rest remain on standby<\/em>, silently awaiting their users who have to travel several kilometres to get from one part of the city to the other. This waste of energy and resources<\/strong>, both in terms of the construction and the daily consumption due to their use and their being on standby, is harmful to the environment.<\/p>\n

The most effective way to remedy this is to provisionally intensify the use of structures.<\/strong> This is where an opportunity arises for hybridization.<\/p>\n

So is it possible to intensify use without aggregating the different functions, those which Le Corbusier<\/a> declared as living, working, recreation and circulation?<\/p><\/blockquote>\n

Indeed, with a hybrid building whose purpose is to aggregate, relate, connect, and share rather than to subtract or segregate.<\/strong><\/p>\n

\n

\"100
100 storeys building. Theodore Starrett<\/span><\/figcaption><\/figure>\n

Hybrid buildings are structures capable of housing diverse programmes, of fostering the interaction of different urban uses and of combining private and public activity. <\/strong>They promote housing, public space and facilities, predominantly to solve three of the most significant issues in our society:<\/p>\n

– the shortage and high cost of land,<\/p>\n

– the monofunctionality of new developments,<\/p>\n

– the deterioration of urban centres.<\/p>\n

\n

\"Del<\/p>\n

From hybrids to complex buildings.<\/strong><\/p>\n

Nevertheless, the promotion and design of a hybrid building brings considerable difficulties<\/strong> due to the exceptional nature of its implementation. At present, a large number of projects are being proposed which could be considered as having a hybrid program but which are unlikely to actually be built. In addition, even when these are built, they tend to lose a great deal of their inherent cross-pollination during the process.<\/p>\n

Simultaneously, there has been an increase in the complexity of the programmes for conventional typologies.<\/strong> The project should offer the user an increasingly wide range of possibilities, in other words universal access to any use. The different activities which might be undertaken mean that consideration for Koolhaas indeterminacy should be built into the design for each programme.<\/p>\n

Everything may and may not be.<\/strong> Cultural, community or sports centres should be capable of housing all different types of activities for all different types of people. Residential buildings should expand their palette of typologies to contain more varied co-living units, in many cases, with added services.<\/p>\n

Hence, there is an evolution away from the hybridization of functions towards the complexity of the function.<\/strong><\/p>\n

This new trend for complex buildings2<\/sup>, creates structures in which complexity is a positive concept within the design process.<\/p>\n

There are different types of buildings depending on the type of complexity<\/strong>: generators, linkers,\u00a0mixers\u00a0and\u00a0storytellers.<\/strong><\/p>\n

\"Cedric
Cedric Price. Fun Palace. 1963-1977<\/span><\/figcaption><\/figure>\n

Generators<\/strong><\/a> are buildings which, stripped of any kind of contingency, evolve faster and which are able to anticipate possible changes, to reconfigure themselves to adapt to changes to the programme.<\/strong> These are the buildings which manage indeterminacy or uncertainty most effectively. It was Cedric Price who implemented this concept throughout his projects.<\/p>\n

\"Del
Studio Muoto. Public condenser. Saclay Campus. Paris-Saclay, 2016<\/span><\/figcaption><\/figure>\n

Linkers<\/a><\/strong>\u00a0are not a continuous whole. They are a complex whole created from continuous presences, from liberated happily interconnected interiors.<\/p>\n

The continuous presence is a result of the trend to design fluid spaces in which simultaneous functions are performed. For instance, try to envisage those new work spaces or new educational spaces through which the user wanders before deciding where to have their space. This freedom of use requires designing spaces which would have once been closed, compartmentalized, full of edges and boundaries which suddenly open up, not because they are a continuous whole but because they are a complex whole, a sum of subtractions. We call these interiors linkers because they are capable of linking and enabling users to establish simultaneous times within a continuous presence.<\/strong><\/p>\n

\"Flores
Flores & Prats. Sala Beckett. Barcelona, 2016<\/span><\/figcaption><\/figure>\n

Mixers<\/strong><\/a>\u00a0are buildings\u00a0loaded with stimulating uses which exponentially revitalize the urban fabric.<\/strong><\/p>\n

These are capable of housing the most varied combinations of residential units. Student halls of residence are blended with social housing, homes for the elderly or assisted housing, maybe even with shared or co-living dwellings.<\/p>\n

\"De
De Smet Vermeulen Architecten. Iglo project. Amberes (B\u00e9lgica), 2006-2014<\/span><\/figcaption><\/figure>\n

Storytellers<\/strong><\/a>\u00a0are those buildings which speak from the eye and the brain of the architect about their connections with reality, culture or history.<\/p>\n

They work on the complexity of the context. They are capable of understanding the language of historical continuity, to establish a fluent dialogue with the local environment and to propose new narratives.<\/strong><\/p>\n

\"NLarchitects.
NLarchitects. Spielbudenplatz Urban Plan. BeL Soziet\u00e4t f\u00fcr Architektur. St Pauli, Hamburg (Germany), 2015<\/span><\/figcaption><\/figure>\n

Aurora Fern\u00e1ndez Per – Javier Mozas
\na+t research group<\/a> was founded in 2011 and is made up of the journalist Aurora Fern\u00e1ndez Per and the architect Javier Mozas. Its aim is to spread their research on collective housing, density, mixed uses and public space.
\nVitoria-Gasteiz,\u00a0november 2017<\/p>\n

Notes.<\/p>\n

1<\/sup>\u00a0Defined in-depth in the publication This is Hybrid<\/a>.<\/strong><\/p>\n

2<\/sup>\u00a0It covered in the series Complex Buildings<\/strong><\/a>\u00a0by\u00a0revista a+t<\/a>.<\/p>\n

Extract from the talk given for the ETSAB enabling Master’s by a+t research group (Aurora Fern\u00e1ndez Per, Javier Mozas).<\/em><\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] El edificio h\u00edbrido. Nuestro inter\u00e9s por este tipo de proyecto surge a partir del consumo del territorio.\u00a0La ciudad dispersa es el origen de gran parte del da\u00f1o que sufre el planeta.\u00a0No solo aumenta la emisi\u00f3n de gases a causa del transporte y del consumo individualizado, sino que disminuye la vertebraci\u00f3n social y la posibilidad […]<\/p>\n","protected":false},"author":14,"featured_media":66680,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[3220,9834,1521,486,4804,4802,7574,1917,3219,785,898,1021,1865,6587,2173,6415,2200,1278,12468,2957,6259],"class_list":["post-66620","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-a-t-architecture-publishers","tag-aurora-fernandez-per","tag-cedric-price","tag-equipamiento","tag-eva-prats","tag-flores-prats-arquitectes","tag-hibridacion","tag-hibrido","tag-javier-mozas","tag-le-corbusier","tag-movimiento-moderno","tag-pensamiento","tag-reflexion","tag-reflexion-urbanistica","tag-rem-koolhaas","tag-ricardo-flores","tag-steven-holl","tag-teoria","tag-urbanismo","tag-usos","tag-usos-multiples"],"yoast_head":"\n[:es]Del edificio h\u00edbrido al edificio complejo | Aurora Fern\u00e1ndez Per - 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