{"id":65402,"date":"2017-09-26T00:05:27","date_gmt":"2017-09-25T22:05:27","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=65402"},"modified":"2020-01-18T15:19:34","modified_gmt":"2020-01-18T14:19:34","slug":"critica-de-choque","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/critica-de-choque\/","title":{"rendered":"[:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:]"},"content":{"rendered":"<p>[:es]<\/p>\n<p style=\"text-align: justify;\">Sumido y puesto al servicio del absolutismo del espect\u00e1culo, el ejercicio de la cr\u00edtica de arquitectura oscila hoy, complaciente, entre la nostalgia y la farsa. Contra esa pasividad, es preciso recuperar la cr\u00edtica como herramienta de choque. La cr\u00edtica como estado de alerta desde el CUAL promover la duda, cuestionar mitos y generar debates. No para cautivar con nuevos dogmas sino para desestabilizar.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-65416\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque-615x1024.jpg\" alt=\"Critica de Choque\" width=\"640\" height=\"1066\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque-615x1024.jpg 615w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque-180x300.jpg 180w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque.jpg 800w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cEn medio del naufragio ideol\u00f3gico en esta sociedad pos-posmoderna, rodeados por la \u2013sin\u2013 raz\u00f3n de nuestra cultura contempor\u00e1nea, surge el \u00abcr\u00edtico de choque\u00bb que logra salir a la superficie indemne y que acomete c\u00e1usticamente contra aquellas publicaciones, premios, obras construidas e irreversibles discursos funcionales a la impuesta constelaci\u00f3n de las estrellas del cielo arquitect\u00f3nico.<\/p>\n<p style=\"text-align: justify;\">Fredy Massad expone con intransigentes y filosas palabras, los modos de ofrecer arquitectura a esta insaciable sociedad del espect\u00e1culo, cada vez m\u00e1s destructiva y que todos los lunes exige lo nuevo, lo mejor, lo fabuloso.<\/p>\n<p style=\"text-align: justify;\">El cr\u00edtico es como un caballero moderno que, con su palabra, expone los esqueletos detr\u00e1s de la maquinaria propagand\u00edstica que no cesa de generar productos culturales que no desaf\u00edan el<em> statu quo<\/em>, para que todo se mueva sin que nada cambie.<\/p>\n<p style=\"text-align: justify;\">Acomete c\u00e1usticamente contra las publicaciones consagradas, los premios, las obras construidas y los irreversibles discursos que son funcionales a la impuesta constelaci\u00f3n de las estrellas del cielo arquitect\u00f3nico. Expone con intransigentes y filosas palabras a esos starchitects y transita los intersticios que dejan las poses de los aplaudidores o de los antisistema. En medio del naufragio ideol\u00f3gico en esta sociedad pos-pos moderna, rodeados por la \u2013sin\u2013 raz\u00f3n de la c\u00ednica <a href=\"http:\/\/veredes.es\/blog\/foucault-trump-preludio-la-posverdad-marc-chalamanch\/\" target=\"_blank\">posverdad<\/a>, esa m\u00e1quina infame de borrosas im\u00e1genes predigeridas, surge este cr\u00edtico de choque que logra salir a la superficie indemne\u201d.<\/p>\n<p style=\"text-align: justify;\">Edgardo C. Freysselinard,\u00a0autor de Fractales de la modernidad, tomo I de esta misma colecci\u00f3n, galardonado con el Premio DESIGN AND DESIGN INTERNATIONAL AWARD, otorgado en Par\u00eds, Francia, en 2014.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><strong>Todos aquellos lectores que deseen comprar este ejemplar deben remitir un correo electr\u00f3nico a la siguiente direcci\u00f3n\u00a0criticadechoque@gmail.com\u00a0<\/strong><\/p>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"https:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?ref=tf_til&amp;t=wwwveredeses-21&amp;m=amazon&amp;o=30&amp;p=8&amp;l=as1&amp;IS2=1&amp;asins=8494348736&amp;linkId=07bb470fee6801ec3f5641377fb467a2&amp;bc1=FFFFFF&amp;lt1=_blank&amp;fc1=333333&amp;lc1=0066C0&amp;bg1=FFFFFF&amp;f=ifr\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"> <\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"https:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?ref=tf_til&amp;t=wwwveredeses-21&amp;m=amazon&amp;o=30&amp;p=8&amp;l=as1&amp;IS2=1&amp;asins=8461394038&amp;linkId=227c6948e47e69d89ab35b5b6489153f&amp;bc1=FFFFFF&amp;lt1=_blank&amp;fc1=333333&amp;lc1=0066C0&amp;bg1=FFFFFF&amp;f=ifr\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"> <\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"https:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?ref=tf_til&amp;t=wwwveredeses-21&amp;m=amazon&amp;o=30&amp;p=8&amp;l=as1&amp;IS2=1&amp;asins=B00H3UUWOE&amp;linkId=8d3400cfed7abb4057d44dc7cdba58df&amp;bc1=FFFFFF&amp;lt1=_blank&amp;fc1=333333&amp;lc1=0066C0&amp;bg1=FFFFFF&amp;f=ifr\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"> <\/iframe>[:gl]<\/p>\n<p style=\"text-align: justify;\">Sumido e posto ao servizo do absolutismo do espect\u00e1culo, o exercicio da cr\u00edtica de arquitectura oscila hoxe, compracente, entre a nostalxia e a farsa. Contra esa pasividade, \u00e9 preciso recuperar a cr\u00edtica como ferramenta de choque. A cr\u00edtica como estado de alerta desde o CAL promover a d\u00fabida, cuestionar mitos e xerar debates. Non para cativar con novos dogmas sen\u00f3n para desestabilizar.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-65416\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque-615x1024.jpg\" alt=\"Critica de Choque\" width=\"640\" height=\"1066\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque-615x1024.jpg 615w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque-180x300.jpg 180w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque.jpg 800w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cNo medio do naufraxio ideol\u00f3xico nesta sociedade pos-posmoderna, rodeados pola -sen- raz\u00f3n da nosa cultura contempor\u00e1nea, xorde o \u00abcr\u00edtico de choque\u00bb que logra sa\u00edr \u00e1 superficie indemne e que acomete c\u00e1usticamente contra aquelas publicaci\u00f3ns, premios, obras constru\u00eddas e irreversibles discursos funcionais \u00e1 imposta constelaci\u00f3n das estrelas do ceo arquitect\u00f3nico.<\/p>\n<p style=\"text-align: justify;\">Fredy Massad exp\u00f3n con intransixentes e filosas palabras, os modos de ofrecer arquitectura a esta insaciable sociedade do espect\u00e1culo, cada vez m\u00e1is destrutiva e que todos os luns esixe o novo, o mellor, o fabuloso.<\/p>\n<p style=\"text-align: justify;\">O cr\u00edtico \u00e9 como un cabaleiro moderno que, coa s\u00faa palabra, exp\u00f3n os esqueletos detr\u00e1s da maquinaria propagand\u00edstica que non cesa de xerar produtos culturais que non desaf\u00edan o statu quo, para que todo m\u00f3vase sen que nada cambie.<\/p>\n<p style=\"text-align: justify;\">Acomete c\u00e1usticamente contra as publicaci\u00f3ns consagradas, os premios, as obras constru\u00eddas e os irreversibles discursos que son funcionais \u00e1 imposta constelaci\u00f3n das estrelas do ceo arquitect\u00f3nico. Exp\u00f3n con intransixentes e filosas palabras a eses starchitects e transita os intersticios que deixan as poses dos aplaudidores ou dos antisistema. No medio do naufraxio ideol\u00f3xico nesta sociedade pos-pos moderna, rodeados pola -sen- raz\u00f3n da c\u00ednica <a href=\"http:\/\/veredes.es\/blog\/gl\/foucault-trump-preludio-la-posverdad-marc-chalamanch\/\" target=\"_blank\">posverdad<\/a>, esa m\u00e1quina infame de borrosas imaxes predigeridas, xorde este cr\u00edtico de choque que logra sa\u00edr \u00e1 superficie indemne\u201d.<\/p>\n<p style=\"text-align: justify;\">Edgardo C. Freysselinard, autor de Fractales da modernidade, tomo I desta mesma colecci\u00f3n, galardoado co Premio DESIGN AND DESIGN INTERNATIONAL AWARD, outorgado en Par\u00eds, Francia, en 2014.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><strong>Todos aqueles lectores que desexen comprar este exemplar deben remitir un correo electr\u00f3nico \u00e1 seguinte direcci\u00f3n criticadechoque@gmail.com\u00a0<\/strong><\/p>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"https:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?ref=tf_til&amp;t=wwwveredeses-21&amp;m=amazon&amp;o=30&amp;p=8&amp;l=as1&amp;IS2=1&amp;asins=8494348736&amp;linkId=07bb470fee6801ec3f5641377fb467a2&amp;bc1=FFFFFF&amp;lt1=_blank&amp;fc1=333333&amp;lc1=0066C0&amp;bg1=FFFFFF&amp;f=ifr\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"> <\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"https:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?ref=tf_til&amp;t=wwwveredeses-21&amp;m=amazon&amp;o=30&amp;p=8&amp;l=as1&amp;IS2=1&amp;asins=8461394038&amp;linkId=227c6948e47e69d89ab35b5b6489153f&amp;bc1=FFFFFF&amp;lt1=_blank&amp;fc1=333333&amp;lc1=0066C0&amp;bg1=FFFFFF&amp;f=ifr\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"> <\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"https:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?ref=tf_til&amp;t=wwwveredeses-21&amp;m=amazon&amp;o=30&amp;p=8&amp;l=as1&amp;IS2=1&amp;asins=B00H3UUWOE&amp;linkId=8d3400cfed7abb4057d44dc7cdba58df&amp;bc1=FFFFFF&amp;lt1=_blank&amp;fc1=333333&amp;lc1=0066C0&amp;bg1=FFFFFF&amp;f=ifr\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"> <\/iframe>[:en]<\/p>\n<p style=\"text-align: justify;\">Plunged and position to the service of the absolutism of the spectacle, the exercise of the critique of architecture ranges today, complaisent, between the nostalgia and the farce. Against this passiveness, it is necessary to recover the critique as tool of shock. The critique like state of alert from WHICH to promote the doubt, to question myths and to generate debates. Not to captivate with new dogmas but to destabilize.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-65416\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque-615x1024.jpg\" alt=\"Critica de Choque\" width=\"640\" height=\"1066\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque-615x1024.jpg 615w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque-180x300.jpg 180w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque.jpg 800w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<blockquote>\n<p style=\"text-align: justify;\">\u201cIn the middle of the ideological shipwreck in this pos-postmodern company, surrounded by her &#8211; without &#8211; reason of our contemporary culture, there arises the \u00abcritic of shock\u00bb who manages to go out to the unharmed surface and who attacks c\u00e1usticamente against those publications, prizes, constructed works and irreversible functional speeches to the well versed constellation of the stars of the architectural sky.<\/p>\n<p style=\"text-align: justify;\">Fredy Massad exposes with intransigent and sharp words, the manners of offering architecture to this insatiable company of the spectacle, increasingly destructive and that every Monday demands the new thing, the better thing, the fabulous thing.<\/p>\n<p style=\"text-align: justify;\">The critic is like a modern gentleman who, with his word, exposes the skeletons behind the propaganda machinery that does not stop generating cultural products that do not defy the statu quo, in order that everything moves without nothing changes.<\/p>\n<p style=\"text-align: justify;\">It attacks c\u00e1usticamente against the consecrated publications, the prizes, the constructed works and the irreversible speeches that are functional to the well versed constellation of the stars of the architectural sky. It exposes with intransigent and sharp words these starchitects and travels the interstices that stop put them of the applauders or of the antisistema. In the middle of the ideological shipwreck in this company pos-pos modern, surrounded for her &#8211; without &#8211; reason of the cynic postruth, this infamous machine of blurry images predigeridas, there arises this critic of shock who manages to go out to the unharmed surface\u201d.<\/p>\n<p style=\"text-align: justify;\">Edgardo C. Freysselinard, Author of\u00a0 Fractales de la modernidad,\u00a0volume I of the same collection, award winner with the Prize DESIGN AND DESIGN INTERNATIONAL AWARD, granted in Paris, France, in 2014.<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><strong>All those readers who want to buy this copy must send an e-mail to the following direction criticadechoque@gmail.com\u00a0<\/strong><\/p>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"https:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?ref=tf_til&amp;t=wwwveredeses-21&amp;m=amazon&amp;o=30&amp;p=8&amp;l=as1&amp;IS2=1&amp;asins=8494348736&amp;linkId=07bb470fee6801ec3f5641377fb467a2&amp;bc1=FFFFFF&amp;lt1=_blank&amp;fc1=333333&amp;lc1=0066C0&amp;bg1=FFFFFF&amp;f=ifr\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"> <\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"https:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?ref=tf_til&amp;t=wwwveredeses-21&amp;m=amazon&amp;o=30&amp;p=8&amp;l=as1&amp;IS2=1&amp;asins=8461394038&amp;linkId=227c6948e47e69d89ab35b5b6489153f&amp;bc1=FFFFFF&amp;lt1=_blank&amp;fc1=333333&amp;lc1=0066C0&amp;bg1=FFFFFF&amp;f=ifr\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"> <\/iframe> <iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"https:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?ref=tf_til&amp;t=wwwveredeses-21&amp;m=amazon&amp;o=30&amp;p=8&amp;l=as1&amp;IS2=1&amp;asins=B00H3UUWOE&amp;linkId=8d3400cfed7abb4057d44dc7cdba58df&amp;bc1=FFFFFF&amp;lt1=_blank&amp;fc1=333333&amp;lc1=0066C0&amp;bg1=FFFFFF&amp;f=ifr\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"> <\/iframe>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] Sumido y puesto al servicio del absolutismo del espect\u00e1culo, el ejercicio de la cr\u00edtica de arquitectura oscila hoy, complaciente, entre la nostalgia y la farsa. Contra esa pasividad, es preciso recuperar la cr\u00edtica como herramienta de choque. La cr\u00edtica como estado de alerta desde el CUAL promover la duda, cuestionar mitos y generar debates. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":65416,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[794,26],"tags":[12448,6592,2631,13087,393,2083,504,3193,6456,12205,4798,2030,1021,1985,1865,1890],"class_list":["post-65402","post","type-post","status-publish","format-standard","has-post-thumbnail","category-libros","category-publicaciones","tag-arquitectura","tag-arquitectura-espanola","tag-bisman-ediciones","tag-critica","tag-escribir","tag-escritor","tag-fredy-massad","tag-leer","tag-libro","tag-modelo-profesional","tag-multidisciplinar","tag-pensamiento","tag-pensar","tag-reflexion","tag-reflexion-multidisciplinar"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/critica-de-choque\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:] - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: [:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/critica-de-choque\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-09-25T22:05:27+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-18T14:19:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"1333\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"veredes\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/veredes\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"veredes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/\"},\"author\":{\"name\":\"veredes\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/0bbb669073ef7faba5168a0844e93d2c\"},\"headline\":\"[:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:]\",\"datePublished\":\"2017-09-25T22:05:27+00:00\",\"dateModified\":\"2020-01-18T14:19:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/\"},\"wordCount\":1087,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/Critica-de-Choque.jpg\",\"keywords\":[\"arquitectura\",\"arquitectura argentina\",\"arquitectura espa\u00f1ola\",\"Bisman Ediciones\",\"cr\u00edtica\",\"escribir\",\"escritor\",\"Fredy Massad\",\"leer\",\"libro\",\"modelo profesional\",\"multidisciplinar\",\"pensamiento\",\"pensar\",\"reflexi\u00f3n\",\"reflexi\u00f3n multidisciplinar\"],\"articleSection\":[\"libros\",\"publicaciones\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/\",\"name\":\"[:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:] - veredes\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/Critica-de-Choque.jpg\",\"datePublished\":\"2017-09-25T22:05:27+00:00\",\"dateModified\":\"2020-01-18T14:19:34+00:00\",\"description\":\"Toda la informaci\u00f3n sobre: [:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:]\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/Critica-de-Choque.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/Critica-de-Choque.jpg\",\"width\":800,\"height\":1333},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/critica-de-choque\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cr\u00edtica de Choque\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/0bbb669073ef7faba5168a0844e93d2c\",\"name\":\"veredes\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/face-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/face-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/face-96x96.jpg\",\"caption\":\"veredes\"},\"description\":\"Surge enero de 2009 como b\u00fasqueda de satisfacer el conocimiento de la actividad arquitect\u00f3nica y tangentes que se generan. La idea es crear un espacio para divulgar los diversos proyectos en busca de nueva inspiraci\u00f3n y de intercambio.\",\"sameAs\":[\"https:\\\/\\\/veredes.es\\\/\",\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/www.instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/www.pinterest.es\\\/veredes\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/veredes\",\"https:\\\/\\\/veredes.tumblr.com\\\/\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/alberto\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"[:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:] - veredes","description":"Toda la informaci\u00f3n sobre: [:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:]","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/critica-de-choque\/","og_locale":"es_ES","og_type":"article","og_title":"[:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:] - veredes","og_description":"Toda la informaci\u00f3n sobre: [:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:]","og_url":"https:\/\/veredes.es\/blog\/critica-de-choque\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_published_time":"2017-09-25T22:05:27+00:00","article_modified_time":"2020-01-18T14:19:34+00:00","og_image":[{"width":800,"height":1333,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque.jpg","type":"image\/jpeg"}],"author":"veredes","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/veredes","twitter_site":"@veredes","twitter_misc":{"Escrito por":"veredes","Tiempo de lectura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/critica-de-choque\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/critica-de-choque\/"},"author":{"name":"veredes","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/0bbb669073ef7faba5168a0844e93d2c"},"headline":"[:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:]","datePublished":"2017-09-25T22:05:27+00:00","dateModified":"2020-01-18T14:19:34+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/critica-de-choque\/"},"wordCount":1087,"commentCount":0,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/critica-de-choque\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque.jpg","keywords":["arquitectura","arquitectura argentina","arquitectura espa\u00f1ola","Bisman Ediciones","cr\u00edtica","escribir","escritor","Fredy Massad","leer","libro","modelo profesional","multidisciplinar","pensamiento","pensar","reflexi\u00f3n","reflexi\u00f3n multidisciplinar"],"articleSection":["libros","publicaciones"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/critica-de-choque\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/critica-de-choque\/","url":"https:\/\/veredes.es\/blog\/critica-de-choque\/","name":"[:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:] - veredes","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/critica-de-choque\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/critica-de-choque\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque.jpg","datePublished":"2017-09-25T22:05:27+00:00","dateModified":"2020-01-18T14:19:34+00:00","description":"Toda la informaci\u00f3n sobre: [:es]Cr\u00edtica de Choque[:gl]Cr\u00edtica de Choque[:en]Critique of Shock[:]","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/critica-de-choque\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/critica-de-choque\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/critica-de-choque\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/09\/Critica-de-Choque.jpg","width":800,"height":1333},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/critica-de-choque\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Cr\u00edtica de Choque"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/0bbb669073ef7faba5168a0844e93d2c","name":"veredes","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/face-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/face-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/face-96x96.jpg","caption":"veredes"},"description":"Surge enero de 2009 como b\u00fasqueda de satisfacer el conocimiento de la actividad arquitect\u00f3nica y tangentes que se generan. La idea es crear un espacio para divulgar los diversos proyectos en busca de nueva inspiraci\u00f3n y de intercambio.","sameAs":["https:\/\/veredes.es\/","https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/www.instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/www.pinterest.es\/veredes\/","https:\/\/x.com\/https:\/\/twitter.com\/veredes","https:\/\/veredes.tumblr.com\/"],"url":"https:\/\/veredes.es\/blog\/author\/alberto\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/65402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=65402"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/65402\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/65416"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=65402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=65402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=65402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}