{"id":65314,"date":"2017-08-15T00:04:57","date_gmt":"2017-08-14T22:04:57","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=65314"},"modified":"2019-12-03T19:55:25","modified_gmt":"2019-12-03T18:55:25","slug":"bill-viola-retrospectiva","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/bill-viola-retrospectiva\/","title":{"rendered":"Bill Viola: retrospectiva"},"content":{"rendered":"

\"CHOTT
CHOTT EL-DJERID (A PORTRAIT IN LIGHT AND HEAT)<\/span><\/figcaption><\/figure><\/p>\n

A Bill Viola (Nueva York, 1951), uno de los artistas actuales m\u00e1s destacados, se le reconoce internacionalmente por su car\u00e1cter pionero en el desarrollo del videoarte, medio que descubri\u00f3 a principios de la d\u00e9cada de 1970 a ra\u00edz de su participaci\u00f3n en el programa de Estudios Experimentales de la Universidad de Siracusa (Nueva York). Ya en sus primeros v\u00eddeos dejar\u00e1 constancia de su permanente inter\u00e9s en el autoconocimiento, una exploraci\u00f3n que se ir\u00e1 enriqueciendo a partir de sus lecturas de textos m\u00edsticos y espirituales de tradici\u00f3n oriental y occidental. Su obra evoluciona en paralelo a la tecnolog\u00eda del v\u00eddeo, y cada nueva herramienta le permitir\u00e1 explorar la condici\u00f3n humana, en relaci\u00f3n con cuestiones como el nacimiento, la muerte, la transformaci\u00f3n, el renacimiento y la transfiguraci\u00f3n, temas clave en su producci\u00f3n, que se extiende a lo largo de cuarenta a\u00f1os.<\/p>\n

Bill Viola: retrospectiva<\/em>\u00a0constituye un recorrido tem\u00e1tico y cronol\u00f3gico por la trayectoria del artista, comenzando con sus tempranas cintas monocanal, entre las que se incluyen obras tan representativas como\u00a0El estanque reflejante<\/em>\u00a0(1977\u201379) y\u00a0Cuatro canciones<\/em>\u00a0(1976), un \u00e1lbum en el que recopil\u00f3 varias piezas. Estas creaciones tienen un contenido sumamente po\u00e9tico y ya abordan aspectos tan importantes en la producci\u00f3n de Viola como la noci\u00f3n del tiempo y su deconstrucci\u00f3n, la indagaci\u00f3n acerca de la existencia, la experimentaci\u00f3n con la grabaci\u00f3n y manipulaci\u00f3n de sonidos procedentes del medioambiente y de la naturaleza.<\/p>\n

La d\u00e9cada de 1980 se inicia con obras como\u00a0Chott el-Djerid (Un retrato de luz y calor)<\/em>(1979), donde la c\u00e1mara captura el deslumbrante paisaje del desierto mediante teleobjetivos que permiten grabar espejismos y revelar as\u00ed im\u00e1genes que normalmente escapan a nuestra percepci\u00f3n. Esta etapa, en la que Kira Perov (su esposa y colaboradora durante largo tiempo) comienza a colaborar con Viola, est\u00e1 marcada por proyectos destinados a ser emitidos por televisi\u00f3n, pero tambi\u00e9n sirve como periodo de transici\u00f3n entre su producci\u00f3n temprana y las instalaciones que se desplegar\u00e1n en salas enteras, envolviendo al observador en im\u00e1genes y sonido. El artista empieza a incorporar en su trabajo elementos f\u00edsicos (algo que estar\u00e1 presente durante los a\u00f1os noventa); sus estudios sobre la percepci\u00f3n y temas espirituales se plasman en objetos escult\u00f3ricos, como se aprecia en los despojados monitores de\u00a0Cielo y Tierra<\/em>\u00a0(1992) y en obras de grandes dimensiones, como\u00a0Una historia que gira lentamente<\/em>\u00a0(1992), con su colosal pantalla giratoria.<\/p>\n

Con la llegada del nuevo milenio y la aparici\u00f3n de la pantalla plana de alta definici\u00f3n, Viola comienza a realizar piezas de peque\u00f1o y mediano formato, que se integrar\u00e1n en la serie\u00a0Pasiones<\/em>; entre ellas, un estudio a c\u00e1mara lenta de las emociones,\u00a0Rendici\u00f3n<\/em>, y trabajos que reflejan el paso del tiempo y la sucesi\u00f3n de las generaciones, como\u00a0La habitaci\u00f3n de Catalina<\/em>\u00a0y\u00a0Cuatro manos<\/em>, todas de 2001.\u00a0<\/em>A estas creaciones \u00edntimas\u00a0<\/em>sigui\u00f3 la instalaci\u00f3n monumental\u00a0Avanzando cada d\u00eda\u00a0<\/em>(2002), en la que cinco grandes proyecciones murales que comparten un espacio com\u00fan invitan al espectador a adentrarse literalmente en la luz y reflexionar acerca de sus vidas y la existencia humana. La cuesti\u00f3n de la trascendencia tambi\u00e9n se halla presente en su trabajo para la \u00f3pera wagneriana\u00a0Trist\u00e1n e Isolda<\/em>\u00a0(2004\u201305), una obra mayor de la que se derivan dos instalaciones,\u00a0La ascensi\u00f3n de Trist\u00e1n (el sonido de una monta\u00f1a bajo una cascada)<\/em>\u00a0y\u00a0Mujer fuego<\/em>, ambas de 2005.<\/p>\n

Durante la \u00faltima d\u00e9cada, Viola ha continuado representando la experiencia fundamental de la vida a trav\u00e9s de los medios y soportes m\u00e1s diversos. Buen ejemplo de ello es su empleo del agua en obras como\u00a0Los inocentes<\/em>\u00a0(2007),\u00a0Tres mujeres\u00a0<\/em>(2008) y\u00a0Los so\u00f1adores\u00a0<\/em>(2013)\u2014,\u00a0<\/em>y su recorrido por el ciclo de la vida, que se inicia en esta exposici\u00f3n con\u00a0Cielo y Tierra<\/em>\u00a0(1992) y se \u201crebobina\u201d literalmente en la pieza final,\u00a0Nacimiento invertido<\/em>\u00a0(2014).<\/p>\n

Bill Viola: retrospectiva<\/strong><\/a>
\n30 DE JUNIO, 2017 – 9 DE NOVIEMBRE, 2017<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

A Bill Viola (Nueva York, 1951), uno de los artistas actuales m\u00e1s destacados, se le reconoce internacionalmente por su car\u00e1cter pionero en el desarrollo del videoarte, medio que descubri\u00f3 a principios de la d\u00e9cada de 1970 a ra\u00edz de su participaci\u00f3n en el programa de Estudios Experimentales de la Universidad de Siracusa (Nueva York). Ya […]<\/p>\n","protected":false},"author":2,"featured_media":65315,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[12449,155,13083,920,1241,1286,1346,8318],"class_list":{"0":"post-65314","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-eventos","8":"category-exposiciones","9":"tag-arte","10":"tag-arte-contemporaneo","11":"tag-bill-viola","12":"tag-naturaleza","13":"tag-sociedad","14":"tag-territorio","15":"tag-video","16":"tag-videoinstalacion"},"yoast_head":"\nBill Viola: retrospectiva - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Bill Viola: retrospectiva[:gl]Bill Viola: retrospectiva[:en]Bill Viola: a retrospective[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/bill-viola-retrospectiva\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Bill Viola: retrospectiva[:gl]Bill Viola: retrospectiva[:en]Bill Viola: a retrospective[:] - 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