{"id":64709,"date":"2017-09-15T00:03:37","date_gmt":"2017-09-14T22:03:37","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=64709"},"modified":"2019-09-12T19:21:53","modified_gmt":"2019-09-12T17:21:53","slug":"scriptorium-elias-cueto","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/","title":{"rendered":"Scriptorium | El\u00edas Cueto"},"content":{"rendered":"

[:es]

\"Scriptorium,
Scriptorium<\/span><\/figcaption><\/figure><\/p>\n

Una de las piezas de mobiliario m\u00e1s fascinantes de la historia es la que pinta Antonello da Messina<\/strong><\/a> para San Jer\u00f3nimo. Mediante sucesivas operaciones de encapsulamiento y como si de una narraci\u00f3n de Borges se tratase, el pintor renacentista ubica un espacio dentro de otro y este dentro de uno m\u00e1s. El cuadro enmarca una pared, cuya puerta enmarca un espacio g\u00f3tico dentro del cual una compleja pieza de mobiliario enmarca al santo que da nombre al cuadro.<\/p>\n

La serie de enmarcaciones sucesivas no se acaba en el protector Scriptorium<\/em> construido entorno a la persona de San Jer\u00f3nimo. La mirada del santo nos dirige hacia la c\u00e1psula definitiva, un contenedor en cuyo interior cabe todo: un libro. A\u00a0San Jer\u00f3nimo se atribuye la primera traducci\u00f3n al lat\u00edn del antiguo testamento conocido como la vulgata<\/em>. Es precisamente ese libro el que brilla con luz propia en el centro \u201caureo\u201d del cuadro y constituye el contenedor definitivo: la narraci\u00f3n.<\/p>\n

Tanto el pintor como el traductor centran su mirada en ese libro, si bien ambos lo contemplan desde la distancia. La pose hier\u00e1tica del santo es tan r\u00edgida como la sucesi\u00f3n de enmarcaciones del pintor.\u00a0El complejo y r\u00edgido aparato formado por el mobiliario es como el complejo y r\u00edgido aparato de la perspectiva. Dos productos culturales destinados a enmarcar la narraci\u00f3n, a dirigir nuestra mirada hacia ella. Apuntar hacia una narraci\u00f3n que explica y da sentido a cuanto le rodea, tal es el prop\u00f3sito de la escenograf\u00eda representada en el cuadro, del dise\u00f1o del mobiliario, y, por qu\u00e9 no, el prop\u00f3sito de estas l\u00edneas.<\/p>\n

El\u00edas Cueto, arquitecto
\nSantiago de Compostela, julio\u00a02011
\nPublicado en N\u00ba 313 [sillas\u2026]<\/a><\/em><\/span><\/p>\n

[:gl]

\"Scriptorium,
Scriptorium<\/span><\/figcaption><\/figure><\/p>\n

Unha das pezas de mobiliario m\u00e1is fascinantes da historia \u00e9 a que pinta Antonello da Messina<\/strong><\/a> para San Jer\u00f3nimo. Mediante sucesivas operaci\u00f3ns de encapsulamiento e coma se dunha narraci\u00f3n de Borges trat\u00e1sese, o pintor renacentista sit\u00faa un espazo dentro doutro e este dentro de uno m\u00e1is. O cadro enmarca unha parede, cuxa porta enmarca un espazo g\u00f3tico dentro do cal unha complexa peza de mobiliario enmarca ao santo que d\u00e1 nome ao cadro.<\/p>\n

A serie de enmarcaciones sucesivas non se acaba no protector Scriptorium<\/em> constru\u00eddo contorna \u00e1 persoa de San Jer\u00f3nimo. A mirada do santo dir\u00edxenos cara \u00e1 c\u00e1psula definitiva, un colector en cuxo interior cabe todo: un libro. A San Jer\u00f3nimo atrib\u00faese a primeira traduci\u00f3n ao lat\u00edn do antigo testamento co\u00f1ecido como a vulgata<\/em>. \u00c9 precisamente ese libro o que brilla con luz propia no centro \u201caureo\u201d do cadro e constit\u00fae o colector definitivo: a narraci\u00f3n.<\/p>\n

Tanto o pintor como o tradutor centran a s\u00faa mirada nese libro, a\u00ednda que ambos o contemplan desde a distancia. A pose hier\u00e1tica do santo \u00e9 tan r\u00edxida como a sucesi\u00f3n de enmarcaciones do pintor. O complexo e r\u00edxido aparello formado polo mobiliario \u00e9 como o complexo e r\u00edxido aparello da perspectiva. Dous produtos culturais destinados a enmarcar a narraci\u00f3n, a dirixir a nosa mirada cara a ela. Apuntar cara a unha narraci\u00f3n que explica e d\u00e1 sentido a canto lle rodea, tal \u00e9 o prop\u00f3sito da escenograf\u00eda representada no cadro, do dese\u00f1o do mobiliario, e, por que non, o prop\u00f3sito destas li\u00f1as.<\/p>\n

El\u00edas Cueto, arquitecto
\nSantiago de Compostela, xullo\u00a02011
\nPublicado en N\u00ba 313 [sillas\u2026]<\/a><\/em><\/span><\/p>\n

[:en]

\"Scriptorium,
Scriptorium<\/span><\/figcaption><\/figure><\/p>\n

One of the more fascinating pieces of furniture of the history is the one that Antonello da Messina<\/strong><\/a> paints for San Jer\u00f3nimo. By means of successive operations of encapsulamiento and as if about a story of Borges it was treating itself, the Renaissance painter locates a space inside other one and this inside one more. The picture frames a wall, which door frames a Gothic space inside which a complex piece of furniture frames the saint who gives name to the picture.<\/p>\n

The series of enmarcaciones successive is not ended in the protector constructed Scriptorium<\/em> I half-close the person of San Jer\u00f3nimo. The look of the saint directs us to the definitive capsule, a container in whose interior fits everything: a book. It attributes the first translation to San Jer\u00f3nimo to the Latin of the former testament known as the vulgata. It is precisely this book the one that shines with own light in the \u201caureum\u201d center of the picture and constitutes the definitive container: the story.<\/p>\n

Both the painter and the translator centre his look on this book, though both contemplate it from the distance. Put it hier\u00e1tica of the saint it is so rigid as the succession of enmarcaciones of the painter. The complex and rigid device formed by the furniture is like the complex and rigid device of the perspective. Two cultural products destined to frame the story, to directing our look to her. To appear towards a story that explains and gives sense all that it surrounds, such is the intention of the scenery represented in the picture, of the design of the furniture, and, why not, the intention of these lines.<\/p>\n

El\u00edas Cueto, architect
\nSantiago de Compostela, july 2011
\nPublished in N\u00ba 313 [sillas\u2026]<\/a><\/em><\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Una de las piezas de mobiliario m\u00e1s fascinantes de la historia es la que pinta Antonello da Messina para San Jer\u00f3nimo. Mediante sucesivas operaciones de encapsulamiento y como si de una narraci\u00f3n de Borges se tratase, el pintor renacentista ubica un espacio dentro de otro y este dentro de uno m\u00e1s. El cuadro enmarca […]<\/p>\n","protected":false},"author":45,"featured_media":64710,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,39,3,1397,5951],"tags":[8001,12449,160,12470,4503,3435,668,918,12466,1231,1241,3311,1278],"class_list":["post-64709","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arte-blog","category-artistas","category-capturas","category-diseno","category-slider-principal","tag-antonello-da-messina","tag-arte","tag-artista","tag-diseno","tag-diseno-de-mobiliario","tag-elias-cueto","tag-historia","tag-musica","tag-pintura","tag-silla","tag-sociedad","tag-tecnica-tradicional","tag-teoria"],"yoast_head":"\nScriptorium | El\u00edas Cueto - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Scriptorium | El\u00edas Cueto\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Scriptorium | El\u00edas Cueto - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: Scriptorium | El\u00edas Cueto\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-09-14T22:03:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-09-12T17:21:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Scriptorium-Antonello-da-Messina-El\u00edas-Cueto.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"1535\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"El\u00edas Cueto\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@veredes\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"El\u00edas Cueto\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/\"},\"author\":{\"name\":\"El\u00edas Cueto\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/6b9da8e03c0af711ac6b0dece4f764f6\"},\"headline\":\"Scriptorium | El\u00edas Cueto\",\"datePublished\":\"2017-09-14T22:03:37+00:00\",\"dateModified\":\"2019-09-12T17:21:53+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/\"},\"wordCount\":908,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/06\\\/Scriptorium-Antonello-da-Messina-El\u00edas-Cueto.jpg\",\"keywords\":[\"Antonello da Messina\",\"arte\",\"artista\",\"dise\u00f1o\",\"dise\u00f1o de mobiliario\",\"El\u00edas Cueto\",\"historia\",\"m\u00fasica\",\"pintura\",\"silla\",\"sociedad\",\"t\u00e9cnica tradicional\",\"teor\u00eda\"],\"articleSection\":[\"arte\",\"artistas\",\"capturas\",\"dise\u00f1o\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/\",\"name\":\"Scriptorium | El\u00edas Cueto - veredes\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/06\\\/Scriptorium-Antonello-da-Messina-El\u00edas-Cueto.jpg\",\"datePublished\":\"2017-09-14T22:03:37+00:00\",\"dateModified\":\"2019-09-12T17:21:53+00:00\",\"description\":\"Toda la informaci\u00f3n sobre: Scriptorium | El\u00edas Cueto\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/06\\\/Scriptorium-Antonello-da-Messina-El\u00edas-Cueto.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/06\\\/Scriptorium-Antonello-da-Messina-El\u00edas-Cueto.jpg\",\"width\":1200,\"height\":1535},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/scriptorium-elias-cueto\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Scriptorium | El\u00edas Cueto\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/6b9da8e03c0af711ac6b0dece4f764f6\",\"name\":\"El\u00edas Cueto\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/El\u00edasCueto-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/El\u00edasCueto-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/El\u00edasCueto-96x96.jpg\",\"caption\":\"El\u00edas Cueto\"},\"description\":\"Es arquitecto t\u00e9cnico superior de urbanismo por la EGAP, doctor en historia de la arquitectura por la ETSAC y especialista en dise\u00f1o de mobiliario por THK (Alemania. En 2015 recibi\u00f3 el V Premio Domingo Font\u00e1n de investigaci\u00f3n hist\u00f3rica y es autor de dos monograf\u00edas sobre historia moderna y dise\u00f1o. Ha trabajado como dise\u00f1ador para diferentes firmas y ha colaborados con dos Premios Nacionales de Arquitectura. Actualmente colabora con la industria de la madera en el \u00e1mbito del desarrollo de productos y la mejora e industrializaci\u00f3n de procesos.\",\"sameAs\":[\"http:\\\/\\\/www.seistag.com\\\/\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/elias-cueto\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Scriptorium | El\u00edas Cueto - veredes","description":"Toda la informaci\u00f3n sobre: Scriptorium | El\u00edas Cueto","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/","og_locale":"es_ES","og_type":"article","og_title":"Scriptorium | El\u00edas Cueto - veredes","og_description":"Toda la informaci\u00f3n sobre: Scriptorium | El\u00edas Cueto","og_url":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_published_time":"2017-09-14T22:03:37+00:00","article_modified_time":"2019-09-12T17:21:53+00:00","og_image":[{"width":1200,"height":1535,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Scriptorium-Antonello-da-Messina-El\u00edas-Cueto.jpg","type":"image\/jpeg"}],"author":"El\u00edas Cueto","twitter_card":"summary_large_image","twitter_creator":"@veredes","twitter_site":"@veredes","twitter_misc":{"Escrito por":"El\u00edas Cueto","Tiempo de lectura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/"},"author":{"name":"El\u00edas Cueto","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/6b9da8e03c0af711ac6b0dece4f764f6"},"headline":"Scriptorium | El\u00edas Cueto","datePublished":"2017-09-14T22:03:37+00:00","dateModified":"2019-09-12T17:21:53+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/"},"wordCount":908,"commentCount":0,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Scriptorium-Antonello-da-Messina-El\u00edas-Cueto.jpg","keywords":["Antonello da Messina","arte","artista","dise\u00f1o","dise\u00f1o de mobiliario","El\u00edas Cueto","historia","m\u00fasica","pintura","silla","sociedad","t\u00e9cnica tradicional","teor\u00eda"],"articleSection":["arte","artistas","capturas","dise\u00f1o","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/","url":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/","name":"Scriptorium | El\u00edas Cueto - veredes","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Scriptorium-Antonello-da-Messina-El\u00edas-Cueto.jpg","datePublished":"2017-09-14T22:03:37+00:00","dateModified":"2019-09-12T17:21:53+00:00","description":"Toda la informaci\u00f3n sobre: Scriptorium | El\u00edas Cueto","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Scriptorium-Antonello-da-Messina-El\u00edas-Cueto.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Scriptorium-Antonello-da-Messina-El\u00edas-Cueto.jpg","width":1200,"height":1535},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/scriptorium-elias-cueto\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Scriptorium | El\u00edas Cueto"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/6b9da8e03c0af711ac6b0dece4f764f6","name":"El\u00edas Cueto","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El\u00edasCueto-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El\u00edasCueto-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/El\u00edasCueto-96x96.jpg","caption":"El\u00edas Cueto"},"description":"Es arquitecto t\u00e9cnico superior de urbanismo por la EGAP, doctor en historia de la arquitectura por la ETSAC y especialista en dise\u00f1o de mobiliario por THK (Alemania. En 2015 recibi\u00f3 el V Premio Domingo Font\u00e1n de investigaci\u00f3n hist\u00f3rica y es autor de dos monograf\u00edas sobre historia moderna y dise\u00f1o. Ha trabajado como dise\u00f1ador para diferentes firmas y ha colaborados con dos Premios Nacionales de Arquitectura. Actualmente colabora con la industria de la madera en el \u00e1mbito del desarrollo de productos y la mejora e industrializaci\u00f3n de procesos.","sameAs":["http:\/\/www.seistag.com\/"],"url":"https:\/\/veredes.es\/blog\/author\/elias-cueto\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/64709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=64709"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/64709\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/64710"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=64709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=64709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=64709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}