{"id":64582,"date":"2017-06-19T00:04:50","date_gmt":"2017-06-18T22:04:50","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=64582"},"modified":"2022-03-21T16:33:54","modified_gmt":"2022-03-21T15:33:54","slug":"vestigios-del-futuro-marcelo-gardinetti","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/","title":{"rendered":"[:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:]"},"content":{"rendered":"

[:es]

\"Walking
Walking City \u00a9Archigram<\/span><\/figcaption><\/figure><\/p>\n

Cr\u00edticos de las propuestas del movimiento moderno e insatisfechos con el statu quo<\/em> de la \u00e9poca, Archigram <\/a>estableci\u00f3 durante una d\u00e9cada im\u00e1genes de un interesante caudal reflexivo sobre las ciudades y su arquitectura.<\/p>\n

El grupo naci\u00f3 en 1961 con la publicaci\u00f3n de una revista producida de manera amateur por Peter Cook<\/a>, David Greene<\/a> y Mike Webb. El nombre conjuga las palabras Arquitectura y telegrama, declamando la idea de su mensaje. En 1962, para la edici\u00f3n del segundo n\u00famero se suman Ron Herron, Dennis Crompton<\/a> y Warren Chalk. La revista aumenta su tirada y son invitados a la exposici\u00f3n \u201cLiving City\u201d en 1963. A partir de ese momento, el grupo es reconocido por la cr\u00edtica arquitect\u00f3nica como un colectivo de trabajo con el nombre de la revista.<\/p>\n

\"Osaka
Osaka 1 \u00a9Archigram<\/span><\/figcaption><\/figure>\n

Concordante con los planteamientos sociales, en plena euforia de la cultura pop, Archigram rechaza el legado hist\u00f3rico y arremete con excitaci\u00f3n contra la rigidez est\u00e1tica de la arquitectura y la ciudad. Se asiste de los nuevos materiales y produce una indagaci\u00f3n optimista sobre las posibilidades del futuro tecnol\u00f3gico, para superar las limitaciones formales de la arquitectura tradicional.<\/p>\n

Sus dibujos conjugan collages, s\u00edmbolos de comics y otros elementos expresivos que anticipan la revoluci\u00f3n de la informaci\u00f3n. Producen un lenguaje de efectista mediante el uso de estructuras camufladas, m\u00f3dulos plegables, capsulas habitables, planos plegables y disposiciones telesc\u00f3picas que someten a mecanismos el\u00e9ctricos para generar los artilugios m\u00f3viles imprescindibles. Su intenci\u00f3n es conjugar las nuevas formas en lugares no convencionales, sobre el agua o en el espacio.<\/p>\n

\"Plug
Plug in City. \u00a9Archigram<\/span><\/figcaption><\/figure>\n

El grupo asume la l\u00f3gica consumista y admite la arquitectura como un hecho intercambiable, que se produce de manera industrial y se descarta con el tiempo. En sus proyectos m\u00e1s difundidos, la concepci\u00f3n org\u00e1nica de la ciudad alcanza el punto m\u00e1s alto de su relato.<\/p>\n

En Plug in city, Peter Cook trasmite una reflexi\u00f3n de sobre la obsolescencia de las ciudades y la necesidad de sustituci\u00f3n de sus partes. Compone una mega estructura basada en el principio de flexibilidad y variedad, que asume la sustituci\u00f3n como un hecho frecuente y necesario. Diferentes unidades cubren las necesidades de la poblaci\u00f3n bajo un orden jer\u00e1rquico establecido en acuerdo a los tiempos de envejecimiento: las infraestructuras pesadas en la parte inferior, las \u00e1reas comunitarias en la zona intermedia y las viviendas en la parte superior.<\/p>\n

\"
Jard\u00edn Exposici\u00f3n, Commonwealth Institute \u00a9Archigram<\/span><\/figcaption><\/figure>\n

Casi en paralelo, Ron Herron promueve Walking city. Una unidad m\u00f3vil que contiene todo lo necesario para desplegar la vida ciudadana. Puede moverse sobre terrenos dis\u00edmiles, incluso sobre los vestigios de una ciudad destruida por una posible guerra nuclear. Los m\u00f3dulos se reabastecen en estaciones de intercambio y se vinculan con otras unidades para intercambiar habitantes. El proyecto pretende abolir las fronteras; La ciudad n\u00f3mada<\/em> se traslada seg\u00fan los deseos de sus habitantes.<\/p>\n

Instant City se desarrolla a partir de un proyecto de Jhoana Mayer<\/a> de los a\u00f1os 50. Su objetivo era ampliar la red cultural urbana hacia las poblaciones perif\u00e9ricas, para romper la monoton\u00eda de los pueblos e igualar las posibilidades culturales que ofrecen las grandes ciudades. Para ello, se dispone de infraestructuras itinerantes compuestas por dispositivos audiovisuales y otros elementos para el ocio y la recreaci\u00f3n, que son transportadas en dirigibles y soportadas por globos aerost\u00e1ticos sobre los poblados.<\/p>\n

\"Instant
Instant City \u00a9Archigram<\/span><\/figcaption><\/figure>\n

Estos dise\u00f1os son manifiestos que declaman una nueva visi\u00f3n del espacio urbano. La mayor parte de ellos eran t\u00e9cnicamente irrealizables, pero su objetivo estaba centrado en revelar una actitud reflexiva sobre cada tema.<\/p>\n

Archigram fue un grupo de trabajo con inquietudes creativas at\u00edpicas. Agitadores culturales en momentos de rebeld\u00eda social, su investigaci\u00f3n puso en crisis la mirada tradicional de la disciplina arquitect\u00f3nica y cuestiono con vigor sus patrones est\u00e9ticos.<\/p>\n

Cada dise\u00f1o es la excusa argumental para desarrollar una visi\u00f3n de la sociedad tan optimista como irreal. Un sortilegio de intensa utop\u00eda que propone una reflexi\u00f3n concluyente acerca del h\u00e1bitat humano.<\/p>\n

\n

\u201cArchigram fue, m\u00e1s all\u00e1 de todo, inmensamente creativo. Cuando el grupo se form\u00f3 por primera vez en 1964 se compon\u00eda de seis hombres que variaban en el temperamento desde el lac\u00f3nico a los ojos brillantes y en la edad y la experiencia de los constructores endurecidas de las escuelas de las autoridades locales y edificios p\u00fablicos, a los arquitectos j\u00f3venes que estaban en su primer empleo despu\u00e9s de la escuela.\u201d \u00a0<\/em><\/p>\n

Peter Cook, London 2012 Excerpted from the foreword<\/p>\n<\/blockquote>\n

\"Hornsey
Hornsey Housing Study \u00a9Archigram<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata, Argentina. Junio 2017<\/p>\n

 [:gl]

\"Walking
Walking City \u00a9Archigram<\/span><\/figcaption><\/figure><\/p>\n

Cr\u00edticos das propostas do movemento moderno e insatisfeitos co statu quo<\/em> da \u00e9poca, Archigram <\/a> estableceu durante unha d\u00e9cada imaxes dun interesante caudal reflexivo sobre as cidades e a s\u00faa arquitectura.<\/p>\n

O grupo naceu en 1961 coa publicaci\u00f3n dunha revista producida de maneira amateur por Peter Cook<\/a>, David Greene<\/a> e Mike Webb. O nome conxuga as palabras Arquitectura e telegrama, declamando a idea da s\u00faa mensaxe. En 1962, para a edici\u00f3n do segundo n\u00famero s\u00famanse Ron Herron, Dennis Crompton<\/a> e Warren Chalk. A revista aumenta a s\u00faa tirada e son convidados \u00e1 exposici\u00f3n \u201cLiving City\u201d en 1963. A partir dese momento, o grupo \u00e9 reco\u00f1ecido pola cr\u00edtica arquitect\u00f3nica como un colectivo de traballo co nome da revista.<\/p>\n

\"Osaka
Osaka 1 \u00a9Archigram<\/span><\/figcaption><\/figure>\n

Concordante coas formulaci\u00f3ns sociais, en plena euforia da cultura pop, Archigram rexeita o legado hist\u00f3rico e arremete con excitaci\u00f3n contra a rixidez est\u00e1tica da arquitectura e a cidade. As\u00edstese dos novos materiais e produce unha indagaci\u00f3n optimista sobre as posibilidades do futuro tecnol\u00f3xico, para superar as limitaci\u00f3ns formais da arquitectura tradicional.<\/p>\n

Os seus debuxos conxugan colaxes, s\u00edmbolos de c\u00f3mics e outros elementos expresivos que anticipan a revoluci\u00f3n da informaci\u00f3n. Producen unha linguaxe de efectista mediante o uso de estruturas camufladas, m\u00f3dulos plegables, capsulas habitables, planos plegables e disposici\u00f3ns telesc\u00f3picas que someten a mecanismos el\u00e9ctricos para xerar os dispositivos m\u00f3biles imprescindibles. A s\u00faa intenci\u00f3n \u00e9 conxugar as novas formas en lugares non convencionais, sobre a auga ou no espazo.<\/p>\n

\"Plug
Plug in City. \u00a9Archigram<\/span><\/figcaption><\/figure>\n

O grupo asume a l\u00f3xica consumista e admite a arquitectura como un feito intercambiable, que se produce de maneira industrial e desc\u00e1rtase co tempo. Nos seus proxectos m\u00e1is difundidos, a concepci\u00f3n org\u00e1nica da cidade alcanza o punto m\u00e1is alto do seu relato.<\/p>\n

En Plug in city, Peter Cook transmite unha reflexi\u00f3n de sobre a obsolescencia das cidades e a necesidade de substituci\u00f3n dos seus partes. Comp\u00f3n unha mega estrutura baseada no principio de flexibilidade e variedade, que asume a substituci\u00f3n como un feito frecuente e necesario. Diferentes unidades cobren as necesidades da poboaci\u00f3n baixo unha orde xer\u00e1rquica establecida en acordo aos tempos de envellecemento: as infraestruturas pesadas na parte inferior, as \u00e1reas comunitarias na zona intermedia e as vivendas na parte superior.<\/p>\n

\"
Xard\u00edn Exposici\u00f3n, Commonwealth Institute \u00a9Archigram<\/span><\/figcaption><\/figure>\n

Case en paralelo, Ron Herron promove Walking city. Unha unidade m\u00f3bil que cont\u00e9n todo o necesario para despregar a vida cidad\u00e1. Pode moverse sobre terreos dis\u00edmiles, mesmo sobre os vestixios dunha cidade destru\u00edda por unha posible guerra nuclear. Os m\u00f3dulos se reabastecen en estaci\u00f3ns de intercambio e vinc\u00falanse con outras unidades para intercambiar habitantes. O proxecto pretende abolir as fronteiras; A cidade n\u00f3made trasl\u00e1dase segundo os desexos dos seus habitantes.<\/p>\n

Instant City desenv\u00f3lvese a partir dun proxecto de Jhoana Mayer<\/a> dos anos 50. O seu obxectivo era ampliar a rede cultural urbana cara \u00e1s poboaci\u00f3ns perif\u00e9ricas, para romper a monoton\u00eda dos pobos e igualar as posibilidades culturais que ofrecen as grandes cidades. Para iso, disponse de infraestruturas itinerantes compostas por dispositivos audiovisuais e outros elementos para o lecer e a recreaci\u00f3n, que son transportadas en dirigibles e soportadas por globos aerost\u00e1ticos sobre os poboados.<\/p>\n

\"Instant
Instant City \u00a9Archigram<\/span><\/figcaption><\/figure>\n

Estes dese\u00f1os son manifestos que declaman unha nova visi\u00f3n do espazo urbano. A maior parte deles eran tecnicamente irrealizables, pero o seu obxectivo estaba centrado en revelar unha actitude reflexiva sobre cada tema.<\/p>\n

Archigram foi un grupo de traballo con inquietudes creativas at\u00edpicas. Axitadores culturais en momentos de rebeld\u00eda social, a s\u00faa investigaci\u00f3n puxo en crise a mirada tradicional da disciplina arquitect\u00f3nica e cuestiono con vigor os seus patr\u00f3ns est\u00e9ticos.<\/p>\n

Cada dese\u00f1o \u00e9 a escusa argumental para desenvolver unha visi\u00f3n da sociedade tan optimista como irreal. Un sortilegio de intensa utop\u00eda que prop\u00f3n unha reflexi\u00f3n conclu\u00ednte achega do h\u00e1bitat humano.<\/p>\n

\n

\u201cArchigram foi, m\u00e1is al\u00f3 de todo, inmensamente creativo. Cando o grupo formouse por primeira vez en 1964 compo\u00f1\u00edase de seis homes que variaban no temperamento desde o lac\u00f3nico aos ollos brillantes e na idade e a experiencia dos construtores endurecidas das escolas das autoridades locais e edificios p\u00fablicos, aos arquitectos novos que estaban no seu primeiro emprego despois da escola.\u201d \u00a0<\/em><\/p>\n

Peter Cook, London 2012 Excerpted from the foreword<\/p>\n<\/blockquote>\n

\"Hornsey
Hornsey Housing Study \u00a9Archigram<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata, Argentina. Xu\u00f1o 2017<\/p>\n

 [:en]

\"Walking
Walking City \u00a9Archigram<\/span><\/figcaption><\/figure><\/p>\n

Critics and unsatisfied of the offers of the modern movement with the statu quo<\/em> of the epoch, Archigram<\/a> established during a decade images of an interesting reflexive flow on the cities and his architecture.<\/p>\n

Amateur was born the group in 1961 with the publication of a magazine produced of way for Peter Cook<\/a>, David Greene<\/a> and Mike Webb. The name brings together the words Architecture and telegram, reciting the idea of his message. In 1962, for the edition of the second number there add Ron Herron, Dennis Crompton<\/a> y Warren Chalk. The magazine increases his issue and they are invited to the exhibition \u201cLiving City\u201d in 1963. From this moment, the group is recognized by the architectural critique as a group of work by the name of the magazine.<\/p>\n

\"Osaka
Osaka 1 \u00a9Archigram<\/span><\/figcaption><\/figure>\n

Concordant with the social expositions, in full euphoria of the culture pop, Archigram rejects the historical legacy and rushes forth with excitation at the static inflexibility of the architecture and the city. It took hold of the new materials and it produces an optimistic investigation on the possibilities of the technological future, to overcome the formal limitations of the traditional architecture.<\/p>\n

His drawings bring together collages, symbols of comics and other expressive elements that anticipate the revolution of the information. They produce a language of theatrically by means of the use of camouflaged structures, folding modules, inhabitable capsules, folding planes and telescopic dispositions that they submit to electrical mechanisms to generate the mobile indispensable useless devices. His intention is to bring together the new forms in not conventional places, on the water or in the space.<\/p>\n

\"Plug
Plug in City. \u00a9Archigram<\/span><\/figcaption><\/figure>\n

The group assumes the consumer logic and admits the architecture as an exchangeable fact, which takes place in an industrial way and discards with the time. In his more spread projects, the organic conception of the city reaches the highest point of his statement.<\/p>\n

In Plug in city, Peter Cook trasmite a reflection of on the obsolescence of the cities and the need of substitution of his parts. It composes a gentle structure based on the beginning of flexibility and variety, which assumes the substitution as a frequent and necessary fact. Different units cover the needs of the population under a hierarchic order established in agreement to the times of aging: the infrastructures weighed in the low part, the community areas in the intermediate zone and the housings in the top part.<\/p>\n

\"
Garden Exhibition, Commonwealth Institute \u00a9Archigram<\/span><\/figcaption><\/figure>\n

Almost in parallel, Ron Herron promotes Walking city. A mobile unit that contains everything necessary to open the civil life. It can move on dissimilar areas, even on the vestiges of a city destroyed by a possible nuclear warfare. The modules are re-supplied on stations of exchange and link themselves with other units to exchange inhabitants. The project tries to abolish the borders; The nomadic city moves according to the desires of his inhabitants.<\/p>\n

Instant City develops from Jhoana Mayer<\/a>‘s project of the 50s. His aim was to extend the cultural urban network towards the peripheral populations, to break the monotony of the peoples and to equalize the cultural possibilities that offer the big cities. For it, he arranges of itinerant infrastructures composed by audio-visual devices and other elements for the leisure and the recreation, which they are transported in dirigibles and supported by hot air ballons on the settlements.<\/p>\n

\"Instant
Instant City \u00a9Archigram<\/span><\/figcaption><\/figure>\n

These designs are manifest that recite a new vision of the urban space. Most of them they were technically unrealizable, but his aim was centred in revealing a reflexive attitude on every topic.<\/p>\n

Archigram was a workgroup with creative atypical worries. Cultural agitators in moments of social rebelliousness, his investigation put in crisis the traditional look of the architectural discipline and I question with vigor his aesthetic bosses.<\/p>\n

Every design is the plot excuse to develop a vision of the company so optimistic as unreal. A sorcery of intense Utopia that proposes a conclusive reflection brings over of the human habitat.<\/p>\n

\n

\u201cArchigram was, beyond everything, immensly creative. When the group was formed for the first time in 1964 it was consisting of six men who were changing in the temperament from the terse one to the brilliant eyes and in the age and the experience of the builders hardened of the schools of the local authorities and public buildings, to the young architects who were in his first employment after the school.\u201d \u00a0<\/em><\/p>\n

Peter Cook, London 2012 Excerpted from the foreword<\/p>\n<\/blockquote>\n

\"Hornsey
Hornsey Housing Study \u00a9Archigram<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Architect
\nLa Plata, Argentina. Juny 2017<\/p>\n

 [:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Cr\u00edticos de las propuestas del movimiento moderno e insatisfechos con el statu quo de la \u00e9poca, Archigram estableci\u00f3 durante una d\u00e9cada im\u00e1genes de un interesante caudal reflexivo sobre las ciudades y su arquitectura. El grupo naci\u00f3 en 1961 con la publicaci\u00f3n de una revista producida de manera amateur por Peter Cook, David Greene y […]<\/p>\n","protected":false},"author":4,"featured_media":64760,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[120,7446,318,319,3344,339,346,5105,1848,659,660,1876,668,12991,4985,7536,2750,7535,1278,7534],"class_list":["post-64582","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-archigram","tag-arquitectura-inglesa","tag-ciudad","tag-ciudad-contemporanea","tag-ciudad-ideal","tag-collage","tag-comic","tag-dennis-crompton","tag-espacio-urbano","tag-habitar","tag-habitat","tag-habitat-urbano","tag-historia","tag-jhoana-mayer","tag-marcelo-gardinetti","tag-mike-webb","tag-peter-cook","tag-ron-herron","tag-teoria","tag-warren-chalk"],"yoast_head":"\n[:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:] - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: [:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/marcegardinetti\" \/>\n<meta property=\"article:published_time\" content=\"2017-06-18T22:04:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-03-21T15:33:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Vestigios-del-futuro-Walking-City-\u00a9Archigram.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"444\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Marcelo Gardinetti\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/marcegardinetti\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Marcelo Gardinetti\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/\"},\"author\":{\"name\":\"Marcelo Gardinetti\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/e03af9138634cd6876b9935dc1536c82\"},\"headline\":\"[:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:]\",\"datePublished\":\"2017-06-18T22:04:50+00:00\",\"dateModified\":\"2022-03-21T15:33:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/\"},\"wordCount\":2466,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/06\\\/Vestigios-del-futuro-Walking-City-\u00a9Archigram.jpg\",\"keywords\":[\"Archigram\",\"arquitectura inglesa\",\"ciudad\",\"ciudad contempor\u00e1nea\",\"ciudad ideal\",\"collage\",\"comic\",\"Dennis Crompton\",\"espacio urbano\",\"habitar\",\"h\u00e1bitat\",\"h\u00e1bitat urbano\",\"historia\",\"Jhoana Mayer\",\"Marcelo Gardinetti\",\"Mike Webb\",\"Peter Cook\",\"Ron Herron\",\"teor\u00eda\",\"Warren Chalk\"],\"articleSection\":[\"art\u00edculos\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/\",\"name\":\"[:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:] - veredes\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/06\\\/Vestigios-del-futuro-Walking-City-\u00a9Archigram.jpg\",\"datePublished\":\"2017-06-18T22:04:50+00:00\",\"dateModified\":\"2022-03-21T15:33:54+00:00\",\"description\":\"Toda la informaci\u00f3n sobre: [:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:]\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/06\\\/Vestigios-del-futuro-Walking-City-\u00a9Archigram.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/06\\\/Vestigios-del-futuro-Walking-City-\u00a9Archigram.jpg\",\"width\":640,\"height\":444,\"caption\":\"Walking City \u00a9Archigram\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/vestigios-del-futuro-marcelo-gardinetti\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vestigios del futuro | Marcelo Gardinetti\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/e03af9138634cd6876b9935dc1536c82\",\"name\":\"Marcelo Gardinetti\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/marcelogardinetti-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/marcelogardinetti-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/marcelogardinetti-96x96.jpg\",\"caption\":\"Marcelo Gardinetti\"},\"description\":\"No voy a hablar de la penumbra, mejor voy a ver si puedo despertar. Arquitecto, - Universidad Nacional de La Plata, La Plata, 1985 - Editor responsable en Tecnne 2012 a la fecha. - Columnista de arquitectura en revistas y sitios web. 2012 a la fecha - Director en estudio de arquitectura, 1985 a la fecha. - Consultor Senior en Proyectos institucionales. 1995 a la fecha - Docente, Universidad Nacional de La Plata, 1985-1990 y 2011-2014 - Coordinador T\u00e9cnico en Universidad Nacional de Tres de Febrero, 2014 - 2019 - Director en Arquitectura Escolar, Provincia de Buenos Aires, 1991-1996 y 2001-2010 - Representante T\u00e9cnico, convenio UBA - FETINGRA, a\u00f1os 2020 a la fecha\",\"sameAs\":[\"https:\\\/\\\/marcelogardinetti.com\\\/\",\"https:\\\/\\\/www.facebook.com\\\/marcegardinetti\",\"https:\\\/\\\/www.instagram.com\\\/marcelogardinetti\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/marcelogardinetti\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/marcegardinetti\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/marcelo-gardinetti\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"[:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:] - veredes","description":"Toda la informaci\u00f3n sobre: [:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:]","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/","og_locale":"es_ES","og_type":"article","og_title":"[:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:] - veredes","og_description":"Toda la informaci\u00f3n sobre: [:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:]","og_url":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/marcegardinetti","article_published_time":"2017-06-18T22:04:50+00:00","article_modified_time":"2022-03-21T15:33:54+00:00","og_image":[{"width":640,"height":444,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Vestigios-del-futuro-Walking-City-\u00a9Archigram.jpg","type":"image\/jpeg"}],"author":"Marcelo Gardinetti","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/marcegardinetti","twitter_site":"@veredes","twitter_misc":{"Escrito por":"Marcelo Gardinetti","Tiempo de lectura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/"},"author":{"name":"Marcelo Gardinetti","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/e03af9138634cd6876b9935dc1536c82"},"headline":"[:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:]","datePublished":"2017-06-18T22:04:50+00:00","dateModified":"2022-03-21T15:33:54+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/"},"wordCount":2466,"commentCount":0,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Vestigios-del-futuro-Walking-City-\u00a9Archigram.jpg","keywords":["Archigram","arquitectura inglesa","ciudad","ciudad contempor\u00e1nea","ciudad ideal","collage","comic","Dennis Crompton","espacio urbano","habitar","h\u00e1bitat","h\u00e1bitat urbano","historia","Jhoana Mayer","Marcelo Gardinetti","Mike Webb","Peter Cook","Ron Herron","teor\u00eda","Warren Chalk"],"articleSection":["art\u00edculos","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/","url":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/","name":"[:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:] - veredes","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Vestigios-del-futuro-Walking-City-\u00a9Archigram.jpg","datePublished":"2017-06-18T22:04:50+00:00","dateModified":"2022-03-21T15:33:54+00:00","description":"Toda la informaci\u00f3n sobre: [:es]Vestigios del futuro | Marcelo Gardinetti[:gl]Vestixios do futuro | Marcelo Gardinetti[:en]Vestiges of the future | Marcelo Gardinetti[:]","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Vestigios-del-futuro-Walking-City-\u00a9Archigram.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/06\/Vestigios-del-futuro-Walking-City-\u00a9Archigram.jpg","width":640,"height":444,"caption":"Walking City \u00a9Archigram"},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/vestigios-del-futuro-marcelo-gardinetti\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Vestigios del futuro | Marcelo Gardinetti"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/e03af9138634cd6876b9935dc1536c82","name":"Marcelo Gardinetti","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/marcelogardinetti-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/marcelogardinetti-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/marcelogardinetti-96x96.jpg","caption":"Marcelo Gardinetti"},"description":"No voy a hablar de la penumbra, mejor voy a ver si puedo despertar. Arquitecto, - Universidad Nacional de La Plata, La Plata, 1985 - Editor responsable en Tecnne 2012 a la fecha. - Columnista de arquitectura en revistas y sitios web. 2012 a la fecha - Director en estudio de arquitectura, 1985 a la fecha. - Consultor Senior en Proyectos institucionales. 1995 a la fecha - Docente, Universidad Nacional de La Plata, 1985-1990 y 2011-2014 - Coordinador T\u00e9cnico en Universidad Nacional de Tres de Febrero, 2014 - 2019 - Director en Arquitectura Escolar, Provincia de Buenos Aires, 1991-1996 y 2001-2010 - Representante T\u00e9cnico, convenio UBA - FETINGRA, a\u00f1os 2020 a la fecha","sameAs":["https:\/\/marcelogardinetti.com\/","https:\/\/www.facebook.com\/marcegardinetti","https:\/\/www.instagram.com\/marcelogardinetti\/","https:\/\/www.linkedin.com\/in\/marcelogardinetti\/","https:\/\/x.com\/https:\/\/twitter.com\/marcegardinetti"],"url":"https:\/\/veredes.es\/blog\/author\/marcelo-gardinetti\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/64582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=64582"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/64582\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/64760"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=64582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=64582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=64582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}