{"id":63763,"date":"2017-08-07T00:05:03","date_gmt":"2017-08-06T22:05:03","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=63763"},"modified":"2024-09-30T17:58:19","modified_gmt":"2024-09-30T15:58:19","slug":"ensamblar-inigo-garcia-odiaga-2","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/ensamblar-inigo-garcia-odiaga-2\/","title":{"rendered":"[:es]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Assembling | \u00cd\u00f1igo Garc\u00eda Odiaga[:]"},"content":{"rendered":"

[:es]

\"Ensamblar
Astilleros | clustermaritimo.es<\/a><\/span><\/figcaption><\/figure><\/p>\n

Ensamblar<\/strong> es por definici\u00f3n la acci\u00f3n de unir piezas o partes, e implica la irrenunciable aparici\u00f3n de una junta. Con frecuencia es la expresividad de la junta la que hace legible y comprensible la arquitectura, pues es all\u00ed donde han quedado registrados los datos en los que se fundamenta la construcci\u00f3n.<\/p>\n

Para el ojo del constructor experimentado es en la junta donde se entiende el car\u00e1cter de cada pieza y la relaci\u00f3n entre las partes. Es all\u00ed donde \u00e9stas se complementan, subordinan o incluso se oponen, porque en realidad hay juntas para todos los gustos.<\/p>\n

Antes los edificios se constru\u00edan; se formaba una pieza, una masa \u00fanica. Hoy a menudo se ensamblan. Frente a trabajar y terminar los materiales in situ, la arquitectura del montaje implica la necesidad de componentes preformados en taller que en obra son colocados y ajustados, pero con nula transformaci\u00f3n de la pieza en el lugar.<\/p>\n

\"Olivetti
Olivetti Showroom, Carlo Scarpa | viewportmagazine.com<\/a><\/span><\/figcaption><\/figure>\n

Este sistema constructivo, genera por tanto un mundo de juntas, un mapa que muestra a base de peque\u00f1as cicatrices c\u00f3mo las piezas se unen conformando poco a poco un todo que resuelve la arquitectura. Pero juntas las hay de muchos tipos, soldadas como las de un barco que no deben tener ni un poro para ser as\u00ed impermeables, o las hay como las de Carlo Scarpa<\/a>, que son juntas de separaci\u00f3n y no de uni\u00f3n. Las diferentes fases de construcci\u00f3n quedan expuestas mediante cortes. Las escaleras nuevas flotan por encima de los viejos suelos, mostrando que no pertenecen a aquel mundo anterior y que en cualquier momento pueden ser retiradas sin alterar el original.<\/p>\n

Los pasamanos de las barandillas se acercan sin tocarse, separados por exquisitas piezas met\u00e1licas, narrando en cada junta el proceso de la construcci\u00f3n. Y es que para Carlo Scarpa<\/a><\/strong> la junta es un adorno arquitect\u00f3nico en el que reconocer el proceso que se ha seguido para ensamblar la arquitectura.<\/p>\n

\"Olivetti
Olivetti Showroom, Carlo Scarpa | viewportmagazine.com<\/a><\/span><\/figcaption><\/figure>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. arquitecto
\nSan Sebasti\u00e1n. enero\u00a02016<\/p>\n

[:gl]

\"Ensamblar
Astaleiros | clustermaritimo.es<\/a><\/span><\/figcaption><\/figure><\/p>\n

Ensamblar<\/strong> \u00e9 por definici\u00f3n a acci\u00f3n de unir pezas ou partes, e implica a irrenunciable aparici\u00f3n dunha xunta. Con frecuencia \u00e9 a expresividade da xunta a que fai legible e comprensible a arquitectura, pois \u00e9 al\u00ed onde quedaron rexistrados os datos nos que se fundamenta a construci\u00f3n<\/p>\n

Para o ollo do construtor experimentado \u00e9 na xunta onde se entende o car\u00e1cter de cada peza e a relaci\u00f3n entre as partes. \u00c9 al\u00ed onde estas complem\u00e9ntanse, subordinan ou mesmo se opo\u00f1en, porque en realidade hai xuntas para todos os gustos.<\/p>\n

Antes os edificios constru\u00edanse; form\u00e1base unha peza, unha masa \u00fanica. Hoxe a mi\u00fado se ensamblan. Fronte a traballar e terminar os materiais in situ, a arquitectura da montaxe implica a necesidade de compo\u00f1entes preformados en taller que en obra son colocados e axustados, pero con nula transformaci\u00f3n da peza no lugar.<\/p>\n

\"Olivetti
Olivetti Showroom, Carlo Scarpa | viewportmagazine.com<\/a><\/span><\/figcaption><\/figure>\n

Este sistema construtivo, xera por tanto un mundo de xuntas, un mapa que mostra a base de pequenas cicatrices como as pezas se unen conformando aos poucos un todo que resolve a arquitectura. Pero xuntas hainas de moitos tipos, soldadas como as dun barco que non deben ter nin un poro para ser as\u00ed impermeables, ou as hai como as de Carlo Scarpa<\/a>, que son xuntas de separaci\u00f3n e non de uni\u00f3n. As diferentes fases de construci\u00f3n quedan expostas mediante cortes. As escaleiras novas flotan por encima dos vellos chans, mostrando que non pertencen a aquel mundo anterior e que en calquera momento poden ser retiradas sen alterar o orixinal.<\/p>\n

Os pasamanos das varandas ach\u00e9ganse sen tocarse, separados por exquisitas pezas met\u00e1licas, narrando en cada xunta o proceso da construci\u00f3n. E \u00e9 que para Carlo Scarpa<\/a><\/strong> a xunta \u00e9 un adorno arquitect\u00f3nico no que reco\u00f1ecer o proceso que se seguiu para ensamblar a arquitectura.<\/p>\n

\"Olivetti
Olivetti Showroom, Carlo Scarpa | viewportmagazine.com<\/a><\/span><\/figcaption><\/figure>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. arquitecto
\nSan Sebasti\u00e1n. xaneiro\u00a02016<\/p>\n

[:en]

\"Ensamblar
Shipyards | clustermaritimo.es<\/a><\/span><\/figcaption><\/figure><\/p>\n

Assembling<\/strong> is for definition the action to join pieces or parts, and implies the that cannot be waived appearance of a meeting. Often it is the expressiveness of the meeting the one that makes the architecture legible and understandable, since it is there where there has remained registered the information on which the construction is based.<\/p>\n

For the eye of the experienced builder it is in the meeting where there is understood the character of every piece and the relation between the parts. It is there where these complement each other, they subordinate or even they are opposed, because actually it is together for all the tastes.<\/p>\n

Before the buildings were constructed; a piece, the only mass was formed. Today often they are assembled. Opposite to working and finishing the materials in situ, the architecture of the assembly involves the need of components preformados in workshop that in work they are placed and exact, but with void transformation of the piece in the place.<\/p>\n

\"Olivetti
Olivetti Showroom, Carlo Scarpa | viewportmagazine.com<\/a><\/span><\/figcaption><\/figure>\n

This constructive system, it generates therefore a world of meetings, a map that shows based on small scars how the pieces join shaping little by little everything who solves the architecture. But together they are of many types, welded as those of a ship that must have not even a pore to be raincoats like that, or they are as those of Carlo Scarpa<\/a>, who are united of separation and not of union. The different phases of construction remain exposed by means of courts. The new stairs float over the old soils, showing that they do not belong to that previous world and that at any time they can be withdrawn without altering the original one.<\/p>\n

The banisters of the rails approach without touching itself, separated by exquisite metallic pieces, narrating in every meeting the process of the construction. And it is that for Carlo Scarpa<\/a><\/strong> the meeting is an architectural adornment in which to recognize the process that has followed to assemble the architecture.<\/p>\n

\"Olivetti
Olivetti Showroom, Carlo Scarpa | viewportmagazine.com<\/a><\/span><\/figcaption><\/figure>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. architect
\nSan Sebasti\u00e1n. january\u00a02016<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Ensamblar es por definici\u00f3n la acci\u00f3n de unir piezas o partes, e implica la irrenunciable aparici\u00f3n de una junta. Con frecuencia es la expresividad de la junta la que hace legible y comprensible la arquitectura, pues es all\u00ed donde han quedado registrados los datos en los que se fundamenta la construcci\u00f3n. Para el ojo […]<\/p>\n","protected":false},"author":31,"featured_media":63766,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[11951,6657,9132,5185,365,1846,668,4285,3104,810,1278,2048],"class_list":["post-63763","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-americana","tag-arquitectura-italiana","tag-arquitectura-norteamericana","tag-carlo-scarpa","tag-construccion","tag-detalle","tag-historia","tag-inigo-garcia-odiaga","tag-louis-i-kahn","tag-luz","tag-teoria","tag-teoria-e-historia"],"yoast_head":"\n[:es]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Assembling | \u00cd\u00f1igo Garc\u00eda Odiaga[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Assembling | \u00cd\u00f1igo Garc\u00eda Odiaga[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/ensamblar-inigo-garcia-odiaga-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Assembling | \u00cd\u00f1igo Garc\u00eda Odiaga[:] - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: [:es]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Assembling | \u00cd\u00f1igo Garc\u00eda Odiaga[:]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/ensamblar-inigo-garcia-odiaga-2\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/inigo.garciaodiaga\" \/>\n<meta property=\"article:published_time\" content=\"2017-08-06T22:05:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-30T15:58:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/03\/Olivetti-Showroom-Carlo-Scarpa-02.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"650\" \/>\n\t<meta property=\"og:image:height\" content=\"484\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"\u00cd\u00f1igo Garc\u00eda Odiaga\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/IOdiaga\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"\u00cd\u00f1igo Garc\u00eda Odiaga\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/ensamblar-inigo-garcia-odiaga-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/ensamblar-inigo-garcia-odiaga-2\\\/\"},\"author\":{\"name\":\"\u00cd\u00f1igo Garc\u00eda Odiaga\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/7edb23bf36ddbe2d9c8f4cf5fae64668\"},\"headline\":\"[:es]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Ensamblar | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Assembling | \u00cd\u00f1igo Garc\u00eda Odiaga[:]\",\"datePublished\":\"2017-08-06T22:05:03+00:00\",\"dateModified\":\"2024-09-30T15:58:19+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/ensamblar-inigo-garcia-odiaga-2\\\/\"},\"wordCount\":1122,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/ensamblar-inigo-garcia-odiaga-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2017\\\/03\\\/Olivetti-Showroom-Carlo-Scarpa-02.jpg\",\"keywords\":[\"arquitectura americana\",\"arquitectura italiana\",\"arquitectura norteamericana\",\"Carlo Scarpa\",\"construcci\u00f3n\",\"detalle\",\"historia\",\"\u00cd\u00f1igo Garc\u00eda Odiaga\",\"Louis I. 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