{"id":63758,"date":"2017-07-03T00:19:08","date_gmt":"2017-07-02T22:19:08","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=63758"},"modified":"2022-11-22T09:51:10","modified_gmt":"2022-11-22T08:51:10","slug":"la-forma-deformada-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-forma-deformada-inigo-garcia-odiaga\/","title":{"rendered":"[:es]La forma deformada | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]A forma deformada | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]The deformed form | \u00cd\u00f1igo Garc\u00eda Odiaga[:]"},"content":{"rendered":"

[:es]

\"Jean
Jean Prouv\u00e9 y Charlotte Perriand | Fuente: undiaunaarquitecta.wordpress.com<\/a><\/span><\/figcaption><\/figure><\/p>\n

En un primer vistazo algo no encaja, pero por contra, el conjunto irradia un magnetismo atrayente.<\/p>\n

Jean Prouv\u00e9<\/a> construy\u00f3 junto a Charlotte Perriand<\/a> este prototipo para el Sal\u00f3n de Artes Dom\u00e9sticas frente al Grand Palais de Par\u00eds. Tiempo despu\u00e9s fue desmantelado, pero a\u00fan se conservan algunas im\u00e1genes y esquemas.<\/p>\n

Dise\u00f1ada para trabajadores del petr\u00f3leo radicados en el Sahara. La Maison Saharienne de 1938, podr\u00eda resumirse como una gran cubierta, que cubr\u00eda dos cabinas, una para dormir y otra para vivir.<\/p>\n

\"Jean
Jean Prouv\u00e9 y Charlotte Perriand. Maison Saharienne, 1938<\/span><\/figcaption><\/figure>\n

La cubierta parasol parece apoyarse en unos leves pilares, pero son demasiado livianos para soportar compresi\u00f3n alguna, ademas de presentarse en \u00e1ngulos, que desde luego no parecen responder a la gravedad. Eso es lo que no encaja.<\/p>\n

La l\u00e1mina de la cubierta parece describir una curva aleatoria, banal, pero lo cierto es que describe su propia deformada. Apoyada \u00fanicamente en las vigas centrales, la cubierta se flecha hasta alcanzar el equilibrio que su propia deformaci\u00f3n establece, as\u00ed que Prouv\u00e9 introduce esos pilarillos laterales a modo de estabilizadores, de tensores o fijaciones, que con el m\u00ednimo esfuerzo posible se oponen al viento, que quiere sacar la l\u00e1mina de la cubierta de su mon\u00f3tona estabilidad.<\/p>\n

\"Jaimas
Jaimas tradicional del Sahara<\/span><\/figcaption><\/figure>\n

Al fin y al cabo, Prouv\u00e9 y Perriand \u00fanicamente reinterpretaron\u00a0el lenguaje oculto de la forma de las jaimas tradicionales del Sahara.<\/p>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. arquitecto
\nSan Sebasti\u00e1n. febrero\u00a02015[:gl]

\"Jean
Jean Prouv\u00e9 e\u00a0Charlotte Perriand | Fonte: undiaunaarquitecta.wordpress.com<\/a><\/span><\/figcaption><\/figure><\/p>\n

Nunha primeira ollada algo non encaixa, pero por contra, o conxunto irradia un magnetismo atrayente.<\/p>\n

Jean Prouv\u00e9<\/a> constru\u00edu xunto a Charlotte Perriand<\/a> este prototipo para o Sal\u00f3n de Artes Dom\u00e9sticas fronte ao Grand Palais de Par\u00eds. Tempo despois foi desmantelado, pero a\u00ednda se conservan algunhas imaxes e esquemas.<\/p>\n

Dese\u00f1ada para traballadores do petr\u00f3leo radicados no Sahara. A Maison Saharienne de 1938, poder\u00eda resumirse como unha gran cuberta, que cubr\u00eda d\u00faas cabinas, unha para durmir e outra para vivir.<\/p>\n

\"Jean
Jean Prouv\u00e9 e\u00a0Charlotte Perriand. Maison Saharienne, 1938<\/span><\/figcaption><\/figure>\n

O cuberta parasol parece apoiarse nuns leves alicerces, pero son demasiado livi\u00e1ns para soportar compresi\u00f3n algunha, ademas de presentarse en \u00e1ngulos, que desde logo non parecen responder \u00e1 gravidade. Iso \u00e9 o que non encaixa.<\/p>\n

A l\u00e1mina da cuberta parece describir unha curva aleatoria, banal, pero o certo \u00e9 que describe a s\u00faa propia deformada. Apoiada unicamente nas vigas centrais, a cuberta se frecha ata alcanzar o equilibrio que a s\u00faa propia deformaci\u00f3n establece, as\u00ed que Prouv\u00e9 introduce eses pilarillos laterais a modo de estabilizadores, de tensores ou fixaci\u00f3ns, que co m\u00ednimo esforzo posible op\u00f3\u00f1ense ao vento, que quere sacar a l\u00e1mina da cuberta da s\u00faa mon\u00f3tona estabilidade.<\/p>\n

\"Jaimas
Jaimas tradicional do Sahara<\/span><\/figcaption><\/figure>\n

\u00c1 fin e ao cabo, Prouv\u00e9 e Perriand unicamente reinterpretaron a linguaxe oculta da forma das jaimas tradicionais do Sahara.<\/p>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. arquitecto
\nSan Sebasti\u00e1n. febreiro\u00a02015[:en]

\"Jean
Jean Prouv\u00e9 and\u00a0Charlotte Perriand | Source: undiaunaarquitecta.wordpress.com<\/a><\/span><\/figcaption><\/figure><\/p>\n

In the first glimpse something does not fit, but for against, the set radiates an attractive magnetism.<\/p>\n

Jean Prouv\u00e9<\/a> constructed together with Charlotte Perriand<\/a> this prototype for the Lounge of Domestic Arts opposite to the Grand Palais of Paris. Time later it was dismantled, but still some images and schemes remain.<\/p>\n

Designed for workers of the oil taken root in the Sahara. The Maison Saharienne of 1938, might be summarized as a great cover, which was covering two cabins, one to sleep and other one to live.<\/p>\n

\"Jean
Jean Prouv\u00e9 and\u00a0Charlotte Perriand. Maison Saharienne, 1938<\/span><\/figcaption><\/figure>\n

The cover parasol seems to rest on a few slight props, but they are too frivolous to support some compression, beside appearing in angles, which certainly do not seem to answer to the gravity. It is what does not fit.<\/p>\n

The sheet of the cover seems to describe a random, banal curve, but the certain thing is that it describes his deformed own one. Supported only on the central girders, the cover is darted up to reaching the balance that his own deformation establishes, so Prouv\u00e9 introduces these lateral pilarillos like stabilizers, of tensile or fixings, which with the minimal possible effort are opposed to the wind, which wants to extract the sheet of the cover of his monotonous stability.<\/p>\n

\"Jaimas
Jaimas tradicional del Sahara<\/span><\/figcaption><\/figure>\n

In the end, Prouv\u00e9 and Perriand only reinterpreted the secret language of the form of the traditional jaimas of the Sahara.<\/p>\n

\u00cd\u00f1igo Garc\u00eda Odiaga. architect
\nSan Sebasti\u00e1n. february 2015[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] En un primer vistazo algo no encaja, pero por contra, el conjunto irradia un magnetismo atrayente. Jean Prouv\u00e9 construy\u00f3 junto a Charlotte Perriand este prototipo para el Sal\u00f3n de Artes Dom\u00e9sticas frente al Grand Palais de Par\u00eds. Tiempo despu\u00e9s fue desmantelado, pero a\u00fan se conservan algunas im\u00e1genes y esquemas. Dise\u00f1ada para trabajadores del petr\u00f3leo […]<\/p>\n","protected":false},"author":31,"featured_media":63759,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[11626,6800,145,148,2210,3248,3733,4285,2380,785],"class_list":["post-63758","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-africana","tag-arquitectura-experimental","tag-arquitectura-industrial","tag-arquitectura-modular","tag-arquitectura-temporal","tag-arquitectura-textil","tag-charlotte-perriand","tag-inigo-garcia-odiaga","tag-jean-prouve","tag-le-corbusier"],"yoast_head":"\n[:es]La forma deformada | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]A forma deformada | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]The deformed form | \u00cd\u00f1igo Garc\u00eda Odiaga[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]La forma deformada | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]A forma deformada | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]The deformed form | \u00cd\u00f1igo Garc\u00eda Odiaga[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/la-forma-deformada-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]La forma deformada | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]A forma deformada | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]The deformed form | \u00cd\u00f1igo Garc\u00eda Odiaga[:] - 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