{"id":63729,"date":"2017-05-29T00:05:13","date_gmt":"2017-05-28T22:05:13","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=63729"},"modified":"2026-05-07T19:56:31","modified_gmt":"2026-05-07T17:56:31","slug":"espacio-los-espejos-miguel-angel-diaz-camacho","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/espacio-los-espejos-miguel-angel-diaz-camacho\/","title":{"rendered":"[:es]El espacio de los espejos | Miguel \u00c1ngel D\u00edaz Camacho[:gl]O espazo dos espellos | Miguel \u00c1ngel D\u00edaz Camacho[:en]The space of the mirrors | Miguel \u00c1ngel D\u00edaz Camacho[:]"},"content":{"rendered":"

[:es]

\"Maqueta
Maqueta Espejo del Seagram de Mies van der Rohe | The Graham Foundation. Phyllis Lambert, Mies van der Rohe y Gene Summers (1955). Autor desconocido. Incluida en el libro Building Seagram, Phyllis Lambert, Yale University Press 2013.<\/span><\/figcaption><\/figure><\/p>\n

Los espejos funcionan como las pupilas de un espacio intra-muros, una habitaci\u00f3n\u00a0outdoor\u00a0<\/em>desde la que nos observan. En ocasiones conservan incluso algunos recuerdos de nuestras vidas, como los espejos porosos y polvorientos de las casas viejas, que parecen examinarnos desde los sombreros y trajes a rayas de nuestros antepasados1<\/sup>. Tambi\u00e9n los espejos nos cuidan, nos acogen, nos reconfortan, como parte indisoluble del universo dom\u00e9stico, nos responden. En este sentido Luis Garc\u00eda Montero<\/a> hace distinciones claras:<\/p>\n

\n

\u00abNo importa si has dormido poco o mucho,<\/p>\n

os espejos de hotel nunca perdonan<\/p>\n

y son como animales de monta\u00f1a<\/p>\n

que no aceptan el trato de los hombres.<\/p>\n

La luz de los espejos familiares<\/p>\n

se apiada de nosotros, sin embargo,<\/p>\n

nos ayuda a fingir, y por afecto<\/p>\n

o por costumbre llega a perdonarnos\u00bb.2<\/sup><\/p>\n<\/blockquote>\n

Los espejos seducen desde la construcci\u00f3n de una ficci\u00f3n intangible, una puerta hacia el mundo de Alicia\u00a0a trav\u00e9s del espejo<\/em>3<\/sup>. La orientaci\u00f3n de esta poderosa apertura hacia una especie de realidad\u00a0blanda\u00a0<\/em>se adivina en los espejos de Aldo van Eyck, integrados como una\u00a0escapada\u00a0<\/em>sobre los muros del orfanato de Amsterdam. El cine, el circo y Chaplin exactamente en su centro, bien conocen el juego multiplicador de los reflejos. Los espejos tambi\u00e9n transforman nuestra percepci\u00f3n y muestran una suerte de\u00a0collage<\/em>\u00a0de la realidad.<\/p>\n

Espejos en los techos de la Serpentine Gallery o en los muros de la casa Dom\u00ednguez establecen una alteraci\u00f3n, una discontinuidad, un espejismo: all\u00ed donde deber\u00eda haber cielo, hay c\u00e9sped; luz donde deber\u00eda haber sombra4<\/sup>. Y viceversa. Lewerentz en Estocolmo o Le Corbusier en la terraza Beistegui anticipan acciones que a\u00f1os m\u00e1s tarde desarrollar\u00edan\u00a0sobre el territorio, gracias a los espejos, Robert Smithson o Anish Kapoor5<\/sup>.<\/p>\n

La arquitectura de los espejos existe m\u00e1s all\u00e1 del espacio de nuestra respiraci\u00f3n. En la imagen, un Mies precavido se asoma al\u00a0abismo<\/em>\u00a0de los espejos en una maqueta de estudio para la fachada del Seagram Building en Nueva York.<\/p>\n

Miedo al vac\u00edo. Los espejos habilitan la construcci\u00f3n primera de una torre intangible, ilusoria, tan vertical como virtual y sin embargo, desplegada por entero ante sus ojos en una peque\u00f1a habitaci\u00f3n de un edificio cualquiera. Los espejos ordenan y multiplican. Los espejos nos cuidan y nos recuerdan. Los espejos alteran y nos interrogan. Conviene perderse, con la excitaci\u00f3n del explorador que ha llegado el primero, en el espacio de los espejos.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doctor Arquitecto
\nMadrid. Mayo\u00a02015.
\nAutor de Parr\u00e1fos de arquitectura<\/em>. #arquiParrafos<\/a><\/span><\/p>\n

Notas:<\/p>\n

1<\/sup> Una de las greguer\u00edas de Ram\u00f3n G\u00f3mez de la Serna<\/a> toma forma de aforismo para asegurar que \u00aba\u00a0los espejos no se les olvidan los trajes a rayas\u00bb. Una emocionante manera de conectar los espejos con la memoria la encontramos en el proyecto de Solano Benitez<\/a> para la tumba de su padre<\/a> en Piribebuy, Paraguay.<\/p>\n

2<\/sup> Luis Garc\u00eda Montero, \u00abLos espejos\u00bb, en Habitaciones separadas<\/a>, Madrid, Visor, 2009, p\u00e1g. 31.<\/p>\n

3<\/sup>\u00a0Lewis Carroll, \u201cThrough the Looking-Glass, and What Alice Found There\u201d,\u00a0\u00a01871.<\/p>\n

4<\/sup>\u00a0SANAA, Pabell\u00f3n para la Serpentine Gallery, 2009; Alejandro de la Sota, casa Dom\u00ednguez, 1975-78.<\/p>\n

5<\/sup> \u00abYucatan Mirror Displacement\u00bb o \u00abIthaca Mirror Trail\u00bb,\u00a0Robert Smithson<\/a>1969; \u00abTurning the World Upside Down<\/a>\u00bb Anish Kapoor 2010-11.<\/p>\n

[:gl]

\"Maqueta
Maqueta Espello do Seagram de Mies van der Rohe | The Graham Foundation. Phyllis Lambert, Mies van der Rohe e Gene Summers (1955). Autor desco\u00f1ecido. Inclu\u00edda no libro Building Seagram, Phyllis Lambert, Yale University Press 2013.<\/span><\/figcaption><\/figure><\/p>\n

Os espellos funcionan como as pupilas dun espazo intra-muros, unha habitaci\u00f3n outdoor<\/em> desde a que nos observan. En ocasi\u00f3ns conservan mesmo alg\u00fans recordos das nosas vidas, como os espellos porosos e polvorientos das casas vellas, que parecen examinarnos desde os chapeus e traxes a raias dos nosos ancestros1<\/sup>. Tam\u00e9n os espellos c\u00f3idannos, ac\u00f3llennos, nos reconfortan, como parte indisoluble do universo dom\u00e9stico, resp\u00f3ndennos. Neste sentido Luis Garc\u00eda Montero<\/a> fai distinci\u00f3ns claras:<\/p>\n

\n

\u00abNon importa se durmiches pouco ou moito,<\/p>\n

vos espellos de hotel nunca perdoan<\/p>\n

e son como animais de monta\u00f1a<\/p>\n

que non aceptan o trato dos homes.<\/p>\n

A luz dos espellos familiares<\/p>\n

se apiada de n\u00f3s, con todo,<\/p>\n

ax\u00fadanos a finxir, e por afecto<\/p>\n

ou por costume chega a perdoarnos\u00bb.2<\/sup><\/p><\/blockquote>\n

Os espellos seducen desde a construci\u00f3n dunha ficci\u00f3n intangible, unha porta cara ao mundo de Alicia a trav\u00e9s do espello<\/em>3<\/sup>. A orientaci\u00f3n desta poderosa apertura cara a unha especie de realidade branda<\/em> adiv\u00ed\u00f1ase nos espellos de Aldo van Eyck, integrados como unha escapada<\/em> sobre os muros do orfanato de Amsterdam. O cinema, o circo e Chaplin exactamente no seu centro, ben co\u00f1ecen o xogo multiplicador dos reflexos. Os espellos tam\u00e9n transforman a nosa percepci\u00f3n e mostran unha sorte de colaxe<\/em> da realidade.<\/p>\n

Espellos nos teitos da Serpentine Gallery ou nos muros da casa Dom\u00ednguez establecen unha alteraci\u00f3n, unha descontinuidade, un espellismo: al\u00ed onde deber\u00eda haber ceo, hai c\u00e9spede; luz onde deber\u00eda haber sombra4<\/sup>. E viceversa. Lewerentz en Estocolmo ou Le Corbusier na terraza Beistegui anticipan acci\u00f3ns que anos m\u00e1is tarde desenvolver\u00edan sobre o territorio, grazas aos espellos, Robert Smithson ou Anish Kapoor5<\/sup>.<\/p>\n

A arquitectura dos espellos existe m\u00e1is al\u00f3 do espazo da nosa respiraci\u00f3n. Na imaxe, un Mies precavido as\u00f3mase ao abismo<\/em> dos espellos nunha maqueta de estudo para a fachada do Seagram Building en Nova York.<\/p>\n

Medo ao baleiro. Os espellos habilitan a construci\u00f3n primeira dunha torre intangible, ilusoria, tan vertical como virtual e con todo, despregada de maneira total ante os seus ollos nunha pequena habitaci\u00f3n dun edificio calquera. Os espellos ordenan e multiplican. Os espellos c\u00f3idannos e l\u00e9mbrannos. Os espellos alteran e interr\u00f3gannos. Conv\u00e9n perderse, coa excitaci\u00f3n do explorador que chegou o primeiro, no espazo dos espellos.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. Doutor Arquitecto
\nMadrid. Maio\u00a02015.
\nAutor de Parr\u00e1fos de arquitectura<\/em>. #arquiParrafos<\/a><\/span><\/p>\n

Notas:<\/p>\n

1<\/sup> Unha das greguer\u00edas de Ram\u00f3n G\u00f3mez de la Serna<\/a> toma forma de aforismo para asegurar que \u00abaos espellos non se lles esquecen os traxes a raias\u00bb. Unha emocionante maneira de conectar os espellos coa memoria atop\u00e1mola no proxecto de Solano Benitez<\/a> para a tumba do seu pai<\/a> en Piribebuy, Paraguai.<\/p>\n

2<\/sup> Luis Garc\u00eda Montero, \u00abLos espejos\u00bb, en Habitaciones separadas<\/a>, Madrid, Visor, 2009, p\u00e1x. 31.<\/p>\n

3<\/sup>\u00a0Lewis Carroll, \u201cThrough the Looking-Glass, and What Alice Found There\u201d,\u00a0\u00a01871.<\/p>\n

4<\/sup>\u00a0SANAA, Pavill\u00f3n para a Serpentine Gallery, 2009; Alejandro de la Sota, casa Dom\u00ednguez, 1975-78.<\/p>\n

5<\/sup> \u00abYucatan Mirror Displacement\u00bb ou \u00abIthaca Mirror Trail\u00bb,\u00a0Robert Smithson<\/a>1969; \u00abTurning the World Upside Down<\/a>\u00bb Anish Kapoor 2010-11.<\/p>\n

[:en]

\"Maqueta
Model Mirror of the Mies van der Rohe\u00b4s Seagram | The Graham Foundation. Phyllis Lambert, Mies van der Rohe y Gene Summers (1955). Unknown author. Included in the book Building Seagram, Phyllis Lambert, Yale University Press 2013.<\/span><\/figcaption><\/figure><\/p>\n

The mirrors work as the pupils of a within the walls<\/em> space, a room outdoor<\/em> from that they observe us. In occasions there preserve even some recollections of our lives, as the porous and dusty mirrors of the old houses, which seem to examine from the hats and suits to stripes of ours forbears1<\/sup>. Also the mirrors take care of us, receive us, encourage us, as indissoluble part of the domestic universe, answer us. In this respect Luis Garc\u00eda Montero<\/a> does clear distinctions:<\/p>\n

\n

\u00abIt does not matter if you have slept little or very much,<\/p>\n

you mirrors of hotel never excuse<\/p>\n

and are like animals of mountain<\/p>\n

that do not accept the treatment of the men.<\/p>\n

The light of the familiar mirrors<\/p>\n

is taken pity on of us, nevertheless,<\/p>\n

it helps us to pretend, and for affection<\/p>\n

or habitually it manages to excuse us\u00bb.2<\/sup><\/p>\n<\/blockquote>\n

The mirrors seduce from the construction of an intangible fiction, a door towards Alicia’s world across the mirror3<\/sup>. <\/em>. The orientation of this powerful opening towards a species of soft<\/em> reality is guessed in Aldo van Eyck’s mirrors, integrated as an elopement<\/em> on the walls of the orphanage of Amsterdam. The cinema, the circus and Chaplin exactly in his center, good know the game multiplier of the reflections. The mirrors also transform our perception and show a luck of collage<\/em> of the reality.<\/p>\n

Mirrors in the ceilings of the Serpentine Gallery or in the walls of the house Dom\u00ednguez establish an alteration, a discontinuity, a mirage: there where there should be sky, there is lawn; light where there should be shade4<\/sup>. And vice versa. Lewerentz in Stockholm or Le\u00a0Corbusier in the terrace Beistegui anticipates actions that years later would develop on the territory, thanks to the mirrors, Robert Smithson or Anish Kapoor5<\/sup>.<\/p>\n

The architecture of the mirrors exists beyond the space of our breathing. In the image, a cautious Mies appears to the abyss<\/em> of the mirrors in a model of study for the front of the Seagram Building in New York.<\/p>\n

Fear of the emptiness. The mirrors enable the first construction of an intangible, illusory, tower so vertical as virtual and nevertheless, opened by point before his eyes in a small room of a building anyone. The mirrors order and multiply. The mirrors take care of us and remember us. The mirrors alter and interrogate us. It suits to lose, with the excitation of the explorer who has come the first one, in the space of the mirrors.<\/p>\n

Miguel \u00c1ngel D\u00edaz Camacho. PhD Architect
\nMadrid. May 2015.
\nAuthor of the\u00a0Parr\u00e1fos de arquitectura<\/em>. #arquiParrafos<\/a><\/span><\/p>\n

Notes:<\/p>\n

1<\/sup> One of Ram\u00f3n G\u00f3mez de la Serna<\/a>a’s outcries takes form of aphorism to assure that \u00abto the mirrors they do not forget the suits to stripes\u00bb. An exciting way of connecting the mirrors with the memory is found by us in Solano Benitez<\/a>‘s project for the tomb of his father<\/a> in Piribebuy, Paraguay.<\/p>\n

2<\/sup> Luis Garc\u00eda Montero, \u00abThe mirrors\u00bb, in Separated rooms<\/a>, Madrid, Visor, 2009, page. 31.<\/p>\n

3<\/sup>\u00a0Lewis Carroll, \u201cThrough the Looking-Glass, and What Alice Found There\u201d,\u00a0\u00a01871.<\/p>\n

4<\/sup>\u00a0SANAA, Serpentine Gallery Pavillon, 2009; Alejandro de la Sota, casa Dom\u00ednguez, 1975-78.<\/p>\n

5<\/sup> \u00abYucatan Mirror Displacement\u00bb or \u00abIthaca Mirror Trail\u00bb,\u00a0Robert Smithson<\/a>1969; \u00abTurning the World Upside Down<\/a>\u00bb Anish Kapoor 2010-11.<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Los espejos funcionan como las pupilas de un espacio intra-muros, una habitaci\u00f3n\u00a0outdoor\u00a0desde la que nos observan. En ocasiones conservan incluso algunos recuerdos de nuestras vidas, como los espejos porosos y polvorientos de las casas viejas, que parecen examinarnos desde los sombreros y trajes a rayas de nuestros antepasados1. Tambi\u00e9n los espejos nos cuidan, nos […]<\/p>\n","protected":false},"author":5,"featured_media":63730,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[92,93,6743,9945,12448,2631,147,2641,12908,659,668,785,12281,815,865,6465,2496,1021,3640,1517,1865,1206,6763],"class_list":["post-63729","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-aldo-van-eyck","tag-alejandro-de-la-sota","tag-alison-smithson","tag-anish-kapoor","tag-arquitectura-espanola","tag-arquitectura-moderna","tag-construir","tag-gene-summers","tag-habitar","tag-historia","tag-le-corbusier","tag-lewis-carroll","tag-maestro","tag-mies-van-der-rohe","tag-miguel-angel-diaz-camacho","tag-movimiento","tag-pensamiento","tag-peter-smithson","tag-peter-y-alison-smithson","tag-reflexion","tag-sanaa","tag-solano-benitez"],"yoast_head":"\n[:es]El 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