{"id":63214,"date":"2017-02-06T00:13:43","date_gmt":"2017-02-05T23:13:43","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=63214"},"modified":"2025-11-13T16:59:03","modified_gmt":"2025-11-13T15:59:03","slug":"cajas-luz-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/cajas-luz-inigo-garcia-odiaga\/","title":{"rendered":"[:es]Cajas de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Caixas de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Light Boxes | \u00cd\u00f1igo Garc\u00eda Odiaga[:]"},"content":{"rendered":"<p>[:es]<figure id=\"attachment_63221\" aria-describedby=\"caption-attachment-63221\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-63221\" title=\"Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/02\/Cajas-de-luz-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-general.jpg\" alt=\"Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57\" width=\"750\" height=\"926\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/02\/Cajas-de-luz-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-general.jpg 800w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/02\/Cajas-de-luz-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-general-243x300.jpg 243w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-63221\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/tag\/louis-i-kahn\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Louis Kahn<\/strong><\/a> lleg\u00f3 a asegurar que un espacio donde no entrase la luz natural, no podr\u00eda se considerado un espacio arquitect\u00f3nico. La afirmaci\u00f3n aunque tal vez algo exagerada, es sin duda sugerente.<\/p>\n<p style=\"text-align: justify;\">De hecho la arquitectura en una de sus m\u00faltiples definiciones podr\u00eda determinarse como el arte de controlar la luz, y controlarla adem\u00e1s en funci\u00f3n del clima y del uso de la caja.<\/p>\n<p style=\"text-align: justify;\">En las latitudes m\u00e1s calurosas y luminosas la sombra ha sido siempre lo m\u00e1s deseado, y las celos\u00edas, tamices, toldos y peque\u00f1as aperturas los mecanismos que la arquitectura ha utilizado para alejar el calor y definir la penumbra. Por el contrario en los pa\u00edses escandinavos, el claro en el bosque es el mito de la luz, de la claridad y los grandes ventanales orientados al mediod\u00eda las herramientas del arquitecto para buscar ese sue\u00f1o.<\/p>\n<p style=\"text-align: justify;\">Pero tambi\u00e9n el uso y la funci\u00f3n determinan el tipo de iluminaci\u00f3n de un espacio. <a href=\"https:\/\/veredes.es\/blog\/tag\/carlo-scarpa\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Carlo Scarpa<\/strong><\/a> lo sab\u00eda bien. No es lo mismo iluminar el espacio que iluminar las paredes. En un museo de reproducciones de obras cl\u00e1sicas en yeso, una <strong>Gipsoteca,<\/strong> el problema suele ser la falta de densidad del material de las piezas. La luz no incide igual, no vibra y reverbera igual sobre el yeso que sobre el m\u00e1rmol pent\u00e9lico.<\/p>\n<p style=\"text-align: justify;\">Si en el m\u00e1rmol los brillos y las sombras construyen el peso de la materia, en el yeso la luz parece volver las piezas d\u00e9biles, quebradizas y porosas, casi huecas.<\/p>\n<p style=\"text-align: justify;\">La<strong> Gipsoteca Canoviana<\/strong> en <strong>Possagno<\/strong> construida entre 1955 y 1957, tiene una planta en la que se agrupan varias cajas ciegas, sin ventanas. <strong>Scarpa<\/strong> elimin\u00f3 las esquinas superiores de las salas de exposiciones, en el encuentro de las paredes con el techo, construyendo unos peque\u00f1os prismas vidriados a modo de cajas de luz.<\/p>\n<figure id=\"attachment_63216\" aria-describedby=\"caption-attachment-63216\" style=\"width: 748px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-63216\" title=\"Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/01\/Cajas-de-luz-02-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57.jpg\" alt=\"Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57\" width=\"748\" height=\"1294\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/01\/Cajas-de-luz-02-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57.jpg 289w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/01\/Cajas-de-luz-02-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-173x300.jpg 173w\" sizes=\"auto, (max-width: 748px) 100vw, 748px\" \/><figcaption id=\"caption-attachment-63216\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Este simple gesto ba\u00f1a de luz las paredes de la sala, dejando el centro en una sostenida penumbra. Mediante este artificio, los moldes de yeso cobran vida al contrastar su densidad oscura contra un fondo luminoso que parece desmaterializarse. Las banales piezas de yeso se vuelven sublimes bajo la luz. Si esto no es arquitectura, es dif\u00edcil saber que podr\u00eda serlo.<\/p>\n<p style=\"text-align: justify;\">\u00cd\u00f1igo Garc\u00eda Odiaga. arquitecto<br \/>\nSan Sebasti\u00e1n. Febrero 2017<\/p>\n<p>[:gl]<figure id=\"attachment_63221\" aria-describedby=\"caption-attachment-63221\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-63221\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/02\/Cajas-de-luz-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-general.jpg\" alt=\"Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57\" width=\"640\" height=\"790\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/02\/Cajas-de-luz-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-general.jpg 800w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/02\/Cajas-de-luz-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-general-243x300.jpg 243w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-63221\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/gl\/tag\/louis-i-kahn\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Louis Kahn<\/strong><\/a> chegou a asegurar que un espazo onde non entrase a luz natural, non poder\u00eda considerar un espazo arquitect\u00f3nico. A afirmaci\u00f3n a\u00ednda que talvez algo esaxerada, \u00e9 sen d\u00fabida suxestiva.<\/p>\n<p style=\"text-align: justify;\">De feito a arquitectura nunha das s\u00faas m\u00faltiples definici\u00f3ns poder\u00eda determinarse como a arte de controlar a luz, e controlala ademais en funci\u00f3n do clima e do uso da caixa.<\/p>\n<p style=\"text-align: justify;\">Nas latitudes m\u00e1is calorosas e luminosas a sombra foi sempre o m\u00e1is desexado, e as celos\u00edas, tamices, toldos e pequenas aperturas os mecanismos que a arquitectura utilizou para afastar a calor e definir a penumbra. Pola contra nos pa\u00edses escandinavos, o claro no bosque \u00e9 o mito da luz, da claridade e as grandes vent\u00e1s orientadas ao mediod\u00eda as ferramentas do arquitecto para buscar ese so\u00f1o.<\/p>\n<p style=\"text-align: justify;\">Pero tam\u00e9n o uso e a funci\u00f3n determinan o tipo de iluminaci\u00f3n dun espazo. <a href=\"https:\/\/veredes.es\/blog\/gl\/tag\/carlo-scarpa\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Carlo Scarpa<\/strong><\/a> sab\u00edao ben. Non \u00e9 o mesmo iluminar o espazo que iluminar as paredes. Nun museo de reproduci\u00f3ns de obras cl\u00e1sicas en yeso, unha <strong>Gipsoteca<\/strong>, o problema adoita ser a falta de densidade do material das pezas. A luz non incide igual, non vibra e reverbera igual sobre o yeso que sobre o m\u00e1rmore pent\u00e9lico.<\/p>\n<p style=\"text-align: justify;\">Se no m\u00e1rmore os brillos e as sombras constr\u00faen o peso da materia, no yeso a luz parece volver as pezas d\u00e9biles, quebradizas e porosas, case ocas.<\/p>\n<p style=\"text-align: justify;\">A <strong>Gipsoteca Canoviana<\/strong> en <strong>Possagno<\/strong> constru\u00edda entre 1955 e 1957, ten unha planta na que se agrupan varias caixas cegas, sen xanelas. Scarpa eliminou as esquinas superiores das salas de exposici\u00f3ns, no encontro das paredes co teito, constru\u00edndo uns pequenos prismas vidriados a modo de caixas de luz.<\/p>\n<figure id=\"attachment_63216\" aria-describedby=\"caption-attachment-63216\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-63216\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/01\/Cajas-de-luz-02-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57.jpg\" alt=\"Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57\" width=\"640\" height=\"1107\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/01\/Cajas-de-luz-02-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57.jpg 289w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/01\/Cajas-de-luz-02-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-173x300.jpg 173w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-63216\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Este simple xesto ba\u00f1a de luz as paredes da sala, deixando o centro nunha sostida penumbra. Mediante este artificio, os moldes de yeso cobran vida ao contrastar a s\u00faa densidade escura contra un fondo luminoso que parece desmaterializarse. As banais pezas de yeso v\u00f3lvense sublimes baixo a luz. Se isto non \u00e9 arquitectura, \u00e9 dif\u00edcil saber que poder\u00eda selo.<\/p>\n<p style=\"text-align: justify;\">\u00cd\u00f1igo Garc\u00eda Odiaga. arquitecto<br \/>\nSan Sebasti\u00e1n. Febreiro 2017<\/p>\n<p>[:en]<figure id=\"attachment_63221\" aria-describedby=\"caption-attachment-63221\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-63221\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/02\/Cajas-de-luz-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-general.jpg\" alt=\"Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57\" width=\"640\" height=\"790\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/02\/Cajas-de-luz-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-general.jpg 800w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/02\/Cajas-de-luz-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-general-243x300.jpg 243w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-63221\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Gipsoteca Canoviana in Possagno, Carlo Scarpa, 1955-57<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/en\/tag\/louis-i-kahn\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Louis Kahn<\/strong><\/a> managed to assure that a space where it should not enter the natural light, might not considered an architectural space. The affirmation though maybe slightly exagerate, it is undoubtedly suggestive.<\/p>\n<p style=\"text-align: justify;\">In fact the architecture in one of his multiple definitions might decide as the art of controlling the light, and control her in addition depending on the climate and the use of the box.<\/p>\n<p style=\"text-align: justify;\">In the warmest and luminous latitudes the shade has been always the most wished thing, and the lattices, sieves, tents and small openings the mechanisms that the architecture has used to remove the heat and to define the semidarkness. On the contrary in the Scandinavian countries, the clear one in the forest it is the myth of the light, of the clarity and the big large windows orientated to the midday the tools of the architect to look for this dream.<\/p>\n<p style=\"text-align: justify;\">But also the use and the function determine the type of lighting of a space. <a href=\"https:\/\/veredes.es\/blog\/en\/tag\/carlo-scarpa\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Carlo Scarpa<\/strong><\/a> knew it well. It is not the same thing the space illuminates that to illuminate the walls. In a museum of reproductions of classic works in plaster, a <strong>Gipsoteca<\/strong>, the problem is in the habit of being the lack of density of the material of the pieces. The light does not affect equally, does not vibrate and is reflected equally on the plaster that on the marble pent\u00e9lico.<\/p>\n<p style=\"text-align: justify;\">If in the marble the sheens and the shades construct the weight of the matter, in the plaster the light seems to turn the weak, fragile and porous, almost hollow pieces.<\/p>\n<p style=\"text-align: justify;\">The <strong>Gipsoteca Canoviana<\/strong> in<strong> Possagno<\/strong> constructed between 1955 and 1957, has a plant in which several blind boxes are grouped, without windows. Scarpa eliminated the top corners of the rooms of exhibitions, in the meeting of the walls with the ceiling, constructing a few small prisms glazed like boxes of light.<\/p>\n<figure id=\"attachment_63216\" aria-describedby=\"caption-attachment-63216\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-63216\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/01\/Cajas-de-luz-02-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57.jpg\" alt=\"Gipsoteca Canoviana en Possagno, Carlo Scarpa, 1955-57\" width=\"640\" height=\"1107\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/01\/Cajas-de-luz-02-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57.jpg 289w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2017\/01\/Cajas-de-luz-02-Gipsoteca-Canoviana-en-Possagno-Carlo-Scarpa-1955-57-173x300.jpg 173w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-63216\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Gipsoteca Canoviana ein Possagno, Carlo Scarpa, 1955-57<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">This simple gesture bathes of light the walls of the room, leaving the center in a supported semidarkness. By means of this artifice, the plaster casts receive life on having confirmed his dark density against a luminous bottom that seems desmaterializarse. The banal pieces of plaster become sublime under the light. If this is not an architecture, it is difficult to know that it it might be.<\/p>\n<p style=\"text-align: justify;\">\u00cd\u00f1igo Garc\u00eda Odiaga. architect<br \/>\nSan Sebasti\u00e1n. February 2017<\/p>\n<p>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] Louis Kahn lleg\u00f3 a asegurar que un espacio donde no entrase la luz natural, no podr\u00eda se considerado un espacio arquitect\u00f3nico. La afirmaci\u00f3n aunque tal vez algo exagerada, es sin duda sugerente. De hecho la arquitectura en una de sus m\u00faltiples definiciones podr\u00eda determinarse como el arte de controlar la luz, y controlarla adem\u00e1s [&hellip;]<\/p>\n","protected":false},"author":31,"featured_media":63221,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[11951,6657,9132,5185,668,4285,3104,810,1278,2048],"class_list":["post-63214","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-americana","tag-arquitectura-italiana","tag-arquitectura-norteamericana","tag-carlo-scarpa","tag-historia","tag-inigo-garcia-odiaga","tag-louis-i-kahn","tag-luz","tag-teoria","tag-teoria-e-historia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[:es]Cajas de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Caixas de luz | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Light Boxes | \u00cd\u00f1igo Garc\u00eda Odiaga[:] - 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