{"id":62013,"date":"2016-10-07T00:50:31","date_gmt":"2016-10-06T22:50:31","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=62013"},"modified":"2024-01-11T09:41:13","modified_gmt":"2024-01-11T08:41:13","slug":"zumthor-sosiego-la-seduccion-marcelo-gardinetti","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/","title":{"rendered":"[:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:]"},"content":{"rendered":"

[:es]

\"museo-de-la-mina-de-almannajuvet-noruega-fotografia-arne-espeland-01\"
Museo de la mina de Almannajuvet (Noruega) | Fotograf\u00eda: Arne Espeland<\/span><\/figcaption><\/figure><\/p>\n

Una de las principales motivaciones de Peter Zumthor<\/a> respecto a su propia obra consiste en proponer el entendimiento inmediato del objeto construido, para bucear mediante un atisbo primario la sensibilidad emocional de sus espectadores. En busca de ese objetivo, Zumthor procura que las combinaciones de formas, materiales, colores y texturas, se amalgamen en el pensamiento perceptivo, dando lugar a la creaci\u00f3n de una atm\u00f3sfera arquitect\u00f3nica de identidad univoca.<\/p>\n

A partir de esta idea, manipula cada entidad de dise\u00f1o perfilando su anatom\u00eda, deliberando d\u00f3nde y cu\u00e1ndo debe influir o no en un contexto determinado, y c\u00f3mo debe expresar su presencia material en ese medio. La tensi\u00f3n que propone entre el entorno y el objeto busca alcanzar una sensaci\u00f3n de lugar de manera natural, sin que la imposici\u00f3n de masas altere el equilibrio existente. Para ello, armoniza las posibilidades cinem\u00e1ticas de los elementos de la arquitectura mediante secuencias espaciales que estimulan la distensi\u00f3n y la sorpresa.<\/p>\n

\"museo-de-la-mina-de-almannajuvet-noruega-fotografia-arne-espeland-04\"
Museo de la mina de Almannajuvet (Noruega) | Fotograf\u00eda: Arne Espeland<\/span><\/figcaption><\/figure>\n

Los 4 vol\u00famenes que forman parte del conjunto museogr\u00e1fico de la mina de zinc respetan cabalmente estos c\u00e1nones. Cada objeto parece levitar sobre la ladera, siguiendo la estrategia de recorrido que propone el plan del sitio. De esta forma, Zumthor evita un excesivo peso visual sobre el paisaje, pero adem\u00e1s revaloriza los dep\u00f3sitos arqueol\u00f3gicos de la mina de Almannajuvet como el verdadero museo.<\/p>\n

Cada uno de los edificios responde a un fin espec\u00edfico y por lo tanto arrogan diferentes configuraciones, pero el arte constructivo es com\u00fan a todos y se reduce a un manejo lucido de la madera, empleada tanto a modo de elemento estructural como para establecer los l\u00edmites del espacio habitable.<\/p>\n

\"Museo
Museo de la mina de Almannajuvet (Noruega) | Fotograf\u00eda: Arne Espeland<\/span><\/figcaption><\/figure>\n

La estructura de pino, preservada por las cualidades biocidas de la creosota, se disemina sobre la ladera como un bosque de delgados soportes. En algunos casos los tirantillos apoyan directamente sobre el suelo, cubriendo todo el per\u00edmetro de la caja que soportan. En otros, se sujetan a las paredes verticales del estrato rocoso, fundando un soporte estructural en voladizo.<\/p>\n

Por encima de cada estructura reposan vol\u00famenes de madera te\u00f1ida de color azul cobalto. Pesadas puertas de acero cincado permiten acceder al interior de esas instalaciones, que contienen las \u00e1reas de informaci\u00f3n, las \u00e1reas administrativas y la cafeter\u00eda. Una cubierta liviana de chapa ondulada separada de la caja azul corona el conjunto.<\/p>\n

\"Museo
Museo de la mina de Almannajuvet (Noruega) | Fotograf\u00eda: Arne Espeland<\/span><\/figcaption><\/figure>\n

Los cuatro edificios, estrat\u00e9gicamente ubicados, proponen un espect\u00e1culo ambiguo y encantador. Sus formas estrictas se revelan entre los componentes naturales del sitio, pero la complexi\u00f3n delicada de su arquitectura y la caracter\u00edstica de sus texturas y colores, permiten que se funda entre el paisaje que forman los abedules, las piedras de granito y el musgo que cubre el lugar.<\/p>\n

Zumthor conduce el proceso constructivo con coherencia desde la gestaci\u00f3n<\/a>, consolidando el dise\u00f1o mediante el desarrollo de maquetas escala uno en uno, que permiten pulir los m\u00e1s variados detalles mediante una paciente b\u00fasqueda de la perfecci\u00f3n constructiva.<\/p>\n

\"Museo
Museo de la mina de Almannajuvet (Noruega) | Fotograf\u00eda: Arne Espeland<\/span><\/figcaption><\/figure>\n

Las estructuras incorporadas salpican el paisaje con la cordialidad que pretende el artista. El entendimiento compositivo es alcanzado de inmediato. Las formas construidas se amalgaman en la monta\u00f1a, concertando una atmosfera que cautiva mediante el arrobamiento visual.<\/p>\n

Zumthor<\/a> sumerge al visitante en un compendio de sensaciones<\/a> l\u00facidas y afables, mediante el est\u00edmulo de un espect\u00e1culo visual que prospera entre el clima de sosiego y las delicias de la seducci\u00f3n.<\/p>\n

\"Museo
Museo de la mina de Almannajuvet (Noruega) | Fotograf\u00eda: Atelier Peter Zumtor<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata, Argentina. Octubre 2015<\/p>\n

[:gl]

\"museo-de-la-mina-de-almannajuvet-noruega-fotografia-arne-espeland-01\"
Museo da mina de Almannajuvet (Noruega) | Fotograf\u00eda: Arne Espeland<\/span><\/figcaption><\/figure><\/p>\n

Unha das principais motivaci\u00f3ns de Peter Zumthor<\/a> respecto da s\u00faa propia obra consiste en propo\u00f1er o entendemento inmediato do obxecto constru\u00eddo, para mergullar mediante un indicio primario a sensibilidade emocional dos seus espectadores. En busca dese obxectivo, Zumthor procura que as combinaci\u00f3ns de formas, materiais, cores e texturas, se amalgamen no pensamento perceptivo, dando lugar \u00e1 creaci\u00f3n dunha atmosfera arquitect\u00f3nica de identidade univoca.<\/p>\n

A partir desta idea, manipula cada entidade de dese\u00f1o perfilando a s\u00faa anatom\u00eda, deliberando onde e cando debe influ\u00edr ou non nun contexto determinado, e como debe expresar a s\u00faa presenza material nese medio. A tensi\u00f3n que prop\u00f3n entre a contorna e o obxecto busca alcanzar unha sensaci\u00f3n de lugar de maneira natural, sen que a imposici\u00f3n de masas altere o equilibrio existente. Para iso, harmoniza as posibilidades cinem\u00e1ticas dos elementos da arquitectura mediante secuencias espaciais que estimulan a distensi\u00f3n e a sorpresa.<\/p>\n

\"museo-de-la-mina-de-almannajuvet-noruega-fotografia-arne-espeland-04\"
Museo da mina de Almannajuvet (Noruega) | Fotograf\u00eda: Arne Espeland<\/span><\/figcaption><\/figure>\n

Os 4 volumes que forman parte do conxunto museogr\u00e1fico da mina de zinc respectan cabalmente estes canons. Cada obxecto parece levitar sobre a ladeira, seguindo a estratexia de percorrido que prop\u00f3n o plan do sitio. Desta forma, Zumthor evita un excesivo peso visual sobre a paisaxe, pero ademais revaloriza os dep\u00f3sitos arqueol\u00f3xicos da mina de Almannajuvet como o verdadeiro museo.<\/p>\n

Cada un dos edificios responde a un fin espec\u00edfico e por tanto arrogan diferentes configuraci\u00f3ns, pero a arte construtiva \u00e9 com\u00fan a todos e red\u00facese a un manexo lucido da madeira, empregada tanto a modo de elemento estrutural como para establecer os l\u00edmites do espazo habitable.<\/p>\n

\"Museo
Museo da mina de Almannajuvet (Noruega) | Fotograf\u00eda: Arne Espeland<\/span><\/figcaption><\/figure>\n

A estrutura de pi\u00f1eiro, preservada polas calidades biocidas da creosota, se disemina sobre a ladeira como un bosque de delgados soportes. Nalg\u00fans casos os tirantillos apoian directamente sobre o chan, cubrindo todo o per\u00edmetro da caixa que soportan. Noutros, sux\u00e9itanse \u00e1s paredes verticais do estrato rochoso, fundando un soporte estrutural en voladizo.<\/p>\n

Por encima de cada estrutura repousan volumes de madeira tinguida de cor azul cobalto. Pesadas portas de aceiro cincado permiten acceder ao interior desas instalaci\u00f3ns, que conte\u00f1en as \u00e1reas de informaci\u00f3n, as \u00e1reas administrativas e a cafeter\u00eda. Unha cuberta livi\u00e1 de chapa ondulada separada da caixa azul coroa o conxunto.<\/p>\n

\"Museo
Museo da mina de Almannajuvet (Noruega) | Fotograf\u00eda: Arne Espeland<\/span><\/figcaption><\/figure>\n

Os catro edificios, estratexicamente situados, propo\u00f1en un espect\u00e1culo ambiguo e encantador. As s\u00faas formas estritas rev\u00e9lanse entre os compo\u00f1entes naturais do sitio, pero a complexi\u00f3n delicada da s\u00faa arquitectura e a caracter\u00edstica das s\u00faas texturas e cores, permiten que se funda entre a paisaxe que forman os bidueiros, as pedras de granito e o bri\u00f3n que cobre o lugar.<\/p>\n

Zumthor conduce o proceso construtivo con coherencia desde a xestaci\u00f3n<\/a>, consolidando o dese\u00f1o mediante o desenvolvemento de maquetas escala un nun, que permiten pu\u00edr os m\u00e1is variados detalles mediante unha paciente procura da perfecci\u00f3n construtiva.<\/p>\n

\"Museo
Museo da mina de Almannajuvet (Noruega) | Fotograf\u00eda: Arne Espeland<\/span><\/figcaption><\/figure>\n

As estruturas incorporadas salpican a paisaxe coa cordialidade que pretende o artista. O entendemento compositivo \u00e9 alcanzado de inmediato. As formas constru\u00eddas se amalgaman na monta\u00f1a, concertando unha atmosfera que cativa mediante o arrobamiento visual.<\/p>\n

Zumthor<\/a> mergulla ao visitante nun compendio de sensaci\u00f3ns<\/a> l\u00facidas e afables, mediante o est\u00edmulo dun espect\u00e1culo visual que prospera entre o clima de acougo e as delicias da seduci\u00f3n.<\/p>\n

\"Museo
Museo da mina de Almannajuvet (Noruega) | Fotograf\u00eda: Atelier Peter Zumtor<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Arquitecto
\nLa Plata, Argentina. Outubro 2015<\/p>\n

[:en]

\"museo-de-la-mina-de-almannajuvet-noruega-fotografia-arne-espeland-01\"
Zinc mine museum Almannajuvet (Norway) | Photography: Arne Espeland<\/span><\/figcaption><\/figure><\/p>\n

One of Peter Zumthor<\/a>‘s principal motivations with regard to his own work consists of proposing the immediate understanding of the constructed object, to dive by means of a primary observation the emotional sensibility of his spectators. In search of this aim, Zumthor tries that the combinations of forms, materials, colors and textures, they amalgamate in the perceptive thought, giving place to the creation of an architectural atmosphere of univocal identity.<\/p>\n

From this idea, it manipulates every entity of design outlining his anatomy, deliberating where and when it must influence or not in a certain context, and since his material presence must express in this way. Tension that he proposes between the environment and the object seeks to reach a sensation of place of a natural way, without the imposition of masses alters the existing balance. For it, it harmonizes the cinematic possibilities of the elements of the architecture by means of spatial sequences that stimulate the expansion and the surprise.<\/p>\n

\"museo-de-la-mina-de-almannajuvet-noruega-fotografia-arne-espeland-04\"
Zinc mine museum Almannajuvet (Norway) | Photography: Arne Espeland<\/span><\/figcaption><\/figure>\n

4 volumes that form a part of the set museogr\u00e1fico of the mine of zinc respect cabalmente these c\u00e1nones. Every object seems levitar on the hillside, following the strategy of tour that proposes the plan of the site. Of this form, Zumthor avoids an excessive visual weight on the landscape, but in addition it revalues the archaeological warehouses of Almannajuvet’s mine as the real museum.<\/p>\n

Each of the buildings answers to a specific end and therefore they assume different configurations, but the constructive art is common to all and diminishes to a managing illuminated of the wood, used so much like structural element as to establish the limits of the inhabitable space.<\/p>\n

\"Museo
Zinc mine museum Almannajuvet (Norway) | Photography: Arne Espeland<\/span><\/figcaption><\/figure>\n

The structure of pine, preserved by the qualities biocidas of the creosote, is spread on the hillside as a forest of thin supports. On some cases the tirantillos rest directly on the soil, covering the whole perimeter of the box that they support. In others, they subject themselves to the vertical walls of the rocky stratum, founding a structural support in projecting.<\/p>\n

Over every structure there rest volumes of wood dyed of blue color cobalt. Heavy doors of steel cincado allow to accede to the interior of these facilities, which contain the areas of information, the administrative areas and the cafeteria. A frivolous cover of wavy sheet separated from the blue box crowns the set.<\/p>\n

\"Museo
Zinc mine museum Almannajuvet (Norway) | Photography: Arne Espeland<\/span><\/figcaption><\/figure>\n

Four buildings, strategically located, propose an ambiguous and charming spectacle. His strict forms are revealed between the natural components of the site, but the delicate complexion of his architecture and the characteristic of his textures and colors, allow that it should fuse between the landscape that there form the birches, the stones of granite and the moss that covers the place.<\/p>\n

Zumthor leads the constructive process with coherence from the gestation<\/a>, consolidating the design by means of the development of models climbs one in one, which the most varied details allow pulir by means of a patient search of the constructive perfection.<\/p>\n

\"Museo
Zinc mine museum Almannajuvet (Norway) | Photography: Arne Espeland<\/span><\/figcaption><\/figure>\n

The built-in structures splash the landscape with the warmth that the artist claims. The understanding compositivo is reached at once. They amalgamate the constructed forms in the mountain, coordinating an atmosphere that it captivates by means of the visual ecstasy.<\/p>\n

Zumthor<\/a> immerses the visitor in a compendium of lucid and affable sensations<\/a>, by means of the stimulus of a visual spectacle that prospers between the climate of quiet and the delights of the seduction.<\/p>\n

\"Museo
Zinc mine museum Almannajuvet (Norway) | Photography: Atelier Peter Zumtor<\/span><\/figcaption><\/figure>\n

Marcelo Gardinetti. Architect
\nLa Plata, Argentina. October 2015<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Una de las principales motivaciones de Peter Zumthor respecto a su propia obra consiste en proponer el entendimiento inmediato del objeto construido, para bucear mediante un atisbo primario la sensibilidad emocional de sus espectadores. En busca de ese objetivo, Zumthor procura que las combinaciones de formas, materiales, colores y texturas, se amalgamen en el […]<\/p>\n","protected":false},"author":4,"featured_media":62015,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[2539,812,7137,6949,150,12456,815,4985,12453,977,9160,1726,3311,1286,1298],"class_list":["post-62013","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-arquitectura-del-paisaje","tag-arquitectura-en-madera","tag-arquitectura-popular","tag-arquitectura-suiza","tag-arquitectura-tradicional","tag-equipamiento-cultural","tag-maestro","tag-marcelo-gardinetti","tag-museo-arquitectura-arquitectura","tag-paisaje","tag-paisaje-cultural","tag-peter-zumthor","tag-tecnica-tradicional","tag-territorio","tag-tradicion"],"yoast_head":"\n[:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:] - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: [:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/marcegardinetti\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-06T22:50:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-11T08:41:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/09\/Museo-de-la-mina-de-Almannajuvet-Noruega-Fotograf\u00eda-Arne-Espeland-04.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"534\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Marcelo Gardinetti\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/marcegardinetti\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Marcelo Gardinetti\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/\"},\"author\":{\"name\":\"Marcelo Gardinetti\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/e03af9138634cd6876b9935dc1536c82\"},\"headline\":\"[:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:]\",\"datePublished\":\"2016-10-06T22:50:31+00:00\",\"dateModified\":\"2024-01-11T08:41:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/\"},\"wordCount\":2073,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/09\\\/Museo-de-la-mina-de-Almannajuvet-Noruega-Fotograf\u00eda-Arne-Espeland-04.jpg\",\"keywords\":[\"arquitectura del paisaje\",\"arquitectura en madera\",\"arquitectura popular\",\"arquitectura suiza\",\"arquitectura tradicional\",\"equipamiento cultural\",\"maestro\",\"Marcelo Gardinetti\",\"museo\",\"paisaje\",\"paisaje cultural\",\"Peter Zumthor\",\"t\u00e9cnica tradicional\",\"territorio\",\"tradici\u00f3n\"],\"articleSection\":[\"faro\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/\",\"name\":\"[:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:] - veredes\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/09\\\/Museo-de-la-mina-de-Almannajuvet-Noruega-Fotograf\u00eda-Arne-Espeland-04.jpg\",\"datePublished\":\"2016-10-06T22:50:31+00:00\",\"dateModified\":\"2024-01-11T08:41:13+00:00\",\"description\":\"Toda la informaci\u00f3n sobre: [:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:]\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/09\\\/Museo-de-la-mina-de-Almannajuvet-Noruega-Fotograf\u00eda-Arne-Espeland-04.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2016\\\/09\\\/Museo-de-la-mina-de-Almannajuvet-Noruega-Fotograf\u00eda-Arne-Espeland-04.jpg\",\"width\":800,\"height\":534},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/e03af9138634cd6876b9935dc1536c82\",\"name\":\"Marcelo Gardinetti\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/marcelogardinetti-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/marcelogardinetti-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/marcelogardinetti-96x96.jpg\",\"caption\":\"Marcelo Gardinetti\"},\"description\":\"No voy a hablar de la penumbra, mejor voy a ver si puedo despertar. Arquitecto, - Universidad Nacional de La Plata, La Plata, 1985 - Editor responsable en Tecnne 2012 a la fecha. - Columnista de arquitectura en revistas y sitios web. 2012 a la fecha - Director en estudio de arquitectura, 1985 a la fecha. - Consultor Senior en Proyectos institucionales. 1995 a la fecha - Docente, Universidad Nacional de La Plata, 1985-1990 y 2011-2014 - Coordinador T\u00e9cnico en Universidad Nacional de Tres de Febrero, 2014 - 2019 - Director en Arquitectura Escolar, Provincia de Buenos Aires, 1991-1996 y 2001-2010 - Representante T\u00e9cnico, convenio UBA - FETINGRA, a\u00f1os 2020 a la fecha\",\"sameAs\":[\"https:\\\/\\\/marcelogardinetti.com\\\/\",\"https:\\\/\\\/www.facebook.com\\\/marcegardinetti\",\"https:\\\/\\\/www.instagram.com\\\/marcelogardinetti\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/marcelogardinetti\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/marcegardinetti\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/marcelo-gardinetti\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"[:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:] - veredes","description":"Toda la informaci\u00f3n sobre: [:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:]","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/","og_locale":"es_ES","og_type":"article","og_title":"[:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:] - veredes","og_description":"Toda la informaci\u00f3n sobre: [:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:]","og_url":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/marcegardinetti","article_published_time":"2016-10-06T22:50:31+00:00","article_modified_time":"2024-01-11T08:41:13+00:00","og_image":[{"width":800,"height":534,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/09\/Museo-de-la-mina-de-Almannajuvet-Noruega-Fotograf\u00eda-Arne-Espeland-04.jpg","type":"image\/jpeg"}],"author":"Marcelo Gardinetti","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/marcegardinetti","twitter_site":"@veredes","twitter_misc":{"Escrito por":"Marcelo Gardinetti","Tiempo de lectura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/"},"author":{"name":"Marcelo Gardinetti","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/e03af9138634cd6876b9935dc1536c82"},"headline":"[:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:]","datePublished":"2016-10-06T22:50:31+00:00","dateModified":"2024-01-11T08:41:13+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/"},"wordCount":2073,"commentCount":0,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/09\/Museo-de-la-mina-de-Almannajuvet-Noruega-Fotograf\u00eda-Arne-Espeland-04.jpg","keywords":["arquitectura del paisaje","arquitectura en madera","arquitectura popular","arquitectura suiza","arquitectura tradicional","equipamiento cultural","maestro","Marcelo Gardinetti","museo","paisaje","paisaje cultural","Peter Zumthor","t\u00e9cnica tradicional","territorio","tradici\u00f3n"],"articleSection":["faro","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/","url":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/","name":"[:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:] - veredes","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/09\/Museo-de-la-mina-de-Almannajuvet-Noruega-Fotograf\u00eda-Arne-Espeland-04.jpg","datePublished":"2016-10-06T22:50:31+00:00","dateModified":"2024-01-11T08:41:13+00:00","description":"Toda la informaci\u00f3n sobre: [:es]Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti[:gl]Zumthor, entre o acougo e a seduci\u00f3n | Marcelo Gardinetti[:en]Zumthor, between the quiet and the seduction | Marcelo Gardinetti[:]","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/09\/Museo-de-la-mina-de-Almannajuvet-Noruega-Fotograf\u00eda-Arne-Espeland-04.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2016\/09\/Museo-de-la-mina-de-Almannajuvet-Noruega-Fotograf\u00eda-Arne-Espeland-04.jpg","width":800,"height":534},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/zumthor-sosiego-la-seduccion-marcelo-gardinetti\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Zumthor, entre el sosiego y la seducci\u00f3n | Marcelo Gardinetti"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/e03af9138634cd6876b9935dc1536c82","name":"Marcelo Gardinetti","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/marcelogardinetti-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/marcelogardinetti-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/marcelogardinetti-96x96.jpg","caption":"Marcelo Gardinetti"},"description":"No voy a hablar de la penumbra, mejor voy a ver si puedo despertar. Arquitecto, - Universidad Nacional de La Plata, La Plata, 1985 - Editor responsable en Tecnne 2012 a la fecha. - Columnista de arquitectura en revistas y sitios web. 2012 a la fecha - Director en estudio de arquitectura, 1985 a la fecha. - Consultor Senior en Proyectos institucionales. 1995 a la fecha - Docente, Universidad Nacional de La Plata, 1985-1990 y 2011-2014 - Coordinador T\u00e9cnico en Universidad Nacional de Tres de Febrero, 2014 - 2019 - Director en Arquitectura Escolar, Provincia de Buenos Aires, 1991-1996 y 2001-2010 - Representante T\u00e9cnico, convenio UBA - FETINGRA, a\u00f1os 2020 a la fecha","sameAs":["https:\/\/marcelogardinetti.com\/","https:\/\/www.facebook.com\/marcegardinetti","https:\/\/www.instagram.com\/marcelogardinetti\/","https:\/\/www.linkedin.com\/in\/marcelogardinetti\/","https:\/\/x.com\/https:\/\/twitter.com\/marcegardinetti"],"url":"https:\/\/veredes.es\/blog\/author\/marcelo-gardinetti\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/62013","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=62013"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/62013\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/62015"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=62013"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=62013"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=62013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}